Songs like Lost in Music - 1995 Remaster by Sister Sledge
Based on a tempo of (+/- 10%) and a similar genre
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Patrice Rushen
Forget Me Nots - Single Version
114 bpm • F# min • 04:04 • -7.74db
51% Popularity • 89% Danceability • 49% Energy • 8% Liveness
12% Instrumentalness • 93% Positiveness
51% Popularity • 89% Danceability • 49% Energy • 8% Liveness
12% Instrumentalness • 93% Positiveness
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MFSB
T.S.O.P. (The Sound of Philadelphia)
114 bpm • G min • 03:42 • -8.23db
49% Popularity • 71% Danceability • 85% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
49% Popularity • 71% Danceability • 85% Energy • 10% Liveness
12% Instrumentalness • 96% Positiveness
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Evelyn "Champagne" King
I'm In Love - 7" Version
114 bpm • F min • 03:51 • -6.03db
31% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
31% Popularity • 86% Danceability • 60% Energy • 5% Liveness
1% Instrumentalness • 84% Positiveness
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Chaka Khan
I'm Every Woman
114 bpm • C min • 04:09 • -7.3db
67% Popularity • 60% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
67% Popularity • 60% Danceability • 89% Energy • 30% Liveness
0% Instrumentalness • 73% Positiveness
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McFadden & Whitehead
Ain't No Stoppin' Us Now
114 bpm • C# Maj • 07:00 • -7.83db
55% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 68% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Sister Sledge
He's the Greatest Dancer
114 bpm • D min • 03:34 • -8.74db
36% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
36% Popularity • 72% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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The O'Jays
Now That We Found Love
114 bpm • C Maj • 04:41 • -8.4db
56% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
56% Popularity • 71% Danceability • 64% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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The Whispers
And the Beat Goes On (12" Remix)
114 bpm • B min • 06:47 • -10.61db
37% Popularity • 81% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
37% Popularity • 81% Danceability • 56% Energy • 8% Liveness
1% Instrumentalness • 96% Positiveness
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Leon Haywood
Don't Push It Don't Force It
114 bpm • G# min • 03:28 • -6.11db
46% Popularity • 88% Danceability • 77% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
46% Popularity • 88% Danceability • 77% Energy • 6% Liveness
8% Instrumentalness • 96% Positiveness
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Billy Ocean
Caribbean Queen (No More Love On the Run...
114 bpm • F Maj • 04:04 • -7.51db
72% Popularity • 79% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
72% Popularity • 79% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 95% Positiveness
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Patrice Rushen
Forget Me Nots - Remastered
114 bpm • F# min • 04:44 • -6.96db
69% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
69% Popularity • 92% Danceability • 46% Energy • 5% Liveness
6% Instrumentalness • 96% Positiveness
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Barry White
What Am I Gonna Do With You
114 bpm • D min • 03:39 • -9.47db
52% Popularity • 62% Danceability • 87% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
52% Popularity • 62% Danceability • 87% Energy • 9% Liveness
6% Instrumentalness • 89% Positiveness
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CHIC
I Want Your Love - 2018 Remaster
114 bpm • A min • 06:53 • -13.4db
56% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
56% Popularity • 70% Danceability • 60% Energy • 9% Liveness
7% Instrumentalness • 96% Positiveness
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Carl Carlton
She's A Bad Mama Jama (She's Built, She'...
114 bpm • A min • 03:55 • -6.27db
60% Popularity • 90% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
60% Popularity • 90% Danceability • 55% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Sister Sledge
As
114 bpm • A# min • 04:56 • -6.79db
14% Popularity • 70% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 70% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 79% Positiveness
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Melba Moore
Love's Comin' At Ya - 2004 Digital Remas...
114 bpm • C# min • 05:43 • -11db
46% Popularity • 91% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 91% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Patrice Rushen
Forget Me Nots - 12" Version
114 bpm • F# min • 07:14 • -7.47db
42% Popularity • 87% Danceability • 43% Energy • 5% Liveness
28% Instrumentalness • 86% Positiveness
42% Popularity • 87% Danceability • 43% Energy • 5% Liveness
28% Instrumentalness • 86% Positiveness
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Earth, Wind & Fire
In the Stone
115 bpm • E Maj • 04:48 • -10.35db
56% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
56% Popularity • 66% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Cheryl Lynn
Got to Be Real - Single Version
115 bpm • F Maj • 03:43 • -7.46db
53% Popularity • 83% Danceability • 71% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
53% Popularity • 83% Danceability • 71% Energy • 14% Liveness
4% Instrumentalness • 90% Positiveness
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Simply Red
Money's Too Tight (To Mention) - 2008 Re...
113 bpm • D Maj • 04:12 • -6.02db
59% Popularity • 76% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
59% Popularity • 76% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Sister Sledge
Lost in Music - 1995 Remaster
114 bpm • C Maj • 04:47 • -7.51db
56% Popularity • 76% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 76% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 85% Positiveness
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MFSB
TSOP (The Sound of Philadelphia)
115 bpm • A# Maj • 05:46 • -6.04db
36% Popularity • 51% Danceability • 88% Energy • 7% Liveness
56% Instrumentalness • 73% Positiveness
36% Popularity • 51% Danceability • 88% Energy • 7% Liveness
56% Instrumentalness • 73% Positiveness
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The Gap Band
Big Fun
113 bpm • A min • 06:48 • -7.63db
36% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 64% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Jacksons
Blame It on the Boogie
113 bpm • C# Maj • 03:34 • -10.19db
70% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
70% Popularity • 77% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Cheryl Lynn
Got to Be Real
115 bpm • A min • 05:07 • -10.14db
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
68% Popularity • 84% Danceability • 63% Energy • 15% Liveness
74% Instrumentalness • 90% Positiveness
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George Benson
Love X Love
115 bpm • C# Maj • 04:46 • -12.72db
51% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
51% Popularity • 80% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Sister Sledge
Bet Cha Say That to All the Girls
113 bpm • A Maj • 04:25 • -6.5db
12% Popularity • 88% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 88% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 86% Positiveness
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Prince
I Wanna Be Your Lover
115 bpm • C# min • 05:47 • -8.83db
58% Popularity • 81% Danceability • 51% Energy • 7% Liveness
8% Instrumentalness • 73% Positiveness
58% Popularity • 81% Danceability • 51% Energy • 7% Liveness
8% Instrumentalness • 73% Positiveness
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Stephanie Mills
Never Knew Love Like This Before
113 bpm • B Maj • 05:26 • -8.9db
53% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
53% Popularity • 69% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Barry White
You See The Trouble With Me
115 bpm • F# min • 03:29 • -14db
57% Popularity • 67% Danceability • 58% Energy • 8% Liveness
29% Instrumentalness • 75% Positiveness
57% Popularity • 67% Danceability • 58% Energy • 8% Liveness
29% Instrumentalness • 75% Positiveness
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Commodores
Machine Gun
113 bpm • F Maj • 02:39 • -6db
50% Popularity • 74% Danceability • 97% Energy • 30% Liveness
84% Instrumentalness • 78% Positiveness
50% Popularity • 74% Danceability • 97% Energy • 30% Liveness
84% Instrumentalness • 78% Positiveness
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Rose Royce
Car Wash - Single Version
115 bpm • A min • 03:19 • -11.58db
38% Popularity • 76% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
38% Popularity • 76% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Sister Sledge
You Fooled Around
115 bpm • D min • 04:28 • -6db
29% Popularity • 77% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
29% Popularity • 77% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Frankie Goes To Hollywood
Relax
115 bpm • B min • 03:56 • -13.4db
72% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
72% Popularity • 68% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 69% Positiveness
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The Supremes
Stop! In The Name Of Love
115 bpm • C Maj • 02:52 • -12.75db
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
65% Popularity • 61% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Roberta Flack
Where Is the Love
115 bpm • G# Maj • 02:43 • -15db
53% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 55% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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D-Train
Walk On By
115 bpm • A# min • 05:22 • -5.49db
37% Popularity • 74% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
37% Popularity • 74% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Stephanie Mills
Never Knew Love Like This Before - Singl...
113 bpm • B Maj • 03:31 • -9.46db
35% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
35% Popularity • 73% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Sister Sledge
He's the Greatest Dancer - 2018 Remaster
115 bpm • F min • 06:10 • -12.58db
15% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 71% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Ohio Players
Love Rollercoaster
115 bpm • C Maj • 04:50 • -10.18db
59% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
59% Popularity • 61% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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DeBarge
Rhythm Of The Night
115 bpm • B min • 03:49 • -12.33db
64% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 71% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Alexander O'Neal
Fake
113 bpm • F# min • 03:55 • -13.52db
46% Popularity • 74% Danceability • 69% Energy • 22% Liveness
5% Instrumentalness • 76% Positiveness
46% Popularity • 74% Danceability • 69% Energy • 22% Liveness
5% Instrumentalness • 76% Positiveness
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Gladys Knight
Baby don’t Change Your Mind
113 bpm • C Maj • 03:15 • -14.17db
30% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
30% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Stevie Wonder
Do I Do
113 bpm • B Maj • 05:03 • -11.3db
58% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
58% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Sister Sledge
He's the Greatest Dancer - 1995 Remaster
113 bpm • G min • 06:15 • -9.71db
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
63% Popularity • 70% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Shalamar
I Can Make You Feel Good
113 bpm • G min • 04:25 • -5.65db
52% Popularity • 71% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 71% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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Indeep
Last Night a D.J. Saved My Life
113 bpm • B Maj • 04:12 • -8db
59% Popularity • 85% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 85% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 86% Positiveness
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Gwen McCrae
All This Love That I'm Giving
113 bpm • D# min • 03:56 • -11.5db
36% Popularity • 75% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
36% Popularity • 75% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Billy Ocean
Nights (Feel Like Gettin' Down)
115 bpm • A min • 04:42 • -6db
42% Popularity • 88% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
42% Popularity • 88% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Earth, Wind & Fire
Getaway
113 bpm • F min • 03:47 • -9db
47% Popularity • 72% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 83% Positiveness
47% Popularity • 72% Danceability • 88% Energy • 36% Liveness
2% Instrumentalness • 83% Positiveness
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Evelyn "Champagne" King
Love Come Down - 12" Version
116 bpm • D# min • 06:13 • -5.18db
28% Popularity • 86% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
28% Popularity • 86% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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The Emotions
Best of My Love
115 bpm • C Maj • 03:40 • -6.87db
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
71% Popularity • 78% Danceability • 71% Energy • 9% Liveness
14% Instrumentalness • 97% Positiveness
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The Stylistics
Can't Give You Anything (But My Love)
112 bpm • G min • 03:16 • -6.18db
42% Popularity • 52% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
42% Popularity • 52% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 66% Positiveness
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Ashford & Simpson
It Seems To Hang On - Single Version
116 bpm • B min • 03:39 • -11db
36% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 66% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 73% Positiveness
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Gladys Knight & The Pips
I Heard It Through The Grapevine
112 bpm • F Maj • 02:45 • -11.79db
48% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
48% Popularity • 68% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 91% Positiveness
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Shalamar
The Second Time Around
112 bpm • C# Maj • 03:44 • -5.38db
47% Popularity • 77% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 77% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Sister Sledge
We Are Family (Sure Is Pure Remix) - 199...
116 bpm • D Maj • 08:22 • -11.12db
32% Popularity • 79% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 79% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 66% Positiveness
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The Spinners
I'll Be Around
112 bpm • G# min • 03:08 • -8.7db
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
67% Popularity • 59% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Hot Chocolate
It Started with a Kiss - 2011 Remaster
112 bpm • G Maj • 04:02 • -7db
49% Popularity • 78% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
49% Popularity • 78% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 68% Positiveness
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Imagination
Changes
112 bpm • D min • 05:49 • -12db
34% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
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Simply Red
Something Got Me Started - 2008 Remaster
112 bpm • D Maj • 04:00 • -6.56db
62% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
62% Popularity • 70% Danceability • 91% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Billy Ocean
Stay the Night
116 bpm • F# min • 03:11 • -5.24db
44% Popularity • 72% Danceability • 86% Energy • 13% Liveness
8% Instrumentalness • 93% Positiveness
44% Popularity • 72% Danceability • 86% Energy • 13% Liveness
8% Instrumentalness • 93% Positiveness
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Sister Sledge
We Are Family - Sure Is Pure Remix
116 bpm • D Maj • 08:21 • -7.21db
8% Popularity • 80% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
8% Popularity • 80% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Phyllis Hyman
You Know How to Love Me - 7" Version
116 bpm • F# min • 03:46 • -11db
40% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 83% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Donna Summer
This Time I Know It's for Real
116 bpm • E min • 03:38 • -10.02db
55% Popularity • 61% Danceability • 88% Energy • 5% Liveness
1% Instrumentalness • 86% Positiveness
55% Popularity • 61% Danceability • 88% Energy • 5% Liveness
1% Instrumentalness • 86% Positiveness
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Chaka Khan
Fate - WSM Compilation Edit
116 bpm • G# min • 03:14 • -9.09db
47% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
47% Popularity • 67% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 88% Positiveness
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The Gap Band
Burn Rubber On Me (Why You Wanna Hurt Me...
116 bpm • B min • 04:12 • -11db
55% Popularity • 76% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
55% Popularity • 76% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Janet Jackson
When I Think Of You
116 bpm • A Maj • 03:55 • -11.39db
56% Popularity • 76% Danceability • 64% Energy • 5% Liveness
3% Instrumentalness • 71% Positiveness
56% Popularity • 76% Danceability • 64% Energy • 5% Liveness
3% Instrumentalness • 71% Positiveness
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Sister Sledge
Music Makes Me Feel Good
116 bpm • A Maj • 04:25 • -7.27db
14% Popularity • 67% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
14% Popularity • 67% Danceability • 81% Energy • 24% Liveness
0% Instrumentalness • 94% Positiveness
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Barry White
Can't Get Enough Of Your Love, Babe
112 bpm • F Maj • 04:34 • -7.6db
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
71% Popularity • 73% Danceability • 78% Energy • 8% Liveness
11% Instrumentalness • 80% Positiveness
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Cameo
Word Up
116 bpm • F# min • 04:20 • -13.11db
64% Popularity • 88% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 88% Danceability • 84% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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The Chi-Lites
Are You My Woman? (Tell Me So)
112 bpm • A min • 03:02 • -6.75db
42% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 72% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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The Sugarhill Gang
Rapper's Delight
112 bpm • D Maj • 03:55 • -11.67db
63% Popularity • 92% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
63% Popularity • 92% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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MFSB
Love Is the Message - Love Groove Bonus
116 bpm • A# Maj • 05:13 • -8.18db
38% Popularity • 80% Danceability • 82% Energy • 16% Liveness
74% Instrumentalness • 78% Positiveness
38% Popularity • 80% Danceability • 82% Energy • 16% Liveness
74% Instrumentalness • 78% Positiveness
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Sister Sledge
We Are Family - 2006 Remaster
116 bpm • D Maj • 08:20 • -6.81db
43% Popularity • 81% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
43% Popularity • 81% Danceability • 79% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Boz Scaggs
Lowdown (2023 Remaster)
117 bpm • B min • 05:17 • -12.15db
63% Popularity • 69% Danceability • 55% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
63% Popularity • 69% Danceability • 55% Energy • 3% Liveness
10% Instrumentalness • 94% Positiveness
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LaBelle
Lady Marmalade - Single Version
117 bpm • C Maj • 03:12 • -11.42db
33% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
33% Popularity • 55% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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Prince
Kiss
111 bpm • G Maj • 03:46 • -12.24db
75% Popularity • 90% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
75% Popularity • 90% Danceability • 27% Energy • 5% Liveness
0% Instrumentalness • 74% Positiveness
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Phyllis Hyman
You Know How to Love Me - Long Version
117 bpm • A# Maj • 07:34 • -10.55db
39% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
39% Popularity • 84% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Van McCoy & The Soul City Symphony
The Hustle
111 bpm • F Maj • 04:02 • -12.08db
51% Popularity • 64% Danceability • 82% Energy • 6% Liveness
66% Instrumentalness • 88% Positiveness
51% Popularity • 64% Danceability • 82% Energy • 6% Liveness
66% Instrumentalness • 88% Positiveness
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Sister Sledge
Lost in Music - 2018 Remaster
116 bpm • C Maj • 04:48 • -13db
13% Popularity • 77% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
13% Popularity • 77% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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The O'Jays
Use ta Be My Girl - Single Version
111 bpm • C# Maj • 03:18 • -7.37db
57% Popularity • 65% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 65% Danceability • 61% Energy • 17% Liveness
0% Instrumentalness • 87% Positiveness
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Miami Sound Machine
Dr. Beat
117 bpm • C Maj • 04:22 • -12.25db
40% Popularity • 89% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
40% Popularity • 89% Danceability • 63% Energy • 14% Liveness
1% Instrumentalness • 91% Positiveness
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Rick James
Ghetto Life
117 bpm • C Maj • 04:21 • -8.61db
51% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
51% Popularity • 76% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Teddy Pendergrass
You Can't Hide from Yourself
117 bpm • F min • 04:05 • -7.87db
36% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 76% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Rose Royce
Is It Love You're After
117 bpm • D Maj • 05:07 • -16db
37% Popularity • 55% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
37% Popularity • 55% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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Sister Sledge
He's the Greatest Dancer - 2013 Remaster
116 bpm • G# Maj • 06:03 • -10db
10% Popularity • 68% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 68% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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People's Choice
Do It Any Way You Wanna
111 bpm • C min • 03:18 • -10.99db
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
44% Popularity • 78% Danceability • 54% Energy • 9% Liveness
31% Instrumentalness • 81% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • G# Maj • 04:42 • -6.7db
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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Mary Jane Girls
In My House
117 bpm • A# min • 05:02 • -11.04db
50% Popularity • 79% Danceability • 64% Energy • 8% Liveness
22% Instrumentalness • 94% Positiveness
50% Popularity • 79% Danceability • 64% Energy • 8% Liveness
22% Instrumentalness • 94% Positiveness
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Alexander O'Neal
Criticize
117 bpm • B min • 04:07 • -12.46db
52% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
52% Popularity • 66% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Shalamar
Make That Move (Single Version)
117 bpm • E min • 03:49 • -5.91db
43% Popularity • 77% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
43% Popularity • 77% Danceability • 86% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Sister Sledge
Super Bad Sisters
117 bpm • A Maj • 04:38 • -7.23db
8% Popularity • 81% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
8% Popularity • 81% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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D-Train
Keep On
117 bpm • F# min • 06:39 • -5db
40% Popularity • 77% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
40% Popularity • 77% Danceability • 92% Energy • 36% Liveness
0% Instrumentalness • 87% Positiveness
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Roberta Flack
Back Together Again
111 bpm • C# min • 04:50 • -5.48db
44% Popularity • 78% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
44% Popularity • 78% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Culture Club
Time (Clock Of The Heart) - Remastered 2...
117 bpm • C min • 03:44 • -6.33db
59% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
59% Popularity • 72% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Billy Ocean
Get Outta My Dreams, Get Into My Car
117 bpm • E Maj • 04:44 • -6.46db
59% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Evelyn "Champagne" King
Love Come Down - Single Version
117 bpm • B Maj • 03:40 • -14.63db
56% Popularity • 88% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
56% Popularity • 88% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
