Songs like Lost in Your Eyes by Antoine Dufour
Based on a tempo of (+/- 10%) and a similar genre
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Antoine Dufour
Lost in Your Eyes
142 bpm • C Maj • 04:40 • -13.99db
12% Popularity • 44% Danceability • 44% Energy • 11% Liveness
81% Instrumentalness • 71% Positiveness
12% Popularity • 44% Danceability • 44% Energy • 11% Liveness
81% Instrumentalness • 71% Positiveness
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Calum Graham
Indivisible
142 bpm • C Maj • 03:40 • -7.06db
18% Popularity • 72% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
18% Popularity • 72% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 32% Positiveness
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Brooks Williams
Joyful Joyful
142 bpm • G Maj • 03:05 • -16.31db
14% Popularity • 66% Danceability • 22% Energy • 11% Liveness
42% Instrumentalness • 37% Positiveness
14% Popularity • 66% Danceability • 22% Energy • 11% Liveness
42% Instrumentalness • 37% Positiveness
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Craig D'Andrea
Shut The Window!
141 bpm • B Maj • 03:13 • -12.88db
8% Popularity • 30% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 41% Positiveness
8% Popularity • 30% Danceability • 42% Energy • 9% Liveness
84% Instrumentalness • 41% Positiveness
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Joe Robinson
Fireflies
141 bpm • G# min • 02:53 • -14.5db
21% Popularity • 69% Danceability • 32% Energy • 18% Liveness
85% Instrumentalness • 65% Positiveness
21% Popularity • 69% Danceability • 32% Energy • 18% Liveness
85% Instrumentalness • 65% Positiveness
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Pierre Bensusan
Four A.M. (Quatre heures du matin)
143 bpm • E Maj • 04:40 • -20.33db
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 39% Positiveness
14% Popularity • 40% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 39% Positiveness
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Don Ross
First Ride
143 bpm • F Maj • 04:10 • -15.45db
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
90% Instrumentalness • 38% Positiveness
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Roby Deaton
Wind Kissed by the Sea
140 bpm • A min • 04:41 • -7.94db
0% Popularity • 57% Danceability • 49% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
0% Popularity • 57% Danceability • 49% Energy • 10% Liveness
88% Instrumentalness • 23% Positiveness
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Calum Graham
Waiting
144 bpm • G# Maj • 04:57 • -17.14db
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
20% Popularity • 34% Danceability • 26% Energy • 10% Liveness
86% Instrumentalness • 13% Positiveness
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Craig D'Andrea
In With The Purple and Out With The Blue
143 bpm • D# Maj • 03:14 • -17.35db
10% Popularity • 29% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
10% Popularity • 29% Danceability • 27% Energy • 13% Liveness
89% Instrumentalness • 42% Positiveness
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Stefano Barone
Particolare#uno
140 bpm • F Maj • 02:22 • -8.86db
8% Popularity • 70% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
8% Popularity • 70% Danceability • 61% Energy • 10% Liveness
88% Instrumentalness • 90% Positiveness
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Franco Morone
Miles and Miles
144 bpm • B min • 04:33 • -10.29db
21% Popularity • 52% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
21% Popularity • 52% Danceability • 50% Energy • 9% Liveness
89% Instrumentalness • 38% Positiveness
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Dylan Ryche
James
144 bpm • F Maj • 01:58 • -15.22db
17% Popularity • 50% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
17% Popularity • 50% Danceability • 30% Energy • 11% Liveness
80% Instrumentalness • 55% Positiveness
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Roby Deaton
Portuguese Sunset
140 bpm • A min • 04:27 • -8.2db
0% Popularity • 46% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
0% Popularity • 46% Danceability • 47% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
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Larry Pattis
Buddy Boy
140 bpm • D Maj • 03:36 • -13.84db
11% Popularity • 40% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
11% Popularity • 40% Danceability • 33% Energy • 10% Liveness
91% Instrumentalness • 56% Positiveness
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Erik Mongrain
Aftermath
140 bpm • B min • 05:58 • -18.76db
8% Popularity • 46% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
8% Popularity • 46% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 36% Positiveness
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Antoine Dufour
Star Trails, Pt. 2 - Sigma Octantis
144 bpm • D Maj • 02:00 • -13.04db
11% Popularity • 64% Danceability • 63% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
11% Popularity • 64% Danceability • 63% Energy • 11% Liveness
83% Instrumentalness • 10% Positiveness
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Chris Proctor
Late Again
140 bpm • F Maj • 03:53 • -17db
10% Popularity • 35% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
10% Popularity • 35% Danceability • 28% Energy • 10% Liveness
92% Instrumentalness • 28% Positiveness
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John Danley
A Dream Of Breathing
140 bpm • D Maj • 04:40 • -16db
17% Popularity • 29% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
17% Popularity • 29% Danceability • 28% Energy • 18% Liveness
87% Instrumentalness • 19% Positiveness
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Don Ross
No Goodbyes
144 bpm • D Maj • 04:00 • -19.23db
28% Popularity • 45% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
28% Popularity • 45% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 45% Positiveness
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Roby Deaton
Music Box
140 bpm • A# Maj • 04:30 • -9.09db
0% Popularity • 40% Danceability • 48% Energy • 63% Liveness
97% Instrumentalness • 11% Positiveness
0% Popularity • 40% Danceability • 48% Energy • 63% Liveness
97% Instrumentalness • 11% Positiveness
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Larry Pattis
Hands Of Time
139 bpm • D min • 04:20 • -12db
12% Popularity • 41% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
12% Popularity • 41% Danceability • 36% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Antoine Dufour
Good Dog
140 bpm • G Maj • 02:13 • -14.01db
12% Popularity • 41% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
12% Popularity • 41% Danceability • 54% Energy • 11% Liveness
94% Instrumentalness • 30% Positiveness
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Ross Hammond
Drifting Along Waters
145 bpm • G Maj • 01:43 • -23.6db
33% Popularity • 45% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
33% Popularity • 45% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Peter Ciluzzi
Try and Try Again
139 bpm • G min • 04:43 • -12.9db
17% Popularity • 34% Danceability • 51% Energy • 19% Liveness
89% Instrumentalness • 46% Positiveness
17% Popularity • 34% Danceability • 51% Energy • 19% Liveness
89% Instrumentalness • 46% Positiveness
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Don Ross
Blue Bear
145 bpm • A Maj • 02:34 • -16.75db
19% Popularity • 56% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
19% Popularity • 56% Danceability • 37% Energy • 8% Liveness
84% Instrumentalness • 70% Positiveness
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Dylan Ryche
All Dead, All Dead
139 bpm • G Maj • 03:16 • -16.63db
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 49% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Trevor Gordon Hall
Missing You
139 bpm • G Maj • 03:38 • -22.52db
17% Popularity • 40% Danceability • 4% Energy • 13% Liveness
74% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 4% Energy • 13% Liveness
74% Instrumentalness • 21% Positiveness
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Antoine Dufour
Memories Of The Future
139 bpm • G# min • 05:05 • -7.28db
21% Popularity • 29% Danceability • 52% Energy • 13% Liveness
87% Instrumentalness • 35% Positiveness
21% Popularity • 29% Danceability • 52% Energy • 13% Liveness
87% Instrumentalness • 35% Positiveness
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Spencer Elliott
Yin
138 bpm • C# min • 04:25 • -12.95db
13% Popularity • 46% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
13% Popularity • 46% Danceability • 51% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Calum Graham
Waiting
146 bpm • G# Maj • 04:42 • -15.77db
28% Popularity • 40% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
28% Popularity • 40% Danceability • 27% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Don Ross
Tight Trite Night
145 bpm • B min • 04:00 • -12.96db
16% Popularity • 60% Danceability • 54% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
16% Popularity • 60% Danceability • 54% Energy • 10% Liveness
77% Instrumentalness • 82% Positiveness
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Dylan Ryche
The Swamp
145 bpm • G min • 03:31 • -10.69db
14% Popularity • 60% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
14% Popularity • 60% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 26% Positiveness
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Kelly Valleau
Blue
138 bpm • A min • 02:35 • -15.82db
8% Popularity • 54% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 26% Positiveness
8% Popularity • 54% Danceability • 24% Energy • 10% Liveness
81% Instrumentalness • 26% Positiveness
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Antoine Dufour
Glimmer of Hope
139 bpm • C min • 04:04 • -14.65db
8% Popularity • 36% Danceability • 38% Energy • 15% Liveness
92% Instrumentalness • 51% Positiveness
8% Popularity • 36% Danceability • 38% Energy • 15% Liveness
92% Instrumentalness • 51% Positiveness
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Maneli Jamal
Disco Monkey Blender
138 bpm • D min • 03:03 • -7.47db
27% Popularity • 52% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
27% Popularity • 52% Danceability • 59% Energy • 9% Liveness
86% Instrumentalness • 33% Positiveness
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Ben Woolman
Chasing A Melody
138 bpm • G Maj • 03:51 • -14.88db
8% Popularity • 56% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
8% Popularity • 56% Danceability • 48% Energy • 10% Liveness
92% Instrumentalness • 78% Positiveness
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Don Ross
Spirit of the West
146 bpm • E min • 03:56 • -7.28db
19% Popularity • 62% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 88% Positiveness
19% Popularity • 62% Danceability • 58% Energy • 10% Liveness
96% Instrumentalness • 88% Positiveness
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John Danley
Lori Anne
138 bpm • E Maj • 04:57 • -15db
17% Popularity • 30% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
17% Popularity • 30% Danceability • 23% Energy • 12% Liveness
91% Instrumentalness • 20% Positiveness
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Ewan Dobson
Level 5
146 bpm • G# Maj • 05:19 • -12.04db
15% Popularity • 33% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
15% Popularity • 33% Danceability • 45% Energy • 12% Liveness
90% Instrumentalness • 46% Positiveness
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Antoine Dufour
Song for Stephen
139 bpm • D min • 04:25 • -13.27db
14% Popularity • 54% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
14% Popularity • 54% Danceability • 60% Energy • 11% Liveness
84% Instrumentalness • 96% Positiveness
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Gareth Pearson
Mr. Spontaneous
138 bpm • C min • 02:45 • -12db
19% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
19% Popularity • 50% Danceability • 54% Energy • 20% Liveness
95% Instrumentalness • 96% Positiveness
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Andrew White
Lindisfarne Lullaby
146 bpm • E Maj • 02:59 • -14.42db
13% Popularity • 45% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
13% Popularity • 45% Danceability • 34% Energy • 10% Liveness
87% Instrumentalness • 72% Positiveness
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Julian Lage & Chris Eldridge
Butter and Eggs
137 bpm • D Maj • 03:24 • -18db
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
21% Instrumentalness • 28% Positiveness
40% Popularity • 48% Danceability • 15% Energy • 10% Liveness
21% Instrumentalness • 28% Positiveness
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Jimmy Wahlsteen
It's Your Favorite
147 bpm • C Maj • 03:17 • -9.56db
20% Popularity • 60% Danceability • 43% Energy • 35% Liveness
87% Instrumentalness • 32% Positiveness
20% Popularity • 60% Danceability • 43% Energy • 35% Liveness
87% Instrumentalness • 32% Positiveness
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Dylan Ryche
A Thank You in Fives
147 bpm • D Maj • 05:56 • -10.41db
29% Popularity • 50% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 29% Positiveness
29% Popularity • 50% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 29% Positiveness
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Joe Robinson
It's Not Easy
137 bpm • A min • 02:39 • -14.24db
21% Popularity • 73% Danceability • 33% Energy • 13% Liveness
68% Instrumentalness • 78% Positiveness
21% Popularity • 73% Danceability • 33% Energy • 13% Liveness
68% Instrumentalness • 78% Positiveness
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Craig D'Andrea
As We Go
148 bpm • A# Maj • 03:53 • -14.16db
11% Popularity • 31% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 57% Positiveness
11% Popularity • 31% Danceability • 39% Energy • 11% Liveness
85% Instrumentalness • 57% Positiveness
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Luca Stricagnoli
Paradise
136 bpm • E Maj • 03:38 • -11.56db
20% Popularity • 55% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 31% Positiveness
20% Popularity • 55% Danceability • 36% Energy • 11% Liveness
78% Instrumentalness • 31% Positiveness
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Antoine Dufour
Electromagnetic Sun Powered Starship
148 bpm • F min • 04:12 • -12.77db
18% Popularity • 56% Danceability • 69% Energy • 7% Liveness
86% Instrumentalness • 48% Positiveness
18% Popularity • 56% Danceability • 69% Energy • 7% Liveness
86% Instrumentalness • 48% Positiveness
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Trevor Gordon Hall
The Meeting At the Window
136 bpm • A Maj • 04:42 • -20db
16% Popularity • 49% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
16% Popularity • 49% Danceability • 9% Energy • 10% Liveness
74% Instrumentalness • 14% Positiveness
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Pierre Bensusan
The Welsh Arrow (To Sandy Alexander)
136 bpm • A min • 02:19 • -20.34db
19% Popularity • 48% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 73% Positiveness
19% Popularity • 48% Danceability • 12% Energy • 10% Liveness
85% Instrumentalness • 73% Positiveness
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Brooks Williams
Meesa Kaibash
149 bpm • A min • 03:04 • -12.58db
10% Popularity • 68% Danceability • 28% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
10% Popularity • 68% Danceability • 28% Energy • 13% Liveness
14% Instrumentalness • 36% Positiveness
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Craig D'Andrea
Falling For Twelves
148 bpm • G min • 02:55 • -13.14db
16% Popularity • 40% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
16% Popularity • 40% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 50% Positiveness
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Jake Shimabukuro
ハートビート / ドラゴン - Solo
149 bpm • E min • 04:00 • -16.21db
7% Popularity • 62% Danceability • 28% Energy • 7% Liveness
75% Instrumentalness • 33% Positiveness
7% Popularity • 62% Danceability • 28% Energy • 7% Liveness
75% Instrumentalness • 33% Positiveness
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Peter Finger
Under the Walking Tree
135 bpm • E min • 03:26 • -17db
21% Popularity • 32% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
21% Popularity • 32% Danceability • 21% Energy • 11% Liveness
89% Instrumentalness • 22% Positiveness
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Kaki King
Carmine Street
149 bpm • C Maj • 03:12 • -11.12db
22% Popularity • 33% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
22% Popularity • 33% Danceability • 43% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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Spencer Elliott
The Tournament
135 bpm • C Maj • 04:06 • -13.21db
20% Popularity • 45% Danceability • 63% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
20% Popularity • 45% Danceability • 63% Energy • 11% Liveness
94% Instrumentalness • 22% Positiveness
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Erik Mongrain
Salvation
149 bpm • A min • 05:14 • -20.7db
7% Popularity • 31% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
7% Popularity • 31% Danceability • 17% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Franco Morone
Great Dream from Heaven
135 bpm • E Maj • 03:32 • -11.38db
10% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
10% Popularity • 68% Danceability • 30% Energy • 12% Liveness
86% Instrumentalness • 22% Positiveness
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Antoine Dufour
South Side of the Sky
150 bpm • E min • 01:29 • -15.22db
16% Popularity • 28% Danceability • 34% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
16% Popularity • 28% Danceability • 34% Energy • 10% Liveness
97% Instrumentalness • 25% Positiveness
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Peter Finger
While My Guitar Gently Weeps
135 bpm • E min • 04:38 • -20db
19% Popularity • 47% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
19% Popularity • 47% Danceability • 11% Energy • 10% Liveness
75% Instrumentalness • 11% Positiveness
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Andy McKee
Dreamcatcher
150 bpm • A Maj • 02:52 • -16.19db
12% Popularity • 42% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
12% Popularity • 42% Danceability • 29% Energy • 12% Liveness
90% Instrumentalness • 55% Positiveness
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Martin Tallstrom
Mbube / Wimoweh / The Lion Sleeps Tonigh...
150 bpm • B Maj • 03:03 • -10.78db
10% Popularity • 65% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 56% Positiveness
10% Popularity • 65% Danceability • 32% Energy • 11% Liveness
83% Instrumentalness • 56% Positiveness
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Lance Allen
Song for Lucas
150 bpm • D Maj • 03:06 • -7.33db
24% Popularity • 50% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
24% Popularity • 50% Danceability • 53% Energy • 9% Liveness
11% Instrumentalness • 80% Positiveness
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Pierre Bensusan
Le jardin d'Adonis (To Marcel Dadi)
135 bpm • E Maj • 02:17 • -21db
23% Popularity • 37% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 59% Positiveness
23% Popularity • 37% Danceability • 16% Energy • 14% Liveness
90% Instrumentalness • 59% Positiveness
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Ben Woolman
Perfect Pace
150 bpm • A Maj • 03:05 • -14.29db
19% Popularity • 61% Danceability • 44% Energy • 15% Liveness
87% Instrumentalness • 61% Positiveness
19% Popularity • 61% Danceability • 44% Energy • 15% Liveness
87% Instrumentalness • 61% Positiveness
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Maneli Jamal
Settle In
134 bpm • C# min • 03:39 • -9.09db
23% Popularity • 46% Danceability • 65% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
23% Popularity • 46% Danceability • 65% Energy • 9% Liveness
88% Instrumentalness • 45% Positiveness
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Antoine Dufour
Star Trails, Pt. 1 - Polaris
134 bpm • F# min • 03:48 • -13.67db
15% Popularity • 59% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
15% Popularity • 59% Danceability • 40% Energy • 10% Liveness
88% Instrumentalness • 8% Positiveness
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Tim Reynolds
Matters Most
134 bpm • A min • 03:08 • -22.25db
13% Popularity • 71% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
13% Popularity • 71% Danceability • 11% Energy • 11% Liveness
4% Instrumentalness • 28% Positiveness
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Don Ross
Crazy
134 bpm • C min • 02:53 • -10.57db
15% Popularity • 59% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 68% Positiveness
15% Popularity • 59% Danceability • 52% Energy • 11% Liveness
68% Instrumentalness • 68% Positiveness
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Calum Graham
Grace
151 bpm • D# min • 06:45 • -14.69db
24% Popularity • 44% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
24% Popularity • 44% Danceability • 36% Energy • 8% Liveness
89% Instrumentalness • 17% Positiveness
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Jimmy Wahlsteen
If You Say so Romance
151 bpm • G# Maj • 03:30 • -11.66db
25% Popularity • 33% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
25% Popularity • 33% Danceability • 44% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Craig D'Andrea
Everybody Needs One
133 bpm • D Maj • 03:53 • -15.5db
26% Popularity • 41% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
26% Popularity • 41% Danceability • 17% Energy • 9% Liveness
94% Instrumentalness • 16% Positiveness
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Antoine Dufour
Ashes in the Sea
134 bpm • D min • 05:17 • -14.43db
10% Popularity • 52% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
10% Popularity • 52% Danceability • 51% Energy • 10% Liveness
93% Instrumentalness • 74% Positiveness
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Steve Dawson
Lighthouse Avenue
133 bpm • D Maj • 02:33 • -13db
28% Popularity • 40% Danceability • 20% Energy • 18% Liveness
89% Instrumentalness • 18% Positiveness
28% Popularity • 40% Danceability • 20% Energy • 18% Liveness
89% Instrumentalness • 18% Positiveness
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Don Ross
Berkley Springs
151 bpm • F Maj • 03:30 • -15.65db
32% Popularity • 30% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 36% Positiveness
32% Popularity • 30% Danceability • 23% Energy • 11% Liveness
82% Instrumentalness • 36% Positiveness
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Lance Allen
Kansas Town
133 bpm • D Maj • 02:51 • -12.47db
14% Popularity • 48% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 67% Positiveness
14% Popularity • 48% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 67% Positiveness
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Joe Robinson
Royal Flush
133 bpm • E min • 02:48 • -14.58db
17% Popularity • 75% Danceability • 35% Energy • 25% Liveness
78% Instrumentalness • 68% Positiveness
17% Popularity • 75% Danceability • 35% Energy • 25% Liveness
78% Instrumentalness • 68% Positiveness
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Al Petteway
The Crossing
133 bpm • E min • 03:22 • -22.95db
10% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
10% Popularity • 44% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 42% Positiveness
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Antoine Dufour
En T'attendant
151 bpm • E Maj • 05:14 • -13.29db
8% Popularity • 48% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
8% Popularity • 48% Danceability • 47% Energy • 11% Liveness
91% Instrumentalness • 74% Positiveness
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Mike Dawes
The Impossible
152 bpm • B min • 03:56 • -11.84db
17% Popularity • 48% Danceability • 32% Energy • 9% Liveness
73% Instrumentalness • 47% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 9% Liveness
73% Instrumentalness • 47% Positiveness
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Maneli Jamal
Nine Year Residence
133 bpm • G# min • 03:57 • -14.05db
10% Popularity • 48% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
10% Popularity • 48% Danceability • 46% Energy • 11% Liveness
90% Instrumentalness • 47% Positiveness
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Tim Reynolds
You Are My Sanity
152 bpm • G Maj • 04:06 • -22.44db
13% Popularity • 28% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
13% Popularity • 28% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 27% Positiveness
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Stefano Barone
Madrid
152 bpm • D Maj • 04:33 • -12.92db
10% Popularity • 45% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
10% Popularity • 45% Danceability • 45% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
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Franco Morone
All that Swing
152 bpm • E min • 02:47 • -13.08db
25% Popularity • 70% Danceability • 28% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
25% Popularity • 70% Danceability • 28% Energy • 10% Liveness
81% Instrumentalness • 50% Positiveness
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Antoine Dufour
Existence
133 bpm • G# min • 03:32 • -13.3db
10% Popularity • 59% Danceability • 46% Energy • 12% Liveness
78% Instrumentalness • 67% Positiveness
10% Popularity • 59% Danceability • 46% Energy • 12% Liveness
78% Instrumentalness • 67% Positiveness
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Mike Dawes
The Impossible
152 bpm • B min • 03:56 • -12.46db
11% Popularity • 46% Danceability • 25% Energy • 9% Liveness
73% Instrumentalness • 53% Positiveness
11% Popularity • 46% Danceability • 25% Energy • 9% Liveness
73% Instrumentalness • 53% Positiveness
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Doyle Dykes
Nothing's Too Good (For A Friend)
153 bpm • A Maj • 04:43 • -14.5db
17% Popularity • 27% Danceability • 35% Energy • 15% Liveness
95% Instrumentalness • 21% Positiveness
17% Popularity • 27% Danceability • 35% Energy • 15% Liveness
95% Instrumentalness • 21% Positiveness
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Benny Greb
Guitarpiece
132 bpm • E min • 01:18 • -10.04db
10% Popularity • 74% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 86% Positiveness
10% Popularity • 74% Danceability • 27% Energy • 13% Liveness
91% Instrumentalness • 86% Positiveness
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Calum Graham
Hey Ya!
153 bpm • G Maj • 03:48 • -8.65db
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
66% Instrumentalness • 96% Positiveness
28% Popularity • 67% Danceability • 59% Energy • 10% Liveness
66% Instrumentalness • 96% Positiveness
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Peter Ciluzzi
A Perfect Unison
132 bpm • G# min • 04:20 • -12.17db
8% Popularity • 53% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
8% Popularity • 53% Danceability • 52% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Antoine Dufour
She Is Music
152 bpm • C min • 04:45 • -10.22db
15% Popularity • 48% Danceability • 73% Energy • 14% Liveness
84% Instrumentalness • 63% Positiveness
15% Popularity • 48% Danceability • 73% Energy • 14% Liveness
84% Instrumentalness • 63% Positiveness
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El McMeen
Chase the Weasel
132 bpm • B min • 01:51 • -14.28db
22% Popularity • 30% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
22% Popularity • 30% Danceability • 33% Energy • 11% Liveness
90% Instrumentalness • 77% Positiveness
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Larry Pattis
Free Fall
132 bpm • G Maj • 05:01 • -14db
11% Popularity • 37% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
11% Popularity • 37% Danceability • 27% Energy • 9% Liveness
88% Instrumentalness • 16% Positiveness
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Don Ross
Tight Trite Night
132 bpm • B min • 04:36 • -9.23db
14% Popularity • 57% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 80% Positiveness
14% Popularity • 57% Danceability • 54% Energy • 10% Liveness
74% Instrumentalness • 80% Positiveness
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Isato Nakagawa
Dancing Mountain
153 bpm • E min • 02:00 • -13.81db
32% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
32% Popularity • 41% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 74% Positiveness
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Andrew White
Karekare
131 bpm • F min • 04:17 • -21.76db
22% Popularity • 31% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness
22% Popularity • 31% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 44% Positiveness