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Lost Hearts
Songs like
Lost Hearts
by
Black Elk
Based on a tempo of (+/- 10%) and a similar genre
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Rebour
The Lonely Road
100 bpm • C Maj • 03:09 • -20.17db
27% Popularity • 32% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 21% Positiveness
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Mirja Kempe
From a Fading Light
100 bpm • A min • 03:54 • -20.4db
22% Popularity • 39% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 24% Positiveness
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Heinali
Sway, Sway
100 bpm • E min • 04:53 • -15.11db
35% Popularity • 64% Danceability • 23% Energy • 11% Liveness
90% Instrumentalness • 31% Positiveness
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RIOPY
Return Home
100 bpm • D Maj • 02:58 • -16.07db
20% Popularity • 62% Danceability • 10% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Black Elk
Lost Hearts
100 bpm • A# min • 02:16 • -17.28db
3% Popularity • 16% Danceability • 34% Energy • 10% Liveness
98% Instrumentalness • 15% Positiveness
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Piano Novel
Enchantement
100 bpm • C min • 02:57 • -22.42db
33% Popularity • 35% Danceability • 6% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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Hugar
Felt
100 bpm • C Maj • 02:22 • -35.45db
37% Popularity • 53% Danceability • 1% Energy • 8% Liveness
95% Instrumentalness • 60% Positiveness
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Elba
The Last Hour of Loneliness
99 bpm • A# Maj • 03:18 • -26.32db
16% Popularity • 30% Danceability • 5% Energy • 11% Liveness
90% Instrumentalness • 7% Positiveness
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Chad Lawson
Nocturne in a Minor
101 bpm • A min • 06:02 • -27.42db
50% Popularity • 19% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Frederic Botton
L'un part... l'autre reste
101 bpm • G Maj • 04:21 • -20.52db
30% Popularity • 33% Danceability • 8% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Charles Bolt
Deco
99 bpm • F# Maj • 01:32 • -29.92db
38% Popularity • 23% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 12% Positiveness
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Black Elk
Sketch II_IV
101 bpm • G min • 05:51 • -25.2db
0% Popularity • 14% Danceability • 8% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Roberto Cacciapaglia
Endless Time
102 bpm • F Maj • 03:14 • -16.78db
43% Popularity • 33% Danceability • 19% Energy • 10% Liveness
89% Instrumentalness • 13% Positiveness
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Charlie Key
For the Loved Ones
98 bpm • A min • 03:14 • -25.02db
29% Popularity • 55% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Ilya Beshevli
Pacific Ocean
98 bpm • G# Maj • 02:52 • -15.03db
9% Popularity • 29% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 24% Positiveness
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Ólafur Arnalds
1440 - Remastered 10th Anniversary Editi...
103 bpm • F# Maj • 06:56 • -23db
31% Popularity • 30% Danceability • 4% Energy • 16% Liveness
90% Instrumentalness • 8% Positiveness
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Martin Landh
Lilac (Scaled Down Version)
98 bpm • G# Maj • 02:16 • -26.47db
29% Popularity • 73% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 14% Positiveness
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Sophie Hutchings
By Night
104 bpm • A# Maj • 05:29 • -17db
47% Popularity • 33% Danceability • 20% Energy • 12% Liveness
91% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Tema celeste
96 bpm • D Maj • 04:09 • -14.48db
33% Popularity • 21% Danceability • 24% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Piotr Miteska
Ready Set Love
104 bpm • G min • 01:29 • -25db
39% Popularity • 60% Danceability • 0% Energy • 9% Liveness
88% Instrumentalness • 12% Positiveness
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Ilya Beshevli
Bird in Captivity
97 bpm • A min • 02:38 • -17.44db
19% Popularity • 23% Danceability • 31% Energy • 13% Liveness
98% Instrumentalness • 23% Positiveness
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Julius Aston
Trieste
104 bpm • F Maj • 03:06 • -21db
21% Popularity • 56% Danceability • 4% Energy • 8% Liveness
94% Instrumentalness • 23% Positiveness
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Ólafur Arnalds
0952 - Remastered 10th Anniversary Editi...
103 bpm • D# Maj • 03:04 • -23.24db
30% Popularity • 22% Danceability • 9% Energy • 8% Liveness
96% Instrumentalness • 13% Positiveness
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Black Elk
Sketch VI_IV
104 bpm • A# Maj • 05:44 • -20.15db
0% Popularity • 15% Danceability • 26% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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Roberto Cacciapaglia
Outdoor
95 bpm • F# Maj • 04:26 • -17.47db
34% Popularity • 48% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Lo Mimieux
Denouement (Scaled Down Version)
95 bpm • C Maj • 02:20 • -19.26db
36% Popularity • 50% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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Medéa Bokor
Papa
95 bpm • A min • 01:09 • -22.42db
33% Popularity • 57% Danceability • 11% Energy • 8% Liveness
93% Instrumentalness • 62% Positiveness
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James Heather
And She Came Home
95 bpm • C min • 03:01 • -25.14db
47% Popularity • 31% Danceability • 6% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Lucy Claire
Kaiwata Tsuki - The Barren Moon
106 bpm • C min • 03:56 • -26db
32% Popularity • 29% Danceability • 6% Energy • 30% Liveness
92% Instrumentalness • 4% Positiveness
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RIOPY
Drive
94 bpm • G# Maj • 05:05 • -13.36db
43% Popularity • 30% Danceability • 48% Energy • 10% Liveness
78% Instrumentalness • 42% Positiveness
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Lars Meyer
Sustain
106 bpm • C min • 02:26 • -14.02db
36% Popularity • 36% Danceability • 23% Energy • 15% Liveness
93% Instrumentalness • 8% Positiveness
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Kristoffer Wallin
Variation Prologue
106 bpm • G min • 03:37 • -25.97db
12% Popularity • 34% Danceability • 5% Energy • 14% Liveness
91% Instrumentalness • 36% Positiveness
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Yann Tiersen
Naval
94 bpm • D min • 03:38 • -19db
45% Popularity • 36% Danceability • 16% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Mike Lazarev
Reprise
94 bpm • D min • 01:56 • -25.87db
48% Popularity • 43% Danceability • 3% Energy • 9% Liveness
90% Instrumentalness • 26% Positiveness
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Mélanie Laurent
Fin
106 bpm • F# Maj • 02:11 • -26.42db
47% Popularity • 34% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 6% Positiveness
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Daigo Hanada
Silhouette
106 bpm • C min • 02:10 • -27db
33% Popularity • 37% Danceability • 6% Energy • 15% Liveness
56% Instrumentalness • 14% Positiveness
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Oscar Collin
Translucent
107 bpm • D# Maj • 02:07 • -25.65db
35% Popularity • 17% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Conrad Sieverts
The Wait
107 bpm • A min • 03:12 • -17.79db
23% Popularity • 54% Danceability • 8% Energy • 18% Liveness
91% Instrumentalness • 23% Positiveness
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Una Luna
Send A Raven North
107 bpm • D# Maj • 02:33 • -29.22db
28% Popularity • 38% Danceability • 2% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Leonard Anderson
The Girl Plays
107 bpm • D# Maj • 03:08 • -25.19db
15% Popularity • 38% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 16% Positiveness
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Philip Wesley
The Approaching Night
93 bpm • C Maj • 06:39 • -23.88db
55% Popularity • 43% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 8% Positiveness
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James Spiteri
Blossom
93 bpm • F# min • 04:57 • -20db
26% Popularity • 29% Danceability • 2% Energy • 12% Liveness
89% Instrumentalness • 9% Positiveness
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Max Swan
Downstreams
107 bpm • A# min • 02:18 • -25.15db
38% Popularity • 40% Danceability • 4% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Mae Ji-Yoon
Vibrations
108 bpm • G# Maj • 02:53 • -23.98db
50% Popularity • 67% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 53% Positiveness
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Gabriel Parker
Phase One
93 bpm • C# min • 02:03 • -16db
26% Popularity • 33% Danceability • 36% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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William Joseph
Bella's Lullaby
92 bpm • G Maj • 02:38 • -11.87db
40% Popularity • 34% Danceability • 27% Energy • 12% Liveness
18% Instrumentalness • 9% Positiveness
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Shaun Taylor McManus
Ascend
92 bpm • F min • 03:42 • -14.94db
11% Popularity • 15% Danceability • 24% Energy • 18% Liveness
94% Instrumentalness • 5% Positiveness
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Charles Bolt
Above the Clouds
92 bpm • G min • 02:27 • -20.13db
36% Popularity • 63% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Greg Maroney
Breathe
92 bpm • C# min • 05:42 • -16db
39% Popularity • 21% Danceability • 24% Energy • 14% Liveness
86% Instrumentalness • 18% Positiveness
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Federico Albanese
My Piano Night
109 bpm • C min • 04:45 • -30db
37% Popularity • 40% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Stefano Guzzetti
To Sleep for a New Day
109 bpm • F Maj • 03:58 • -11.75db
10% Popularity • 48% Danceability • 38% Energy • 11% Liveness
86% Instrumentalness • 22% Positiveness
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RIOPY
Attraction
91 bpm • C Maj • 03:23 • -13.97db
30% Popularity • 11% Danceability • 61% Energy • 12% Liveness
91% Instrumentalness • 21% Positiveness
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Gian Marco La Serra
Prelude
91 bpm • G# Maj • 04:31 • -18.5db
30% Popularity • 30% Danceability • 13% Energy • 9% Liveness
96% Instrumentalness • 8% Positiveness
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Charles Bolt
Seasons Changing
110 bpm • D Maj • 02:19 • -24.33db
41% Popularity • 56% Danceability • 7% Energy • 9% Liveness
96% Instrumentalness • 17% Positiveness
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Sarah Modene
On the Edge
91 bpm • G Maj • 04:35 • -24db
34% Popularity • 22% Danceability • 10% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Giuseppe Galvetti
Ibaraki Evenings
110 bpm • G# min • 01:44 • -26db
23% Popularity • 31% Danceability • 7% Energy • 9% Liveness
91% Instrumentalness • 21% Positiveness
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James Spiteri
Travelling
110 bpm • D# min • 03:57 • -19.33db
50% Popularity • 40% Danceability • 6% Energy • 12% Liveness
90% Instrumentalness • 22% Positiveness
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Julien Marchal
Insight XXX
111 bpm • C# Maj • 04:11 • -30.88db
31% Popularity • 41% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 19% Positiveness
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Jóhann Jóhannsson
A Model of the Universe
90 bpm • G min • 02:52 • -29.26db
64% Popularity • 34% Danceability • 4% Energy • 22% Liveness
96% Instrumentalness • 7% Positiveness
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Roberto Jonata
Netka
90 bpm • A min • 07:24 • -24.96db
12% Popularity • 19% Danceability • 17% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Reverse
111 bpm • F# min • 03:42 • -12.86db
31% Popularity • 55% Danceability • 31% Energy • 11% Liveness
91% Instrumentalness • 42% Positiveness
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Gabriel Parker
Intervention
111 bpm • D Maj • 02:19 • -17.61db
38% Popularity • 54% Danceability • 5% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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James Spiteri
February
90 bpm • A# min • 04:50 • -21.29db
34% Popularity • 31% Danceability • 7% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Sophie Hutchings
Tail Lights
111 bpm • G# Maj • 03:26 • -27.09db
30% Popularity • 34% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Black Elk
Intro
111 bpm • F min • 01:38 • -19.64db
48% Popularity • 40% Danceability • 27% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Philip Glass
Metamorphosis 2
112 bpm • A min • 07:09 • -29.22db
31% Popularity • 25% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Dimitri Stöckl
Leave Me
112 bpm • G# min • 02:49 • -25.46db
21% Popularity • 49% Danceability • 5% Energy • 10% Liveness
94% Instrumentalness • 15% Positiveness
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Piano Novel
Fendre l'écorce
112 bpm • A# min • 03:23 • -18.7db
21% Popularity • 35% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 11% Positiveness
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Layla Frost
Anticipation
89 bpm • B Maj • 03:09 • -18.84db
10% Popularity • 35% Danceability • 9% Energy • 11% Liveness
89% Instrumentalness • 19% Positiveness
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Emika
Dilo 7
112 bpm • A min • 02:11 • -24.65db
31% Popularity • 57% Danceability • 4% Energy • 7% Liveness
88% Instrumentalness • 24% Positiveness
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Black Elk
Sketch III_I
90 bpm • C min • 04:32 • -22.88db
0% Popularity • 12% Danceability • 5% Energy • 24% Liveness
85% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Madison
113 bpm • B min • 03:00 • -26.18db
29% Popularity • 28% Danceability • 6% Energy • 8% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Elliot Ziegler
Keep Me
113 bpm • G Maj • 03:10 • -19.83db
41% Popularity • 40% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 7% Positiveness
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Roberto Cacciapaglia
Seconda navigazione
89 bpm • B min • 03:51 • -13.93db
39% Popularity • 32% Danceability • 26% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
► Preview
Elijah Bossenbroek
Rest
113 bpm • F# min • 03:49 • -18.73db
32% Popularity • 28% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Piano Novel
Reflets
113 bpm • C# Maj • 02:22 • -22.76db
17% Popularity • 43% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
► Preview
Black Elk
Aphotic Widow
89 bpm • C# min • 04:34 • -16.47db
4% Popularity • 17% Danceability • 20% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
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Niall Byrne
From the First Moment
114 bpm • G min • 02:40 • -22.39db
20% Popularity • 48% Danceability • 7% Energy • 19% Liveness
94% Instrumentalness • 31% Positiveness
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James Heather
Pathos
88 bpm • F min • 03:49 • -23db
40% Popularity • 20% Danceability • 7% Energy • 12% Liveness
87% Instrumentalness • 3% Positiveness
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Roberto Cacciapaglia
Fiamme
89 bpm • C Maj • 04:25 • -12.44db
20% Popularity • 19% Danceability • 29% Energy • 9% Liveness
94% Instrumentalness • 8% Positiveness
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Rhiannon Bannenberg
Pain Has a Memory
114 bpm • G# min • 01:03 • -19.25db
42% Popularity • 36% Danceability • 17% Energy • 30% Liveness
82% Instrumentalness • 19% Positiveness
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Figaro Castello
Purple Dreams
114 bpm • D min • 02:27 • -23.69db
33% Popularity • 60% Danceability • 25% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Black Elk
Sketch IV_III
114 bpm • E Maj • 02:32 • -19.59db
0% Popularity • 41% Danceability • 16% Energy • 8% Liveness
87% Instrumentalness • 24% Positiveness
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Ana Olgica
Sugarcane
114 bpm • C Maj • 02:24 • -27.86db
43% Popularity • 36% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 46% Positiveness
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Oscar Sundberg
Suvi
114 bpm • F# Maj • 05:04 • -17db
16% Popularity • 32% Danceability • 24% Energy • 10% Liveness
93% Instrumentalness • 19% Positiveness
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Lucina Chase
The Naked Man
114 bpm • D min • 02:20 • -23.36db
12% Popularity • 34% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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SigrÃður
Interconnectivity
114 bpm • C Maj • 01:43 • -25.82db
38% Popularity • 29% Danceability • 3% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
► Preview
Tomasz Kraal
Lava
114 bpm • F# min • 03:30 • -21.19db
19% Popularity • 34% Danceability • 4% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Black Elk
Outro
115 bpm • C# min • 03:40 • -22.29db
4% Popularity • 54% Danceability • 7% Energy • 13% Liveness
92% Instrumentalness • 11% Positiveness
► Preview
Andy Gbormittah
Help
115 bpm • G# Maj • 01:34 • -25.76db
36% Popularity • 45% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
► Preview
David de Miguel
Butterfly Dreams
115 bpm • G# Maj • 03:28 • -22.92db
20% Popularity • 38% Danceability • 10% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
► Preview
Dardust
Birth - Acoustic Version
87 bpm • D min • 04:09 • -13db
36% Popularity • 40% Danceability • 29% Energy • 10% Liveness
93% Instrumentalness • 10% Positiveness
► Preview
Alberto Giurioli
One Note
115 bpm • C Maj • 04:45 • -17.61db
29% Popularity • 58% Danceability • 29% Energy • 5% Liveness
95% Instrumentalness • 25% Positiveness
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Luke Howard
In Metaphor, Solace
116 bpm • A# min • 02:33 • -22.3db
39% Popularity • 28% Danceability • 14% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
► Preview
Józef Gatysik
Evolutionistically yours
116 bpm • F Maj • 02:40 • -32db
24% Popularity • 32% Danceability • 1% Energy • 13% Liveness
93% Instrumentalness • 11% Positiveness
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Clem Leek
Breaking Down
116 bpm • D min • 03:04 • -21db
28% Popularity • 48% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 13% Positiveness
► Preview
Aaron Lansing
Faded Dreams
116 bpm • A min • 01:51 • -33db
39% Popularity • 40% Danceability • 1% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
► Preview
Dmitry Evgrafov
Sway
86 bpm • G# Maj • 02:36 • -22db
36% Popularity • 43% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 8% Positiveness
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Evelyn Stein
Norweigan beauty
116 bpm • G min • 02:07 • -27.24db
23% Popularity • 53% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 21% Positiveness
► Preview
Sarah Modene
Searching
86 bpm • G min • 02:59 • -24db
27% Popularity • 23% Danceability • 10% Energy • 11% Liveness
86% Instrumentalness • 10% Positiveness
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Lost Hearts