Songs like Love on the Phone - Lover's Rap Version by Don Hollinger
Based on a tempo of (+/- 10%) and a similar genre
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Don Hollinger
Love on the Phone - Lover's Rap Version
67 bpm • F Maj • 04:50 • -19.01db
0% Popularity • 35% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
0% Popularity • 35% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Marty O'Shiel
The Mystique of Love
68 bpm • A# Maj • 04:18 • -11db
10% Popularity • 57% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 57% Danceability • 43% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Bo Diddley
Shut Up, Woman
68 bpm • C min • 03:48 • -12.45db
10% Popularity • 68% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 68% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 66% Positiveness
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Lil' Bob & the Lollipops
You Know It Ain't Right
69 bpm • D min • 02:24 • -5.96db
17% Popularity • 69% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
17% Popularity • 69% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Little Johnny Taylor
Somewhere Down the Line
69 bpm • F Maj • 02:09 • -11.06db
16% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 53% Danceability • 38% Energy • 39% Liveness
0% Instrumentalness • 57% Positiveness
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Willie Hightower
If I Had a Hammer
62 bpm • F# Maj • 02:50 • -16.84db
12% Popularity • 56% Danceability • 30% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 56% Danceability • 30% Energy • 57% Liveness
0% Instrumentalness • 93% Positiveness
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Don Hollinger
Love on the Phone - Radio Version
67 bpm • F Maj • 05:10 • -16.32db
0% Popularity • 51% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 51% Danceability • 22% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Art Neville
I'm A Fool To Care
71 bpm • D# Maj • 02:18 • -9.93db
12% Popularity • 39% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
12% Popularity • 39% Danceability • 36% Energy • 32% Liveness
0% Instrumentalness • 45% Positiveness
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Earl King
Let the Good Times Roll
72 bpm • A Maj • 02:21 • -9db
32% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 67% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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Betty Harris
Bad Luck - 2024 Remastered
72 bpm • F# min • 02:33 • -7.08db
6% Popularity • 50% Danceability • 61% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
6% Popularity • 50% Danceability • 61% Energy • 48% Liveness
0% Instrumentalness • 54% Positiveness
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Esther Phillips
I Saw Me
73 bpm • F# Maj • 03:12 • -11.38db
10% Popularity • 37% Danceability • 27% Energy • 31% Liveness
2% Instrumentalness • 63% Positiveness
10% Popularity • 37% Danceability • 27% Energy • 31% Liveness
2% Instrumentalness • 63% Positiveness
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James Brown & The Famous Flames
I Don't Care
73 bpm • G min • 02:50 • -8.55db
8% Popularity • 68% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
8% Popularity • 68% Danceability • 46% Energy • 36% Liveness
0% Instrumentalness • 61% Positiveness
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Little Ann
Lean Lanky Daddy
77 bpm • F Maj • 02:05 • -9.5db
22% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
22% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Mitty Collier
My Babe
77 bpm • A min • 02:11 • -5.72db
31% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
31% Popularity • 48% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 93% Positiveness
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Jimmy Brown
Always Good To Me
76 bpm • A# Maj • 02:42 • -6.84db
8% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 58% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Betty Harris
Trouble with My Lover
73 bpm • F# Maj • 02:39 • -11.6db
8% Popularity • 63% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 61% Positiveness
8% Popularity • 63% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 61% Positiveness
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Mable John
Left Over Love
77 bpm • C# Maj • 02:32 • -13.98db
12% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 66% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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James Carr
Everybody Needs Somebody
77 bpm • C Maj • 02:42 • -8.62db
12% Popularity • 65% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
12% Popularity • 65% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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Clarence "Frogman" Henry
You Can Have Her
78 bpm • D# Maj • 02:53 • -13.08db
9% Popularity • 56% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 56% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 71% Positiveness
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Irma Thomas
Yours Until Tomorrow - Bonus Track
77 bpm • A Maj • 03:38 • -14.34db
11% Popularity • 60% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 60% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 41% Positiveness
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Don Hollinger
I Been Hit By Love
78 bpm • B Maj • 02:45 • -5.13db
0% Popularity • 33% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 33% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 54% Positiveness
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Betty Harris
I'm Gonna Git Ya - 2024 Remastered
77 bpm • C# Maj • 02:19 • -7.18db
20% Popularity • 74% Danceability • 52% Energy • 57% Liveness
0% Instrumentalness • 81% Positiveness
20% Popularity • 74% Danceability • 52% Energy • 57% Liveness
0% Instrumentalness • 81% Positiveness
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Lil Murray & The Soul Exciters
Open The Door To Your Heart
79 bpm • C Maj • 02:20 • -11.53db
9% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 93% Positiveness
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Otis Clay
That's How It Is
79 bpm • B min • 03:41 • -7.02db
1% Popularity • 69% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 75% Positiveness
1% Popularity • 69% Danceability • 64% Energy • 10% Liveness
6% Instrumentalness • 75% Positiveness
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Sam Frazier Jr.
I Got To Tell Somebody
79 bpm • G# Maj • 03:31 • -10.79db
10% Popularity • 32% Danceability • 60% Energy • 20% Liveness
54% Instrumentalness • 66% Positiveness
10% Popularity • 32% Danceability • 60% Energy • 20% Liveness
54% Instrumentalness • 66% Positiveness
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Art Neville
Heartaches
79 bpm • B Maj • 03:33 • -12.12db
15% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Gum Tapes
Baby Please Set Your Alarm
79 bpm • C Maj • 03:55 • -5.35db
10% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 56% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Betty Harris
What Did I Do Wrong - 2024 Remastered
77 bpm • C min • 02:50 • -7.05db
18% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
18% Popularity • 58% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Baby Washington
I've Got A Feeling
79 bpm • G# Maj • 02:54 • -11db
30% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
30% Popularity • 58% Danceability • 67% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Don Covay
Precious You
80 bpm • C Maj • 02:43 • -14.27db
12% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
12% Popularity • 63% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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King Curtis
Hello Sunshine
80 bpm • A Maj • 03:05 • -10.31db
12% Popularity • 32% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
12% Popularity • 32% Danceability • 40% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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Danny White
Natural Soul Brother
80 bpm • A# Maj • 02:30 • -8db
21% Popularity • 74% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
21% Popularity • 74% Danceability • 51% Energy • 38% Liveness
0% Instrumentalness • 89% Positiveness
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Lee Dorsey
Tears, Tears, and More Tears
80 bpm • F# Maj • 03:25 • -9.56db
10% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 68% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Candi Staton
Trouble, Heartaches and Sadness
80 bpm • C# min • 02:49 • -9.33db
7% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
7% Popularity • 64% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Willie Hightower
Back Road Into Town
80 bpm • C min • 03:49 • -9.78db
8% Popularity • 64% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 64% Danceability • 65% Energy • 69% Liveness
0% Instrumentalness • 93% Positiveness
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Charles Wright & The Watts 103rd Street Rhythm Band
Oh Happy Gabe - Sometimes Blue
80 bpm • F Maj • 02:53 • -11.02db
8% Popularity • 48% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 86% Positiveness
8% Popularity • 48% Danceability • 48% Energy • 6% Liveness
74% Instrumentalness • 86% Positiveness
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Howard Tate
The Bitter End
80 bpm • D Maj • 02:48 • -10.29db
10% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 62% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Ohio Players
It's A Cryin' Shame
80 bpm • D min • 02:26 • -9.6db
7% Popularity • 49% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
7% Popularity • 49% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 82% Positiveness
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Snooks Eaglin
C.C. Rider
80 bpm • A# Maj • 03:01 • -14.39db
11% Popularity • 62% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
11% Popularity • 62% Danceability • 20% Energy • 11% Liveness
3% Instrumentalness • 40% Positiveness
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Ron & The Hip Tones
Tear On My Chin
81 bpm • G# Maj • 04:28 • -8.99db
8% Popularity • 64% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 64% Danceability • 55% Energy • 37% Liveness
1% Instrumentalness • 90% Positiveness
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Swamp Dogg
Don't It Make You Wanna Go Home
81 bpm • A# Maj • 08:09 • -12.25db
7% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 58% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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King Hannibal
Hymn No. 5
82 bpm • B min • 07:01 • -14.78db
11% Popularity • 76% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 76% Danceability • 55% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Frankie Pighee
If You Don't Think That I Love You
82 bpm • A min • 02:27 • -7.91db
9% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
9% Popularity • 52% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Johnny Adams
Part of Me
82 bpm • G# Maj • 02:55 • -13.64db
15% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 52% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Jimmy "Bo" Horne
Street Corners
82 bpm • F Maj • 02:12 • -7.17db
17% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 65% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Caesar Nelson
Crying Eroticism
82 bpm • A min • 02:32 • -6.66db
13% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 81% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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Café Canela
Stuck In Love
83 bpm • G Maj • 03:41 • -7.61db
9% Popularity • 66% Danceability • 35% Energy • 11% Liveness
44% Instrumentalness • 61% Positiveness
9% Popularity • 66% Danceability • 35% Energy • 11% Liveness
44% Instrumentalness • 61% Positiveness
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Doris Troy
You Tore Me Up Inside - 2010 Remaster
83 bpm • D Maj • 02:32 • -9.68db
8% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 52% Positiveness
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Benny Spellman
Sinner Girl
84 bpm • B Maj • 02:38 • -8db
10% Popularity • 79% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
10% Popularity • 79% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 65% Positiveness
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Lee Dorsey
O Me-O, My-O
84 bpm • C# Maj • 02:43 • -13.04db
19% Popularity • 73% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
19% Popularity • 73% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Freddie Scott
I'll Be Gone
84 bpm • D# Maj • 02:08 • -9.74db
14% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
14% Popularity • 63% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Candi Staton
Sure as Sin
84 bpm • G min • 02:58 • -9.53db
7% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Swamp Dogg
The Baby Is Mine
84 bpm • A# Maj • 02:47 • -14.07db
11% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 65% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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The Neville Brothers
Tell Me What's on Your Mind
85 bpm • E min • 02:13 • -11.66db
19% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
19% Popularity • 76% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 69% Positiveness
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Allen Toussaint
Don't Pity Me - Remastered
85 bpm • A# Maj • 02:55 • -6.21db
25% Popularity • 67% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
25% Popularity • 67% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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The jimmy Hanna Band
Leaving Here
85 bpm • D# min • 02:26 • -5db
10% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 57% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Barbara & The Browns
Can't Find No Happiness
85 bpm • C min • 02:17 • -9.85db
12% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 51% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Nolan Porter
Let's Burn Down The Cornfield
85 bpm • E min • 02:58 • -18.49db
13% Popularity • 60% Danceability • 12% Energy • 11% Liveness
61% Instrumentalness • 48% Positiveness
13% Popularity • 60% Danceability • 12% Energy • 11% Liveness
61% Instrumentalness • 48% Positiveness
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Jimmy Dawkins
It Serves Me Right To Suffer
86 bpm • G Maj • 04:11 • -8db
15% Popularity • 53% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 83% Positiveness
15% Popularity • 53% Danceability • 63% Energy • 9% Liveness
16% Instrumentalness • 83% Positiveness
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Slim Harpo
There Goes A Girl
85 bpm • A min • 03:16 • -7.29db
10% Popularity • 56% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
10% Popularity • 56% Danceability • 41% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Johnny Adams
A Losing Battle
86 bpm • A# Maj • 02:50 • -13db
13% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
13% Popularity • 54% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lowell Fulson
Sleeper
86 bpm • C Maj • 03:18 • -19db
16% Popularity • 68% Danceability • 35% Energy • 15% Liveness
4% Instrumentalness • 83% Positiveness
16% Popularity • 68% Danceability • 35% Energy • 15% Liveness
4% Instrumentalness • 83% Positiveness
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Frank Lynch
People Will Make You Say Things
87 bpm • A# Maj • 02:44 • -10.37db
9% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
9% Popularity • 56% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Lee Dorsey
Give Me You
87 bpm • C Maj • 02:27 • -8.85db
13% Popularity • 57% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
13% Popularity • 57% Danceability • 41% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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Melvin Davis
I Won't Love You And Leave You
88 bpm • D min • 03:10 • -6.72db
10% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 70% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Swamp Dogg
Wife Sitter
88 bpm • F Maj • 03:26 • -8.89db
9% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
9% Popularity • 68% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Johnny Adams
Real Live Living Hurtin' Man
86 bpm • E Maj • 03:09 • -12.01db
15% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
15% Popularity • 59% Danceability • 50% Energy • 30% Liveness
3% Instrumentalness • 75% Positiveness
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Freddie Scott
He Ain't Give You None
88 bpm • A Maj • 02:54 • -6.89db
19% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
19% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Darrell Banks
I'm Gonna Hang My Head and Cry
88 bpm • A min • 02:47 • -8.38db
9% Popularity • 55% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
9% Popularity • 55% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 44% Positiveness
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Johnny Thunder
You Send Me
88 bpm • G Maj • 02:48 • -10.05db
15% Popularity • 34% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
15% Popularity • 34% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Lee Dorsey
Get Out of My Life, Woman
89 bpm • C# Maj • 02:27 • -10.87db
11% Popularity • 81% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
11% Popularity • 81% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Swamp Dogg
Knowing I'm Pleasing Me and You
88 bpm • F Maj • 02:40 • -11.1db
9% Popularity • 85% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
9% Popularity • 85% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Howard Tate
Where Did My Baby Go
89 bpm • G# Maj • 02:31 • -6.08db
22% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
22% Popularity • 66% Danceability • 74% Energy • 18% Liveness
13% Instrumentalness • 86% Positiveness
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Johnny Adams
Georgia Morning Dew
87 bpm • D Maj • 03:17 • -11.17db
33% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 53% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 86% Positiveness
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Alvin Robinson
Tuned in, Turned On
89 bpm • F min • 02:52 • -9db
11% Popularity • 69% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 69% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 80% Positiveness
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Johnny Thunder
Baby, I Dig Love
89 bpm • E Maj • 02:18 • -9.96db
17% Popularity • 70% Danceability • 69% Energy • 74% Liveness
12% Instrumentalness • 97% Positiveness
17% Popularity • 70% Danceability • 69% Energy • 74% Liveness
12% Instrumentalness • 97% Positiveness
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James Carr
Gonna Send You Back to Georgia
89 bpm • G# Maj • 02:17 • -5.89db
18% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
18% Popularity • 69% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 87% Positiveness
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Bobby Patterson
How Do You Spell Love
90 bpm • A# min • 02:20 • -10.61db
31% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
31% Popularity • 75% Danceability • 66% Energy • 11% Liveness
5% Instrumentalness • 96% Positiveness
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Swamp Dogg
I Couldn't Pay For What I Got Last Night
90 bpm • A# Maj • 02:44 • -8.78db
8% Popularity • 62% Danceability • 92% Energy • 55% Liveness
4% Instrumentalness • 96% Positiveness
8% Popularity • 62% Danceability • 92% Energy • 55% Liveness
4% Instrumentalness • 96% Positiveness
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Sugar Pie DeSanto
Git Back
90 bpm • G# Maj • 03:01 • -8db
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 72% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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The Canes
Why Should I Suffer With The Blues
90 bpm • F Maj • 02:51 • -11.71db
12% Popularity • 53% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
12% Popularity • 53% Danceability • 39% Energy • 24% Liveness
0% Instrumentalness • 27% Positiveness
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Jimmy Hughes
Midnight Affair
90 bpm • C# Maj • 02:30 • -8.02db
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
17% Popularity • 62% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Eddy Giles
I Got the Blues
90 bpm • F# min • 02:35 • -9.98db
13% Popularity • 56% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
13% Popularity • 56% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Don Covay & The Jefferson Lemon Blues Band
Key to the Highway
91 bpm • A Maj • 02:21 • -8.49db
16% Popularity • 59% Danceability • 53% Energy • 6% Liveness
2% Instrumentalness • 70% Positiveness
16% Popularity • 59% Danceability • 53% Energy • 6% Liveness
2% Instrumentalness • 70% Positiveness
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Duffy Power
Dollar Mamie
90 bpm • G Maj • 01:59 • -8.75db
9% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 60% Danceability • 62% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Lee Dorsey
Get Out Of My Life, Woman - Extended Ver...
91 bpm • B Maj • 03:26 • -8.6db
8% Popularity • 85% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
8% Popularity • 85% Danceability • 42% Energy • 12% Liveness
1% Instrumentalness • 90% Positiveness
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Billy Preston
Make The Devil Mad (Turn On To Jesus)
92 bpm • F# min • 05:23 • -7.98db
10% Popularity • 65% Danceability • 68% Energy • 4% Liveness
1% Instrumentalness • 79% Positiveness
10% Popularity • 65% Danceability • 68% Energy • 4% Liveness
1% Instrumentalness • 79% Positiveness
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Swamp Dogg
Sal-A-Faster
92 bpm • C Maj • 02:38 • -11.93db
9% Popularity • 80% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 80% Danceability • 56% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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Betty Everett
I Can't Stand It
92 bpm • D# min • 02:01 • -11.06db
9% Popularity • 62% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
9% Popularity • 62% Danceability • 67% Energy • 70% Liveness
0% Instrumentalness • 79% Positiveness
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Otis Clay
You Can't Keep Running From My Love
92 bpm • D# Maj • 02:51 • -6.7db
0% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
0% Popularity • 63% Danceability • 48% Energy • 32% Liveness
49% Instrumentalness • 62% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:36 • -5.95db
36% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 62% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lee Dorsey
Lonely Ave
91 bpm • A# Maj • 03:02 • -13.29db
8% Popularity • 71% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
8% Popularity • 71% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Willie West
Fairchild
92 bpm • D Maj • 03:24 • -8.77db
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
14% Popularity • 72% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 77% Positiveness
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Swamp Dogg
Sal-A-Faster
92 bpm • F Maj • 02:51 • -12.28db
11% Popularity • 80% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 80% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 94% Positiveness
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Freddie Scott
Are You Lonely For Me?
93 bpm • F# Maj • 03:20 • -10.88db
27% Popularity • 67% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
27% Popularity • 67% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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Keef Hartley Band
Marin County - Remastered
93 bpm • F Maj • 03:58 • -9.13db
29% Popularity • 62% Danceability • 87% Energy • 28% Liveness
39% Instrumentalness • 89% Positiveness
29% Popularity • 62% Danceability • 87% Energy • 28% Liveness
39% Instrumentalness • 89% Positiveness
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Irma Thomas
In Between Tears
92 bpm • F Maj • 02:33 • -10.59db
20% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
20% Popularity • 60% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Kings & Queens
When I Get Home
93 bpm • G Maj • 03:33 • -7.81db
16% Popularity • 58% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 58% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
