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Love is Pain
Songs like
Love is Pain
by
FINNEAS
Based on a tempo of (+/- 10%) and a similar genre
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SYML
Sweet Home - Nostalgia Version
78 bpm • G Maj • 04:07 • -15.81db
37% Popularity • 56% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Rosenthal
Hugging You - Acoustic
78 bpm • G# Maj • 03:53 • -20.46db
58% Popularity • 40% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Anson Seabra
Robin Hood
78 bpm • E Maj • 03:41 • -14.41db
60% Popularity • 73% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
Love is Pain
78 bpm • A Maj • 03:44 • -15.33db
55% Popularity • 61% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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awfultune
things that i miss
78 bpm • G# Maj • 03:36 • -12.59db
57% Popularity • 53% Danceability • 18% Energy • 32% Liveness
0% Instrumentalness • 24% Positiveness
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PJ Harding
The Worst Of You
78 bpm • A# min • 03:29 • -10.96db
56% Popularity • 56% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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dodie
I Kissed Someone (It Wasn't You)
78 bpm • B min • 02:30 • -19db
45% Popularity • 46% Danceability • 18% Energy • 12% Liveness
18% Instrumentalness • 24% Positiveness
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Tom Rosenthal
DRIFT ALONG SMALL WORLD
78 bpm • G Maj • 02:42 • -15db
33% Popularity • 67% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Clinton Kane
I GUESS I'M IN LOVE
78 bpm • C Maj • 03:24 • -6.37db
71% Popularity • 42% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Tommy Lefroy
Trashfire
78 bpm • C Maj • 02:51 • -6.93db
45% Popularity • 51% Danceability • 35% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Alessia Cara
Best Days
78 bpm • F# Maj • 03:31 • -11.73db
55% Popularity • 52% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Ashe
Always
78 bpm • A Maj • 03:34 • -9db
43% Popularity • 37% Danceability • 23% Energy • 60% Liveness
0% Instrumentalness • 21% Positiveness
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Patrick Watson
Lost With You
77 bpm • E min • 02:55 • -16.71db
66% Popularity • 37% Danceability • 16% Energy • 8% Liveness
1% Instrumentalness • 32% Positiveness
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Of Monsters and Men
Phantom
79 bpm • F# Maj • 04:42 • -17.58db
43% Popularity • 40% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Tom Odell
Enemy
77 bpm • B Maj • 03:06 • -12.09db
41% Popularity • 56% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Tate McRae
wish i loved you in the 90s
77 bpm • C# Maj • 02:56 • -8.79db
61% Popularity • 44% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Olivia Rodrigo
hope ur ok
77 bpm • C Maj • 03:29 • -12.18db
76% Popularity • 44% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Lizzy McAlpine
To the Mountains
79 bpm • E Maj • 03:13 • -14db
66% Popularity • 46% Danceability • 15% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness
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FINNEAS
Hurt Locker
77 bpm • G# min • 03:26 • -11.03db
41% Popularity • 57% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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BANNERS
Ghosts
77 bpm • C Maj • 04:10 • -7.15db
52% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
77% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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Genevieve Stokes
Parking Lot
77 bpm • C Maj • 02:41 • -8.26db
49% Popularity • 43% Danceability • 34% Energy • 27% Liveness
0% Instrumentalness • 42% Positiveness
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Catie Turner
God Must Hate Me
77 bpm • D Maj • 02:29 • -10.11db
61% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Anson Seabra
Trying My Best
77 bpm • F Maj • 03:42 • -18.19db
64% Popularity • 69% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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FINNEAS
Love Is Pain - Live from Abbey Road Stud...
77 bpm • A Maj • 03:32 • -11.01db
28% Popularity • 54% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 22% Positiveness
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Tom Rosenthal
I went to bed
80 bpm • C Maj • 03:07 • -13db
26% Popularity • 38% Danceability • 13% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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Alexander 23
Brainstorm
77 bpm • D Maj • 03:04 • -11db
49% Popularity • 68% Danceability • 36% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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Billie Eilish
listen before i go
80 bpm • C Maj • 04:02 • -23.02db
78% Popularity • 32% Danceability • 6% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Genevieve Stokes
Morning Dove
80 bpm • A min • 03:02 • -13db
38% Popularity • 59% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Delaney Bailey
Just Come Down
80 bpm • A Maj • 03:30 • -14.93db
41% Popularity • 48% Danceability • 28% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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Lennon Stella
Goodnight
80 bpm • D Maj • 02:56 • -10.44db
54% Popularity • 48% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Tom Rosenthal
Walking Up The Hill Again
80 bpm • A# Maj • 02:24 • -10.2db
36% Popularity • 65% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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mehro
howling
76 bpm • E Maj • 03:33 • -11db
46% Popularity • 50% Danceability • 35% Energy • 11% Liveness
35% Instrumentalness • 20% Positiveness
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James Blake
Friends That Break Your Heart
76 bpm • E min • 03:21 • -13.14db
44% Popularity • 55% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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FINNEAS
Another Year
80 bpm • C# min • 04:16 • -13.26db
41% Popularity • 60% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Taylor Swift
exile
76 bpm • F# Maj • 04:45 • -8.43db
82% Popularity • 30% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Lorde
Liability
76 bpm • A# min • 02:51 • -11.25db
74% Popularity • 59% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Luz
the author
81 bpm • C Maj • 03:37 • -12.57db
53% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Tom Rosenthal
Tractor
81 bpm • D Maj • 03:26 • -13.61db
35% Popularity • 41% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Jess Benko
Did You Ever Hurt for Me?
75 bpm • C Maj • 05:41 • -16.25db
45% Popularity • 61% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Maisie Peters
Good Enough
75 bpm • F Maj • 03:41 • -7.48db
52% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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bülow
Booty Call
81 bpm • D# Maj • 03:14 • -11db
25% Popularity • 56% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Billie Eilish
Happier Than Ever
81 bpm • C Maj • 04:58 • -8.7db
86% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Ashe
Not Mad Anymore
75 bpm • A Maj • 03:42 • -8.18db
41% Popularity • 59% Danceability • 40% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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FINNEAS
New Girl
75 bpm • G# min • 03:01 • -9.4db
52% Popularity • 69% Danceability • 28% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Ruth B.
Spaceship
81 bpm • F Maj • 03:31 • -10.64db
44% Popularity • 58% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Taylor Swift
tolerate it
75 bpm • A Maj • 04:05 • -10.38db
80% Popularity • 32% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Vancouver Sleep Clinic
The Wire
81 bpm • G Maj • 03:00 • -12.86db
48% Popularity • 38% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Patrick Watson
Better in the Shade
81 bpm • C min • 03:36 • -15db
48% Popularity • 42% Danceability • 10% Energy • 25% Liveness
0% Instrumentalness • 10% Positiveness
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Ruel
Hard Sometimes
82 bpm • A# Maj • 04:29 • -7.9db
60% Popularity • 41% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Anson Seabra
Walked Through Hell
82 bpm • A# Maj • 03:36 • -11.09db
66% Popularity • 51% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Sleeping At Last
Touch
82 bpm • C Maj • 04:16 • -11.83db
69% Popularity • 42% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Wrabel
cars
82 bpm • G# Maj • 03:41 • -11db
22% Popularity • 49% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Genevieve Stokes
Habits
82 bpm • A Maj • 02:14 • -9.47db
70% Popularity • 66% Danceability • 29% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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renforshort
exception
82 bpm • C Maj • 03:04 • -6.29db
31% Popularity • 34% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Ruel
too many feelings
82 bpm • F Maj • 03:06 • -6.15db
51% Popularity • 75% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Nothing But Thieves
Lover, Please Stay
74 bpm • C# Maj • 04:07 • -10.43db
47% Popularity • 40% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Bea Miller
i can't breathe
83 bpm • B Maj • 03:33 • -11.15db
55% Popularity • 35% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Zevia
manipulation
74 bpm • A min • 03:51 • -13db
45% Popularity • 41% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Matt Maltese
Even If It's a Lie - Demo
83 bpm • D Maj • 03:57 • -6db
54% Popularity • 48% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Kings Elliot
I’m Getting Tired of Me
83 bpm • D Maj • 03:36 • -9.71db
41% Popularity • 60% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jaymes Young
Moondust - Stripped
73 bpm • F# min • 03:36 • -13.38db
49% Popularity • 56% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Billie Eilish
The 30th
83 bpm • G Maj • 03:36 • -14.4db
75% Popularity • 39% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Tom Rosenthal
How Have You Been?
73 bpm • C Maj • 02:48 • -15.1db
51% Popularity • 38% Danceability • 3% Energy • 15% Liveness
3% Instrumentalness • 12% Positiveness
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Jonah Kagen
broken
84 bpm • C# Maj • 03:15 • -12db
64% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Zevia
why do i exist
84 bpm • A min • 02:34 • -20.57db
44% Popularity • 38% Danceability • 11% Energy • 37% Liveness
0% Instrumentalness • 9% Positiveness
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Rhys Lewis
Happy Fucking Birthday
84 bpm • D Maj • 03:39 • -8.34db
22% Popularity • 33% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Noah Cyrus
July
73 bpm • A min • 02:36 • -8.95db
84% Popularity • 71% Danceability • 19% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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The Lumineers
BIG SHOT
73 bpm • C# Maj • 03:01 • -7.03db
45% Popularity • 63% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Wrabel
london
84 bpm • A Maj • 04:26 • -7.67db
51% Popularity • 57% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Billie Eilish
Halley's Comet
72 bpm • C# min • 03:54 • -16.73db
79% Popularity • 40% Danceability • 16% Energy • 34% Liveness
1% Instrumentalness • 4% Positiveness
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Alec Benjamin
Older
84 bpm • D Maj • 02:44 • -8.46db
65% Popularity • 54% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Matt Maltese
Less and Less
72 bpm • C Maj • 04:08 • -9.87db
53% Popularity • 35% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tom Odell
Heal
72 bpm • C# Maj • 03:13 • -12.94db
76% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Lorde
Writer In The Dark
72 bpm • G Maj • 03:36 • -8.07db
68% Popularity • 32% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 28% Positiveness
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Isaac Dunbar
scorton's creek
85 bpm • E min • 02:28 • -11db
37% Popularity • 40% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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SYML
The Dark
85 bpm • G Maj • 04:58 • -12db
46% Popularity • 45% Danceability • 24% Energy • 8% Liveness
2% Instrumentalness • 6% Positiveness
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Lewis Capaldi
Forever
85 bpm • C# Maj • 03:30 • -7.12db
76% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ashe
Hope You're Not Happy
71 bpm • A# Maj • 02:44 • -8db
54% Popularity • 51% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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Sleeping At Last
Love Me Like You Do
85 bpm • C# min • 04:32 • -10.84db
28% Popularity • 50% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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ROSIE
Never the 1
85 bpm • C# Maj • 02:51 • -12.13db
51% Popularity • 67% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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awfultune
lvr boy
85 bpm • F# Maj • 04:55 • -25.02db
58% Popularity • 50% Danceability • 3% Energy • 25% Liveness
0% Instrumentalness • 7% Positiveness
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Blake Rose
Ordinary People
71 bpm • G Maj • 04:13 • -11.66db
54% Popularity • 36% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Celeste
Strange
71 bpm • D Maj • 04:15 • -9.88db
74% Popularity • 29% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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PJ Harding
Cannonball
86 bpm • G# Maj • 02:32 • -10.48db
42% Popularity • 35% Danceability • 25% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Lana Del Rey
Happiness is a butterfly
70 bpm • D Maj • 04:32 • -10.99db
79% Popularity • 47% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sabrina Carpenter
emails i can’t send
86 bpm • G Maj • 01:44 • -10.61db
73% Popularity • 52% Danceability • 39% Energy • 62% Liveness
0% Instrumentalness • 41% Positiveness
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Tom Odell
by this time tomorrow
87 bpm • G Maj • 02:45 • -10.5db
29% Popularity • 46% Danceability • 12% Energy • 16% Liveness
0% Instrumentalness • 19% Positiveness
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Hozier
Like Real People Do
70 bpm • G Maj • 03:18 • -14.37db
71% Popularity • 57% Danceability • 18% Energy • 11% Liveness
40% Instrumentalness • 13% Positiveness
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Wafia
The Ending
70 bpm • A min • 03:35 • -11.68db
38% Popularity • 55% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Halsey
Darling
87 bpm • C Maj • 03:02 • -9.68db
51% Popularity • 54% Danceability • 28% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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SYML
Lost Myself
70 bpm • D# Maj • 03:34 • -8.69db
50% Popularity • 60% Danceability • 37% Energy • 10% Liveness
12% Instrumentalness • 35% Positiveness
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Delaney Bailey
Loving & Losing
70 bpm • C Maj • 03:04 • -23db
49% Popularity • 46% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Sleeping At Last
Overture III / Awake
87 bpm • C Maj • 03:51 • -12.34db
28% Popularity • 26% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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mehro
hideous
87 bpm • E Maj • 03:13 • -7.53db
55% Popularity • 64% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
64% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jonah Kagen
Turbulence
88 bpm • F Maj • 02:52 • -11.38db
39% Popularity • 53% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Olivia Rodrigo
enough for you
88 bpm • G Maj • 03:22 • -10.71db
79% Popularity • 64% Danceability • 26% Energy • 22% Liveness
0% Instrumentalness • 27% Positiveness
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Luke Hemmings
Place In Me
69 bpm • G# Maj • 03:07 • -6.72db
52% Popularity • 27% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
60% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Love is Pain