Songs like (Lover) You Don't Treat Me No Good by D. Pritzker
Based on a tempo of (+/- 10%) and a similar genre
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Fast Crew
I Got
112 bpm • G Maj • 03:52 • -3.68db
34% Popularity • 95% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 95% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Noiseworks
Take Me Back
112 bpm • E Maj • 03:27 • -11.55db
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 44% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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John Farnham
Pressure Down
112 bpm • F# Maj • 03:47 • -11.08db
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
49% Popularity • 74% Danceability • 86% Energy • 64% Liveness
0% Instrumentalness • 75% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Fur Patrol
Lydia
112 bpm • E Maj • 04:15 • -12.3db
38% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
38% Popularity • 65% Danceability • 38% Energy • 14% Liveness
22% Instrumentalness • 44% Positiveness
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D. Pritzker
(Lover) You Don't Treat Me No Good
112 bpm • B Maj • 04:07 • -12.41db
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 89% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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The Exponents
Who Loves Who The Most
112 bpm • D Maj • 04:15 • -5.53db
35% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Renee Geyer
Do You Know What I Mean?
111 bpm • E Maj • 03:20 • -14db
25% Popularity • 70% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 70% Danceability • 66% Energy • 35% Liveness
0% Instrumentalness • 96% Positiveness
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Jon Stevens
Montego Bay
113 bpm • G# Maj • 02:48 • -14.64db
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
25% Popularity • 76% Danceability • 44% Energy • 57% Liveness
0% Instrumentalness • 96% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
33% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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The Yandall Sisters
Sweet Inspiration
113 bpm • F Maj • 03:03 • -7.71db
43% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 66% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
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D. Pritzker
Never See Me Again
112 bpm • D Maj • 03:57 • -9.07db
7% Popularity • 50% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 50% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 63% Positiveness
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Models
Barbados
113 bpm • C Maj • 04:15 • -12.6db
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 69% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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John Farnham
Man of the Hour
111 bpm • D min • 04:09 • -8.66db
15% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
15% Popularity • 70% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
25% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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DD Smash
Whaling
114 bpm • C Maj • 03:45 • -12.62db
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
41% Popularity • 60% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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D. Pritzker
Old Bones
113 bpm • A Maj • 03:13 • -4.84db
6% Popularity • 72% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
6% Popularity • 72% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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John Mellencamp
Cherry Bomb
114 bpm • G Maj • 04:47 • -3.27db
62% Popularity • 74% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 74% Danceability • 94% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Graeme Connors
Cyclone Season
110 bpm • B Maj • 03:15 • -5.46db
29% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
29% Popularity • 50% Danceability • 79% Energy • 26% Liveness
0% Instrumentalness • 53% Positiveness
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The Black Sorrows
Better Times
114 bpm • A# Maj • 04:54 • -8db
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
21% Popularity • 51% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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the feelers
Venus - 2015 Remaster
110 bpm • G Maj • 04:50 • -6.67db
38% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 70% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Petty
I Won't Back Down
114 bpm • G Maj • 02:58 • -13.49db
76% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
76% Popularity • 76% Danceability • 48% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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D. Pritzker
New York City
110 bpm • C Maj • 03:27 • -9.33db
11% Popularity • 66% Danceability • 79% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
11% Popularity • 66% Danceability • 79% Energy • 13% Liveness
1% Instrumentalness • 71% Positiveness
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Thirsty Merc
Those Eyes
110 bpm • D# Maj • 04:42 • -5.43db
28% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 64% Danceability • 63% Energy • 26% Liveness
0% Instrumentalness • 46% Positiveness
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John Farnham
Two Strong Hearts
110 bpm • D Maj • 03:33 • -8.18db
53% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
53% Popularity • 65% Danceability • 84% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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The Temptations
Lady Soul
114 bpm • C# Maj • 04:37 • -6.54db
46% Popularity • 82% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 82% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Christine Anu
Party
110 bpm • B Maj • 03:14 • -8db
35% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
35% Popularity • 73% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
28% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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D. Pritzker
Jungle Song
110 bpm • D Maj • 04:52 • -7.42db
17% Popularity • 73% Danceability • 72% Energy • 16% Liveness
44% Instrumentalness • 76% Positiveness
17% Popularity • 73% Danceability • 72% Energy • 16% Liveness
44% Instrumentalness • 76% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
67% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
67% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Reef
Place Your Hands
109 bpm • D Maj • 03:38 • -4.52db
53% Popularity • 51% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
53% Popularity • 51% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Sonia Dada
Raise the Roofbeam
115 bpm • E min • 04:38 • -9.07db
4% Popularity • 47% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
4% Popularity • 47% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
45% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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The Waifs
Bridal Train (Studio Version)
109 bpm • G# Maj • 04:19 • -8.44db
36% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
36% Popularity • 71% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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D. Pritzker
Sylvia
115 bpm • C Maj • 02:33 • -13.5db
3% Popularity • 75% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
3% Popularity • 75% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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The Commitments
Mustang Sally
115 bpm • C# Maj • 04:01 • -10.77db
58% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
58% Popularity • 74% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 89% Positiveness
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Vanessa Amorosi
Perfect
109 bpm • F# Maj • 04:47 • -3.27db
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
37% Popularity • 63% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sonia Dada
Cry
109 bpm • E min • 04:43 • -8.47db
4% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
4% Popularity • 77% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 83% Positiveness
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Ardijah
Watchin' U
109 bpm • C Maj • 03:53 • -4.34db
49% Popularity • 89% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
49% Popularity • 89% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Little River Band
The Other Guy - Remastered 2022
109 bpm • F Maj • 02:50 • -8.14db
49% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
49% Popularity • 80% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 85% Positiveness
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C. Cameron
Temple
109 bpm • C Maj • 03:56 • -5.56db
6% Popularity • 71% Danceability • 91% Energy • 65% Liveness
0% Instrumentalness • 76% Positiveness
6% Popularity • 71% Danceability • 91% Energy • 65% Liveness
0% Instrumentalness • 76% Positiveness
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Renee Geyer
Say I Love You
115 bpm • D Maj • 03:33 • -6.52db
40% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 67% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 89% Positiveness
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Patea Maori Club
Poi E
115 bpm • E Maj • 03:49 • -4.7db
48% Popularity • 67% Danceability • 96% Energy • 85% Liveness
0% Instrumentalness • 66% Positiveness
48% Popularity • 67% Danceability • 96% Energy • 85% Liveness
0% Instrumentalness • 66% Positiveness
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Sonia Dada
(Lover) You Don't Treat Me No Good (Live...
115 bpm • E Maj • 04:05 • -12.3db
32% Popularity • 77% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
32% Popularity • 77% Danceability • 50% Energy • 76% Liveness
0% Instrumentalness • 94% Positiveness
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Jenny Morris
She Has to Be Loved
109 bpm • G Maj • 04:07 • -8.27db
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 71% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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Little Birdy
Beautiful To Me
116 bpm • C Maj • 03:29 • -3.77db
35% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
35% Popularity • 56% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 54% Positiveness
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Ben Lee
Catch My Disease
116 bpm • B Maj • 04:14 • -6.27db
44% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
44% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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John Butler Trio
Better Than
108 bpm • G Maj • 03:29 • -6db
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 62% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Supergroove
Can't Get Enough
108 bpm • A# min • 03:22 • -3.54db
38% Popularity • 73% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 73% Danceability • 95% Energy • 17% Liveness
0% Instrumentalness • 82% Positiveness
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Matchbox Twenty
3AM
108 bpm • G# Maj • 03:45 • -8.69db
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Margaret Urlich
Only My Heart Calling
116 bpm • G# Maj • 05:39 • -11.81db
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
25% Popularity • 64% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Crowded House
It's Only Natural
116 bpm • A# Maj • 03:32 • -11.92db
52% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 75% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Go West
The King of Wishful Thinking
108 bpm • C Maj • 04:01 • -7.38db
65% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
65% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jenny Morris
You I Know
108 bpm • A# Maj • 04:09 • -6.3db
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 51% Danceability • 75% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Cold Chisel
Breakfast At Sweethearts - 2011 Remaster...
117 bpm • A min • 04:11 • -5.37db
39% Popularity • 64% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
39% Popularity • 64% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 25% Positiveness
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Taylor Dayne
I'll Be Your Shelter
107 bpm • C Maj • 04:43 • -5.26db
45% Popularity • 69% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
45% Popularity • 69% Danceability • 91% Energy • 13% Liveness
0% Instrumentalness • 89% Positiveness
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Warumpi Band
Yolngu Boy
117 bpm • F Maj • 03:39 • -12.54db
17% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
17% Popularity • 81% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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John Fogerty
Knockin' On Your Door
107 bpm • A Maj • 04:18 • -6.02db
32% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 85% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Little River Band
Help Is On Its Way - Remastered 2022
107 bpm • G Maj • 03:57 • -6.59db
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
54% Popularity • 63% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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The Warratahs
Sailing to the Other Side (The InterIsla...
107 bpm • D Maj • 03:52 • -9.57db
16% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
16% Popularity • 61% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Mondo Rock
Come Said The Boy - Digitally Remastered
118 bpm • A min • 05:15 • -6.15db
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
50% Popularity • 69% Danceability • 64% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Carly Binding
Alright with Me
118 bpm • C Maj • 03:53 • -5.27db
15% Popularity • 58% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 58% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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L.A.B.
In the Air
118 bpm • A min • 04:12 • -8.86db
63% Popularity • 97% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
63% Popularity • 97% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 97% Positiveness
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Newton Faulkner
Dream Catch Me
118 bpm • D Maj • 03:56 • -5.69db
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 63% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Alex Lloyd
Slow Train - with Stephen & Alan Pigram
106 bpm • F# min • 03:57 • -6db
28% Popularity • 74% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 74% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Sonia Dada
Angel
106 bpm • G Maj • 04:20 • -8.16db
6% Popularity • 72% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
6% Popularity • 72% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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The Doobie Brothers
Listen to the Music
106 bpm • C# min • 03:47 • -13.18db
78% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
78% Popularity • 64% Danceability • 60% Energy • 7% Liveness
0% Instrumentalness • 91% Positiveness
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Jo Jo Zep and The Falcons
Hit and Run
106 bpm • C Maj • 04:41 • -3.63db
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 66% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 77% Positiveness
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Richard Clapton
The Best Years of Our Lives - Original
119 bpm • A Maj • 05:08 • -11.42db
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Wendy Matthews
The Day You Went Away
106 bpm • E Maj • 04:42 • -13.71db
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 63% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Australian Crawl
Oh No Not You Again - Remastered
119 bpm • D Maj • 05:08 • -6.99db
55% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
55% Popularity • 67% Danceability • 73% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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D. Pritzker
I Live Alone
119 bpm • D Maj • 03:54 • -9.53db
9% Popularity • 80% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 80% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 93% Positiveness
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L.A.B.
Ain't No Use
119 bpm • F min • 04:40 • -10.01db
48% Popularity • 86% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 86% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Weddings Parties Anything
Father's Day
105 bpm • E Maj • 04:02 • -8.29db
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 61% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 72% Positiveness
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Roachford
Lay Your Love on Me
105 bpm • A# Maj • 04:06 • -12.25db
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
42% Popularity • 80% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Daryl Braithwaite
Love Songs
105 bpm • E Maj • 03:15 • -4.41db
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
45% Popularity • 72% Danceability • 79% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Uncle Kracker
Follow Me
105 bpm • F Maj • 03:38 • -4.69db
72% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
72% Popularity • 82% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 92% Positiveness
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D. Pritzker
Saturday
105 bpm • G Maj • 04:49 • -6.8db
3% Popularity • 31% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
3% Popularity • 31% Danceability • 62% Energy • 12% Liveness
1% Instrumentalness • 18% Positiveness
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Coup d'Etat
Doctor I Like Your Medicine
105 bpm • D Maj • 03:31 • -10db
21% Popularity • 95% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
21% Popularity • 95% Danceability • 48% Energy • 12% Liveness
1% Instrumentalness • 97% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Mutton Birds
Anchor Me
105 bpm • A Maj • 04:30 • -10.89db
41% Popularity • 78% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
41% Popularity • 78% Danceability • 37% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Daddy Cool
Come Back Again
120 bpm • D Maj • 03:31 • -10.64db
30% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 77% Danceability • 60% Energy • 3% Liveness
0% Instrumentalness • 61% Positiveness
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Peter Blakeley
Crying In The Chapel
120 bpm • G# Maj • 03:42 • -14db
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
38% Popularity • 76% Danceability • 67% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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D. Pritzker
Gordon
105 bpm • E Maj • 02:59 • -7.82db
4% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 51% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Human Nature
Baby I Need Your Loving
120 bpm • D# Maj • 03:08 • -4.5db
23% Popularity • 73% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
23% Popularity • 73% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Missy Higgins
Steer
120 bpm • E Maj • 03:51 • -7db
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 57% Danceability • 67% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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![Cruel [Non-Rap Version] cover art](https://i.scdn.co/image/ab67616d00001e02a24ce1907f261f44ca74e125)
Dane Rumble
Cruel [Non-Rap Version]
120 bpm • A Maj • 04:01 • -4db
35% Popularity • 74% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 74% Danceability • 85% Energy • 31% Liveness
0% Instrumentalness • 92% Positiveness
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P-Money
Everything
120 bpm • F# Maj • 03:40 • -4db
44% Popularity • 81% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 81% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Powderfinger
Lost And Running
120 bpm • F Maj • 03:42 • -7.05db
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
49% Popularity • 54% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 60% Positiveness
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D. Pritzker
Mamba Wan Gama
120 bpm • C# Maj • 01:27 • -12.05db
8% Popularity • 75% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 75% Danceability • 19% Energy • 3% Liveness
0% Instrumentalness • 66% Positiveness
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Pigram Brothers
Ol" Man From The Bush
120 bpm • D Maj • 04:36 • -10.71db
21% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
21% Popularity • 61% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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The Travelling Kisses
Thunder Only Happens When It's Raining
120 bpm • C Maj • 04:17 • -7.08db
32% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 68% Danceability • 61% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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ICEHOUSE
Great Southern Land
120 bpm • A Maj • 05:17 • -5.6db
60% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
60% Popularity • 72% Danceability • 84% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Frankie Valli & The Four Seasons
December, 1963 (Oh What a Night!)
104 bpm • C# Maj • 03:17 • -13.49db
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
75% Popularity • 74% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 97% Positiveness
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Fleetwood Mac
Dreams - 2004 Remaster
120 bpm • C Maj • 04:17 • -9.74db
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
86% Popularity • 83% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Roger Knox
Streets of Tamworth
120 bpm • A Maj • 02:43 • -21.87db
25% Popularity • 67% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
25% Popularity • 67% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
