Songs like Love Language by Hanin Dhiya
Based on a tempo of (+/- 10%) and a similar genre
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Hanin Dhiya
Suatu Saat Nanti
132 bpm • B Maj • 04:04 • -9.98db
52% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 48% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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GANGGA
Foolish
132 bpm • A# Maj • 03:32 • -11db
39% Popularity • 46% Danceability • 38% Energy • 8% Liveness
6% Instrumentalness • 37% Positiveness
39% Popularity • 46% Danceability • 38% Energy • 8% Liveness
6% Instrumentalness • 37% Positiveness
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Arash Buana
if i disappear
132 bpm • F Maj • 03:14 • -8.37db
32% Popularity • 81% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
32% Popularity • 81% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Rendy Pandugo
B.Y.L
132 bpm • G Maj • 03:53 • -11.19db
13% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
13% Popularity • 52% Danceability • 29% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Prinsa Mandagie
Berhenti Mengerti
132 bpm • C# Maj • 04:12 • -8.82db
21% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Jaz
Aku Butuh Kamu
132 bpm • G# Maj • 03:19 • -8.88db
32% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 57% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Hanin Dhiya
Love Language
132 bpm • E Maj • 03:47 • -9.74db
26% Popularity • 44% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
26% Popularity • 44% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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GANGGA
Don't (Acoustic Version)
132 bpm • A# Maj • 03:54 • -13.65db
33% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
33% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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jubilee marisa
twentysixteen
133 bpm • A Maj • 03:19 • -7.71db
30% Popularity • 64% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 38% Positiveness
30% Popularity • 64% Danceability • 62% Energy • 13% Liveness
7% Instrumentalness • 38% Positiveness
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After Nourway
Isn’t It?
133 bpm • D# Maj • 03:48 • -8.63db
34% Popularity • 31% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 31% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Rafi Sudirman
Collide - Acoustic
133 bpm • C Maj • 02:40 • -6.97db
17% Popularity • 46% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
17% Popularity • 46% Danceability • 46% Energy • 42% Liveness
0% Instrumentalness • 55% Positiveness
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Reisha
All The Right Things
131 bpm • D# Maj • 04:03 • -12.28db
16% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
16% Popularity • 43% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hanin Dhiya
Bertahan Tanpa Arah
134 bpm • F# Maj • 03:58 • -8.75db
16% Popularity • 46% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
16% Popularity • 46% Danceability • 44% Energy • 12% Liveness
4% Instrumentalness • 10% Positiveness
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GANGGA
Ice Kiss
133 bpm • E Maj • 04:00 • -10.81db
34% Popularity • 28% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
34% Popularity • 28% Danceability • 36% Energy • 6% Liveness
1% Instrumentalness • 11% Positiveness
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Natania Karin
You Make Me Cry in Public Places
134 bpm • F Maj • 03:17 • -7.51db
17% Popularity • 41% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 41% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Keenan Te
Back To Us
134 bpm • G min • 03:04 • -12.24db
46% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
46% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Raracellina
Depressed
130 bpm • F Maj • 04:48 • -12db
22% Popularity • 63% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 63% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Devano
Hari Paling Bahagia
134 bpm • A Maj • 04:00 • -8.71db
32% Popularity • 47% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 47% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Hanin Dhiya
Darling - Acoustic
130 bpm • D Maj • 03:58 • -14.67db
16% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Julian Jacob
60 KM
130 bpm • F Maj • 03:09 • -10.42db
3% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 60% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 40% Positiveness
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Astrid S
Darkest Hour - Keisya Levronka Version
134 bpm • E min • 02:11 • -6.27db
48% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
48% Popularity • 65% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Isyana Sarasvati
1+1
130 bpm • C Maj • 04:08 • -15.34db
33% Popularity • 52% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 52% Danceability • 18% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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michaelachel
begone
134 bpm • G Maj • 02:28 • -10.36db
31% Popularity • 89% Danceability • 39% Energy • 9% Liveness
19% Instrumentalness • 87% Positiveness
31% Popularity • 89% Danceability • 39% Energy • 9% Liveness
19% Instrumentalness • 87% Positiveness
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Henkar
Empty Alternative Version
130 bpm • F min • 04:36 • -10.69db
21% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 44% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Rafi Sudirman
Collide
134 bpm • C Maj • 02:40 • -6.37db
21% Popularity • 42% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
21% Popularity • 42% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 50% Positiveness
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Hanin Dhiya
Darling
130 bpm • D Maj • 04:01 • -11db
20% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 51% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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KIDO3008
Party Without Drunk
130 bpm • E min • 02:42 • -16db
35% Popularity • 73% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 73% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Aisyah Aziz
janji kita bertemu lagi
130 bpm • C Maj • 04:18 • -13.4db
21% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
21% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Pink Sweat$
17
130 bpm • F Maj • 02:40 • -7.83db
24% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
24% Popularity • 67% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Teddy Adhitya
Why Would I Be
130 bpm • D Maj • 03:41 • -15.19db
48% Popularity • 41% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 41% Danceability • 15% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Rafi Sudirman
Faraway
130 bpm • D min • 03:19 • -8db
25% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
25% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Hanin Dhiya
Selalu Ada
130 bpm • F Maj • 03:58 • -8.58db
29% Popularity • 51% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
29% Popularity • 51% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 16% Positiveness
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Prinsa Mandagie
Senja di Ujung Waktu
130 bpm • D# Maj • 04:54 • -8.42db
21% Popularity • 46% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 46% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Weda Mauve
distraction
129 bpm • C Maj • 03:50 • -6.74db
23% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 43% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Michael Aldi
can you be mine
135 bpm • C Maj • 02:08 • -16.7db
38% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
38% Popularity • 44% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Belle Mariano
Nights of December
129 bpm • C Maj • 03:44 • -8.84db
38% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
38% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Ghaniyya ghazi
Your Imagination
135 bpm • E min • 03:57 • -7.48db
21% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Hanin Dhiya
Sempat
130 bpm • F# Maj • 03:52 • -8.37db
15% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
15% Popularity • 52% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Mahen
It's Okay to Not Be Okay
129 bpm • G Maj • 03:52 • -10.48db
29% Popularity • 38% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
29% Popularity • 38% Danceability • 36% Energy • 19% Liveness
0% Instrumentalness • 19% Positiveness
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Ashira Zamita
Far Away
135 bpm • C min • 03:39 • -16.13db
18% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 37% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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After Nourway
No Good In Goodbye
135 bpm • C Maj • 03:48 • -7.73db
30% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 49% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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noui
cactus
135 bpm • B Maj • 03:52 • -11.35db
19% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 67% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Mawar de Jongh
Mesin Waktu
129 bpm • F# min • 03:59 • -8.46db
44% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 55% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hanin Dhiya
Mengapa Bertahan
130 bpm • C Maj • 04:28 • -8db
22% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 43% Danceability • 49% Energy • 36% Liveness
0% Instrumentalness • 19% Positiveness
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Nadhif Basalamah
wonder in time
129 bpm • G Maj • 04:39 • -7.81db
40% Popularity • 50% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
40% Popularity • 50% Danceability • 41% Energy • 23% Liveness
0% Instrumentalness • 30% Positiveness
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gamaliél
/ forever more /
135 bpm • G# Maj • 05:56 • -7.06db
19% Popularity • 36% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
19% Popularity • 36% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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GANGGA
Forever
129 bpm • G Maj • 04:13 • -12.57db
52% Popularity • 33% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
52% Popularity • 33% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 29% Positiveness
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Arash Buana
Quarantine Love - Phone Recorded
129 bpm • E Maj • 04:21 • -19db
35% Popularity • 52% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 52% Danceability • 9% Energy • 24% Liveness
0% Instrumentalness • 24% Positiveness
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Nyoman Paul
The Way You Look At Me
136 bpm • C# Maj • 04:10 • -6db
65% Popularity • 43% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
65% Popularity • 43% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Hanin Dhiya
Asal Kau Bahagia
130 bpm • G Maj • 03:52 • -6.7db
39% Popularity • 51% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 51% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 21% Positiveness
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raissa anggiani
Losing Us.
136 bpm • C Maj • 03:56 • -9.31db
60% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
60% Popularity • 43% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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After Nourway
I Can't Save Us
136 bpm • A# Maj • 05:43 • -8.63db
36% Popularity • 52% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
36% Popularity • 52% Danceability • 28% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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GANGGA
This Love Will Never End
136 bpm • C Maj • 03:45 • -11.99db
35% Popularity • 46% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 46% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 25% Positiveness
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Rendy Pandugo
b.y.l (stripped)
136 bpm • G Maj • 03:48 • -12.43db
17% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
17% Popularity • 46% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Mango Street
Daydream
136 bpm • A# Maj • 04:27 • -14.51db
21% Popularity • 72% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
21% Popularity • 72% Danceability • 20% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Hanin Dhiya
Dia Hanya Untukku
129 bpm • F Maj • 04:49 • -6.38db
29% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
29% Popularity • 42% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Mahen
Foto Lama
136 bpm • G min • 03:50 • -10.73db
38% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
38% Popularity • 46% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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KIDO3008
Don't Worry About Me
136 bpm • F# Maj • 03:13 • -14.73db
35% Popularity • 56% Danceability • 29% Energy • 17% Liveness
3% Instrumentalness • 46% Positiveness
35% Popularity • 56% Danceability • 29% Energy • 17% Liveness
3% Instrumentalness • 46% Positiveness
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The Bakuucakar
Kembali Ke Awal
128 bpm • D Maj • 04:35 • -5.78db
37% Popularity • 44% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
37% Popularity • 44% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Mirabeth
Unspoken
136 bpm • G Maj • 04:37 • -5.87db
16% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 43% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Nadhif Basalamah
Bitterness
128 bpm • C# Maj • 03:02 • -17.64db
44% Popularity • 61% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 61% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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Hanin Dhiya
Berkawan Dengan Rindu
136 bpm • C# Maj • 04:25 • -9.81db
27% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
27% Popularity • 57% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Lukas Graham
Happy For You
136 bpm • A# Maj • 03:46 • -3.24db
27% Popularity • 59% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
27% Popularity • 59% Danceability • 59% Energy • 21% Liveness
0% Instrumentalness • 24% Positiveness
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GRACE.
A Letter To My Best Friend
128 bpm • A Maj • 03:53 • -7.2db
16% Popularity • 64% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
16% Popularity • 64% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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noui
hometonone
128 bpm • F# min • 02:58 • -10.91db
33% Popularity • 66% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
33% Popularity • 66% Danceability • 31% Energy • 11% Liveness
1% Instrumentalness • 29% Positiveness
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Agatha Chelsea
When We’re Older
128 bpm • G min • 04:16 • -15.03db
15% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Mikha Angelo
Run
128 bpm • C# min • 03:44 • -8.41db
16% Popularity • 67% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 67% Danceability • 50% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Hanin Dhiya
Roman Picisan
136 bpm • F Maj • 05:01 • -5.34db
54% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
54% Popularity • 33% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Anneth
Takkan Berhenti Mencintaimu
128 bpm • C# Maj • 04:35 • -7.02db
30% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
30% Popularity • 44% Danceability • 41% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ify Alyssa
Wind
128 bpm • F Maj • 03:15 • -11.38db
22% Popularity • 61% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 61% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Suara Kayu
Cukup
128 bpm • F Maj • 04:41 • -12.85db
21% Popularity • 50% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 50% Danceability • 16% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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Farrel Hilal
Second Date
127 bpm • D Maj • 03:15 • -7.56db
21% Popularity • 67% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 67% Danceability • 46% Energy • 22% Liveness
0% Instrumentalness • 44% Positiveness
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Aisha Retno
W.H.U.T
126 bpm • F min • 02:54 • -5.35db
62% Popularity • 38% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
62% Popularity • 38% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Hanin Dhiya
Kembalilah Padanya
136 bpm • C Maj • 04:10 • -10.34db
14% Popularity • 62% Danceability • 41% Energy • 22% Liveness
5% Instrumentalness • 36% Positiveness
14% Popularity • 62% Danceability • 41% Energy • 22% Liveness
5% Instrumentalness • 36% Positiveness
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Anneth
HOW?
127 bpm • D Maj • 04:27 • -10.75db
34% Popularity • 44% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
34% Popularity • 44% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Nuca
Hilang
127 bpm • D Maj • 04:01 • -12.89db
30% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 46% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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GANGGA
Journey on September
138 bpm • C# Maj • 03:58 • -13.51db
43% Popularity • 41% Danceability • 21% Energy • 22% Liveness
1% Instrumentalness • 7% Positiveness
43% Popularity • 41% Danceability • 21% Energy • 22% Liveness
1% Instrumentalness • 7% Positiveness
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Ezra Kairo
Hold Me
126 bpm • C Maj • 02:34 • -9db
28% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
28% Popularity • 69% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Sheryl Sheinafia
déjà vu
126 bpm • E Maj • 03:45 • -10.25db
12% Popularity • 65% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 65% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Hanin Dhiya
Kau Yang Sembunyi - Acoustic
128 bpm • A Maj • 04:24 • -10.01db
19% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
19% Popularity • 58% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Ridh
Falling Again
126 bpm • E Maj • 04:06 • -10.37db
17% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 60% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Zack Tabudlo
Heart Can’t Lose
126 bpm • C# Maj • 04:00 • -9db
46% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Rendy Pandugo
FAR
125 bpm • B min • 04:09 • -9.22db
20% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
20% Popularity • 56% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Darryl Sim
don't leave me
139 bpm • G Maj • 02:22 • -17.26db
9% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 50% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Hana Wilianto
Not Worth the Pain
139 bpm • C# Maj • 04:05 • -10.22db
39% Popularity • 47% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 47% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Hanin Dhiya
Kau Yang Sembunyi
128 bpm • A Maj • 04:00 • -9.38db
35% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 53% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Umay Shahab
behind the clouds
125 bpm • B min • 03:29 • -6.68db
27% Popularity • 82% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
27% Popularity • 82% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Casté
Angel Dust
125 bpm • E Maj • 04:18 • -12.07db
21% Popularity • 57% Danceability • 34% Energy • 8% Liveness
5% Instrumentalness • 34% Positiveness
21% Popularity • 57% Danceability • 34% Energy • 8% Liveness
5% Instrumentalness • 34% Positiveness
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Bagas Fatah
By Your Side
125 bpm • A Maj • 04:14 • -12.29db
18% Popularity • 62% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 62% Danceability • 23% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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GANGGA
Don't
125 bpm • F# Maj • 03:26 • -11.86db
46% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
46% Popularity • 42% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Suara Kayu
24 Jam
125 bpm • C Maj • 03:36 • -11.78db
19% Popularity • 56% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 56% Danceability • 15% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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Hanin Dhiya
Lalu; usai
127 bpm • D Maj • 03:14 • -10.77db
26% Popularity • 33% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
26% Popularity • 33% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Sheryl Sheinafia
okay
140 bpm • C Maj • 02:50 • -9.04db
17% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 65% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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Michael Aldi
the one i don't belong
140 bpm • D Maj • 04:30 • -12.35db
19% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 37% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Prinsa Mandagie
Hanya Singgah
125 bpm • C Maj • 04:32 • -9.59db
31% Popularity • 42% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 42% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Ernesto.
96
140 bpm • C Maj • 01:36 • -12.68db
36% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
36% Popularity • 74% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 15% Positiveness
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Farrel Hilal
Stargazing
140 bpm • G Maj • 03:39 • -8db
38% Popularity • 70% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 70% Danceability • 26% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Hanin Dhiya
Jangan Sampai Pasrah
125 bpm • E Maj • 03:23 • -12.95db
30% Popularity • 29% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
30% Popularity • 29% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
