Songs like Looking Up Turning Round by Sven Hammond
Based on a tempo of (+/- 10%) and a similar genre
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The Soul Snatchers
Now That You've Got It
98 bpm • G# Maj • 03:00 • -5db
27% Popularity • 85% Danceability • 74% Energy • 7% Liveness
8% Instrumentalness • 78% Positiveness
27% Popularity • 85% Danceability • 74% Energy • 7% Liveness
8% Instrumentalness • 78% Positiveness
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Hidden Harmonie
Lift Love
98 bpm • F min • 03:09 • -7.06db
20% Popularity • 81% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
20% Popularity • 81% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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MF Robots
Brand New Day
98 bpm • C Maj • 03:59 • -9db
25% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
25% Popularity • 76% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 89% Positiveness
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Raul Midón
Pick Somebody Up
98 bpm • B min • 03:32 • -9.63db
35% Popularity • 77% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
35% Popularity • 77% Danceability • 62% Energy • 20% Liveness
0% Instrumentalness • 62% Positiveness
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Stanton Moore
Here Come The Girls
98 bpm • A min • 04:06 • -5db
30% Popularity • 77% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
30% Popularity • 77% Danceability • 60% Energy • 6% Liveness
1% Instrumentalness • 59% Positiveness
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Sven Hammond
Monk's Point
98 bpm • A# Maj • 04:24 • -13.88db
4% Popularity • 42% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
4% Popularity • 42% Danceability • 25% Energy • 11% Liveness
83% Instrumentalness • 12% Positiveness
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Power to the Pipo
Catwoman
98 bpm • C Maj • 05:21 • -8db
8% Popularity • 70% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 52% Positiveness
8% Popularity • 70% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 52% Positiveness
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Cory Henry
Switch
98 bpm • C# Maj • 03:16 • -7.74db
40% Popularity • 86% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 86% Danceability • 69% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Philip Lassiter
Repent
98 bpm • F Maj • 05:16 • -4db
26% Popularity • 78% Danceability • 96% Energy • 6% Liveness
7% Instrumentalness • 60% Positiveness
26% Popularity • 78% Danceability • 96% Energy • 6% Liveness
7% Instrumentalness • 60% Positiveness
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Shaolin Temple Defenders
It's So Easy
98 bpm • E Maj • 04:08 • -7.83db
27% Popularity • 77% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
27% Popularity • 77% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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Randy Crawford
Same Old Story (Same Old Song)
98 bpm • E min • 04:08 • -10.24db
33% Popularity • 79% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
33% Popularity • 79% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 90% Positiveness
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Sven Hammond
Diamond Drink
98 bpm • C# Maj • 04:01 • -9.6db
27% Popularity • 81% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 41% Positiveness
27% Popularity • 81% Danceability • 34% Energy • 13% Liveness
1% Instrumentalness • 41% Positiveness
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Johnny "Guitar" Watson
A Real Mother For Ya
98 bpm • D# Maj • 05:04 • -8.49db
44% Popularity • 86% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 47% Positiveness
44% Popularity • 86% Danceability • 67% Energy • 5% Liveness
1% Instrumentalness • 47% Positiveness
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Bernard "Pretty" Purdie
Elevate
98 bpm • F Maj • 03:51 • -7db
14% Popularity • 62% Danceability • 88% Energy • 16% Liveness
2% Instrumentalness • 82% Positiveness
14% Popularity • 62% Danceability • 88% Energy • 16% Liveness
2% Instrumentalness • 82% Positiveness
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D/troit
D/Rumble
98 bpm • G Maj • 02:11 • -4db
16% Popularity • 47% Danceability • 92% Energy • 20% Liveness
2% Instrumentalness • 78% Positiveness
16% Popularity • 47% Danceability • 92% Energy • 20% Liveness
2% Instrumentalness • 78% Positiveness
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Doyle Bramhall II
Everything You Need
98 bpm • G min • 05:02 • -8db
31% Popularity • 54% Danceability • 80% Energy • 15% Liveness
10% Instrumentalness • 48% Positiveness
31% Popularity • 54% Danceability • 80% Energy • 15% Liveness
10% Instrumentalness • 48% Positiveness
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Al Jarreau
Roof Garden
99 bpm • G# Maj • 06:20 • -13.88db
43% Popularity • 75% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
43% Popularity • 75% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Sven Hammond
Looking Up Turning Round
98 bpm • C min • 03:31 • -5.97db
4% Popularity • 63% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
4% Popularity • 63% Danceability • 80% Energy • 47% Liveness
0% Instrumentalness • 70% Positiveness
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Steffen Morrison
Positivity
97 bpm • G# Maj • 03:19 • -6.12db
38% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
38% Popularity • 53% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Fred Wesley
Spring Like
99 bpm • A# Maj • 03:48 • -7.93db
13% Popularity • 74% Danceability • 74% Energy • 12% Liveness
4% Instrumentalness • 83% Positiveness
13% Popularity • 74% Danceability • 74% Energy • 12% Liveness
4% Instrumentalness • 83% Positiveness
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Hamel
In Between
99 bpm • G# min • 03:21 • -6.99db
23% Popularity • 74% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 74% Danceability • 51% Energy • 53% Liveness
0% Instrumentalness • 74% Positiveness
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Kinga Glyk
Circle
97 bpm • C Maj • 04:32 • -7.17db
19% Popularity • 57% Danceability • 73% Energy • 11% Liveness
83% Instrumentalness • 74% Positiveness
19% Popularity • 57% Danceability • 73% Energy • 11% Liveness
83% Instrumentalness • 74% Positiveness
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Dawn Brothers
What Kind of Woman
97 bpm • C Maj • 03:34 • -8.46db
29% Popularity • 67% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
29% Popularity • 67% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 83% Positiveness
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Sven Hammond
Benny's Blues
99 bpm • A# min • 06:32 • -8.44db
6% Popularity • 69% Danceability • 83% Energy • 43% Liveness
75% Instrumentalness • 80% Positiveness
6% Popularity • 69% Danceability • 83% Energy • 43% Liveness
75% Instrumentalness • 80% Positiveness
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Lorrèn
Hideaway
99 bpm • A min • 03:38 • -6.43db
18% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
18% Popularity • 71% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Simon Oslender
Edge of Life
97 bpm • G# Maj • 06:28 • -7.27db
11% Popularity • 75% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
11% Popularity • 75% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Ntjam Rosie
Start over Again
99 bpm • C Maj • 03:39 • -6.19db
24% Popularity • 76% Danceability • 64% Energy • 19% Liveness
1% Instrumentalness • 95% Positiveness
24% Popularity • 76% Danceability • 64% Energy • 19% Liveness
1% Instrumentalness • 95% Positiveness
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Raul Midón
Pedal to the Metal
97 bpm • G min • 03:38 • -9db
28% Popularity • 72% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 72% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Montis, Goudsmit & Directie
Mozzarella
97 bpm • C# Maj • 06:03 • -8.83db
8% Popularity • 76% Danceability • 68% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
8% Popularity • 76% Danceability • 68% Energy • 13% Liveness
93% Instrumentalness • 45% Positiveness
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Sven Hammond
Fat Cakes
99 bpm • C# Maj • 04:38 • -6.61db
7% Popularity • 57% Danceability • 86% Energy • 11% Liveness
78% Instrumentalness • 63% Positiveness
7% Popularity • 57% Danceability • 86% Energy • 11% Liveness
78% Instrumentalness • 63% Positiveness
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Ben Sidran
Too Many People
97 bpm • D# min • 05:34 • -12.64db
18% Popularity • 87% Danceability • 34% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
18% Popularity • 87% Danceability • 34% Energy • 8% Liveness
4% Instrumentalness • 84% Positiveness
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Ana Popovic
Funkin’ attitude
97 bpm • E min • 04:58 • -5.48db
26% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
26% Popularity • 80% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Soul Jazz Express
Couple A Brownies
97 bpm • A# Maj • 05:17 • -7db
32% Popularity • 78% Danceability • 54% Energy • 19% Liveness
43% Instrumentalness • 62% Positiveness
32% Popularity • 78% Danceability • 54% Energy • 19% Liveness
43% Instrumentalness • 62% Positiveness
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Sweet D'buster
It Take A Lot Of Time - To Let All Peopl...
99 bpm • A Maj • 04:53 • -11.93db
14% Popularity • 53% Danceability • 81% Energy • 5% Liveness
50% Instrumentalness • 70% Positiveness
14% Popularity • 53% Danceability • 81% Energy • 5% Liveness
50% Instrumentalness • 70% Positiveness
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Montis, Goudsmit & Directie
Skit Mozzarella 1
97 bpm • A# min • 01:14 • -11.43db
34% Popularity • 76% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
34% Popularity • 76% Danceability • 41% Energy • 9% Liveness
88% Instrumentalness • 52% Positiveness
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The Filthy Six
Blind Man Boogaloo
99 bpm • F Maj • 04:53 • -8.37db
9% Popularity • 56% Danceability • 86% Energy • 14% Liveness
95% Instrumentalness • 96% Positiveness
9% Popularity • 56% Danceability • 86% Energy • 14% Liveness
95% Instrumentalness • 96% Positiveness
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Jungle by Night
Ja Precis
97 bpm • D min • 04:13 • -8.04db
21% Popularity • 70% Danceability • 57% Energy • 5% Liveness
86% Instrumentalness • 74% Positiveness
21% Popularity • 70% Danceability • 57% Energy • 5% Liveness
86% Instrumentalness • 74% Positiveness
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BRUUT!
Binson
100 bpm • A# min • 04:07 • -13.87db
19% Popularity • 67% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
19% Popularity • 67% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 56% Positiveness
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Henrik Freischlader
Early Morning Blues
100 bpm • G Maj • 05:19 • -9db
22% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 65% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Stone Foundation
Season of Change
100 bpm • D Maj • 04:09 • -7.43db
21% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 68% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Sven Hammond
Dutch Grease - live
96 bpm • G Maj • 03:51 • -9.44db
11% Popularity • 62% Danceability • 85% Energy • 42% Liveness
59% Instrumentalness • 72% Positiveness
11% Popularity • 62% Danceability • 85% Energy • 42% Liveness
59% Instrumentalness • 72% Positiveness
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Montis, Goudsmit & Directie
Dimongo Special
100 bpm • D Maj • 03:50 • -8.51db
11% Popularity • 80% Danceability • 59% Energy • 38% Liveness
85% Instrumentalness • 80% Positiveness
11% Popularity • 80% Danceability • 59% Energy • 38% Liveness
85% Instrumentalness • 80% Positiveness
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Pee Wee Ellis
Chicken Soup
100 bpm • F min • 06:44 • -10db
7% Popularity • 51% Danceability • 90% Energy • 6% Liveness
81% Instrumentalness • 79% Positiveness
7% Popularity • 51% Danceability • 90% Energy • 6% Liveness
81% Instrumentalness • 79% Positiveness
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Rik Mol
Mr Trumpet Man
96 bpm • F# min • 03:18 • -4.58db
9% Popularity • 68% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
9% Popularity • 68% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Doctorfunk
Second Opinion
100 bpm • D Maj • 04:48 • -4.39db
15% Popularity • 87% Danceability • 74% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
15% Popularity • 87% Danceability • 74% Energy • 2% Liveness
0% Instrumentalness • 81% Positiveness
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Steffen Morrison
You've Been Hit by a Butterfly
100 bpm • C Maj • 03:23 • -7.21db
33% Popularity • 66% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
33% Popularity • 66% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Philip Lassiter
Sugar Coat Me
100 bpm • C# Maj • 04:47 • -6.59db
18% Popularity • 75% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
18% Popularity • 75% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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Eric Legnini
Here Comes The Beat Man
100 bpm • D Maj • 04:15 • -8.32db
12% Popularity • 76% Danceability • 84% Energy • 6% Liveness
48% Instrumentalness • 92% Positiveness
12% Popularity • 76% Danceability • 84% Energy • 6% Liveness
48% Instrumentalness • 92% Positiveness
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Supermoon
Taxman
96 bpm • F min • 03:02 • -6.19db
9% Popularity • 78% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
9% Popularity • 78% Danceability • 81% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Gecko Turner
Holly Hollywood
100 bpm • C# Maj • 03:15 • -10db
29% Popularity • 83% Danceability • 44% Energy • 7% Liveness
65% Instrumentalness • 71% Positiveness
29% Popularity • 83% Danceability • 44% Energy • 7% Liveness
65% Instrumentalness • 71% Positiveness
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Bronk
Mr Collins
96 bpm • C Maj • 04:16 • -7.76db
10% Popularity • 89% Danceability • 70% Energy • 7% Liveness
47% Instrumentalness • 50% Positiveness
10% Popularity • 89% Danceability • 70% Energy • 7% Liveness
47% Instrumentalness • 50% Positiveness
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Ida Nielsen
F.U.NKWHY
96 bpm • G Maj • 03:43 • -6.58db
29% Popularity • 73% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 73% Danceability • 91% Energy • 37% Liveness
0% Instrumentalness • 68% Positiveness
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Hans Dulfer
Big Boy
96 bpm • A# min • 04:45 • -6db
12% Popularity • 59% Danceability • 92% Energy • 43% Liveness
27% Instrumentalness • 51% Positiveness
12% Popularity • 59% Danceability • 92% Energy • 43% Liveness
27% Instrumentalness • 51% Positiveness
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Kinga Glyk
Let's Play Some Funky Groove
100 bpm • G# min • 02:51 • -10.79db
35% Popularity • 70% Danceability • 60% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
35% Popularity • 70% Danceability • 60% Energy • 12% Liveness
82% Instrumentalness • 86% Positiveness
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Jamison Ross
A Mellow Good Time
100 bpm • C Maj • 04:19 • -8.97db
18% Popularity • 83% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
18% Popularity • 83% Danceability • 64% Energy • 46% Liveness
0% Instrumentalness • 79% Positiveness
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Jonathan Jeremiah
Rising Up
100 bpm • F# min • 04:24 • -12.08db
31% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
31% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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The Filthy Six
Getting Better
100 bpm • G min • 04:20 • -10.95db
11% Popularity • 68% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
11% Popularity • 68% Danceability • 33% Energy • 10% Liveness
93% Instrumentalness • 52% Positiveness
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The Brand New Heavies
Have A Good Time
100 bpm • C# Maj • 03:12 • -10db
40% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
40% Popularity • 78% Danceability • 70% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Jamey Arent
How Far We've Come
101 bpm • G# Maj • 03:59 • -4db
32% Popularity • 64% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
32% Popularity • 64% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 51% Positiveness
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Delmontis
Make It Right
101 bpm • D# min • 03:13 • -7.27db
8% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 53% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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D/troit
Let There Be Rock
101 bpm • D Maj • 02:53 • -4.77db
16% Popularity • 66% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
16% Popularity • 66% Danceability • 77% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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The Jig
Spic & Span
95 bpm • G Maj • 03:27 • -8.26db
9% Popularity • 65% Danceability • 82% Energy • 5% Liveness
88% Instrumentalness • 77% Positiveness
9% Popularity • 65% Danceability • 82% Energy • 5% Liveness
88% Instrumentalness • 77% Positiveness
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Jared Grant
Fuel to the Soul
101 bpm • D Maj • 03:44 • -19.12db
16% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
16% Popularity • 68% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Montis, Goudsmit & Directie
CEO
101 bpm • E min • 03:24 • -8.71db
17% Popularity • 70% Danceability • 85% Energy • 8% Liveness
83% Instrumentalness • 79% Positiveness
17% Popularity • 70% Danceability • 85% Energy • 8% Liveness
83% Instrumentalness • 79% Positiveness
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Hamilton Loomis
Give It Back
95 bpm • A# min • 04:39 • -6.98db
24% Popularity • 82% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
24% Popularity • 82% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Nona
Preaching To The Choir
95 bpm • A# min • 03:30 • -7db
30% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
30% Popularity • 71% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Sugaray Rayford
Take Me Back
101 bpm • C min • 03:24 • -3.81db
25% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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The Jig
Gotta Try, Gonna Die
95 bpm • A Maj • 03:19 • -6.67db
14% Popularity • 71% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 71% Danceability • 86% Energy • 60% Liveness
0% Instrumentalness • 87% Positiveness
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Laura Vane & The Vipertones
You Give Me What I Want
95 bpm • D Maj • 03:12 • -5db
29% Popularity • 79% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 79% Danceability • 78% Energy • 3% Liveness
0% Instrumentalness • 71% Positiveness
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Jan Akkerman
Piétons
101 bpm • E min • 08:00 • -10.61db
10% Popularity • 81% Danceability • 58% Energy • 7% Liveness
82% Instrumentalness • 70% Positiveness
10% Popularity • 81% Danceability • 58% Energy • 7% Liveness
82% Instrumentalness • 70% Positiveness
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Steve Gadd Band
The Mountain
95 bpm • G# Maj • 06:11 • -14.62db
10% Popularity • 85% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
10% Popularity • 85% Danceability • 18% Energy • 8% Liveness
90% Instrumentalness • 57% Positiveness
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MY BABY
Got A Habit
95 bpm • F# min • 03:51 • -8.02db
18% Popularity • 87% Danceability • 45% Energy • 47% Liveness
2% Instrumentalness • 75% Positiveness
18% Popularity • 87% Danceability • 45% Energy • 47% Liveness
2% Instrumentalness • 75% Positiveness
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Sven Hammond
Svoogaloo
95 bpm • C Maj • 04:54 • -7.81db
20% Popularity • 44% Danceability • 67% Energy • 7% Liveness
83% Instrumentalness • 74% Positiveness
20% Popularity • 44% Danceability • 67% Energy • 7% Liveness
83% Instrumentalness • 74% Positiveness
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Jeff Cascaro
Holler
94 bpm • C Maj • 04:18 • -6.92db
34% Popularity • 66% Danceability • 61% Energy • 19% Liveness
4% Instrumentalness • 79% Positiveness
34% Popularity • 66% Danceability • 61% Energy • 19% Liveness
4% Instrumentalness • 79% Positiveness
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Izo FitzRoy
Wolves in Disguise
94 bpm • F min • 03:32 • -8.25db
25% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
25% Popularity • 36% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 88% Positiveness
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Steffen Morrison
Where I Wanna Be
94 bpm • A Maj • 03:23 • -6.41db
15% Popularity • 62% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 62% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 47% Positiveness
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Love the System
Microwave
102 bpm • B min • 03:32 • -9.02db
4% Popularity • 85% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
4% Popularity • 85% Danceability • 46% Energy • 3% Liveness
0% Instrumentalness • 77% Positiveness
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Cliff Beach
Confident
102 bpm • F# min • 03:19 • -6.8db
27% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 69% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Sven Hammond
Radar Love - Hammond Version
101 bpm • F# min • 03:15 • -22.43db
11% Popularity • 44% Danceability • 39% Energy • 67% Liveness
44% Instrumentalness • 32% Positiveness
11% Popularity • 44% Danceability • 39% Energy • 67% Liveness
44% Instrumentalness • 32% Positiveness
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Robert Cray
The Same Love That Made Me Laugh
102 bpm • A# Maj • 03:51 • -6.29db
32% Popularity • 72% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
32% Popularity • 72% Danceability • 69% Energy • 9% Liveness
1% Instrumentalness • 72% Positiveness
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Izo FitzRoy
I Keep You Guessing
102 bpm • B min • 03:31 • -7.5db
25% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
25% Popularity • 72% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Montis, Goudsmit & Directie
Boogie On Reggae Woman
94 bpm • G Maj • 04:38 • -13.11db
19% Popularity • 82% Danceability • 51% Energy • 7% Liveness
90% Instrumentalness • 76% Positiveness
19% Popularity • 82% Danceability • 51% Energy • 7% Liveness
90% Instrumentalness • 76% Positiveness
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Ana Popovic
Like It on Top
94 bpm • A# min • 04:45 • -6db
31% Popularity • 75% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 91% Positiveness
31% Popularity • 75% Danceability • 77% Energy • 4% Liveness
1% Instrumentalness • 91% Positiveness
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The Soul Snatchers
Who I Am
94 bpm • G min • 03:13 • -5.43db
13% Popularity • 71% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 71% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 91% Positiveness
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The Tibbs
Blue Monday
102 bpm • B min • 04:10 • -6.99db
26% Popularity • 73% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
26% Popularity • 73% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Tony Monaco
Mozzarella
102 bpm • A# min • 06:52 • -9.48db
14% Popularity • 61% Danceability • 66% Energy • 9% Liveness
68% Instrumentalness • 89% Positiveness
14% Popularity • 61% Danceability • 66% Energy • 9% Liveness
68% Instrumentalness • 89% Positiveness
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The Filthy Six
Down Frenchmen St
94 bpm • D# Maj • 05:57 • -11.86db
29% Popularity • 82% Danceability • 59% Energy • 8% Liveness
73% Instrumentalness • 96% Positiveness
29% Popularity • 82% Danceability • 59% Energy • 8% Liveness
73% Instrumentalness • 96% Positiveness
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Sven Hammond
Evidence - I'll Never Let Go
102 bpm • C# Maj • 02:48 • -12.13db
5% Popularity • 64% Danceability • 39% Energy • 12% Liveness
36% Instrumentalness • 48% Positiveness
5% Popularity • 64% Danceability • 39% Energy • 12% Liveness
36% Instrumentalness • 48% Positiveness
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Ronny Jordan
No Pay, No Play
94 bpm • G# min • 03:49 • -7.24db
31% Popularity • 81% Danceability • 55% Energy • 11% Liveness
37% Instrumentalness • 86% Positiveness
31% Popularity • 81% Danceability • 55% Energy • 11% Liveness
37% Instrumentalness • 86% Positiveness
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Tom Principato
Too Damn Funky
102 bpm • G Maj • 05:26 • -9.16db
23% Popularity • 62% Danceability • 86% Energy • 32% Liveness
62% Instrumentalness • 76% Positiveness
23% Popularity • 62% Danceability • 86% Energy • 32% Liveness
62% Instrumentalness • 76% Positiveness
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Cory Henry
Rise
94 bpm • D Maj • 04:34 • -4.74db
23% Popularity • 69% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
23% Popularity • 69% Danceability • 90% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Shaolin Temple Defenders
What About You
94 bpm • F min • 04:08 • -6.65db
23% Popularity • 77% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
23% Popularity • 77% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Family Company
You Haven't Done Nothin'
103 bpm • A# min • 03:47 • -7.73db
16% Popularity • 61% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
16% Popularity • 61% Danceability • 58% Energy • 33% Liveness
0% Instrumentalness • 75% Positiveness
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Gallowstreet
Plaaggeest
103 bpm • G min • 04:37 • -8.6db
16% Popularity • 60% Danceability • 62% Energy • 25% Liveness
72% Instrumentalness • 53% Positiveness
16% Popularity • 60% Danceability • 62% Energy • 25% Liveness
72% Instrumentalness • 53% Positiveness
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Rob Longstaff
Number Through the Wash
93 bpm • D Maj • 03:00 • -6.17db
11% Popularity • 74% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
11% Popularity • 74% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Milo Z
Playin' Hookie
93 bpm • A Maj • 04:36 • -9.66db
8% Popularity • 78% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 78% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 88% Positiveness
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Judith Hill
The Pepper Club
103 bpm • F Maj • 03:57 • -3.3db
19% Popularity • 90% Danceability • 80% Energy • 5% Liveness
4% Instrumentalness • 81% Positiveness
19% Popularity • 90% Danceability • 80% Energy • 5% Liveness
4% Instrumentalness • 81% Positiveness
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Dawn Brothers
Neighbor
103 bpm • G min • 03:51 • -9.57db
29% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 56% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
