Songs like Lover Man by Roberta Gambarini
Based on a tempo of (+/- 10%) and a similar genre
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The Hot Sardines
Sweet Pea
104 bpm • F Maj • 02:21 • -14db
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
48% Popularity • 61% Danceability • 14% Energy • 31% Liveness
0% Instrumentalness • 31% Positiveness
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Miriam Netti
If I Had You
104 bpm • C Maj • 05:20 • -11db
29% Popularity • 59% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 59% Danceability • 31% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Roberta Gambarini
I See Your Face Before Me
104 bpm • G# Maj • 06:13 • -18.65db
4% Popularity • 44% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 44% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Sachal Vasandani
Unforgettable
104 bpm • A# Maj • 02:56 • -11.86db
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
46% Popularity • 49% Danceability • 19% Energy • 11% Liveness
1% Instrumentalness • 25% Positiveness
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NYC Jazz Quartett
What A Difference A Day Makes
105 bpm • G min • 06:25 • -7.4db
28% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 48% Danceability • 29% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
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Katrine Madsen
They Can't Take That Away from Me
103 bpm • E min • 03:35 • -18.92db
17% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 57% Danceability • 9% Energy • 7% Liveness
0% Instrumentalness • 36% Positiveness
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Hailey Tuck
So in Love
105 bpm • C# Maj • 02:45 • -8.3db
55% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
55% Popularity • 72% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Svetlana
Moonlight
105 bpm • F Maj • 05:59 • -11db
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 56% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Roberta Gambarini
Six Even
103 bpm • C Maj • 07:06 • -19.8db
1% Popularity • 51% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
1% Popularity • 51% Danceability • 24% Energy • 10% Liveness
2% Instrumentalness • 26% Positiveness
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Clare Teal
Dream a Little Dream of Me
105 bpm • C Maj • 04:21 • -12.24db
10% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 44% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Lyambiko
Till There Was You
105 bpm • G Maj • 03:02 • -11.63db
20% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
20% Popularity • 67% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Flora MartÃnez
Lover Man (Oh, Where Can You Be?)
105 bpm • G Maj • 03:03 • -12.46db
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 72% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Hila Hutmacher
You Go to My Head
105 bpm • G Maj • 06:39 • -16.7db
27% Popularity • 47% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
27% Popularity • 47% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Ruth Cameron
Bird Alone - Live
103 bpm • C Maj • 03:26 • -19.26db
10% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
10% Popularity • 42% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Roberta Gambarini
Il cielo della mia memoria
105 bpm • G min • 05:22 • -14.81db
2% Popularity • 51% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
2% Popularity • 51% Danceability • 21% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Emma Smith
There's No Business Like Show Business
105 bpm • D# Maj • 06:43 • -12.28db
36% Popularity • 46% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
36% Popularity • 46% Danceability • 9% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Connie Lansberg
Everything Happens to Me
102 bpm • C Maj • 06:19 • -16.63db
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 55% Danceability • 15% Energy • 38% Liveness
0% Instrumentalness • 19% Positiveness
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Indra Rios-Moore
Love Walked In
103 bpm • D Maj • 03:40 • -15.82db
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
22% Popularity • 49% Danceability • 6% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Rigmor Gustafsson
Is It a Crime
106 bpm • C min • 04:12 • -10.53db
23% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 47% Danceability • 30% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Lyambiko
There Is No Greater Love
106 bpm • C Maj • 05:27 • -12.1db
38% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
38% Popularity • 61% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Roberta Gambarini
So In Love
103 bpm • D Maj • 03:04 • -17.31db
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
33% Popularity • 38% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Vanessa Rubin
Our Love Is Here to Stay
102 bpm • G Maj • 03:37 • -13.14db
14% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 68% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hailey Tuck
Tell Him No
102 bpm • C min • 03:19 • -10db
54% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
54% Popularity • 75% Danceability • 36% Energy • 8% Liveness
1% Instrumentalness • 39% Positiveness
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The Clare Fischer Latin Jazz Big Band
The Butterfly Samba
102 bpm • G Maj • 06:41 • -10.08db
0% Popularity • 71% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
0% Popularity • 71% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Tony DeSare
Want You
102 bpm • D# min • 04:36 • -12db
36% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 55% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Gladys Knight
Stormy Weather
106 bpm • G min • 04:26 • -8.67db
29% Popularity • 55% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 55% Danceability • 30% Energy • 20% Liveness
0% Instrumentalness • 26% Positiveness
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Roberta Gambarini
Medley From "Cinema Paradiso": Main Them...
105 bpm • C# Maj • 06:37 • -17.79db
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 35% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Erin Boheme
What Love Is
102 bpm • F min • 05:00 • -17db
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
32% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 18% Positiveness
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Hailey Tuck
Don't Think Twice
106 bpm • G min • 03:27 • -8db
52% Popularity • 75% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
52% Popularity • 75% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Simone Kopmajer
A Man and a Woman
106 bpm • C Maj • 04:15 • -12.61db
42% Popularity • 68% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 68% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tony DeSare
A Kiss to Build a Dream On
102 bpm • A# Maj • 02:41 • -12.73db
46% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
46% Popularity • 65% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Katherine Kostoff
It Happens Like That
102 bpm • A min • 03:31 • -10.77db
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 44% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Emma Smith
My Revelation
106 bpm • G Maj • 03:21 • -12.8db
33% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
33% Popularity • 63% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Mary Stallings
When I Close My Eyes
107 bpm • D Maj • 03:36 • -17db
13% Popularity • 50% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 50% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Sara Lazarus
It's All Right with Me
107 bpm • G min • 03:56 • -7.29db
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
18% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Alma Naidu
Just a Word
107 bpm • C Maj • 03:53 • -19.41db
35% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 40% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Anthony Strong
Ain't Misbehavin
101 bpm • D min • 04:03 • -7.96db
36% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
36% Popularity • 61% Danceability • 44% Energy • 30% Liveness
0% Instrumentalness • 41% Positiveness
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Kat Edmonson
What Else Can I Do
107 bpm • F# min • 04:44 • -13.52db
46% Popularity • 67% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
46% Popularity • 67% Danceability • 44% Energy • 11% Liveness
2% Instrumentalness • 24% Positiveness
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Roberta Gambarini
Sorella senza nome
101 bpm • G Maj • 05:36 • -14.39db
2% Popularity • 34% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 34% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Aubrey Johnson
I’ll Remember April / April
107 bpm • G min • 03:58 • -9.63db
20% Popularity • 60% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
20% Popularity • 60% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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The Clare Fischer Latin Jazz Big Band
Gaviota
101 bpm • G min • 06:45 • -9.36db
0% Popularity • 49% Danceability • 38% Energy • 10% Liveness
10% Instrumentalness • 26% Positiveness
0% Popularity • 49% Danceability • 38% Energy • 10% Liveness
10% Instrumentalness • 26% Positiveness
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Simone Kopmajer
Whatever Happens
101 bpm • D Maj • 05:45 • -11.66db
14% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
14% Popularity • 51% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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April Barrows
Lost In A Blue Note
100 bpm • A# Maj • 04:24 • -12.3db
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 43% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Mary Stallings
You Go To My Head
108 bpm • G Maj • 06:36 • -15db
9% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 49% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Roberta Gambarini
That Old Black Magic
108 bpm • F min • 03:28 • -8.21db
15% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 60% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ellas Kapell
Cheek to Cheek
100 bpm • G# Maj • 07:03 • -10.85db
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Heather Rigdon
Really Something
108 bpm • C Maj • 02:27 • -13.01db
51% Popularity • 72% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 72% Danceability • 39% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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Morgana King
The Look of Love
108 bpm • D min • 02:48 • -14.53db
22% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 60% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 38% Positiveness
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Hailey Tuck
Close to You
108 bpm • G Maj • 04:35 • -10.42db
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
52% Popularity • 55% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Judy Whitmore
I Remember You
100 bpm • C# Maj • 04:05 • -11db
32% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 49% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Roberta Gambarini
Then I'll Be Tired Of You
101 bpm • F Maj • 05:06 • -15.63db
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 46% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Rigmor Gustafsson
After The Rain
100 bpm • G Maj • 02:52 • -10.87db
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
45% Popularity • 58% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Heather Rigdon
Young & Naïve
108 bpm • F# min • 02:49 • -12.57db
62% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
62% Popularity • 76% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Ruth Cameron
Happiness Is Just A Thing Called Joe
100 bpm • D# Maj • 05:17 • -16db
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 43% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Jacintha
Days of Wine & Roses
100 bpm • A Maj • 05:26 • -25.71db
12% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 40% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Mary Stallings
Sweet And Lovely
109 bpm • F min • 05:19 • -12.22db
11% Popularity • 68% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 68% Danceability • 37% Energy • 6% Liveness
0% Instrumentalness • 49% Positiveness
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Erin Boheme
Give Me One Reason
109 bpm • A# min • 04:35 • -15db
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
18% Popularity • 69% Danceability • 28% Energy • 12% Liveness
9% Instrumentalness • 32% Positiveness
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Sophie Milman
Beautiful Love
109 bpm • G min • 02:59 • -9.57db
42% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
42% Popularity • 44% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 32% Positiveness
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Kandace Springs
Devil May Care
99 bpm • A Maj • 02:59 • -9.59db
30% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 55% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ruth Cameron
Waitin' For The Train To Come In
100 bpm • C Maj • 03:10 • -15db
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 62% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Roberta Gambarini
You're Getting To Be A Habit With Me
99 bpm • G Maj • 03:17 • -12.93db
4% Popularity • 58% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
4% Popularity • 58% Danceability • 19% Energy • 21% Liveness
0% Instrumentalness • 30% Positiveness
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Rebecca Ferguson
Blue Moon
99 bpm • C Maj • 02:50 • -10.43db
34% Popularity • 42% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 42% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Karen Souza
It's Gonna Happen Tonight
109 bpm • C Maj • 03:16 • -10.65db
44% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
44% Popularity • 60% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Mary Stallings
'Round Midnight
99 bpm • A# min • 05:12 • -12.06db
10% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 54% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alexis Cole
A Beautiful Friendship
110 bpm • G Maj • 04:18 • -9db
38% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
38% Popularity • 75% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Kandace Springs
Soul Eyes
99 bpm • F min • 03:22 • -9.94db
39% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
39% Popularity • 37% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
55% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
55% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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Hugo Rasmussen
Somewhere over the Rainbow
110 bpm • G# Maj • 05:37 • -24.7db
23% Popularity • 43% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
23% Popularity • 43% Danceability • 5% Energy • 12% Liveness
84% Instrumentalness • 19% Positiveness
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Erin Boheme
Anything
110 bpm • G Maj • 06:07 • -13db
15% Popularity • 40% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
15% Popularity • 40% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 10% Positiveness
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Cyrille Aimée & Diego Figueiredo
Yardbird Suite
110 bpm • A Maj • 02:00 • -10.63db
20% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
20% Popularity • 71% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Silje Nergaard
Dream A Little Dream
98 bpm • D min • 03:11 • -8.81db
31% Popularity • 61% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 61% Danceability • 27% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Peter Appleyard
Satin Doll
110 bpm • G min • 04:11 • -12.69db
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 69% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Karen Souza
Everybody Knows
110 bpm • C Maj • 02:48 • -11.41db
49% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 70% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lyambiko
It's Oh So Quiet
110 bpm • A# Maj • 03:48 • -12db
26% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
26% Popularity • 42% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Lauren Henderson
Beautiful Love
110 bpm • E min • 02:31 • -16.7db
32% Popularity • 58% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 42% Positiveness
32% Popularity • 58% Danceability • 30% Energy • 11% Liveness
52% Instrumentalness • 42% Positiveness
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Hailey Tuck
When It's Sleepytime Down South
110 bpm • A# Maj • 05:03 • -14db
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
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Jim Snidero
It's the Talk of the Town
98 bpm • F Maj • 07:04 • -9db
14% Popularity • 38% Danceability • 22% Energy • 33% Liveness
62% Instrumentalness • 24% Positiveness
14% Popularity • 38% Danceability • 22% Energy • 33% Liveness
62% Instrumentalness • 24% Positiveness
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Kat Gang
Then I'll Be Tired of You
110 bpm • G Maj • 06:13 • -15.01db
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
36% Popularity • 46% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Connie Lansberg
"Round Midnight
110 bpm • B Maj • 05:47 • -16.38db
22% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 48% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Roberta Gambarini
Lush Life
98 bpm • G Maj • 04:35 • -14.65db
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
6% Popularity • 42% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Erin Boheme
I Love Being Here With You
110 bpm • G# Maj • 03:28 • -12db
32% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 66% Danceability • 32% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Ellen Andersson
I Get Along Without You Very Well
111 bpm • C# Maj • 03:32 • -18db
39% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 47% Danceability • 12% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Silje Nergaard
Every Time We Say Goodbye
98 bpm • A# Maj • 05:18 • -12.07db
22% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 30% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Malene Mortensen
Summertime
111 bpm • G min • 04:21 • -10.9db
31% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 66% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Connie Lansberg
Twinkle Twinkle
111 bpm • C Maj • 04:27 • -13.36db
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 65% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Tok Tok Tok
Straighten Up And Fly Right
111 bpm • C Maj • 03:03 • -15.72db
20% Popularity • 70% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
20% Popularity • 70% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Laverne Butler
Isn't It a Pity
111 bpm • C min • 04:20 • -30.94db
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 43% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Ida Sand
One for My Baby
98 bpm • F# Maj • 03:49 • -9.68db
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 42% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Spencer Day
If I Loved You
98 bpm • G Maj • 04:10 • -11db
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 49% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Ann Hampton Callaway
A Kiss To Build A Dream On
98 bpm • G Maj • 03:05 • -12db
48% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
48% Popularity • 69% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Kevin Mahogany
May I Come In?
111 bpm • F min • 04:45 • -17db
19% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
19% Popularity • 50% Danceability • 19% Energy • 37% Liveness
3% Instrumentalness • 33% Positiveness
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Erin Boheme
Let’s Make The Most Of A Beautiful Thi...
111 bpm • C# Maj • 04:39 • -12db
43% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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Nnenna Freelon
My Cherie Amour
97 bpm • A Maj • 03:48 • -10.96db
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
18% Popularity • 66% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 45% Positiveness
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Katrine Madsen
You Are So Beautiful to Me
97 bpm • C# Maj • 04:33 • -19.5db
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 45% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
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Stacey Kent
Never Let Me Go
111 bpm • E Maj • 04:39 • -17db
48% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Roberta Gambarini
You Must Believe In Spring
111 bpm • G# min • 06:23 • -20.68db
6% Popularity • 43% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
6% Popularity • 43% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Jacintha
Skylark
111 bpm • F Maj • 05:17 • -21.98db
12% Popularity • 43% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 43% Danceability • 10% Energy • 34% Liveness
0% Instrumentalness • 18% Positiveness
