Songs like Love Like This by Ben Rector
Based on a tempo of (+/- 10%) and a similar genre
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Phillip LaRue
Sweet Love
140 bpm • G# Maj • 04:27 • -11.12db
35% Popularity • 55% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 19% Positiveness
35% Popularity • 55% Danceability • 33% Energy • 9% Liveness
9% Instrumentalness • 19% Positiveness
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James Bay
Wild Love - Acoustic
140 bpm • B min • 03:09 • -7.68db
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
59% Popularity • 52% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Billianne
Simply The Best
140 bpm • B Maj • 02:53 • -11.81db
67% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 59% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Johnnyswim
Best Thing Ever
140 bpm • D Maj • 04:04 • -7.14db
41% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
41% Popularity • 58% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Jordy Searcy
Only Know How to Love You
140 bpm • E min • 03:01 • -8.05db
32% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
32% Popularity • 74% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Taylor Swift
the 1
140 bpm • C Maj • 03:30 • -6.94db
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
79% Popularity • 78% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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AHI
Until You
140 bpm • A Maj • 03:18 • -10.18db
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 72% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Sam Fischer
This City - Acoustic
140 bpm • A# Maj • 03:26 • -10.58db
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
53% Popularity • 62% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Ben Rector
Love Like This
140 bpm • D Maj • 03:34 • -11.47db
60% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
60% Popularity • 64% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Abby Cates
Roadtripsong
140 bpm • D Maj • 03:41 • -17.69db
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 53% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Johnnyswim
Touching Heaven
140 bpm • F# Maj • 04:58 • -11.99db
43% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
43% Popularity • 45% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Mat Kearney
Kings & Queens
139 bpm • F Maj • 03:09 • -8.46db
48% Popularity • 62% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
48% Popularity • 62% Danceability • 61% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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P!nk
Love Me Anyway
139 bpm • D# Maj • 03:08 • -5.9db
60% Popularity • 37% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
60% Popularity • 37% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
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Lily Meola
Butterfly
139 bpm • C Maj • 02:46 • -7.11db
51% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 50% Danceability • 32% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Dylan Brady
Fallin'
138 bpm • G# Maj • 03:29 • -11.34db
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
36% Popularity • 47% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Wild Rivers
Thinking 'Bout Love
142 bpm • F Maj • 03:19 • -8.12db
72% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
72% Popularity • 73% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Haley Reinhart
Can't Help Falling in Love
138 bpm • C Maj • 02:53 • -13.92db
72% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
72% Popularity • 41% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Ben Rector
When A Heart Breaks
142 bpm • B Maj • 04:16 • -11db
46% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
46% Popularity • 65% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lizzy McAlpine
Pancakes for Dinner
142 bpm • B Maj • 03:55 • -11.45db
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
63% Popularity • 75% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Switchfoot
I Won't Let You Go
138 bpm • E Maj • 04:07 • -4.09db
54% Popularity • 54% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
54% Popularity • 54% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 23% Positiveness
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The National Parks
Wherever I Go
138 bpm • C# Maj • 04:18 • -9.25db
31% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
31% Popularity • 45% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Penny and Sparrow
Eloise
138 bpm • G min • 02:48 • -8.32db
53% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
53% Popularity • 61% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Casey Breves
I'll Sing to You
138 bpm • G Maj • 04:02 • -12db
26% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
26% Popularity • 49% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Wild Rivers
Thinking 'Bout Love - Acoustic
138 bpm • F Maj • 03:04 • -13.54db
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 68% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Taylor Swift
You All Over Me (Taylor’s Version)
143 bpm • D Maj • 03:40 • -7.61db
63% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
63% Popularity • 60% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Nuzum
Dance in the Starlight
144 bpm • E Maj • 03:43 • -9.93db
22% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 53% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Canyon City
How Long Will I Love You
136 bpm • C# Maj • 02:24 • -16.16db
42% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
42% Popularity • 38% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ben Rector
You're Still the One - Live
144 bpm • B Maj • 04:02 • -9.28db
41% Popularity • 40% Danceability • 40% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
41% Popularity • 40% Danceability • 40% Energy • 96% Liveness
0% Instrumentalness • 36% Positiveness
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Jordy Searcy
Fire
144 bpm • A Maj • 03:09 • -9.39db
47% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
47% Popularity • 66% Danceability • 42% Energy • 10% Liveness
1% Instrumentalness • 67% Positiveness
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Dan + Shay
Speechless
136 bpm • C# Maj • 03:33 • -5.97db
69% Popularity • 62% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
69% Popularity • 62% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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The Head And The Heart
Honeybee
136 bpm • A Maj • 03:16 • -7.89db
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 64% Danceability • 52% Energy • 55% Liveness
0% Instrumentalness • 49% Positiveness
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![Peer Pressure (Acoustic) [feat. Julia Michaels] cover art](https://i.scdn.co/image/ab67616d00001e026d4026eea78222a5a2620235)
James Bay
Peer Pressure (Acoustic)
136 bpm • E Maj • 02:56 • -6.84db
50% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
50% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Canyon City
Fix You
144 bpm • D Maj • 04:21 • -15db
56% Popularity • 52% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
56% Popularity • 52% Danceability • 15% Energy • 15% Liveness
0% Instrumentalness • 13% Positiveness
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Lennon Stella
Every Time You Go Away
144 bpm • G Maj • 04:25 • -14.2db
54% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
54% Popularity • 32% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
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JP Saxe
The Few Things (With Charlotte Lawrence)
136 bpm • G Maj • 03:31 • -10.45db
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
59% Popularity • 54% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Rascal Flatts
Bless The Broken Road
136 bpm • C Maj • 03:46 • -6.37db
72% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
72% Popularity • 59% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 34% Positiveness
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Calum Scott
Biblical
136 bpm • E Maj • 03:49 • -5db
57% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
57% Popularity • 56% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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James Bay
Peer Pressure
136 bpm • C# min • 02:56 • -6.08db
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 63% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Loving Caliber
You Set My World On Fire
136 bpm • B Maj • 03:22 • -8.44db
49% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 56% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Walk off the Earth
The Best
136 bpm • F# Maj • 02:56 • -10.21db
51% Popularity • 61% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
51% Popularity • 61% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Teddy Swims
Simple Things
145 bpm • C Maj • 02:59 • -8.03db
64% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 61% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Rector
Brand New
145 bpm • A Maj • 04:03 • -5.04db
63% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 56% Danceability • 93% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Calum Scott
Biblical - Acoustic
136 bpm • D# Maj • 03:47 • -7db
43% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 54% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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WILD
Here We Go
145 bpm • C Maj • 03:10 • -6.59db
57% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 55% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Dan + Shay
Speechless
135 bpm • F# Maj • 03:28 • -6.06db
55% Popularity • 56% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
55% Popularity • 56% Danceability • 38% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Ingrid Michaelson
You And I
135 bpm • C Maj • 02:28 • -7.63db
64% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
64% Popularity • 70% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Jordan Smith
Only Love
135 bpm • F min • 04:04 • -6.28db
43% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
43% Popularity • 54% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Ben Rector
Range Rover
145 bpm • D Maj • 03:20 • -6.05db
49% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 71% Danceability • 68% Energy • 33% Liveness
0% Instrumentalness • 88% Positiveness
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Patrick Droney
Like the Water
135 bpm • D Maj • 03:36 • -5.5db
42% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 58% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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WILD
This Is Our Time
145 bpm • G# Maj • 03:22 • -7.34db
46% Popularity • 53% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
46% Popularity • 53% Danceability • 72% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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Jasmine Thompson
love is just a word
145 bpm • A Maj • 03:46 • -8.96db
56% Popularity • 45% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 45% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Lauryn Evans
My Wish / I Hope You Dance
135 bpm • G Maj • 02:22 • -8db
32% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Wilder Woods
Mary, You're Wrong
146 bpm • C# Maj • 03:36 • -7.94db
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 61% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Rector
White Dress
135 bpm • B Maj • 03:54 • -6.32db
40% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 64% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Brandon Lake
Goodnight For Now
146 bpm • G Maj • 04:00 • -11.31db
35% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 34% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Parachute
She Is Love
134 bpm • F# Maj • 02:26 • -9.7db
53% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
53% Popularity • 63% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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The Choir Room
Joy - The Choir Room Version
146 bpm • C# min • 04:44 • -4.7db
37% Popularity • 56% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 48% Positiveness
37% Popularity • 56% Danceability • 92% Energy • 96% Liveness
0% Instrumentalness • 48% Positiveness
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Jordy Searcy
Daylight - Stripped
146 bpm • B Maj • 03:28 • -9.72db
28% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
28% Popularity • 73% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Dylan Hartigan
Danny’s Song - The Voice Performance
146 bpm • A Maj • 03:30 • -6db
23% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
23% Popularity • 53% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ben Rector
The Best Is Yet To Come - A Song For The...
134 bpm • C Maj • 03:55 • -8.38db
38% Popularity • 55% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 55% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Wrabel
wish you well
134 bpm • C Maj • 03:02 • -7db
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
55% Popularity • 57% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Russell Dickerson
Yours - Wedding Edition
134 bpm • B Maj • 03:36 • -7.97db
52% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
52% Popularity • 61% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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The Band CAMINO
The Black and White
134 bpm • E Maj • 04:39 • -7db
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
43% Popularity • 46% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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Christina Perri
you mean the whole wide world to me
134 bpm • C Maj • 01:48 • -10.79db
48% Popularity • 89% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
48% Popularity • 89% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Adeline Hill
How Can It Be Time Already
134 bpm • G Maj • 04:31 • -6db
27% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
27% Popularity • 64% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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The Collection
Beautiful Life
146 bpm • D Maj • 04:15 • -7.16db
45% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
45% Popularity • 50% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Teddy Swims
You're Still The One
134 bpm • C# Maj • 03:16 • -6.67db
72% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
72% Popularity • 55% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Noah Kahan
Anyway
134 bpm • G Maj • 05:12 • -10.69db
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
63% Popularity • 65% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Nathan Angelo
She’s The Song
134 bpm • D Maj • 03:37 • -6.21db
33% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
33% Popularity • 61% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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SafetySuit
Never Stop (Wedding Version)
134 bpm • C Maj • 02:55 • -7.16db
45% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
45% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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JP Saxe
If the World Was Ending
147 bpm • C# Maj • 03:29 • -9.97db
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
73% Popularity • 43% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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PJ Harding
Dear August
147 bpm • C Maj • 03:20 • -7.82db
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 64% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Ben Rector
The Best Is Yet To Come
133 bpm • B Maj • 04:32 • -8.11db
21% Popularity • 59% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
21% Popularity • 59% Danceability • 45% Energy • 37% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Swift
Crazier
133 bpm • E Maj • 03:11 • -5.42db
64% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
64% Popularity • 45% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Nathan Angelo
She's The Song - Acoustic
134 bpm • D Maj • 03:53 • -8db
31% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
31% Popularity • 62% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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The Band CAMINO
Crying Over You
147 bpm • B Maj • 02:58 • -8.25db
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 46% Danceability • 41% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Judah & the Lion
Spirit
133 bpm • G Maj • 03:24 • -7.59db
52% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 62% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Andrew Ripp
Never in a Million Years
133 bpm • G min • 03:45 • -8.56db
34% Popularity • 65% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 65% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 38% Positiveness
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Ben Rector
Old Friends
147 bpm • G# Maj • 03:44 • -9db
50% Popularity • 47% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
50% Popularity • 47% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Julia Michaels
What A Time
133 bpm • C Maj • 02:53 • -6.18db
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
78% Popularity • 52% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Niall Horan
Black And White
148 bpm • D Maj • 03:13 • -6.02db
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
68% Popularity • 44% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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James TW
Soldier
148 bpm • F# Maj • 03:44 • -6.16db
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Dan + Shay
My Side of the Fence
148 bpm • A# Maj • 03:39 • -5.59db
52% Popularity • 50% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
52% Popularity • 50% Danceability • 57% Energy • 23% Liveness
0% Instrumentalness • 25% Positiveness
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LANY
if this is the last time
148 bpm • B Maj • 03:23 • -7.73db
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
62% Popularity • 57% Danceability • 59% Energy • 20% Liveness
0% Instrumentalness • 43% Positiveness
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Elina
Paper Planes
148 bpm • C# Maj • 03:19 • -12.48db
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 53% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Ben Rector
I Will Always Be Yours
148 bpm • C Maj • 03:46 • -5db
47% Popularity • 44% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
47% Popularity • 44% Danceability • 77% Energy • 27% Liveness
0% Instrumentalness • 45% Positiveness
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NEEDTOBREATHE
LET'S STAY HOME TONIGHT
148 bpm • F Maj • 03:20 • -9.27db
51% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
51% Popularity • 55% Danceability • 37% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Patrick Droney
Yours in the Morning
148 bpm • B Maj • 03:34 • -5db
44% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
44% Popularity • 45% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ed Patrick
You In My Life
132 bpm • B Maj • 03:37 • -16.57db
45% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
45% Popularity • 56% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 34% Positiveness
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Quinn Lewis
Only Everything - Acoustic
132 bpm • D Maj • 02:54 • -8.52db
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 68% Positiveness
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Dan + Shay
I Should Probably Go To Bed
132 bpm • C# Maj • 02:50 • -8.82db
55% Popularity • 71% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
55% Popularity • 71% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Chris Renzema
How to Be Yours
132 bpm • F# Maj • 04:48 • -8db
51% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
51% Popularity • 50% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Niall Horan
Black And White - Stripped
132 bpm • D Maj • 03:52 • -8.62db
47% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
47% Popularity • 62% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Patrick Droney
High Hope
132 bpm • C Maj • 04:11 • -9.71db
48% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 68% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Chance Peña
Up, Up & Away
132 bpm • A min • 02:00 • -12.33db
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
57% Popularity • 66% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Bublé
Forever Now
132 bpm • D Maj • 03:40 • -6.05db
53% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
53% Popularity • 48% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Ben Rector
Wonderful World
149 bpm • F Maj • 02:45 • -7.5db
47% Popularity • 81% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
47% Popularity • 81% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 48% Positiveness
