Songs like Love 2 Hard (feat. Tauren Wells) by Emily Weisband
Based on a tempo of (+/- 10%) and a similar genre
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Tony Ferrari
Let's Buy a House
114 bpm • C Maj • 03:35 • -10.03db
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 62% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 39% Positiveness
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Tauren Wells
Come Home
114 bpm • B min • 03:56 • -5.14db
38% Popularity • 81% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 81% Danceability • 55% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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19&YOU
ADRENALINE
114 bpm • C min • 02:58 • -7.91db
11% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
11% Popularity • 76% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Riley Clemmons
Free
114 bpm • A# Maj • 03:20 • -6.55db
40% Popularity • 61% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
40% Popularity • 61% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Blessing Offor
Tin Roof
114 bpm • G# Maj • 03:28 • -9db
41% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 50% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Emily Weisband
Love 2 Hard
114 bpm • A Maj • 03:08 • -7.74db
14% Popularity • 48% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 48% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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SEU Worship
Waiting for Rain
113 bpm • C Maj • 03:52 • -6.73db
16% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
16% Popularity • 53% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Natasha Bure
Life in Hawaii
115 bpm • A# min • 03:25 • -8db
18% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 51% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Tauren Wells
Fake It
115 bpm • F min • 03:06 • -4.4db
50% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 74% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Switch
All Day Long
115 bpm • D Maj • 03:10 • -6.14db
33% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 66% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Jasper Sawyer
S.W.A.T.
113 bpm • B Maj • 04:01 • -10.97db
27% Popularity • 97% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
27% Popularity • 97% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Willie Spence
Never Be Alone
115 bpm • D# min • 02:37 • -6.35db
29% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 38% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Ross Copperman
Electricity
113 bpm • D Maj • 02:24 • -7.83db
26% Popularity • 83% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
26% Popularity • 83% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 75% Positiveness
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Emilee
How It Goes
113 bpm • C Maj • 02:19 • -13.32db
27% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 76% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Kaitlyn Dorff
Parties
115 bpm • A# Maj • 03:24 • -9.97db
7% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
7% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Social Club Misfits
War Cry
112 bpm • G Maj • 03:11 • -4.56db
44% Popularity • 61% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
44% Popularity • 61% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Eric Grooms
Have Mercy
116 bpm • C Maj • 03:09 • -9.16db
15% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
15% Popularity • 84% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Anjulie
Big Bad World
112 bpm • C Maj • 02:53 • -5.15db
8% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 63% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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Andrew Ripp
Sos
116 bpm • A# Maj • 02:35 • -10.48db
34% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 39% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Colton Dixon
Can't Quit You - Single Version
112 bpm • D Maj • 03:20 • -10.36db
28% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 77% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Malia Civetz
The High
112 bpm • C# Maj • 03:00 • -4db
24% Popularity • 66% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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19&YOU
PART OF YOU
116 bpm • F# Maj • 03:08 • -6.97db
23% Popularity • 78% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
23% Popularity • 78% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 51% Positiveness
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Alive City
Too Young
116 bpm • E Maj • 03:09 • -5.63db
37% Popularity • 64% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
37% Popularity • 64% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 57% Positiveness
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TobyMac
Everything About You
116 bpm • F# Maj • 03:27 • -10.02db
38% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
38% Popularity • 59% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Olivia Holt
love on you.
112 bpm • C Maj • 02:31 • -9.01db
25% Popularity • 88% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
25% Popularity • 88% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Cade Thompson
Almost Dawn
116 bpm • B Maj • 03:59 • -5.88db
21% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 57% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Jordan James
So Far Gone
112 bpm • G Maj • 02:30 • -6.86db
17% Popularity • 84% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 84% Danceability • 66% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Francisco Martin
IF U NEED ME
112 bpm • C# min • 02:33 • -7db
16% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
16% Popularity • 55% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Patrick Droney
Right With You
112 bpm • C Maj • 03:16 • -6.21db
26% Popularity • 61% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 61% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 37% Positiveness
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Tayler Buono
Love Me by Now
116 bpm • A Maj • 03:08 • -11.51db
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 50% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Bailey Bryan
Fresh Start
111 bpm • A min • 02:58 • -6.68db
18% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 64% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mike Todd
Right Here
111 bpm • C# min • 02:44 • -6.29db
21% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
21% Popularity • 66% Danceability • 60% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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BLÜ EYES
actually happy
117 bpm • E Maj • 02:59 • -5.94db
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
37% Popularity • 77% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Jesse McCartney
Party For Two
117 bpm • C min • 03:16 • -8.33db
33% Popularity • 88% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 88% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Emily Weisband
Blind
111 bpm • F Maj • 03:30 • -5db
21% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 58% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Angie Rose
Like Gold
117 bpm • C# Maj • 02:58 • -3.55db
8% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Chloe Angelides
Friends Who Failed At Love
117 bpm • C# Maj • 04:03 • -5.29db
9% Popularity • 83% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 83% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 49% Positiveness
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Tauren Wells
Like You Love Me
111 bpm • A# Maj • 03:30 • -4.72db
52% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
52% Popularity • 80% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Riley Clemmons
Fighting For Me
111 bpm • C# min • 03:49 • -4db
54% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
54% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 15% Positiveness
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Ryan Stevenson
When We Fall Apart
111 bpm • D Maj • 04:27 • -10db
46% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
46% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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H.E.R.
Hold Us Together
111 bpm • A# Maj • 05:13 • -7.26db
34% Popularity • 39% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 33% Positiveness
34% Popularity • 39% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 33% Positiveness
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Jakeb Knight
Lose My Mind
118 bpm • F min • 03:07 • -6.8db
8% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
8% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Caroline Kole
Still Frames
110 bpm • D# Maj • 03:00 • -8db
19% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 58% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Leah Sykes
All The Cool Kids Get High
110 bpm • C Maj • 02:57 • -5.85db
10% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 70% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Kaitlyn Dorff
Car Chase
110 bpm • A Maj • 02:58 • -8.76db
17% Popularity • 79% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 79% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Tauren Wells
Has To Be God
110 bpm • B Maj • 03:09 • -4.28db
41% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
41% Popularity • 64% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Zach Oliver
Feel Like Forever
110 bpm • D# Maj • 02:40 • -9.11db
11% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 63% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kris Allen
Don't Stop Dancing
119 bpm • B Maj • 03:52 • -5.89db
12% Popularity • 73% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 61% Positiveness
12% Popularity • 73% Danceability • 71% Energy • 12% Liveness
2% Instrumentalness • 61% Positiveness
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Jamie Fine
Sellout
109 bpm • A Maj • 03:02 • -8.06db
25% Popularity • 61% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 61% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Lillian Hepler
Moody Girl
119 bpm • A min • 02:38 • -3.06db
23% Popularity • 81% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
23% Popularity • 81% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Emily Weisband
Deathbed
109 bpm • C Maj • 02:56 • -6.71db
20% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 60% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Francisco Martin
BITTERSWEET
120 bpm • C Maj • 03:16 • -9.01db
14% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
14% Popularity • 54% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Riley Clemmons
Healing
120 bpm • A Maj • 03:24 • -4.33db
39% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 54% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Ross Copperman
Not Believe
120 bpm • C# Maj • 03:25 • -8.34db
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 53% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Julian
sydney
120 bpm • E Maj • 03:24 • -10.3db
26% Popularity • 60% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
26% Popularity • 60% Danceability • 34% Energy • 42% Liveness
0% Instrumentalness • 41% Positiveness
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Christian Paul
Chapter
120 bpm • G Maj • 02:25 • -7.58db
23% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 67% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Tim Gallagher
Fool
120 bpm • A min • 03:42 • -6.8db
15% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 66% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Jack Price
super 8
120 bpm • C# Maj • 02:47 • -6.66db
17% Popularity • 69% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 69% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Riley Clemmons
Headspace - GOLDHOUSE Remix
120 bpm • F Maj • 03:08 • -4.8db
37% Popularity • 68% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 68% Danceability • 89% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Emily Vu
NY
120 bpm • F Maj • 02:14 • -7.35db
19% Popularity • 82% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
19% Popularity • 82% Danceability • 56% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Ryland James
Water
120 bpm • A# min • 03:05 • -4.52db
29% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Dave Barnes
Everytime She Falls in Love
120 bpm • D Maj • 03:24 • -5.38db
13% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 68% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Jonathan Murray
This Is War
120 bpm • D Maj • 03:14 • -6.88db
10% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
10% Popularity • 53% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Cody Simpson
High Forever
120 bpm • A Maj • 02:53 • -14.27db
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
23% Popularity • 76% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 60% Positiveness
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Emily James
venice
120 bpm • D# Maj • 03:38 • -9.25db
19% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 80% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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D.B. Ricapito
Good Things Don't Last
120 bpm • D Maj • 02:32 • -8.9db
8% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Austin Giorgio
I Forget
120 bpm • G# Maj • 03:20 • -9db
33% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 72% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Joseph Solomon
27f
120 bpm • D min • 02:57 • -7.91db
33% Popularity • 56% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 56% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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GUNNAR
Not Even In My Dreams
108 bpm • A# Maj • 03:05 • -7.35db
29% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
29% Popularity • 47% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Aiden Myers
5 Minutes
108 bpm • B Maj • 03:09 • -7.22db
6% Popularity • 75% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
6% Popularity • 75% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Laur Elle
Austin
108 bpm • C# Maj • 03:22 • -8.9db
27% Popularity • 81% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 81% Danceability • 43% Energy • 4% Liveness
0% Instrumentalness • 68% Positiveness
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Rence
AWOOO!
108 bpm • E min • 03:41 • -5.37db
18% Popularity • 82% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
18% Popularity • 82% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 22% Positiveness
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Johnny Balik
Selfish
120 bpm • F# min • 02:30 • -10.03db
12% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 40% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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The Young Escape
Landslide
108 bpm • D Maj • 03:04 • -8.2db
33% Popularity • 39% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
33% Popularity • 39% Danceability • 34% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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James Smith
When You Love Somebody
121 bpm • C Maj • 03:24 • -10.26db
28% Popularity • 67% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 67% Danceability • 41% Energy • 35% Liveness
0% Instrumentalness • 34% Positiveness
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Shaylen
Forgive Myself
107 bpm • C# Maj • 03:14 • -8.91db
19% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 74% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Savannah Sgro
Talk Shit
107 bpm • D# Maj • 03:06 • -8.42db
16% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 74% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Soran
Say It To My Face
107 bpm • B Maj • 03:51 • -8.18db
12% Popularity • 61% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 61% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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HRVY
Runaway With It (Acoustic)
107 bpm • F# Maj • 02:56 • -5.65db
18% Popularity • 47% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
18% Popularity • 47% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Ash Morgan
Halfway
122 bpm • F# Maj • 02:18 • -10db
21% Popularity • 75% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 75% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Taylor Armstrong
Call Me Up
122 bpm • A# Maj • 03:50 • -5.83db
16% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 75% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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The Roosevelts
Trippin' on Your Love
122 bpm • A Maj • 03:02 • -6.85db
31% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 81% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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ROZES
All Up In My Head
122 bpm • G# Maj • 02:40 • -6.16db
22% Popularity • 81% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 81% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Toni Romiti
Switch up (Pt. 2) - Acoustic Version
122 bpm • A min • 03:40 • -12.75db
13% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
13% Popularity • 75% Danceability • 36% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Parson James
High Tide, Low Tide
106 bpm • C Maj • 02:51 • -6db
20% Popularity • 67% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 67% Danceability • 76% Energy • 41% Liveness
0% Instrumentalness • 40% Positiveness
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Blush
Your Hand Is Safe in Mine
106 bpm • A Maj • 03:36 • -9db
32% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 55% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Zachary Staines
New York
106 bpm • G min • 02:29 • -7.16db
15% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
15% Popularity • 78% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Jon Mullins
Finer Things
106 bpm • C# min • 02:39 • -5.22db
22% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
22% Popularity • 80% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Gavin Haley
Pepper
106 bpm • E min • 02:19 • -12db
7% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
7% Popularity • 80% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Karl Michael
Beautiful Creature
123 bpm • C Maj • 03:25 • -7.21db
22% Popularity • 63% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 63% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Claire Ernst
How's It Feel?
106 bpm • C Maj • 04:20 • -7db
21% Popularity • 71% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
21% Popularity • 71% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Social Club Misfits
Enough - MOOD Remix
105 bpm • E min • 03:03 • -8.5db
27% Popularity • 73% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 73% Danceability • 66% Energy • 22% Liveness
0% Instrumentalness • 59% Positiveness
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Evvie McKinney
Do It Again
123 bpm • F# min • 04:50 • -4db
22% Popularity • 38% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 38% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ryland James
I Give Everything
105 bpm • D min • 02:52 • -6.86db
26% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 63% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Emily Weisband
Identity Crisis
105 bpm • C# Maj • 01:52 • -7.8db
11% Popularity • 72% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
11% Popularity • 72% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Brandon Heath
Got the Love
105 bpm • G Maj • 03:39 • -5.44db
38% Popularity • 69% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 69% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Austin Giorgio
Find Myself
105 bpm • F min • 04:00 • -8.06db
20% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
20% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Rajiv Dhall
Muscle Memory
105 bpm • D# Maj • 02:28 • -5.77db
15% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 80% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
