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Love Divine (2000)
Songs like
Love Divine (2000)
by
Howard Goodall
Based on a tempo of (+/- 10%) and a similar genre
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Unknown
Randall Thompson : Alleluia
136 bpm • D Maj • 05:03 • -18.81db
8% Popularity • 19% Danceability • 23% Energy • 9% Liveness
49% Instrumentalness • 4% Positiveness
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Howard Goodall
Love Divine (2000)
136 bpm • C# Maj • 04:49 • -20.28db
14% Popularity • 17% Danceability • 13% Energy • 7% Liveness
36% Instrumentalness • 10% Positiveness
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William Byrd
Mass for Four Voices: Agnus Dei
136 bpm • F min • 03:35 • -29.49db
3% Popularity • 16% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Josef Rheinberger
J. G. Rheinberger: Abendlied
135 bpm • F Maj • 03:23 • -30db
17% Popularity • 16% Danceability • 3% Energy • 6% Liveness
38% Instrumentalness • 3% Positiveness
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John Taverner
Missa Mater Christi: Communio - Ecce vir...
136 bpm • B min • 00:53 • -30.46db
1% Popularity • 22% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
17% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Sergei Rachmaninoff
Sergei Rachmaninoff: Bogoróditse Dévo
135 bpm • F Maj • 02:49 • -24db
23% Popularity • 18% Danceability • 11% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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William Henry Monk
Abide with me
137 bpm • E Maj • 03:27 • -14.15db
18% Popularity • 19% Danceability • 20% Energy • 10% Liveness
11% Instrumentalness • 4% Positiveness
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Howard Goodall
Cuckoo-Song
137 bpm • A# Maj • 04:19 • -13.36db
2% Popularity • 63% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
25% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Edward Bairstow
I Sat Down Under His Shadow
135 bpm • E Maj • 01:43 • -25.9db
11% Popularity • 18% Danceability • 4% Energy • 10% Liveness
42% Instrumentalness • 3% Positiveness
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Hubert Parry
Jerusalem
137 bpm • D Maj • 02:57 • -20.6db
14% Popularity • 15% Danceability • 13% Energy • 30% Liveness
95% Instrumentalness • 8% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
10% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Herbert Sumsion
Magnificat in A Major
137 bpm • F# min • 05:02 • -27db
8% Popularity • 17% Danceability • 5% Energy • 11% Liveness
91% Instrumentalness • 5% Positiveness
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Howard Goodall
Bend It
135 bpm • G# Maj • 04:00 • -8.76db
3% Popularity • 63% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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Antonio Vivaldi
Gloria, RV. 589: Domine Fili Unigenite
134 bpm • E Maj • 02:17 • -22.06db
1% Popularity • 32% Danceability • 21% Energy • 25% Liveness
0% Instrumentalness • 60% Positiveness
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Blackburn Cathedral Choir
Brewer: Nunc Dimittis in D
135 bpm • D Maj • 03:07 • -25db
14% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Eric Whitacre
Whitacre: Five Hebrew Love Songs: Kalá ...
134 bpm • E min • 03:08 • -23.21db
26% Popularity • 26% Danceability • 8% Energy • 10% Liveness
19% Instrumentalness • 8% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Kinley Lange
Esto les digo
138 bpm • C Maj • 03:16 • -29.69db
19% Popularity • 20% Danceability • 2% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
16% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Howard Goodall
More Fool Me
134 bpm • C Maj • 02:30 • -6.83db
3% Popularity • 67% Danceability • 74% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
Be Thou My Vision
138 bpm • D# Maj • 03:08 • -24.9db
31% Popularity • 15% Danceability • 7% Energy • 13% Liveness
7% Instrumentalness • 19% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
21% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Francis Stanfield
Divine Mysteries "Sweet Sacrament Divine...
134 bpm • D# Maj • 03:55 • -29db
15% Popularity • 19% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Stephen Paulus
The Three Hermits: Pilgrims' Hymn
134 bpm • G Maj • 03:35 • -27.76db
21% Popularity • 18% Danceability • 4% Energy • 6% Liveness
31% Instrumentalness • 4% Positiveness
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Herbert Howells
A Hymn for St. Cecilia
138 bpm • F min • 03:22 • -21.07db
10% Popularity • 22% Danceability • 18% Energy • 10% Liveness
32% Instrumentalness • 7% Positiveness
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Gabriel Fauré
Requiem, Op.48: Pie Jesu
138 bpm • A# Maj • 03:50 • -35.2db
9% Popularity • 15% Danceability • 1% Energy • 7% Liveness
60% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
All-night Vigil, Op. 37, "Vespers": Hail...
139 bpm • F Maj • 03:06 • -30db
30% Popularity • 15% Danceability • 3% Energy • 7% Liveness
76% Instrumentalness • 4% Positiveness
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Howard Goodall
Act 2 Finale: Fly/ There She Goes/ Girl ...
133 bpm • A Maj • 05:07 • -5.54db
2% Popularity • 38% Danceability • 69% Energy • 68% Liveness
0% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Madama Butterfly, Act 2: Humming Chorus
139 bpm • A# Maj • 03:17 • -31.99db
25% Popularity • 17% Danceability • 2% Energy • 9% Liveness
99% Instrumentalness • 4% Positiveness
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The American Boychoir
Amen
133 bpm • D Maj • 03:18 • -17.8db
10% Popularity • 26% Danceability • 23% Energy • 11% Liveness
49% Instrumentalness • 10% Positiveness
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Trad. American
Amazing Grace
139 bpm • F Maj • 04:31 • -30.03db
7% Popularity • 18% Danceability • 4% Energy • 6% Liveness
3% Instrumentalness • 4% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
17% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Howard Goodall
Glorious
139 bpm • B Maj • 03:55 • -9.24db
5% Popularity • 38% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Edward Shearmur
Shearmur: Into Pascal's Lair [Johnny Eng...
139 bpm • A# min • 01:43 • -12.11db
7% Popularity • 28% Danceability • 24% Energy • 8% Liveness
22% Instrumentalness • 11% Positiveness
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Pavel Chesnokov
Spaseniye sodelal yesi posrede zemli (Sa...
133 bpm • D Maj • 03:35 • -27db
32% Popularity • 16% Danceability • 2% Energy • 6% Liveness
61% Instrumentalness • 4% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
43% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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Aaron Copland
Simple Gifts
133 bpm • G# Maj • 01:32 • -18.08db
20% Popularity • 21% Danceability • 14% Energy • 22% Liveness
75% Instrumentalness • 16% Positiveness
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Ola Gjeilo
Ave Generosa
139 bpm • G min • 04:32 • -19.72db
30% Popularity • 17% Danceability • 17% Energy • 14% Liveness
3% Instrumentalness • 4% Positiveness
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Howard Goodall
2Point4 Children Theme
139 bpm • A Maj • 00:56 • -16.43db
5% Popularity • 66% Danceability • 40% Energy • 34% Liveness
88% Instrumentalness • 51% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
24% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
24% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Rebecca Clarke
Ave Maria
140 bpm • A min • 02:28 • -24.77db
12% Popularity • 23% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Howard Goodall
First Touch
132 bpm • B Maj • 03:34 • -9.15db
2% Popularity • 41% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Eric Whitacre
Glow
132 bpm • B Maj • 03:08 • -16db
27% Popularity • 20% Danceability • 19% Energy • 9% Liveness
38% Instrumentalness • 6% Positiveness
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John Haywood
Invincible
131 bpm • D Maj • 03:44 • -9db
14% Popularity • 32% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Agnus Dei
131 bpm • F Maj • 09:06 • -18.24db
2% Popularity • 18% Danceability • 19% Energy • 9% Liveness
60% Instrumentalness • 5% Positiveness
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Robert Wylkynson
Salve regina
141 bpm • C Maj • 13:19 • -22.77db
4% Popularity • 16% Danceability • 13% Energy • 6% Liveness
14% Instrumentalness • 5% Positiveness
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Ola Gjeilo
The Rose
132 bpm • E min • 03:25 • -15db
38% Popularity • 16% Danceability • 24% Energy • 10% Liveness
94% Instrumentalness • 6% Positiveness
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Howard Goodall
Night & Silence
140 bpm • G# Maj • 04:52 • -14.41db
5% Popularity • 32% Danceability • 20% Energy • 20% Liveness
0% Instrumentalness • 25% Positiveness
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Charles Villiers Stanford
Magnificat in B-Flat
131 bpm • A# Maj • 03:58 • -26db
12% Popularity • 19% Danceability • 6% Energy • 24% Liveness
47% Instrumentalness • 7% Positiveness
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Thomas Atwood
Turn Thy face from my sins
142 bpm • E Maj • 04:04 • -26.13db
8% Popularity • 22% Danceability • 6% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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William Henry Harris
Holy is the True Light
130 bpm • A# Maj • 01:53 • -30.82db
8% Popularity • 18% Danceability • 3% Energy • 6% Liveness
4% Instrumentalness • 3% Positiveness
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The American Boychoir
Spem In Alium
130 bpm • D Maj • 04:06 • -13.84db
14% Popularity • 19% Danceability • 28% Energy • 8% Liveness
86% Instrumentalness • 4% Positiveness
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Choir of St Mary's Cathedral, Edinburgh
All Creatures Of Our God And King
143 bpm • D# Maj • 04:36 • -22.95db
25% Popularity • 16% Danceability • 8% Energy • 12% Liveness
3% Instrumentalness • 17% Positiveness
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Howard Goodall
The Lord is My Shepherd - Psalm 23
132 bpm • F Maj • 02:31 • -13.18db
7% Popularity • 34% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Gustav Holst
I Vow to Thee, My Country (Arr. Michael ...
130 bpm • A# Maj • 03:02 • -20.65db
18% Popularity • 19% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
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Nils Lindberg
Shall I Compare Thee
143 bpm • A min • 02:50 • -22db
20% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Edward Shearmur
Shearmur: Truck Chase [Johnny English - ...
129 bpm • F min • 04:52 • -8.35db
13% Popularity • 35% Danceability • 76% Energy • 10% Liveness
52% Instrumentalness • 24% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Howard Goodall
UB2
132 bpm • C min • 04:09 • -6.48db
6% Popularity • 52% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
21% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
129 bpm • D min • 06:04 • -28db
12% Popularity • 17% Danceability • 4% Energy • 9% Liveness
12% Instrumentalness • 3% Positiveness
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Orlande de Lassus
Tristis est anima mea
128 bpm • F Maj • 05:02 • -27.34db
4% Popularity • 18% Danceability • 4% Energy • 6% Liveness
54% Instrumentalness • 4% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VI. Alleluia (Song of the ...
145 bpm • C Maj • 05:26 • -13.03db
10% Popularity • 13% Danceability • 30% Energy • 50% Liveness
93% Instrumentalness • 5% Positiveness
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James Whitbourn
Eternal Rest
127 bpm • G Maj • 03:47 • -23db
27% Popularity • 18% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Howard Goodall
Eternal Light: A Requiem (2008): Revelat...
142 bpm • C min • 02:30 • -22db
15% Popularity • 39% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Portland State Chamber Choir
The Heaven's Flock
127 bpm • D# Maj • 04:28 • -20.71db
14% Popularity • 19% Danceability • 18% Energy • 20% Liveness
98% Instrumentalness • 4% Positiveness
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Mouret
Mouret: Rondeau ("Masterpiece Theater" T...
146 bpm • D Maj • 02:10 • -20.03db
16% Popularity • 26% Danceability • 10% Energy • 29% Liveness
93% Instrumentalness • 49% Positiveness
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Orlande de Lassus
Exaltabo te Domine
128 bpm • G# Maj • 02:01 • -27.88db
1% Popularity • 23% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: I. Jubilate Deo...
146 bpm • D Maj • 08:38 • -14.38db
14% Popularity • 28% Danceability • 31% Energy • 12% Liveness
3% Instrumentalness • 26% Positiveness
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Lowell Mason
Nearer, my God, to Thee
126 bpm • G Maj • 04:42 • -30.84db
5% Popularity • 21% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 9% Positiveness
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Howard Goodall
The Wedding & Football Final: Sadaa Char...
143 bpm • C Maj • 07:46 • -7.82db
2% Popularity • 33% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 45% Positiveness
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Kim André Arnesen
The Lamb
126 bpm • B min • 05:36 • -30db
19% Popularity • 17% Danceability • 4% Energy • 14% Liveness
87% Instrumentalness • 3% Positiveness
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Eric Whitacre
Whitacre: Three Songs Of Faith: I Thank ...
126 bpm • C Maj • 06:56 • -27.52db
19% Popularity • 17% Danceability • 6% Energy • 11% Liveness
23% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Epilogue: N...
126 bpm • F Maj • 06:06 • -15.49db
17% Popularity • 30% Danceability • 28% Energy • 10% Liveness
7% Instrumentalness • 21% Positiveness
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Antonio Vivaldi
Gloria, RV. 588: Gloria In Excelsis Deo
126 bpm • C# Maj • 02:49 • -18.02db
3% Popularity • 42% Danceability • 20% Energy • 9% Liveness
19% Instrumentalness • 35% Positiveness
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The Choir Of Waltham Abbey
Brahms: How Lovely are Thy Dwellings
125 bpm • D# Maj • 05:19 • -24db
9% Popularity • 21% Danceability • 9% Energy • 10% Liveness
97% Instrumentalness • 4% Positiveness
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Howard Goodall
Act 1 Finale: Just A Game/ Fly
129 bpm • G min • 08:06 • -7.25db
2% Popularity • 39% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Rivertree Singers Festival Chorus
Jubilate Deo: VII. ...Omnis Terra!
148 bpm • D Maj • 06:58 • -12.53db
12% Popularity • 30% Danceability • 59% Energy • 67% Liveness
7% Instrumentalness • 24% Positiveness
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Sally Beamish
In the Stillness
125 bpm • A min • 02:19 • -31.93db
19% Popularity • 17% Danceability • 3% Energy • 12% Liveness
65% Instrumentalness • 4% Positiveness
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John Taverner
Missa Gloria tibi Trinitas: Credo
124 bpm • F Maj • 10:53 • -16.67db
2% Popularity • 20% Danceability • 23% Energy • 12% Liveness
55% Instrumentalness • 7% Positiveness
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Dan Schutte
Here I Am, Lord
124 bpm • G Maj • 04:47 • -20.54db
9% Popularity • 22% Danceability • 17% Energy • 10% Liveness
5% Instrumentalness • 7% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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Howard Goodall
Jennifer II
144 bpm • A Maj • 02:12 • -17.65db
2% Popularity • 68% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Daniel Elder
The Heart's Reflection
123 bpm • D Maj • 05:15 • -24.07db
16% Popularity • 18% Danceability • 7% Energy • 11% Liveness
86% Instrumentalness • 3% Positiveness
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Edward Shearmur
Shearmur: Russian Affairs [Johnny Englis...
123 bpm • G Maj • 01:27 • -10.12db
20% Popularity • 33% Danceability • 69% Energy • 56% Liveness
61% Instrumentalness • 12% Positiveness
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John Alexander
Earth Song
122 bpm • F Maj • 03:49 • -24.63db
31% Popularity • 20% Danceability • 11% Energy • 12% Liveness
65% Instrumentalness • 3% Positiveness
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Edward Miller
When I survey the wondrous Cross
122 bpm • D# Maj • 05:02 • -25.32db
1% Popularity • 17% Danceability • 5% Energy • 11% Liveness
72% Instrumentalness • 4% Positiveness
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Howard Goodall
Psalm 23 The Lord Is My Shepherd - Instr...
128 bpm • F Maj • 02:35 • -16.07db
5% Popularity • 30% Danceability • 23% Energy • 10% Liveness
97% Instrumentalness • 26% Positiveness
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Nathan Jones
I Would Live in Your Love
121 bpm • A# Maj • 04:55 • -31db
25% Popularity • 17% Danceability • 2% Energy • 11% Liveness
6% Instrumentalness • 3% Positiveness
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Bob Chilcott
A Little Jazz Mass (version for mixed ch...
120 bpm • F min • 04:01 • -18db
19% Popularity • 23% Danceability • 26% Energy • 9% Liveness
89% Instrumentalness • 9% Positiveness
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Edward Shearmur
Shearmur, Goodall: Theme [Johnny English...
120 bpm • G# min • 02:25 • -6.77db
28% Popularity • 57% Danceability • 88% Energy • 29% Liveness
91% Instrumentalness • 54% Positiveness
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Hubert Parry
Parry: Dear Lord and Father of Mankind
120 bpm • D# Maj • 03:58 • -27.76db
28% Popularity • 20% Danceability • 14% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Love Divine (2000)