Songs like Loves Glory by Patti Scialfa
Based on a tempo of (+/- 10%) and a similar genre
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Patti Scialfa
Loves Glory
98 bpm • G# Maj • 03:46 • -7.84db
19% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 60% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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John Illsley
Tell Me
98 bpm • B min • 04:43 • -9.74db
9% Popularity • 53% Danceability • 63% Energy • 31% Liveness
34% Instrumentalness • 56% Positiveness
9% Popularity • 53% Danceability • 63% Energy • 31% Liveness
34% Instrumentalness • 56% Positiveness
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Bap Kennedy
Good as Gold
98 bpm • C# min • 02:48 • -13.71db
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 70% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Teddy Thompson
Change Of Heart
98 bpm • E Maj • 03:05 • -8.78db
22% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 36% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Nils Lofgren
Valentine
98 bpm • A Maj • 06:14 • -15.22db
0% Popularity • 55% Danceability • 38% Energy • 4% Liveness
1% Instrumentalness • 52% Positiveness
0% Popularity • 55% Danceability • 38% Energy • 4% Liveness
1% Instrumentalness • 52% Positiveness
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Elvis Costello & The Attractions
Good Year For The Roses
97 bpm • A Maj • 03:08 • -10.96db
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
47% Popularity • 51% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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Patti Scialfa
Rose
98 bpm • A# Maj • 05:11 • -5.67db
9% Popularity • 66% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
9% Popularity • 66% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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The Notting Hillbillies
That's Where I Belong
99 bpm • D Maj • 02:50 • -20db
37% Popularity • 63% Danceability • 25% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
37% Popularity • 63% Danceability • 25% Energy • 19% Liveness
1% Instrumentalness • 74% Positiveness
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Dr. Hook
When She Cries
97 bpm • F Maj • 03:00 • -17.39db
29% Popularity • 60% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 60% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Frances Black
Wall Of Tears
97 bpm • G# Maj • 04:04 • -10db
31% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
31% Popularity • 57% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Daniel Norgren
Poor Heart's Avenue
97 bpm • D Maj • 04:01 • -11db
28% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
28% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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John Cafferty & the Beaver Brown Band
Tex-Mex
100 bpm • F Maj • 04:44 • -11.01db
19% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 59% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Patti Scialfa
Like Any Woman Would
97 bpm • C Maj • 04:14 • -7.18db
8% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
8% Popularity • 66% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Chris Isaak
The Way Things Really Are
100 bpm • D Maj • 02:37 • -10.7db
13% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 62% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Tift Merritt
Good Hearted Man
96 bpm • C Maj • 03:39 • -6.39db
29% Popularity • 56% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 56% Danceability • 59% Energy • 46% Liveness
0% Instrumentalness • 36% Positiveness
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Little Steven
Princess Of Little Italy
96 bpm • A Maj • 05:13 • -9.06db
19% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 49% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Delbert McClinton
When Rita Leaves
100 bpm • E Maj • 04:37 • -10db
37% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 62% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Suzy Bogguss
If You Leave Me Now
96 bpm • A# Maj • 04:05 • -8.52db
11% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 67% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Barry Gibb
Meaning of the Word
96 bpm • C Maj • 04:31 • -10.12db
21% Popularity • 58% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
21% Popularity • 58% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 18% Positiveness
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Joan Armatrading
Not Too Far Away
100 bpm • G Maj • 04:29 • -7.51db
14% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 60% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Tanita Tikaram
Never Known
100 bpm • C Maj • 02:43 • -13.53db
18% Popularity • 75% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
18% Popularity • 75% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Southside Johnny
Under the Sun
96 bpm • G Maj • 04:45 • -5.29db
11% Popularity • 65% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
11% Popularity • 65% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 74% Positiveness
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George Jones
A Good Year for the Roses
96 bpm • B Maj • 03:02 • -11.17db
25% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
25% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Gordon Lightfoot
It's Worth Believin'
96 bpm • D Maj • 03:23 • -11.23db
18% Popularity • 59% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 81% Positiveness
18% Popularity • 59% Danceability • 67% Energy • 19% Liveness
1% Instrumentalness • 81% Positiveness
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Bonnie Raitt
Feels Like Home
100 bpm • C Maj • 04:24 • -11.99db
44% Popularity • 43% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
44% Popularity • 43% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Art Garfunkel
Sometimes When I'm Dreaming
96 bpm • E Maj • 03:41 • -13.77db
14% Popularity • 44% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 44% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Kimmie Rhodes
Love Me Like A Song
96 bpm • A Maj • 03:40 • -14db
28% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
28% Popularity • 60% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Paula Nelson
Riddles and Rhymes
101 bpm • G Maj • 04:51 • -9.82db
12% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Hal Ketchum
Loving You Makes Me A Better Man
95 bpm • A Maj • 03:28 • -11.88db
35% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 71% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Chris Isaak
First Comes The Night
101 bpm • C Maj • 04:18 • -8.06db
31% Popularity • 70% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 70% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Mickey Jupp
Modern Music
101 bpm • F Maj • 03:23 • -9.71db
14% Popularity • 81% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
14% Popularity • 81% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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David Knopfler
That Perfect Storm
95 bpm • C# Maj • 03:07 • -8.76db
12% Popularity • 41% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 41% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Sinéad Lohan
Whatever It Takes
102 bpm • A Maj • 03:35 • -6.35db
26% Popularity • 54% Danceability • 90% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
26% Popularity • 54% Danceability • 90% Energy • 40% Liveness
1% Instrumentalness • 64% Positiveness
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Jeff Lynne
So Sad (To Watch Good Love Go Bad)
102 bpm • E Maj • 02:33 • -6.73db
25% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Ry Cooder
Across the Borderline
94 bpm • D Maj • 03:05 • -18db
33% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
33% Popularity • 65% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Greg Trooper
We've Still Got Time
102 bpm • D Maj • 03:56 • -9db
12% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 66% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Patti Scialfa
The Word
94 bpm • G# Maj • 03:44 • -5.91db
5% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
5% Popularity • 56% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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David Knopfler
Tears Fall
94 bpm • F Maj • 03:04 • -14.32db
20% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
20% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Nils Lofgren
Shine Silently
103 bpm • C Maj • 03:35 • -11db
40% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 62% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 75% Positiveness
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Dr. Hook
If Not You
93 bpm • D Maj • 03:17 • -13.16db
46% Popularity • 55% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 40% Positiveness
46% Popularity • 55% Danceability • 32% Energy • 6% Liveness
4% Instrumentalness • 40% Positiveness
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Elliott Murphy
Losing it
103 bpm • D Maj • 04:48 • -9.28db
19% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
19% Popularity • 65% Danceability • 46% Energy • 25% Liveness
1% Instrumentalness • 48% Positiveness
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Greg Trooper
This I'd Do (Live)
102 bpm • F Maj • 03:42 • -9.33db
24% Popularity • 62% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 62% Danceability • 35% Energy • 70% Liveness
0% Instrumentalness • 49% Positiveness
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Patti Scialfa
Play Around
94 bpm • G# min • 03:51 • -12.87db
9% Popularity • 71% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
9% Popularity • 71% Danceability • 32% Energy • 9% Liveness
3% Instrumentalness • 37% Positiveness
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Sophie Zelmani
Bright Eyes
103 bpm • C Maj • 03:54 • -12.05db
33% Popularity • 59% Danceability • 35% Energy • 14% Liveness
31% Instrumentalness • 31% Positiveness
33% Popularity • 59% Danceability • 35% Energy • 14% Liveness
31% Instrumentalness • 31% Positiveness
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The Notting Hillbillies
Blues Stay Away From Me
103 bpm • E Maj • 03:50 • -20.35db
39% Popularity • 64% Danceability • 13% Energy • 9% Liveness
55% Instrumentalness • 73% Positiveness
39% Popularity • 64% Danceability • 13% Energy • 9% Liveness
55% Instrumentalness • 73% Positiveness
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Cyndi Lauper
Begging to You
103 bpm • G Maj • 03:24 • -8.66db
13% Popularity • 46% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 46% Danceability • 50% Energy • 31% Liveness
0% Instrumentalness • 50% Positiveness
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Buddy Miller
That's How I Got To Memphis
103 bpm • E Maj • 03:22 • -11.15db
29% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Chris Rea
There She Goes
93 bpm • E Maj • 04:32 • -12.22db
22% Popularity • 58% Danceability • 44% Energy • 17% Liveness
5% Instrumentalness • 44% Positiveness
22% Popularity • 58% Danceability • 44% Energy • 17% Liveness
5% Instrumentalness • 44% Positiveness
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Patti Scialfa
Rainy Day Man
94 bpm • F Maj • 04:03 • -6.48db
5% Popularity • 67% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
5% Popularity • 67% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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John Mellencamp
You Are Blind
93 bpm • A Maj • 03:18 • -11.19db
11% Popularity • 63% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 63% Danceability • 50% Energy • 37% Liveness
0% Instrumentalness • 52% Positiveness
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Art Garfunkel
Bounce
93 bpm • D Maj • 03:33 • -11.93db
13% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
13% Popularity • 54% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Kimmie Rhodes
Wild Roses
103 bpm • D Maj • 03:06 • -11.25db
17% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 51% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Beth Nielsen Chapman
This Kiss
93 bpm • A# Maj • 03:28 • -5.82db
9% Popularity • 65% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
9% Popularity • 65% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Dan Fogelberg
The Higher You Climb
104 bpm • G# Maj • 06:12 • -12db
13% Popularity • 44% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
13% Popularity • 44% Danceability • 38% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
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Bonnie Raitt
You
104 bpm • E Maj • 04:27 • -15.05db
27% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
27% Popularity • 53% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Teddy Thompson
Only Fooling
93 bpm • A Maj • 02:45 • -8.74db
13% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Southside Johnny
Walk Away Renee
92 bpm • G Maj • 04:20 • -5.29db
24% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
24% Popularity • 62% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Hollies
4th of July, Asbury Park (Sandy) - 2008 ...
104 bpm • C min • 04:11 • -7.26db
31% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 56% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Patti Scialfa
Bad For You
104 bpm • B Maj • 03:39 • -10.2db
6% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
6% Popularity • 75% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mick Hucknall
That's How Strong My Love Is
104 bpm • A# Maj • 03:21 • -9db
28% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 60% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Lone Justice
Don't Toss Us Away
92 bpm • E Maj • 04:19 • -15.33db
15% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 49% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Gerry Rafferty
Hearts Run Dry
92 bpm • E Maj • 06:11 • -16.4db
16% Popularity • 50% Danceability • 37% Energy • 4% Liveness
1% Instrumentalness • 35% Positiveness
16% Popularity • 50% Danceability • 37% Energy • 4% Liveness
1% Instrumentalness • 35% Positiveness
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Eliza Gilkyson
Where Have All the Flowers Gone
104 bpm • F Maj • 04:41 • -9.73db
11% Popularity • 50% Danceability • 44% Energy • 12% Liveness
13% Instrumentalness • 29% Positiveness
11% Popularity • 50% Danceability • 44% Energy • 12% Liveness
13% Instrumentalness • 29% Positiveness
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Cliff Richard
PS Please
92 bpm • E Maj • 03:36 • -9db
14% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
14% Popularity • 54% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Notting Hillbillies
Please Baby
104 bpm • C Maj • 03:49 • -21.31db
32% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 55% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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Beth Nielsen Chapman
Simple Things
92 bpm • C Maj • 03:29 • -7.55db
18% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 55% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Elliott Murphy
Home again
105 bpm • C Maj • 04:30 • -9.67db
16% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 47% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ellen Foley
Heaven Can Wait
105 bpm • C Maj • 04:20 • -10.26db
10% Popularity • 48% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 48% Danceability • 34% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
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Richard Thompson
Persuasion
92 bpm • C Maj • 04:38 • -11.77db
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
37% Popularity • 62% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Tanita Tikaram
Only the Ones We Love
105 bpm • F Maj • 02:52 • -16.16db
42% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 64% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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John Fogerty
Sugar-Sugar (In My Life)
105 bpm • D# Maj • 03:30 • -5.37db
32% Popularity • 72% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
32% Popularity • 72% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 87% Positiveness
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Little Village
Fool Who Knows
105 bpm • E Maj • 03:45 • -8.98db
22% Popularity • 72% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
22% Popularity • 72% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Patti Scialfa
You Can't Go Back
105 bpm • A# Maj • 04:43 • -7.62db
10% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
10% Popularity • 64% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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David Crosby
Hero
105 bpm • D# Maj • 04:40 • -10db
34% Popularity • 66% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
34% Popularity • 66% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Jim Cuddy
Almost Persuaded
91 bpm • A Maj • 04:20 • -6.74db
16% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 50% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Chris Rea
Ace of Hearts
105 bpm • A Maj • 04:30 • -10.35db
28% Popularity • 59% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 59% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Gallagher And Lyle
The Runaway
105 bpm • C Maj • 04:36 • -13.96db
19% Popularity • 47% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 47% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Iris DeMent
The Way I Should
91 bpm • B Maj • 04:26 • -6.62db
21% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
21% Popularity • 61% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Tom Rush
Too Many Memories -
91 bpm • E Maj • 03:42 • -13.41db
17% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 68% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Kimmie Rhodes
Hard Promises to Keep
91 bpm • G Maj • 04:49 • -14.49db
17% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 53% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
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Sinéad Lohan
Send Me a River
106 bpm • D Maj • 03:27 • -18.36db
35% Popularity • 76% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
35% Popularity • 76% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Little Steven
I've Been Waiting
91 bpm • A Maj • 03:53 • -6.15db
8% Popularity • 53% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
8% Popularity • 53% Danceability • 69% Energy • 39% Liveness
0% Instrumentalness • 64% Positiveness
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Bonnie Raitt
Storm Warning
91 bpm • D Maj • 04:31 • -15.05db
20% Popularity • 59% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 59% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 22% Positiveness
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Clarence Clemons
Savin' Up
106 bpm • D Maj • 04:21 • -8.17db
31% Popularity • 82% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
31% Popularity • 82% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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Nils Lofgren
Shine Silently - 2 Meter Session
106 bpm • C Maj • 08:37 • -17.73db
18% Popularity • 62% Danceability • 34% Energy • 18% Liveness
4% Instrumentalness • 55% Positiveness
18% Popularity • 62% Danceability • 34% Energy • 18% Liveness
4% Instrumentalness • 55% Positiveness
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Patti Scialfa
Town Called Heartbreak
106 bpm • A min • 05:29 • -6.8db
11% Popularity • 71% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
11% Popularity • 71% Danceability • 61% Energy • 27% Liveness
0% Instrumentalness • 80% Positiveness
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The Neville Brothers
Fallin' Rain
106 bpm • D Maj • 03:59 • -16.81db
19% Popularity • 63% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
19% Popularity • 63% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Hal Ketchum
Dreams Of Martina
106 bpm • A Maj • 03:35 • -6.44db
22% Popularity • 80% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 80% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Buffy Sainte-Marie
The Big Ones Get Away
106 bpm • C Maj • 03:48 • -14db
28% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 52% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Lyle Lovett
Stand By Your Man
106 bpm • D# Maj • 02:43 • -15db
31% Popularity • 64% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 64% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Barry Gibb
Butterfly
90 bpm • G Maj • 03:43 • -7db
29% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
29% Popularity • 38% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Patti Scialfa
Love (Stand Up)
106 bpm • A# Maj • 05:25 • -4.52db
10% Popularity • 52% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 52% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Shane MacGowan
You're The One
90 bpm • D Maj • 03:58 • -16db
38% Popularity • 17% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
38% Popularity • 17% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 11% Positiveness
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Joe Fagin
Why Don't We Spend the Night
107 bpm • F Maj • 03:31 • -15db
39% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
39% Popularity • 65% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Gordon Lightfoot
Sometimes I Wish
107 bpm • E Maj • 03:36 • -6.96db
10% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
10% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Gary U.S. Bonds
Love's On The Line
107 bpm • D Maj • 03:45 • -10.73db
10% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 54% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Iris DeMent
When My Morning Comes Around
107 bpm • A# Maj • 03:51 • -8db
30% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
30% Popularity • 54% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Patti Scialfa
Stumbling To Bethlehem
90 bpm • A# Maj • 04:08 • -8.05db
8% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 59% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
