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Love Is Blind
Songs like
Love Is Blind
by
Låpsley
Based on a tempo of (+/- 10%) and a similar genre
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SOHN
Tremors
160 bpm • D min • 03:29 • -9db
40% Popularity • 60% Danceability • 50% Energy • 14% Liveness
6% Instrumentalness • 49% Positiveness
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Jazz Morley
Take Me Down
160 bpm • C Maj • 04:00 • -8.13db
10% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Wolf Tide
Spoke the Words
160 bpm • C# min • 04:54 • -7db
28% Popularity • 44% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ash Gale
Sweet Release Devour
160 bpm • A Maj • 04:57 • -7db
15% Popularity • 31% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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LÃ¥psley
Love Is Blind
160 bpm • C# Maj • 04:10 • -6.5db
34% Popularity • 41% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jack Garratt
Surprise Yourself
159 bpm • G# Maj • 04:20 • -12.19db
49% Popularity • 35% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Lo Moon
Loveless - Edit
161 bpm • A# Maj • 04:18 • -8.75db
24% Popularity • 49% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 19% Positiveness
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Tiger Lou
California Hauling
159 bpm • C min • 03:50 • -8.98db
10% Popularity • 28% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Amy Shark
Drive You Mad
162 bpm • G Maj • 03:32 • -7db
34% Popularity • 50% Danceability • 71% Energy • 9% Liveness
6% Instrumentalness • 36% Positiveness
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Little Children
We're Falling
158 bpm • A# Maj • 03:56 • -5.07db
7% Popularity • 46% Danceability • 80% Energy • 15% Liveness
8% Instrumentalness • 61% Positiveness
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Francis and the Lights
See Her Out (Thats Just Life)
158 bpm • E Maj • 03:30 • -9.27db
38% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Breen
Make Sense
162 bpm • C Maj • 03:15 • -11.84db
11% Popularity • 54% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Wangel
Seoul
158 bpm • D Maj • 05:02 • -12.11db
12% Popularity • 24% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Johnny Stimson
Bright Side
163 bpm • G Maj • 03:16 • -10.63db
27% Popularity • 33% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Noonie Bao
Reminds Me
156 bpm • D min • 03:35 • -6db
10% Popularity • 56% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Little Children
Traveling Through Darkness
164 bpm • D min • 03:57 • -8.58db
10% Popularity • 57% Danceability • 75% Energy • 20% Liveness
13% Instrumentalness • 64% Positiveness
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Sara Hartman
Monster Lead Me Home
164 bpm • C Maj • 03:57 • -6.02db
35% Popularity • 60% Danceability • 84% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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LÉON
LÉON's Lullaby
165 bpm • D Maj • 03:05 • -9.46db
31% Popularity • 36% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Mansionair
Speak Easy
165 bpm • B min • 04:10 • -6db
23% Popularity • 47% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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LÃ¥psley
8896
170 bpm • G Maj • 04:23 • -13.03db
26% Popularity • 45% Danceability • 37% Energy • 26% Liveness
3% Instrumentalness • 17% Positiveness
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Handsome Ghost
Brand New Colony
170 bpm • D# Maj • 03:04 • -7.88db
22% Popularity • 45% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Vaults
Lifespan
150 bpm • C# min • 03:48 • -7db
38% Popularity • 50% Danceability • 66% Energy • 6% Liveness
13% Instrumentalness • 9% Positiveness
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Shura
What Happened To Us?
150 bpm • C# Maj • 04:09 • -6.28db
29% Popularity • 54% Danceability • 82% Energy • 13% Liveness
5% Instrumentalness • 51% Positiveness
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Sara Hartman
From The Other Side Of The World
150 bpm • B min • 04:35 • -9.42db
13% Popularity • 65% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Brolin
Koln
150 bpm • B Maj • 02:38 • -11.19db
24% Popularity • 49% Danceability • 50% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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BANKS
To The Hilt
172 bpm • G# min • 04:36 • -13.95db
33% Popularity • 33% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Handsome Ghost
Blood Stutter
170 bpm • C# Maj • 03:31 • -7.82db
15% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Maria Mena
Leaving You
172 bpm • G Maj • 04:18 • -8.88db
27% Popularity • 57% Danceability • 51% Energy • 18% Liveness
0% Instrumentalness • 11% Positiveness
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LÃ¥psley
Lifeline
148 bpm • D Maj • 03:22 • -12.85db
25% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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RITUAL
Josephine
174 bpm • E min • 04:05 • -7.63db
46% Popularity • 64% Danceability • 43% Energy • 10% Liveness
4% Instrumentalness • 8% Positiveness
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Kelvin Jones
As You Wake Up
174 bpm • F min • 03:21 • -7.41db
17% Popularity • 55% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Highasakite
I Am My Own Disease
174 bpm • G# Maj • 03:38 • -7.47db
4% Popularity • 49% Danceability • 82% Energy • 15% Liveness
1% Instrumentalness • 52% Positiveness
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Molly Kate Kestner
Good Die Young
147 bpm • G# min • 03:28 • -5db
26% Popularity • 57% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 33% Positiveness
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Eighty Ninety
Three Thirty
146 bpm • C# min • 03:35 • -8.3db
18% Popularity • 70% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 80% Positiveness
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Kacy Hill
Foreign Fields
174 bpm • F# Maj • 03:43 • -11.5db
27% Popularity • 29% Danceability • 38% Energy • 24% Liveness
22% Instrumentalness • 13% Positiveness
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LÃ¥psley
First
176 bpm • A# min • 03:20 • -12.77db
18% Popularity • 56% Danceability • 50% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Francis and the Lights
Friends
145 bpm • G# Maj • 03:08 • -9.32db
50% Popularity • 46% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Ella Vos
Little Brother
145 bpm • F Maj • 03:35 • -8db
31% Popularity • 75% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Good Scott
Pull Me Up
177 bpm • B Maj • 03:38 • -8.06db
21% Popularity • 53% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Naomi Pilgrim
Sink Like a Stone
177 bpm • A# min • 03:53 • -4.37db
7% Popularity • 49% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Norma Jean Martine
I Want You To Want Me
144 bpm • C Maj • 03:44 • -6.48db
16% Popularity • 48% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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SWELLS
Gold Dust
144 bpm • D Maj • 04:03 • -10db
14% Popularity • 57% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Prinze George
Victor
144 bpm • G Maj • 03:08 • -4.97db
34% Popularity • 73% Danceability • 76% Energy • 8% Liveness
15% Instrumentalness • 55% Positiveness
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Alexander Asp
Cold Winter Love
144 bpm • C# Maj • 03:40 • -8.06db
21% Popularity • 33% Danceability • 29% Energy • 25% Liveness
0% Instrumentalness • 21% Positiveness
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Young Summer
Sons of Lightning
144 bpm • D Maj • 04:05 • -8.29db
16% Popularity • 49% Danceability • 70% Energy • 30% Liveness
1% Instrumentalness • 34% Positiveness
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Elliphant
Step Down
144 bpm • A# min • 03:18 • -5.79db
23% Popularity • 73% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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LÃ¥psley
Hotel Corridors
144 bpm • D Maj • 03:24 • -14.23db
19% Popularity • 64% Danceability • 57% Energy • 7% Liveness
10% Instrumentalness • 15% Positiveness
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Ben Hobbs
Here's Where the Story Ends
178 bpm • A# min • 04:27 • -7db
10% Popularity • 58% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 26% Positiveness
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NEWCOAST
Lost in Your Love
143 bpm • B min • 03:24 • -6.75db
23% Popularity • 61% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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LÉON
Surround Me
178 bpm • F Maj • 03:52 • -7.87db
55% Popularity • 53% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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IDER
Million
179 bpm • A min • 03:45 • -10.04db
14% Popularity • 31% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Christine and the Queens
iT
180 bpm • C Maj • 03:38 • -8db
49% Popularity • 57% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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LA WOMEN
Hurricane Love
142 bpm • F Maj • 03:11 • -7.13db
27% Popularity • 56% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Max Jury
Standing On My Own
142 bpm • E Maj • 03:58 • -7.17db
17% Popularity • 70% Danceability • 56% Energy • 19% Liveness
2% Instrumentalness • 49% Positiveness
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Nathan Ball
Cold Hands
142 bpm • F# min • 03:52 • -8db
18% Popularity • 61% Danceability • 68% Energy • 11% Liveness
18% Instrumentalness • 57% Positiveness
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Vaults
Hurricane
142 bpm • B Maj • 03:18 • -6.54db
32% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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IDER
Body Love
143 bpm • G# min • 03:41 • -11db
31% Popularity • 78% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Haarlo
Love's Gone
142 bpm • A min • 03:38 • -11db
23% Popularity • 78% Danceability • 37% Energy • 18% Liveness
5% Instrumentalness • 70% Positiveness
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Alex Winston
Down Low
142 bpm • B Maj • 04:13 • -7.63db
26% Popularity • 57% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 47% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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LÃ¥psley
Our Love is a Garden
141 bpm • C Maj • 03:23 • -10db
19% Popularity • 60% Danceability • 63% Energy • 16% Liveness
5% Instrumentalness • 37% Positiveness
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Ardyn
Help Me on My Way
141 bpm • C Maj • 03:45 • -9.06db
14% Popularity • 68% Danceability • 62% Energy • 11% Liveness
4% Instrumentalness • 34% Positiveness
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Jack Garratt
Weathered
141 bpm • C Maj • 04:34 • -7db
43% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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St. South
Got Me
182 bpm • B Maj • 03:52 • -13.07db
33% Popularity • 56% Danceability • 38% Energy • 10% Liveness
5% Instrumentalness • 12% Positiveness
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Molly Moore
Peace of My Heart
140 bpm • G# min • 03:40 • -10.57db
10% Popularity • 63% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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SHELLS
Jailbird
140 bpm • A Maj • 03:32 • -8.35db
34% Popularity • 73% Danceability • 47% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Dave Thomas Junior
Our Time Will Come Again
140 bpm • D Maj • 04:50 • -4.23db
11% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Saint Sister
Madrid
140 bpm • A min • 03:09 • -11db
20% Popularity • 73% Danceability • 26% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Clairity
Broken Things
140 bpm • G# Maj • 04:07 • -7.6db
13% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hugh
Learn to Fall
140 bpm • C# Maj • 04:04 • -10.38db
10% Popularity • 58% Danceability • 52% Energy • 13% Liveness
1% Instrumentalness • 15% Positiveness
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Martin Luke Brown
Scars on Scars
140 bpm • C# min • 03:38 • -7.11db
16% Popularity • 64% Danceability • 70% Energy • 38% Liveness
0% Instrumentalness • 69% Positiveness
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Highasakite
5 Million Miles
140 bpm • A# Maj • 03:50 • -6.45db
6% Popularity • 70% Danceability • 74% Energy • 13% Liveness
12% Instrumentalness • 48% Positiveness
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Arctic Lake
Heal Me
140 bpm • A min • 03:27 • -9.61db
41% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Jack Garratt
Far Cry
140 bpm • G min • 03:54 • -6.49db
28% Popularity • 62% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Catey Shaw
Show Up
140 bpm • C Maj • 03:40 • -11.58db
16% Popularity • 61% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Kacy Hill
Hard To Love
138 bpm • E Maj • 03:24 • -6.41db
21% Popularity • 57% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ella Vos
White Noise
138 bpm • D# Maj • 03:42 • -9db
38% Popularity • 72% Danceability • 31% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Fractures
Cadence
139 bpm • A min • 04:19 • -9.28db
17% Popularity • 61% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 27% Positiveness
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LÃ¥psley
Hurt Me
138 bpm • G# Maj • 03:51 • -5db
45% Popularity • 66% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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Duvchi
When the Winter
138 bpm • A# min • 04:24 • -7.85db
15% Popularity • 52% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Rachèl Louise
Keep Your Heart
138 bpm • F# Maj • 03:48 • -8db
7% Popularity • 55% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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St. South
Better Still
138 bpm • G# min • 03:55 • -16db
33% Popularity • 48% Danceability • 32% Energy • 11% Liveness
12% Instrumentalness • 17% Positiveness
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Nerina Pallot
Rousseau
137 bpm • C# min • 03:58 • -10db
12% Popularity • 60% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Cajsa Siik
State of Low
137 bpm • F# Maj • 02:45 • -10.83db
9% Popularity • 70% Danceability • 39% Energy • 17% Liveness
29% Instrumentalness • 54% Positiveness
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Jack Garratt
Water
136 bpm • C Maj • 03:40 • -8.67db
46% Popularity • 59% Danceability • 61% Energy • 23% Liveness
40% Instrumentalness • 18% Positiveness
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Erik Hassle
Smaller
189 bpm • G Maj • 03:25 • -4.76db
27% Popularity • 40% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Seavera
Caving
137 bpm • B min • 03:07 • -6.56db
20% Popularity • 57% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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LÃ¥psley
My Love Was Like the Rain
192 bpm • C# Maj • 04:12 • -11.1db
33% Popularity • 52% Danceability • 58% Energy • 10% Liveness
33% Instrumentalness • 15% Positiveness
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Nerina Pallot
Rousseau - EP Version
137 bpm • C# min • 03:58 • -11db
29% Popularity • 54% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Vaults
Orphan
200 bpm • B min • 03:15 • -10.37db
29% Popularity • 28% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Charlie Brennan
Let Me Be
200 bpm • F# Maj • 03:46 • -8.67db
14% Popularity • 58% Danceability • 74% Energy • 10% Liveness
1% Instrumentalness • 52% Positiveness
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Daniel Wilson
Will You
203 bpm • D Maj • 02:40 • -11.08db
18% Popularity • 27% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Jack Garratt
I Know All What I Do
205 bpm • F Maj • 03:03 • -10.58db
25% Popularity • 18% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Love Is Blind