Songs like Low Light by Aquilo
Based on a tempo of (+/- 10%) and a similar genre
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Aquilo
You're Like Me - Live
148 bpm • B min • 03:40 • -11.69db
22% Popularity • 53% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
22% Popularity • 53% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Billy Lockett
More
148 bpm • F min • 03:36 • -10.08db
26% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
26% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Speakrs
Golden Age
148 bpm • B Maj • 04:42 • -7.68db
13% Popularity • 36% Danceability • 67% Energy • 9% Liveness
18% Instrumentalness • 11% Positiveness
13% Popularity • 36% Danceability • 67% Energy • 9% Liveness
18% Instrumentalness • 11% Positiveness
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Kodaline
Follow Your Fire - Stripped Back Version
148 bpm • E min • 03:46 • -8db
24% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
24% Popularity • 37% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Jon Bryant
Heroine
148 bpm • C Maj • 04:09 • -11.41db
23% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
23% Popularity • 50% Danceability • 30% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Oliver Daldry
Lay Me Down
148 bpm • C# Maj • 04:21 • -9.9db
10% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
10% Popularity • 51% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Aquilo
Low Light
148 bpm • C Maj • 03:32 • -12.58db
23% Popularity • 21% Danceability • 49% Energy • 6% Liveness
3% Instrumentalness • 16% Positiveness
23% Popularity • 21% Danceability • 49% Energy • 6% Liveness
3% Instrumentalness • 16% Positiveness
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Jaymes Young
Moondust
148 bpm • F# min • 03:45 • -10.51db
54% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
54% Popularity • 60% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Tom Joshua
Meteor Showers
148 bpm • F Maj • 03:40 • -12db
23% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Novo Amor
Cavalry
148 bpm • D# Maj • 05:11 • -10.64db
42% Popularity • 28% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
42% Popularity • 28% Danceability • 40% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Frances
The Smallest Thing
148 bpm • A# Maj • 03:32 • -8.67db
15% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 68% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Billy Lockett
Blackmail Kiss
147 bpm • A# min • 03:26 • -13.03db
15% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
15% Popularity • 44% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Aaron Krause
Jade
149 bpm • C# min • 05:08 • -10.43db
18% Popularity • 41% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
18% Popularity • 41% Danceability • 43% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Aron Wright
Don't Play Games
150 bpm • E Maj • 04:22 • -11.41db
28% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
28% Popularity • 33% Danceability • 23% Energy • 10% Liveness
1% Instrumentalness • 15% Positiveness
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Echosmith
Dear World
150 bpm • C Maj • 02:59 • -7db
24% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 52% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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Novo Amor
Alps
147 bpm • D# Maj • 03:14 • -10.38db
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
65% Popularity • 35% Danceability • 31% Energy • 20% Liveness
3% Instrumentalness • 14% Positiveness
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Jacob Lee
Slip
150 bpm • C# min • 04:05 • -5.12db
30% Popularity • 63% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 63% Danceability • 45% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Scott Quinn
Delicate
150 bpm • G# min • 03:54 • -5.54db
13% Popularity • 46% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
13% Popularity • 46% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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James Bay
Stand Up
150 bpm • G min • 04:59 • -7.08db
30% Popularity • 32% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 32% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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George Ogilvie
Count Your Blessings
150 bpm • G# min • 04:05 • -9db
39% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Belle Mt.
Made to Find You
146 bpm • C# Maj • 03:29 • -6.98db
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 54% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 8% Positiveness
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Bruno Merz
Into the Air
146 bpm • A min • 04:10 • -17.14db
13% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 53% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Noah Gundersen
Blossom
150 bpm • A Maj • 03:43 • -11db
29% Popularity • 43% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 43% Danceability • 28% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Fractures
Time Frame
146 bpm • A# Maj • 03:14 • -9.69db
11% Popularity • 45% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 45% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Thomston
The Shortchange
150 bpm • B min • 04:02 • -8.71db
11% Popularity • 45% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 45% Danceability • 44% Energy • 21% Liveness
0% Instrumentalness • 26% Positiveness
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Alvarez Kings
Fear To Feel
146 bpm • C Maj • 04:00 • -5.78db
0% Popularity • 22% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 22% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Luca Fogale
Bluebird
150 bpm • B min • 04:52 • -14db
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Matt Van
Seeds of Discord.
145 bpm • F Maj • 03:37 • -11.43db
9% Popularity • 65% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 65% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Aron Wright
Look After You
146 bpm • C# min • 03:11 • -10.74db
55% Popularity • 40% Danceability • 29% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
55% Popularity • 40% Danceability • 29% Energy • 10% Liveness
12% Instrumentalness • 20% Positiveness
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Shannon Saunders
Creatures - Acoustic
151 bpm • A# min • 04:00 • -15db
22% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
22% Popularity • 42% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Grizfolk
Bohemian Bird
145 bpm • C# min • 03:42 • -8.08db
29% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 44% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Kaptan
Anywhere We Go - Stripped Down
145 bpm • A min • 03:38 • -10.26db
28% Popularity • 56% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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Aquilo
Best Of Us Go Down
145 bpm • G# min • 03:27 • -9.26db
23% Popularity • 47% Danceability • 53% Energy • 12% Liveness
19% Instrumentalness • 27% Positiveness
23% Popularity • 47% Danceability • 53% Energy • 12% Liveness
19% Instrumentalness • 27% Positiveness
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Thomston
Birthmark
145 bpm • G Maj • 03:01 • -7.51db
5% Popularity • 60% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
5% Popularity • 60% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 60% Positiveness
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Novo Amor
Faux
145 bpm • B Maj • 04:32 • -12db
49% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
49% Popularity • 24% Danceability • 42% Energy • 11% Liveness
23% Instrumentalness • 25% Positiveness
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Emma Taylor
New Found Sound
151 bpm • C Maj • 04:45 • -13.47db
12% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
12% Popularity • 49% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Ariela Jacobs
Dare You To Run
144 bpm • C# min • 03:36 • -10.17db
12% Popularity • 43% Danceability • 32% Energy • 17% Liveness
5% Instrumentalness • 5% Positiveness
12% Popularity • 43% Danceability • 32% Energy • 17% Liveness
5% Instrumentalness • 5% Positiveness
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Oliver Daldry
After Dark
152 bpm • F Maj • 04:45 • -7.97db
17% Popularity • 40% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
17% Popularity • 40% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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BANNERS
Half Light
152 bpm • A# Maj • 03:05 • -7.5db
59% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
59% Popularity • 53% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Edwin Raphael
Someday
144 bpm • D Maj • 03:24 • -12.11db
28% Popularity • 49% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
28% Popularity • 49% Danceability • 24% Energy • 11% Liveness
2% Instrumentalness • 14% Positiveness
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Will Heggadon
sinking in
152 bpm • G# Maj • 04:00 • -9.42db
19% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 50% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Aquilo
Hanging On
152 bpm • C Maj • 03:35 • -8db
18% Popularity • 41% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 41% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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FOURS
Tell Me in the Morning
144 bpm • C# min • 03:37 • -11.49db
24% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 51% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Om Shankar
Holy Man
153 bpm • D Maj • 03:34 • -10.12db
15% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Kyson
Pictures
153 bpm • F min • 04:16 • -14.33db
35% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
35% Popularity • 40% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 5% Positiveness
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Plested
IOU - Demo
143 bpm • D Maj • 03:51 • -11.49db
14% Popularity • 31% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 31% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Michl
Tell Me the Same
153 bpm • F# Maj • 03:58 • -6.3db
32% Popularity • 36% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
32% Popularity • 36% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Aquilo
Better Off Without You
144 bpm • F# min • 03:26 • -6.78db
24% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 63% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Sara Davis Regan
Waterston
143 bpm • C# min • 03:40 • -13.91db
12% Popularity • 28% Danceability • 34% Energy • 8% Liveness
28% Instrumentalness • 24% Positiveness
12% Popularity • 28% Danceability • 34% Energy • 8% Liveness
28% Instrumentalness • 24% Positiveness
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Jacob Lee
Breadcrumbs
154 bpm • B Maj • 04:32 • -7.02db
37% Popularity • 38% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 38% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Joshua Grey
Sanctified
143 bpm • G Maj • 04:02 • -9.95db
18% Popularity • 35% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
18% Popularity • 35% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Vaults
Hurricane
142 bpm • B Maj • 03:18 • -6.54db
33% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
33% Popularity • 54% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Oh Wonder
High On Humans - Abbey Road Piano Sessio...
142 bpm • B min • 03:12 • -11.91db
25% Popularity • 54% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
25% Popularity • 54% Danceability • 32% Energy • 15% Liveness
1% Instrumentalness • 75% Positiveness
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Corey Kilgannon
The More We Find (Sister IV)
142 bpm • D Maj • 04:54 • -9.82db
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
18% Popularity • 50% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Tragic Sasha
Fall on My Feet
142 bpm • D Maj • 03:51 • -12.42db
13% Popularity • 41% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
13% Popularity • 41% Danceability • 32% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Dave Thomas Junior
We Belong Together
141 bpm • G Maj • 04:40 • -7.73db
8% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 39% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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AgataJan
I'm Fine
141 bpm • A Maj • 03:12 • -20.47db
17% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 38% Danceability • 6% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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isaac gracie
reverie
155 bpm • G# Maj • 05:43 • -11.17db
48% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
48% Popularity • 22% Danceability • 24% Energy • 11% Liveness
77% Instrumentalness • 7% Positiveness
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Twiceyoung
Slow Down
155 bpm • A# Maj • 03:37 • -11.48db
37% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
37% Popularity • 39% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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George Ogilvie
Foreign Hands
141 bpm • D# min • 04:18 • -5.58db
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
47% Popularity • 68% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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August and After
Vancouver Waves
156 bpm • A Maj • 03:30 • -14db
17% Popularity • 51% Danceability • 35% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
17% Popularity • 51% Danceability • 35% Energy • 36% Liveness
12% Instrumentalness • 22% Positiveness
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Dave Thomas Junior
Our Time Will Come Again
140 bpm • D Maj • 04:50 • -4.23db
12% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
12% Popularity • 49% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Clairity
Broken Things
140 bpm • G# Maj • 04:07 • -7.6db
14% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 45% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Mountains of the Moon
How I Leapt from the Stratosphere
140 bpm • A# min • 04:02 • -13.76db
22% Popularity • 49% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
22% Popularity • 49% Danceability • 46% Energy • 9% Liveness
1% Instrumentalness • 36% Positiveness
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Ariana and the Rose
Love You Lately
140 bpm • F Maj • 03:56 • -7db
30% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
30% Popularity • 62% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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George Ogilvie
Foreign Hands (George's Version)
140 bpm • D# min • 04:18 • -8.74db
46% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Grayshot
I Break My Heart
140 bpm • E Maj • 04:43 • -15.17db
12% Popularity • 56% Danceability • 39% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
12% Popularity • 56% Danceability • 39% Energy • 10% Liveness
60% Instrumentalness • 8% Positiveness
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Harrison Storm
Sense of Home
140 bpm • D# Maj • 04:25 • -11db
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
58% Popularity • 56% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Corey Kilgannon
Mama's Tears
140 bpm • C# Maj • 04:15 • -13.71db
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 37% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Arctic Lake
Heal Me
140 bpm • A min • 03:27 • -9.61db
42% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
42% Popularity • 41% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Billy Lockett
Holding a Gun
157 bpm • G# Maj • 03:31 • -11.09db
13% Popularity • 38% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
13% Popularity • 38% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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George Ogilvie
Out Of Harms' Way
140 bpm • D Maj • 04:20 • -15db
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
21% Popularity • 60% Danceability • 36% Energy • 6% Liveness
0% Instrumentalness • 14% Positiveness
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Aquilo
Blindside
139 bpm • G min • 03:15 • -14.36db
28% Popularity • 43% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 43% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 14% Positiveness
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Angus Dawson
Listen
139 bpm • E Maj • 04:22 • -8.97db
8% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 50% Danceability • 34% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Oliver Riot
Ivory Black
139 bpm • C Maj • 04:27 • -13db
43% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
43% Popularity • 41% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Vera Blue
Mended - Acoustic
139 bpm • C Maj • 05:44 • -9.09db
18% Popularity • 39% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 39% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Thomston
Expiry Date
139 bpm • B min • 02:58 • -11.02db
3% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
3% Popularity • 69% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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George Ogilvie
All That I Ask
140 bpm • G# Maj • 04:38 • -7db
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 38% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Mountains of the Moon
Bayou
158 bpm • A# min • 07:23 • -16db
41% Popularity • 34% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
41% Popularity • 34% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 10% Positiveness
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Jake Morley
Ghostess
139 bpm • E min • 04:01 • -10.29db
14% Popularity • 42% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
14% Popularity • 42% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 34% Positiveness
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sød ven
carry me home
138 bpm • C Maj • 04:26 • -12.05db
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
39% Popularity • 54% Danceability • 33% Energy • 14% Liveness
1% Instrumentalness • 15% Positiveness
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Jeffrey James
Good Friends
138 bpm • C# Maj • 02:59 • -9.23db
16% Popularity • 68% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 68% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Jacob Whitesides
Rules of Beautiful
137 bpm • E Maj • 03:58 • -9.07db
13% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 39% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Ash Gale
Sweet Release Devour
160 bpm • A Maj • 04:57 • -7db
16% Popularity • 31% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 31% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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luhx.
poison.
137 bpm • C Maj • 03:46 • -8.16db
17% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 50% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Thomston
Heart Is Cement
136 bpm • A Maj • 03:55 • -5.66db
3% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
3% Popularity • 57% Danceability • 52% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Morten Myklebust
Negotiations
137 bpm • A Maj • 05:53 • -12.3db
12% Popularity • 49% Danceability • 23% Energy • 18% Liveness
7% Instrumentalness • 13% Positiveness
12% Popularity • 49% Danceability • 23% Energy • 18% Liveness
7% Instrumentalness • 13% Positiveness
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Brvthr
Here We Are
136 bpm • A Maj • 03:43 • -8.85db
25% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 66% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Oliver Riot
Nervous
136 bpm • C min • 03:13 • -13.05db
29% Popularity • 38% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
29% Popularity • 38% Danceability • 28% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
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Michael Schulte
Thoughts
136 bpm • G# min • 03:47 • -12.1db
28% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
28% Popularity • 51% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Lukr
Scarecrow
136 bpm • B Maj • 03:20 • -5.88db
22% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 54% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Ellery Bonham
Burning House
135 bpm • B Maj • 04:11 • -10db
27% Popularity • 46% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
27% Popularity • 46% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Aquilo
Human
136 bpm • A Maj • 03:57 • -10.18db
41% Popularity • 25% Danceability • 47% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
41% Popularity • 25% Danceability • 47% Energy • 7% Liveness
2% Instrumentalness • 8% Positiveness
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Mononoke
Alice
135 bpm • C Maj • 03:26 • -11db
16% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 53% Danceability • 31% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Harrison Storm
Be Yourself
135 bpm • C# Maj • 04:10 • -15.39db
37% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
37% Popularity • 59% Danceability • 27% Energy • 11% Liveness
10% Instrumentalness • 12% Positiveness
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Matt Millz
Follow You Home
134 bpm • B Maj • 03:26 • -10db
20% Popularity • 46% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
20% Popularity • 46% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 29% Positiveness
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Bootstraps
You Are So Beautiful
134 bpm • A# Maj • 02:42 • -14.55db
23% Popularity • 48% Danceability • 40% Energy • 11% Liveness
61% Instrumentalness • 14% Positiveness
23% Popularity • 48% Danceability • 40% Energy • 11% Liveness
61% Instrumentalness • 14% Positiveness
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Oliver Riot
We Popped the Moon
134 bpm • A Maj • 03:03 • -13db
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
33% Popularity • 57% Danceability • 22% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
