Songs like Love Is Letting Go (feat. Diane Keaton) by Ashe
Based on a tempo of (+/- 10%) and a similar genre
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Jaymes Young
I'll Be Good
89 bpm • G Maj • 04:07 • -10.76db
63% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
63% Popularity • 39% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Labrinth
Still Don't Know My Name
90 bpm • F Maj • 02:33 • -5.96db
77% Popularity • 32% Danceability • 63% Energy • 20% Liveness
26% Instrumentalness • 31% Positiveness
77% Popularity • 32% Danceability • 63% Energy • 20% Liveness
26% Instrumentalness • 31% Positiveness
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Taylor Swift
august
90 bpm • F Maj • 04:21 • -9.21db
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
87% Popularity • 53% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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The Neighbourhood
You Get Me So High
88 bpm • G min • 02:33 • -6.1db
84% Popularity • 55% Danceability • 88% Energy • 15% Liveness
8% Instrumentalness • 39% Positiveness
84% Popularity • 55% Danceability • 88% Energy • 15% Liveness
8% Instrumentalness • 39% Positiveness
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NERIAH
Unfinished Business
90 bpm • G# min • 03:29 • -6.18db
61% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
61% Popularity • 61% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ashe
We Get High
90 bpm • E min • 02:22 • -3.21db
33% Popularity • 60% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
33% Popularity • 60% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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awfultune
i met sarah in the bathroom
90 bpm • C Maj • 02:01 • -10.86db
72% Popularity • 68% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
72% Popularity • 68% Danceability • 41% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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Royal & the Serpent
overwhelmed
87 bpm • C min • 02:39 • -11.13db
67% Popularity • 80% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
67% Popularity • 80% Danceability • 32% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Paloma Faith
Only Love Can Hurt Like This
91 bpm • G# Maj • 03:52 • -4.53db
82% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
82% Popularity • 57% Danceability • 88% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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Lord Huron
The Night We Met
87 bpm • D Maj • 03:28 • -9.51db
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
90% Popularity • 54% Danceability • 37% Energy • 64% Liveness
28% Instrumentalness • 10% Positiveness
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JP Saxe
A Little Bit Yours
87 bpm • C# Maj • 03:48 • -8.53db
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
58% Popularity • 60% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ashe
Bachelorette
88 bpm • F Maj • 03:33 • -8.72db
30% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 61% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
71% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Lana Del Rey
Cinnamon Girl
92 bpm • F# min • 05:00 • -10.61db
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
83% Popularity • 29% Danceability • 34% Energy • 14% Liveness
41% Instrumentalness • 14% Positiveness
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Niall Horan
Heaven
92 bpm • F Maj • 03:06 • -3.39db
77% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
77% Popularity • 57% Danceability • 76% Energy • 33% Liveness
0% Instrumentalness • 72% Positiveness
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Jenna Raine
see you later (ten years)
86 bpm • C# Maj • 03:08 • -6.44db
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 58% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
58% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
58% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
62% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
62% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Ashe
Cold in California (OurVinyl Sessions)
92 bpm • A Maj • 03:54 • -11.4db
16% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 41% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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gnash
i hate u, i love u
93 bpm • F# min • 04:11 • -13.4db
77% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
77% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jax
Like My Father
93 bpm • F Maj • 03:03 • -8.1db
68% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
68% Popularity • 49% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Elley Duhé
MIDDLE OF THE NIGHT
93 bpm • E min • 03:04 • -6.94db
76% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
76% Popularity • 53% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Lewis Capaldi
Forever
85 bpm • C# Maj • 03:30 • -7.12db
75% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Neighbourhood
Daddy Issues
85 bpm • A# Maj • 04:20 • -9.46db
86% Popularity • 59% Danceability • 52% Energy • 12% Liveness
15% Instrumentalness • 34% Positiveness
86% Popularity • 59% Danceability • 52% Energy • 12% Liveness
15% Instrumentalness • 34% Positiveness
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Em Beihold
Numb Little Bug
85 bpm • G# min • 02:49 • -6.89db
73% Popularity • 74% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
73% Popularity • 74% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 64% Positiveness
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Novo Amor
Carry You
93 bpm • G Maj • 04:33 • -7.99db
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
68% Popularity • 33% Danceability • 40% Energy • 13% Liveness
8% Instrumentalness • 4% Positiveness
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Cigarettes After Sex
K.
94 bpm • D# Maj • 05:20 • -10.26db
85% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
85% Popularity • 45% Danceability • 40% Energy • 14% Liveness
85% Instrumentalness • 33% Positiveness
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Jeremy Zucker
comethru
94 bpm • C Maj • 03:01 • -11.99db
75% Popularity • 80% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
75% Popularity • 80% Danceability • 18% Energy • 62% Liveness
0% Instrumentalness • 61% Positiveness
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Melanie Martinez
High School Sweethearts
94 bpm • A# min • 05:11 • -6.42db
71% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
71% Popularity • 65% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 44% Positiveness
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The Neighbourhood
Daddy Issues (Remix) Syd
85 bpm • A# Maj • 03:01 • -8.16db
70% Popularity • 62% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
70% Popularity • 62% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Em Beihold
Groundhog Day
85 bpm • F# Maj • 02:53 • -8.12db
55% Popularity • 80% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
55% Popularity • 80% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 51% Positiveness
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5 Seconds of Summer
Lover Of Mine
94 bpm • B min • 03:26 • -2.54db
60% Popularity • 55% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
60% Popularity • 55% Danceability • 86% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Seabra
Peter Pan Was Right
84 bpm • F Maj • 03:12 • -7.74db
68% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 66% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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nilu
Are You With Me
84 bpm • A Maj • 04:09 • -8.67db
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
62% Popularity • 17% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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The Neighbourhood
Softcore
94 bpm • A min • 03:26 • -5.51db
86% Popularity • 57% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
86% Popularity • 57% Danceability • 57% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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Joshua Bassett
Only a Matter of Time
84 bpm • G Maj • 03:14 • -9.99db
48% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Troye Sivan
Strawberries & Cigarettes
84 bpm • A Maj • 03:21 • -8.68db
78% Popularity • 58% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
78% Popularity • 58% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Cigarettes After Sex
Apocalypse
94 bpm • F Maj • 04:50 • -9.01db
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
89% Popularity • 37% Danceability • 47% Energy • 11% Liveness
57% Instrumentalness • 18% Positiveness
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JVKE
golden hour
94 bpm • E Maj • 03:29 • -4.8db
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
81% Popularity • 52% Danceability • 59% Energy • 25% Liveness
16% Instrumentalness • 15% Positiveness
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Daughter
Medicine
95 bpm • D# Maj • 04:18 • -12.2db
66% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
66% Popularity • 22% Danceability • 32% Energy • 60% Liveness
24% Instrumentalness • 19% Positiveness
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The Neighbourhood
Afraid
84 bpm • F# min • 04:11 • -5.69db
75% Popularity • 46% Danceability • 70% Energy • 34% Liveness
31% Instrumentalness • 36% Positiveness
75% Popularity • 46% Danceability • 70% Energy • 34% Liveness
31% Instrumentalness • 36% Positiveness
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Taylor Swift
invisible string
83 bpm • E min • 04:12 • -11.14db
77% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
77% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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THE ANXIETY
Meet Me At Our Spot
95 bpm • D Maj • 02:42 • -7.93db
76% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
76% Popularity • 77% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Dylan
Nineteen
95 bpm • C Maj • 03:38 • -5.8db
50% Popularity • 47% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
50% Popularity • 47% Danceability • 74% Energy • 69% Liveness
0% Instrumentalness • 22% Positiveness
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Bea Miller
S.L.U.T.
95 bpm • F min • 02:59 • -4.38db
64% Popularity • 72% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
64% Popularity • 72% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 72% Positiveness
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Halsey
Walls Could Talk
95 bpm • C# Maj • 01:41 • -6.04db
75% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
75% Popularity • 63% Danceability • 42% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Ashe
Used To It (MIG50 Remix)
83 bpm • C min • 03:16 • -6.47db
2% Popularity • 63% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
2% Popularity • 63% Danceability • 69% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Harry Styles
Watermelon Sugar
95 bpm • C Maj • 02:54 • -4.21db
88% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
88% Popularity • 55% Danceability • 82% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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Billie Eilish
when the party's over
83 bpm • E Maj • 03:16 • -14.08db
85% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
85% Popularity • 37% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Stephen Sanchez
Until I Found You - Piano Version
95 bpm • G Maj • 03:04 • -10.45db
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
67% Popularity • 60% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Niall Horan
Put A Little Love On Me
96 bpm • A# Maj • 03:44 • -4.91db
70% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
70% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Ali Gatie
It's You
96 bpm • B min • 03:32 • -6.97db
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
77% Popularity • 73% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Harry Styles
Cherry
96 bpm • G Maj • 04:19 • -9.26db
72% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
72% Popularity • 53% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Cigarettes After Sex
Sweet
97 bpm • F# Maj • 04:52 • -9.07db
83% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
83% Popularity • 45% Danceability • 51% Energy • 14% Liveness
77% Instrumentalness • 12% Positiveness
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Omar Apollo
Evergreen (You Didn’t Deserve Me At Al...
82 bpm • A Maj • 03:36 • -10.4db
77% Popularity • 70% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
77% Popularity • 70% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 31% Positiveness
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Dove Cameron
Breakfast
82 bpm • D min • 02:28 • -6.42db
67% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
67% Popularity • 64% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Sleeping At Last
Touch
82 bpm • C Maj • 04:16 • -11.83db
68% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
68% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Ruel
Hard Sometimes
82 bpm • A# Maj • 04:29 • -7.9db
58% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
58% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Anson Seabra
Walked Through Hell
82 bpm • A# Maj • 03:36 • -11.09db
64% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
64% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Alessia Cara
Scars To Your Beautiful
97 bpm • C Maj • 03:50 • -5.74db
79% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
79% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Dean Lewis
How Do I Say Goodbye
82 bpm • G# Maj • 02:43 • -6db
77% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
77% Popularity • 40% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Billie Eilish
Happier Than Ever
81 bpm • C Maj • 04:58 • -8.7db
84% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
84% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Niall Horan
Still
98 bpm • D# Maj • 04:11 • -6.2db
64% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
64% Popularity • 42% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Ashe
Someone To Lose
81 bpm • F Maj • 04:10 • -6.18db
30% Popularity • 50% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 50% Danceability • 60% Energy • 60% Liveness
0% Instrumentalness • 36% Positiveness
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Anson Seabra
Welcome to Wonderland
97 bpm • E Maj • 03:19 • -10.91db
69% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
69% Popularity • 70% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
willow
81 bpm • G Maj • 03:34 • -9.2db
72% Popularity • 39% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
72% Popularity • 39% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Anne-Marie
Our Song
81 bpm • D Maj • 02:43 • -4.31db
64% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
64% Popularity • 57% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 52% Positiveness
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Au/Ra
Panic Room
98 bpm • G# Maj • 03:57 • -9.43db
70% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
70% Popularity • 50% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Glass Animals
Heat Waves
81 bpm • B Maj • 03:58 • -6.9db
88% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
88% Popularity • 76% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jordan Suaste
Body
98 bpm • E min • 03:25 • -8.69db
59% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 45% Danceability • 32% Energy • 6% Liveness
0% Instrumentalness • 33% Positiveness
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Labrinth
Never Felt So Alone
98 bpm • F Maj • 02:40 • -4.44db
77% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
77% Popularity • 44% Danceability • 41% Energy • 38% Liveness
0% Instrumentalness • 36% Positiveness
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Sadie Jean
Locksmith
99 bpm • C# Maj • 02:44 • -10.73db
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
75% Popularity • 57% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Peachy!
Falling for U
80 bpm • F# Maj • 02:04 • -12.03db
74% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 72% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Jeremy Zucker
better off
99 bpm • G# min • 03:13 • -12.46db
61% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
61% Popularity • 71% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Anson Seabra
Broken
99 bpm • F# Maj • 05:05 • -14.2db
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
56% Popularity • 48% Danceability • 8% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Sara Kays
Chosen Last
99 bpm • B Maj • 03:46 • -6.5db
50% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
50% Popularity • 65% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Labrinth
Forever
80 bpm • E min • 03:22 • -7.78db
71% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 20% Positiveness
71% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 20% Positiveness
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Harry Styles
Adore You
99 bpm • G# Maj • 03:27 • -3.68db
84% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
84% Popularity • 68% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Billie Eilish
listen before i go
80 bpm • C Maj • 04:02 • -23.02db
76% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
76% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Reneé Rapp
In The Kitchen
79 bpm • C min • 03:47 • -6.58db
72% Popularity • 36% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
72% Popularity • 36% Danceability • 29% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Rex Orange County
Pluto Projector
80 bpm • F Maj • 04:27 • -11.2db
77% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
77% Popularity • 38% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Ashe
Till Forever Falls Apart
100 bpm • D Maj • 03:42 • -6.94db
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
75% Popularity • 35% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Justin Bieber
Lonely
79 bpm • B min • 02:29 • -7.1db
72% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
72% Popularity • 62% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Lana Del Rey
Say Yes To Heaven
100 bpm • F# min • 03:29 • -11.58db
87% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
87% Popularity • 49% Danceability • 35% Energy • 11% Liveness
9% Instrumentalness • 17% Positiveness
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Billie Eilish
bellyache
100 bpm • E min • 02:59 • -8.6db
79% Popularity • 70% Danceability • 57% Energy • 48% Liveness
7% Instrumentalness • 41% Positiveness
79% Popularity • 70% Danceability • 57% Energy • 48% Liveness
7% Instrumentalness • 41% Positiveness
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Louis Tomlinson
Always You
100 bpm • E Maj • 03:07 • -4.82db
61% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 63% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Clinton Kane
CHICKEN TENDIES
100 bpm • G Maj • 03:16 • -6db
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 57% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Ashe
Shitty Places, Pretty Faces
100 bpm • A Maj • 03:33 • -9.05db
32% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
32% Popularity • 57% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Leah Nobel
Beginning Middle End
79 bpm • D Maj • 03:14 • -6.88db
56% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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WILLOW
Wait a Minute!
101 bpm • D# min • 03:16 • -5.28db
80% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
80% Popularity • 76% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Billie Eilish
What Was I Made For? [From The Motion Pi...
78 bpm • C Maj • 03:42 • -17.67db
92% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
92% Popularity • 44% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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FINNEAS
Love is Pain
78 bpm • A Maj • 03:44 • -15.33db
53% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
53% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Clinton Kane
I GUESS I'M IN LOVE
78 bpm • C Maj • 03:24 • -6.37db
69% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
69% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Stephen Sanchez
Until I Found You - Em Beihold Version
101 bpm • A# Maj • 02:56 • -5.34db
87% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
87% Popularity • 55% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Ashe
Always
78 bpm • A Maj • 03:34 • -9db
41% Popularity • 37% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 21% Positiveness
41% Popularity • 37% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 21% Positiveness
