Songs like Love From The Other Side - Edit by Fall Out Boy
Based on a tempo of (+/- 10%) and a similar genre
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Fall Out Boy
Love From The Other Side - Edit
158 bpm • A Maj • 04:07 • -5.31db
51% Popularity • 45% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 45% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Taylor Acorn
Psycho
158 bpm • A Maj • 02:59 • -3.77db
53% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 56% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Paramore
The News
158 bpm • E min • 03:07 • -6.85db
61% Popularity • 56% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
61% Popularity • 56% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 74% Positiveness
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Waterparks
FUCK ABOUT IT
158 bpm • A min • 02:52 • -3.77db
55% Popularity • 49% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 49% Danceability • 87% Energy • 39% Liveness
0% Instrumentalness • 46% Positiveness
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Muse
Euphoria
158 bpm • F Maj • 03:23 • -3.11db
49% Popularity • 37% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
49% Popularity • 37% Danceability • 92% Energy • 32% Liveness
0% Instrumentalness • 30% Positiveness
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The HU
Black Thunder
157 bpm • G# Maj • 04:28 • -5.08db
57% Popularity • 32% Danceability • 91% Energy • 20% Liveness
26% Instrumentalness • 47% Positiveness
57% Popularity • 32% Danceability • 91% Energy • 20% Liveness
26% Instrumentalness • 47% Positiveness
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Fall Out Boy
Love From The Other Side
158 bpm • E min • 04:39 • -5.63db
61% Popularity • 42% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
61% Popularity • 42% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 22% Positiveness
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The Hunna
Take A Ride (Lights, Camera, Action)
158 bpm • D min • 03:31 • -4.72db
28% Popularity • 50% Danceability • 94% Energy • 12% Liveness
39% Instrumentalness • 36% Positiveness
28% Popularity • 50% Danceability • 94% Energy • 12% Liveness
39% Instrumentalness • 36% Positiveness
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Set It Off
Skeleton
157 bpm • G min • 03:23 • -5db
51% Popularity • 47% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
51% Popularity • 47% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Rise Against
Last Man Standing
160 bpm • C# Maj • 04:27 • -3db
41% Popularity • 41% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 41% Danceability • 95% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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PVRIS
ANIMAL
160 bpm • F min • 02:51 • -5.54db
47% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 52% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 76% Positiveness
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Escape the Fate
Cheers To Goodbye
160 bpm • G Maj • 03:46 • -3.87db
46% Popularity • 41% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
46% Popularity • 41% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Fall Out Boy
27
157 bpm • B min • 03:12 • -3.55db
45% Popularity • 48% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 81% Positiveness
45% Popularity • 48% Danceability • 94% Energy • 55% Liveness
0% Instrumentalness • 81% Positiveness
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Halflives
everybody knows it
160 bpm • G# min • 02:29 • -5.43db
41% Popularity • 51% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 51% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 47% Positiveness
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Bring Me The Horizon
DiE4u
160 bpm • G Maj • 03:27 • -3.77db
66% Popularity • 36% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
66% Popularity • 36% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 26% Positiveness
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Panic! At The Disco
This Is Gospel
156 bpm • G Maj • 03:07 • -4.88db
66% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
66% Popularity • 57% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Against The Current
"good guy"
156 bpm • G min • 03:28 • -12.5db
52% Popularity • 51% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
52% Popularity • 51% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 62% Positiveness
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Electric Callboy
Fuckboi
160 bpm • G# Maj • 02:44 • -10db
59% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
59% Popularity • 54% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Fall Out Boy
Jet Pack Blues
156 bpm • E min • 02:59 • -4.52db
56% Popularity • 55% Danceability • 89% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
56% Popularity • 55% Danceability • 89% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Letdown.
Go To Hell
160 bpm • G Maj • 03:01 • -6db
56% Popularity • 66% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
56% Popularity • 66% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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The Used
Numb
160 bpm • C# min • 02:54 • -5.77db
39% Popularity • 50% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 50% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 25% Positiveness
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A Day To Remember
Miracle
160 bpm • G Maj • 04:03 • -3.78db
65% Popularity • 46% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
65% Popularity • 46% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Score
Fighter
160 bpm • G# min • 02:36 • -4db
63% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
63% Popularity • 52% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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DE'WAYNE
TAKE THIS CROWN
160 bpm • B min • 03:35 • -5.38db
31% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 46% Danceability • 95% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Fall Out Boy
Heaven, Iowa
160 bpm • G min • 03:56 • -5.79db
57% Popularity • 48% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
57% Popularity • 48% Danceability • 73% Energy • 28% Liveness
0% Instrumentalness • 32% Positiveness
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Three Days Grace
So Called Life
160 bpm • D Maj • 03:26 • -4.32db
65% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
65% Popularity • 50% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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YUNGBLUD
The Emperor
160 bpm • G# min • 02:55 • -3.05db
46% Popularity • 51% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 51% Danceability • 95% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Tom Morello
Hold The Line
160 bpm • C# Maj • 03:12 • -6.1db
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
52% Popularity • 56% Danceability • 93% Energy • 76% Liveness
3% Instrumentalness • 61% Positiveness
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modernlove.
Take Me Far Away
160 bpm • B min • 03:28 • -5.2db
35% Popularity • 40% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
35% Popularity • 40% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 44% Positiveness
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![The Rapture (but it’s Pink) [feat. Mothica] cover art](https://i.scdn.co/image/ab67616d00001e02fa272d9a3c6718f35f80c7a7)
Scene Queen
The Rapture (but it’s Pink)
160 bpm • B min • 02:28 • -4db
47% Popularity • 50% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 50% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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RedHook
Low Budget Horror
155 bpm • F Maj • 03:01 • -4db
39% Popularity • 42% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 42% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 32% Positiveness
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The Score
Enemies
155 bpm • E min • 02:41 • -5.96db
60% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 56% Danceability • 83% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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NOTHING MORE
BEST TIMES
160 bpm • G min • 03:43 • -6.15db
34% Popularity • 31% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
34% Popularity • 31% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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Bohnes
Sweet Dream
155 bpm • D Maj • 03:26 • -3.35db
37% Popularity • 46% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 46% Danceability • 95% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Asking Alexandria
Dark Void
155 bpm • F min • 03:52 • -4.27db
57% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 42% Danceability • 97% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Bad Omens
THE DEATH OF PEACE OF MIND
155 bpm • C min • 04:01 • -5.62db
76% Popularity • 47% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
76% Popularity • 47% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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My Chemical Romance
The Sharpest Lives
155 bpm • C# min • 03:20 • -3.43db
66% Popularity • 51% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
66% Popularity • 51% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Taylor Acorn
Wishing You Hell
155 bpm • C# Maj • 03:14 • -4db
47% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
47% Popularity • 55% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 76% Positiveness
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Fall Out Boy
Thnks fr th Mmrs
155 bpm • A# min • 03:23 • -5.06db
79% Popularity • 46% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
79% Popularity • 46% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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NOTHING MORE
BEST TIMES
161 bpm • G min • 03:40 • -6db
37% Popularity • 32% Danceability • 92% Energy • 35% Liveness
1% Instrumentalness • 44% Positiveness
37% Popularity • 32% Danceability • 92% Energy • 35% Liveness
1% Instrumentalness • 44% Positiveness
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Skillet
Finish Line
162 bpm • F min • 03:27 • -4db
50% Popularity • 46% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
50% Popularity • 46% Danceability • 90% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Bad Omens
Like A Villain
155 bpm • G Maj • 03:30 • -4.51db
74% Popularity • 46% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
74% Popularity • 46% Danceability • 92% Energy • 43% Liveness
0% Instrumentalness • 40% Positiveness
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Falling In Reverse
Watch The World Burn
162 bpm • A# min • 03:23 • -5.9db
74% Popularity • 40% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
74% Popularity • 40% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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The Summer Set
Teenagers
162 bpm • D# Maj • 03:03 • -4db
48% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Story Of The Year
Take the Ride
162 bpm • D Maj • 02:58 • -3db
48% Popularity • 51% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
48% Popularity • 51% Danceability • 92% Energy • 3% Liveness
0% Instrumentalness • 63% Positiveness
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Fall Out Boy
Sugar, We're Goin Down
162 bpm • G Maj • 03:49 • -4.78db
78% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 49% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Stand Atlantic
switchblade
162 bpm • C# min • 02:38 • -4db
41% Popularity • 51% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
41% Popularity • 51% Danceability • 91% Energy • 33% Liveness
0% Instrumentalness • 74% Positiveness
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NOTHING MORE
VALHALLA (Too Young To See)
162 bpm • C# Maj • 05:41 • -7.02db
36% Popularity • 22% Danceability • 86% Energy • 57% Liveness
50% Instrumentalness • 33% Positiveness
36% Popularity • 22% Danceability • 86% Energy • 57% Liveness
50% Instrumentalness • 33% Positiveness
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Jimmy Eat World
The Middle
162 bpm • D Maj • 02:45 • -5.43db
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
84% Popularity • 64% Danceability • 85% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Saint Chaos
Need Somebody
154 bpm • A# min • 02:56 • -4.32db
37% Popularity • 60% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 60% Danceability • 89% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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Story Of The Year
Real Life
154 bpm • B min • 02:44 • -4db
50% Popularity • 54% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
50% Popularity • 54% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Panic! At The Disco
Say It Louder
163 bpm • C# min • 03:30 • -6.57db
46% Popularity • 38% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
46% Popularity • 38% Danceability • 84% Energy • 13% Liveness
3% Instrumentalness • 63% Positiveness
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Black Veil Brides
The Revival
153 bpm • F Maj • 03:15 • -3.37db
40% Popularity • 34% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 46% Positiveness
40% Popularity • 34% Danceability • 94% Energy • 33% Liveness
1% Instrumentalness • 46% Positiveness
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The Used
Giving Up
163 bpm • C min • 03:10 • -4.95db
45% Popularity • 50% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
45% Popularity • 50% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Anti-Flag
LAUGH. CRY. SMILE. DIE.
164 bpm • G# Maj • 03:04 • -11.56db
33% Popularity • 49% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 49% Danceability • 88% Energy • 44% Liveness
0% Instrumentalness • 76% Positiveness
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Fall Out Boy
Wilson (Expensive Mistakes)
152 bpm • F# Maj • 03:36 • -4.37db
54% Popularity • 49% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
54% Popularity • 49% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Lovejoy
Call Me What You Like
152 bpm • C min • 03:46 • -6.75db
62% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
62% Popularity • 52% Danceability • 89% Energy • 7% Liveness
2% Instrumentalness • 36% Positiveness
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Panic! At The Disco
Viva Las Vengeance
154 bpm • A min • 03:27 • -5.46db
56% Popularity • 21% Danceability • 83% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
56% Popularity • 21% Danceability • 83% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Bowling For Soup
Hello Anxiety
152 bpm • F# min • 02:35 • -3.94db
37% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
37% Popularity • 55% Danceability • 93% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Demi Lovato
FREAK
152 bpm • B min • 02:36 • -4db
50% Popularity • 38% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 38% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 44% Positiveness
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Jimmy Eat World
Something Loud
152 bpm • D Maj • 03:16 • -3db
43% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
43% Popularity • 38% Danceability • 90% Energy • 36% Liveness
0% Instrumentalness • 50% Positiveness
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Fall Out Boy
My Songs Know What You Did In The Dark (...
152 bpm • A min • 03:06 • -4.34db
77% Popularity • 56% Danceability • 92% Energy • 54% Liveness
0% Instrumentalness • 57% Positiveness
77% Popularity • 56% Danceability • 92% Energy • 54% Liveness
0% Instrumentalness • 57% Positiveness
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Bad Omens
Take Me First
164 bpm • E min • 03:19 • -3.91db
65% Popularity • 41% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 41% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Highly Suspect
Midnight Demon Club
165 bpm • F# min • 04:12 • -5.34db
43% Popularity • 27% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
43% Popularity • 27% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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PVRIS
GOOD ENEMY
165 bpm • F# min • 02:10 • -4.69db
50% Popularity • 57% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
50% Popularity • 57% Danceability • 79% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Self Deception
Fight Fire with Gasoline - Acoustic
152 bpm • D min • 03:33 • -6db
37% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
37% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Meet Me @ The Altar
Kool
165 bpm • F Maj • 02:11 • -5db
38% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
38% Popularity • 55% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Fall Out Boy
We Didn’t Start The Fire (Bonus Track)
152 bpm • G Maj • 03:35 • -4.08db
62% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 57% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Stand Atlantic
doomsday
165 bpm • F# Maj • 03:02 • -4.25db
41% Popularity • 51% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 51% Danceability • 94% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Highly Suspect
Ice Cold
165 bpm • A min • 03:27 • -5.89db
44% Popularity • 24% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 24% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Coheed and Cambria
Comatose
165 bpm • A# Maj • 03:10 • -2.58db
45% Popularity • 49% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 49% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Self Deception
Fight Fire With Gasoline
165 bpm • E min • 03:48 • -7db
60% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
60% Popularity • 55% Danceability • 90% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Meet Me @ The Altar
Say It (To My Face)
165 bpm • G Maj • 02:39 • -4.9db
38% Popularity • 51% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
38% Popularity • 51% Danceability • 90% Energy • 65% Liveness
0% Instrumentalness • 66% Positiveness
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Fall Out Boy
American Beauty/American Psycho
151 bpm • D Maj • 03:15 • -2db
53% Popularity • 49% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
53% Popularity • 49% Danceability • 93% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Sub-Radio
1990something
151 bpm • E Maj • 03:03 • -3.12db
48% Popularity • 59% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
48% Popularity • 59% Danceability • 89% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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The Ghost Club
Don't Let Go
151 bpm • D Maj • 03:40 • -4.33db
47% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nickelback
Those Days
166 bpm • C Maj • 03:39 • -5.48db
57% Popularity • 50% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 50% Danceability • 92% Energy • 15% Liveness
0% Instrumentalness • 67% Positiveness
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My Chemical Romance
Na Na Na (Na Na Na Na Na Na Na Na Na)
166 bpm • G# min • 03:25 • -2.52db
70% Popularity • 41% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
70% Popularity • 41% Danceability • 99% Energy • 37% Liveness
0% Instrumentalness • 65% Positiveness
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Steve Aoki
KULT
166 bpm • E min • 02:57 • -4db
54% Popularity • 45% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
54% Popularity • 45% Danceability • 83% Energy • 20% Liveness
0% Instrumentalness • 56% Positiveness
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Fall Out Boy
Irresistible
165 bpm • D Maj • 03:26 • -3.12db
63% Popularity • 48% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 48% Danceability • 94% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Coheed and Cambria
The Liars Club
166 bpm • B Maj • 03:48 • -4db
51% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 45% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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AS IT IS
ILY, HOW ARE YOU?
166 bpm • B min • 02:11 • -3db
44% Popularity • 41% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 41% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 66% Positiveness
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Badflower
Family - Blackbird
150 bpm • D# min • 04:08 • -6db
29% Popularity • 35% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
29% Popularity • 35% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 31% Positiveness
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The Retaliators
The Retaliators Theme (21 Bullets)
166 bpm • E min • 04:02 • -4.73db
52% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
52% Popularity • 44% Danceability • 94% Energy • 81% Liveness
0% Instrumentalness • 19% Positiveness
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Foo Fighters
Rescued
150 bpm • E Maj • 04:18 • -4.98db
58% Popularity • 27% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 27% Danceability • 96% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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My Chemical Romance
The Foundations of Decay
150 bpm • C# min • 06:00 • -6.65db
59% Popularity • 36% Danceability • 67% Energy • 32% Liveness
55% Instrumentalness • 20% Positiveness
59% Popularity • 36% Danceability • 67% Energy • 32% Liveness
55% Instrumentalness • 20% Positiveness
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Mike Shinoda
Already Over
150 bpm • C Maj • 02:40 • -3.82db
67% Popularity • 49% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
67% Popularity • 49% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Beartooth
Might Love Myself
150 bpm • C# min • 03:39 • -5db
61% Popularity • 46% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
61% Popularity • 46% Danceability • 86% Energy • 33% Liveness
0% Instrumentalness • 73% Positiveness
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grandson
Something To Hide
150 bpm • G# Maj • 01:59 • -4.95db
56% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
56% Popularity • 56% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Fall Out Boy
Uma Thurman
150 bpm • E min • 03:31 • -2.62db
69% Popularity • 62% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
69% Popularity • 62% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Foo Fighters
Under You
150 bpm • A Maj • 03:39 • -2.91db
60% Popularity • 26% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 26% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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SUMR
Firestarter
167 bpm • A min • 03:42 • -4.31db
37% Popularity • 46% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 46% Danceability • 92% Energy • 64% Liveness
0% Instrumentalness • 45% Positiveness
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Hawthorne Heights
Dandelions
167 bpm • F# Maj • 02:59 • -3.5db
41% Popularity • 49% Danceability • 94% Energy • 24% Liveness
5% Instrumentalness • 63% Positiveness
41% Popularity • 49% Danceability • 94% Energy • 24% Liveness
5% Instrumentalness • 63% Positiveness
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Bring Me The Horizon
DArkSide
168 bpm • G Maj • 02:44 • -3.02db
74% Popularity • 39% Danceability • 94% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
74% Popularity • 39% Danceability • 94% Energy • 63% Liveness
0% Instrumentalness • 46% Positiveness
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Sub-Radio
Everything I Had
168 bpm • C Maj • 03:12 • -2.74db
32% Popularity • 40% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
32% Popularity • 40% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 33% Positiveness
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Fall Out Boy
Church
168 bpm • F# min • 03:31 • -3.39db
55% Popularity • 37% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
55% Popularity • 37% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Enter Shikari
A Kiss for the Whole World x
168 bpm • C min • 03:31 • -6.59db
24% Popularity • 39% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 39% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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STARSET
Waiting On The Sky To Change
168 bpm • F Maj • 04:04 • -4db
60% Popularity • 37% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
60% Popularity • 37% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
