Songs like Love Keep Us Together by Martin Sexton
Based on a tempo of (+/- 10%) and a similar genre
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Peter Mulvey
Shirt
101 bpm • D Maj • 03:10 • -10db
31% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
31% Popularity • 71% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Martin Sexton
Love Keep Us Together
101 bpm • G Maj • 04:01 • -15.81db
21% Popularity • 93% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
21% Popularity • 93% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jakob Dylan
Everybody's Hurting
101 bpm • C# min • 03:40 • -12.66db
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
23% Popularity • 56% Danceability • 35% Energy • 12% Liveness
5% Instrumentalness • 31% Positiveness
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Greg Brown
China
101 bpm • C Maj • 04:19 • -18db
20% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
20% Popularity • 55% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Nicol & the Dimes
A Blacker Shade of Blue
102 bpm • A min • 05:07 • -12.55db
0% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
0% Popularity • 60% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Dawes
Time Spent in Los Angeles
100 bpm • G# Maj • 04:35 • -19db
36% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
36% Popularity • 51% Danceability • 30% Energy • 5% Liveness
0% Instrumentalness • 63% Positiveness
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Bruce Hornsby
Gonna Be Some Changes Made - New Album V...
102 bpm • G Maj • 05:17 • -6.5db
29% Popularity • 65% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
29% Popularity • 65% Danceability • 92% Energy • 13% Liveness
1% Instrumentalness • 73% Positiveness
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Martin Sexton
Hallelujah
102 bpm • C# Maj • 03:47 • -6.67db
9% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
9% Popularity • 64% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Big Head Todd and The Monsters
Beast Of Burden
102 bpm • C# min • 03:42 • -8db
37% Popularity • 84% Danceability • 52% Energy • 36% Liveness
1% Instrumentalness • 76% Positiveness
37% Popularity • 84% Danceability • 52% Energy • 36% Liveness
1% Instrumentalness • 76% Positiveness
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Jonah Smith
When We Say Goodnight
100 bpm • C Maj • 05:48 • -9.51db
18% Popularity • 74% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 59% Positiveness
18% Popularity • 74% Danceability • 50% Energy • 9% Liveness
3% Instrumentalness • 59% Positiveness
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Nicol & the Dimes
Prayer Song
100 bpm • C Maj • 04:03 • -13.44db
0% Popularity • 37% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
0% Popularity • 37% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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The Barr Brothers
Never Been a Captain
102 bpm • A# Maj • 04:41 • -9.22db
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
38% Popularity • 68% Danceability • 66% Energy • 12% Liveness
3% Instrumentalness • 80% Positiveness
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Peter Mulvey
Shirt
100 bpm • D Maj • 03:32 • -12.72db
29% Popularity • 60% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 31% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Greg Brown
You Can Always Come To Me
102 bpm • D Maj • 04:13 • -16.68db
15% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
15% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Big Head Todd and The Monsters
Beautiful
100 bpm • G min • 03:55 • -7.5db
30% Popularity • 70% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 70% Danceability • 53% Energy • 31% Liveness
0% Instrumentalness • 76% Positiveness
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Colin Hay
Maggie
102 bpm • G# Maj • 04:21 • -11.65db
35% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 55% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Nicol & the Dimes
Out of Time
102 bpm • D Maj • 03:01 • -9.15db
0% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
0% Popularity • 47% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Chris Smither
Hold On I
103 bpm • E Maj • 04:03 • -9.08db
33% Popularity • 56% Danceability • 49% Energy • 69% Liveness
3% Instrumentalness • 50% Positiveness
33% Popularity • 56% Danceability • 49% Energy • 69% Liveness
3% Instrumentalness • 50% Positiveness
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Patty Griffin
Where I Come From
99 bpm • G min • 04:44 • -12.66db
30% Popularity • 50% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
30% Popularity • 50% Danceability • 42% Energy • 11% Liveness
2% Instrumentalness • 11% Positiveness
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Susan Tedeschi
Tired Of My Tears
99 bpm • C# Maj • 02:42 • -6.2db
31% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Steve Martin
Friend Of Mine
103 bpm • C Maj • 02:36 • -11db
30% Popularity • 70% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Assembly of Dust
Second Song
103 bpm • C# Maj • 04:11 • -9db
30% Popularity • 79% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
30% Popularity • 79% Danceability • 60% Energy • 13% Liveness
3% Instrumentalness • 66% Positiveness
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Nicol & the Dimes
Born Under a Bad Sign
103 bpm • D Maj • 05:11 • -10.06db
0% Popularity • 60% Danceability • 55% Energy • 53% Liveness
1% Instrumentalness • 82% Positiveness
0% Popularity • 60% Danceability • 55% Energy • 53% Liveness
1% Instrumentalness • 82% Positiveness
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Martin Sexton
Things You Do To Me
103 bpm • C# Maj • 04:16 • -9.16db
11% Popularity • 75% Danceability • 77% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 75% Danceability • 77% Energy • 98% Liveness
0% Instrumentalness • 64% Positiveness
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Willy Porter
Unconditional - Live
103 bpm • G# Maj • 04:26 • -7.68db
11% Popularity • 51% Danceability • 68% Energy • 79% Liveness
0% Instrumentalness • 24% Positiveness
11% Popularity • 51% Danceability • 68% Energy • 79% Liveness
0% Instrumentalness • 24% Positiveness
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Peter Mulvey
The Trouble With Poets
98 bpm • F Maj • 03:32 • -12db
16% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
16% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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JJ Grey & Mofro
The Sweetest Thing
104 bpm • F Maj • 04:28 • -7.93db
51% Popularity • 61% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
51% Popularity • 61% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Steve Martin
Love Has Come For You
104 bpm • C Maj • 03:08 • -10db
34% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
34% Popularity • 71% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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David Wilcox
Rusty Old American Dream
104 bpm • D Maj • 02:37 • -15db
29% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 52% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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Patty Griffin
Stay on the Ride
104 bpm • F# Maj • 05:17 • -5.79db
15% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Nicki Bluhm
Stick with Me
104 bpm • E Maj • 03:09 • -6.39db
9% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 61% Danceability • 76% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Redbird
Moonshiner
104 bpm • D Maj • 04:22 • -17.11db
29% Popularity • 44% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
29% Popularity • 44% Danceability • 17% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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JJ Grey & Mofro
Brighter Days
104 bpm • C Maj • 05:50 • -8.6db
27% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 40% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Charlie Mars
Listen to the Darkside
98 bpm • B Maj • 03:31 • -9db
38% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
38% Popularity • 82% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Greg Brown
Good Morning Coffee
98 bpm • D Maj • 03:02 • -14.78db
20% Popularity • 79% Danceability • 41% Energy • 18% Liveness
40% Instrumentalness • 96% Positiveness
20% Popularity • 79% Danceability • 41% Energy • 18% Liveness
40% Instrumentalness • 96% Positiveness
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Blitzen Trapper
Lady On the Water
98 bpm • D min • 02:26 • -15.71db
50% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
50% Popularity • 45% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Martin Sexton
Things You Do to Me
105 bpm • A# min • 02:52 • -9.3db
9% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
9% Popularity • 78% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Redbird
What Made Milwaukee Famous (Has Made A L...
104 bpm • C Maj • 03:10 • -12.87db
14% Popularity • 60% Danceability • 24% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 60% Danceability • 24% Energy • 95% Liveness
0% Instrumentalness • 48% Positiveness
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Ray LaMontagne
Repo Man
105 bpm • D Maj • 06:07 • -7.65db
30% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 70% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Watkins Family Hour
Feeling Good Again
105 bpm • F Maj • 03:22 • -10.58db
16% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 53% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Steve Martin
So Familiar
105 bpm • F Maj • 02:44 • -11db
26% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
26% Popularity • 74% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Bruce Hornsby & The Noisemakers
In The Low Country
97 bpm • C Maj • 04:11 • -6.91db
13% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
13% Popularity • 64% Danceability • 71% Energy • 22% Liveness
0% Instrumentalness • 70% Positiveness
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Martin Sexton
Station Man
105 bpm • E Maj • 04:03 • -8.9db
9% Popularity • 73% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 73% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Doughty
Take Me Home, Country Roads
97 bpm • E Maj • 03:14 • -6.68db
24% Popularity • 66% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 66% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 38% Positiveness
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Forest Sun
Trampoline
97 bpm • G Maj • 03:17 • -9.19db
32% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 69% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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Griffin House
The Way I Was Made
97 bpm • C Maj • 03:20 • -8.58db
20% Popularity • 69% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 69% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Matthew Barber
Sleep Please Come to Me
105 bpm • F Maj • 02:52 • -8.02db
35% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 69% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Eric Lindell
If Love Can't Find A Way
97 bpm • A Maj • 03:09 • -4.07db
32% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 50% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Martin Sexton
Beast in Me
97 bpm • G Maj • 04:21 • -7.46db
14% Popularity • 77% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
14% Popularity • 77% Danceability • 57% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Peter Mulvey
Charlie
97 bpm • G Maj • 03:09 • -10.78db
29% Popularity • 51% Danceability • 65% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
29% Popularity • 51% Danceability • 65% Energy • 7% Liveness
7% Instrumentalness • 66% Positiveness
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The Law
Wild Soul
106 bpm • A Maj • 02:52 • -10.74db
35% Popularity • 78% Danceability • 28% Energy • 21% Liveness
1% Instrumentalness • 41% Positiveness
35% Popularity • 78% Danceability • 28% Energy • 21% Liveness
1% Instrumentalness • 41% Positiveness
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From Good Homes
If The Wind Blows
96 bpm • F# Maj • 02:27 • -7.4db
18% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Joe Henry
Lead Me On
96 bpm • D Maj • 04:30 • -10.63db
21% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Nicki Bluhm
I'm Your Woman
106 bpm • A Maj • 03:14 • -5.58db
8% Popularity • 73% Danceability • 53% Energy • 10% Liveness
37% Instrumentalness • 79% Positiveness
8% Popularity • 73% Danceability • 53% Energy • 10% Liveness
37% Instrumentalness • 79% Positiveness
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Richie Havens
The Times They Are A-Changin'
106 bpm • D Maj • 04:55 • -15.05db
16% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
16% Popularity • 60% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Ellis Paul
Maria's Beautiful Mess
96 bpm • C# Maj • 05:21 • -7.89db
11% Popularity • 56% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
11% Popularity • 56% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Pug
Hymn #76
96 bpm • C# min • 03:37 • -11.04db
26% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
26% Popularity • 65% Danceability • 35% Energy • 11% Liveness
1% Instrumentalness • 48% Positiveness
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Greg Brown
A Smell Of Coffee
107 bpm • C Maj • 03:53 • -14db
22% Popularity • 75% Danceability • 15% Energy • 12% Liveness
37% Instrumentalness • 50% Positiveness
22% Popularity • 75% Danceability • 15% Energy • 12% Liveness
37% Instrumentalness • 50% Positiveness
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Anders Osborne
Call On Me
96 bpm • A Maj • 02:57 • -11.36db
17% Popularity • 58% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 58% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Sean Hayes
Powerful Stuff
96 bpm • F# min • 03:35 • -9db
33% Popularity • 88% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
33% Popularity • 88% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Bruce Cockburn
Different When It Comes To You
95 bpm • A Maj • 02:57 • -8.9db
24% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
24% Popularity • 66% Danceability • 55% Energy • 17% Liveness
28% Instrumentalness • 36% Positiveness
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Kat Wright
The River
95 bpm • A Maj • 04:59 • -6.12db
31% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
31% Popularity • 71% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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JJ Grey & Mofro
Every Minute
107 bpm • C Maj • 04:41 • -7.11db
46% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
46% Popularity • 66% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 81% Positiveness
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Greg Brown
Two Little Feet
107 bpm • D Maj • 04:50 • -14.95db
28% Popularity • 61% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 61% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Rusted Root
You Can't Always Get What You Want
95 bpm • C Maj • 06:46 • -7.26db
39% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
39% Popularity • 55% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 83% Positiveness
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The Milk Carton Kids
New York
108 bpm • D Maj • 03:32 • -16.26db
29% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Milton
In the City
94 bpm • A# Maj • 04:39 • -5.67db
8% Popularity • 69% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 69% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 88% Positiveness
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Nicki Bluhm and the Gramblers
Till I'm Blue
108 bpm • A Maj • 03:45 • -5.82db
10% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
10% Popularity • 63% Danceability • 74% Energy • 33% Liveness
0% Instrumentalness • 56% Positiveness
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Andrew Duhon
Scared To Death of Dying
108 bpm • E Maj • 03:56 • -8.98db
19% Popularity • 63% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
19% Popularity • 63% Danceability • 71% Energy • 23% Liveness
0% Instrumentalness • 64% Positiveness
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Darrell Scott
A Crooked Road
108 bpm • C Maj • 04:11 • -12db
30% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
30% Popularity • 46% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 52% Positiveness
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Aoife O'Donovan
Oh, Mama
109 bpm • G Maj • 04:18 • -8.43db
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 46% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 22% Positiveness
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Phil Cook
1922
94 bpm • A Maj • 03:01 • -7.47db
30% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 71% Danceability • 70% Energy • 26% Liveness
0% Instrumentalness • 82% Positiveness
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Greg Brown
Not High
94 bpm • D Maj • 04:36 • -14.87db
18% Popularity • 57% Danceability • 35% Energy • 8% Liveness
14% Instrumentalness • 57% Positiveness
18% Popularity • 57% Danceability • 35% Energy • 8% Liveness
14% Instrumentalness • 57% Positiveness
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Lake Street Dive
Use Me Up
94 bpm • B Maj • 03:57 • -7.78db
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
50% Popularity • 75% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Forest Sun
Red Umbrella
94 bpm • G Maj • 04:40 • -6.6db
19% Popularity • 68% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
19% Popularity • 68% Danceability • 69% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is Out ...
94 bpm • E min • 03:16 • -11.45db
41% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 61% Danceability • 43% Energy • 24% Liveness
0% Instrumentalness • 28% Positiveness
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Martin Sexton
Free World
109 bpm • C# Maj • 04:49 • -6.96db
8% Popularity • 78% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
8% Popularity • 78% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Shinyribs
If You Don't Know Me by Now
109 bpm • B Maj • 02:54 • -11.75db
16% Popularity • 61% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 61% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Lone Bellow
You Don't Love Me Like You Used To
109 bpm • B Maj • 03:15 • -8.55db
21% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
21% Popularity • 66% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 61% Positiveness
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Donna The Buffalo
Life Is Strange
110 bpm • F# min • 04:07 • -8.04db
23% Popularity • 63% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 63% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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The New Basement Tapes
Card Shark
93 bpm • C Maj • 02:35 • -8.89db
28% Popularity • 57% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 57% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Griffin House
The Guy That Says Goodbye to You Is out ...
94 bpm • C Maj • 03:19 • -12.2db
23% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
23% Popularity • 67% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Martin Sexton
Hallelujah
93 bpm • C# Maj • 04:01 • -15.29db
22% Popularity • 47% Danceability • 29% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 47% Danceability • 29% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Duhon
Coming Down Over Here
110 bpm • F# Maj • 04:32 • -9.15db
36% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
36% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Citizen Cope
One Lovely Day
110 bpm • G Maj • 04:01 • -9.28db
46% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 57% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Charlie Mars
Picture of an Island
110 bpm • B Maj • 03:21 • -11.3db
18% Popularity • 84% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 35% Positiveness
18% Popularity • 84% Danceability • 38% Energy • 8% Liveness
2% Instrumentalness • 35% Positiveness
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Chastity Brown
After You
110 bpm • G Maj • 05:04 • -9.26db
13% Popularity • 62% Danceability • 81% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
13% Popularity • 62% Danceability • 81% Energy • 11% Liveness
5% Instrumentalness • 38% Positiveness
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Parker Millsap
Pining
93 bpm • A# min • 02:44 • -7.1db
41% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
41% Popularity • 74% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 79% Positiveness
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The New Basement Tapes
Stranger
93 bpm • E Maj • 04:21 • -8.4db
34% Popularity • 44% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 44% Danceability • 54% Energy • 34% Liveness
0% Instrumentalness • 40% Positiveness
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Yarn
Annie
110 bpm • E Maj • 04:05 • -11.25db
28% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 64% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Stephen Kellogg
Thanksgiving
110 bpm • B Maj • 10:00 • -8.37db
10% Popularity • 58% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 26% Positiveness
10% Popularity • 58% Danceability • 67% Energy • 16% Liveness
3% Instrumentalness • 26% Positiveness
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Paul Simon
Rewrite
92 bpm • F Maj • 03:49 • -7.24db
33% Popularity • 74% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
33% Popularity • 74% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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hoots & hellmouth
I Don't Mind Your Cussing
92 bpm • G Maj • 03:34 • -13.31db
17% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 60% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Lake Street Dive
I Don't Care About You
110 bpm • E min • 03:37 • -7.82db
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
39% Popularity • 40% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 36% Positiveness
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The New Basement Tapes
Diamond Ring
110 bpm • A Maj • 02:53 • -9.87db
32% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 69% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Monte Montgomery
When Will I
92 bpm • G# Maj • 07:32 • -8.21db
24% Popularity • 61% Danceability • 76% Energy • 98% Liveness
9% Instrumentalness • 67% Positiveness
24% Popularity • 61% Danceability • 76% Energy • 98% Liveness
9% Instrumentalness • 67% Positiveness
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Greg Brown
Hey Baby Hey
92 bpm • G Maj • 03:28 • -17.25db
28% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 54% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Fruition
Portland Bound
111 bpm • C Maj • 03:03 • -7.23db
30% Popularity • 63% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
30% Popularity • 63% Danceability • 81% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
