Songs like Low by Chet Faker
Based on a tempo of (+/- 10%) and a similar genre
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Foreign Air
Free Animal
80 bpm • F min • 03:00 • -7.26db
62% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
62% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Portugal. The Man
Tidal Wave
80 bpm • G# Maj • 03:31 • -4.25db
52% Popularity • 55% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
52% Popularity • 55% Danceability • 74% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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SOHN
Conrad
80 bpm • B min • 03:43 • -4.98db
42% Popularity • 61% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 61% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 60% Positiveness
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Flume
What About Us
80 bpm • E min • 05:07 • -8.04db
42% Popularity • 63% Danceability • 70% Energy • 7% Liveness
16% Instrumentalness • 39% Positiveness
42% Popularity • 63% Danceability • 70% Energy • 7% Liveness
16% Instrumentalness • 39% Positiveness
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Magic City Hippies
Fanfare
80 bpm • C# Maj • 04:24 • -9.08db
48% Popularity • 58% Danceability • 62% Energy • 14% Liveness
2% Instrumentalness • 73% Positiveness
48% Popularity • 58% Danceability • 62% Energy • 14% Liveness
2% Instrumentalness • 73% Positiveness
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Running Touch
This Is Just To Say
80 bpm • G# Maj • 04:53 • -9db
40% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
40% Popularity • 73% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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Broken Bells
The High Road
80 bpm • C Maj • 03:52 • -6.57db
65% Popularity • 61% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
65% Popularity • 61% Danceability • 64% Energy • 28% Liveness
0% Instrumentalness • 60% Positiveness
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Glass Animals
Black Mambo
80 bpm • C min • 04:08 • -10.71db
61% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
61% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jack Garratt
The Love You're Given
80 bpm • F min • 05:00 • -11db
39% Popularity • 50% Danceability • 48% Energy • 25% Liveness
17% Instrumentalness • 10% Positiveness
39% Popularity • 50% Danceability • 48% Energy • 25% Liveness
17% Instrumentalness • 10% Positiveness
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Chet Faker
To Me
80 bpm • A# Maj • 05:14 • -10.66db
30% Popularity • 40% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
30% Popularity • 40% Danceability • 33% Energy • 11% Liveness
4% Instrumentalness • 12% Positiveness
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Saje
Lost Tonight
80 bpm • B min • 03:18 • -10.78db
48% Popularity • 54% Danceability • 27% Energy • 9% Liveness
4% Instrumentalness • 22% Positiveness
48% Popularity • 54% Danceability • 27% Energy • 9% Liveness
4% Instrumentalness • 22% Positiveness
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Ben Howard
Only Love
80 bpm • G# Maj • 04:09 • -10db
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
69% Popularity • 55% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Electric Guest
This Head I Hold
81 bpm • C Maj • 02:55 • -4.9db
44% Popularity • 56% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 96% Positiveness
44% Popularity • 56% Danceability • 88% Energy • 24% Liveness
2% Instrumentalness • 96% Positiveness
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FKJ
Why Are There Boundaries
81 bpm • B Maj • 03:02 • -9.13db
62% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 49% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Fat Freddy's Drop
Clean the House
81 bpm • A min • 04:14 • -6.66db
42% Popularity • 79% Danceability • 62% Energy • 13% Liveness
36% Instrumentalness • 26% Positiveness
42% Popularity • 79% Danceability • 62% Energy • 13% Liveness
36% Instrumentalness • 26% Positiveness
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Chet Faker
Low
80 bpm • C# Maj • 04:34 • -8.73db
57% Popularity • 65% Danceability • 54% Energy • 16% Liveness
18% Instrumentalness • 56% Positiveness
57% Popularity • 65% Danceability • 54% Energy • 16% Liveness
18% Instrumentalness • 56% Positiveness
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Portugal. The Man
Feel It Still
79 bpm • C# min • 02:43 • -5.12db
80% Popularity • 80% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
80% Popularity • 80% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 75% Positiveness
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Flume
Drop The Game
79 bpm • G Maj • 03:41 • -4.98db
67% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 56% Danceability • 67% Energy • 17% Liveness
0% Instrumentalness • 43% Positiveness
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Maribou State
Beginner's Luck
82 bpm • G# min • 04:28 • -10.1db
58% Popularity • 56% Danceability • 57% Energy • 22% Liveness
85% Instrumentalness • 24% Positiveness
58% Popularity • 56% Danceability • 57% Energy • 22% Liveness
85% Instrumentalness • 24% Positiveness
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Her
Quite Like
82 bpm • F# min • 04:05 • -8.69db
41% Popularity • 88% Danceability • 51% Energy • 9% Liveness
6% Instrumentalness • 28% Positiveness
41% Popularity • 88% Danceability • 51% Energy • 9% Liveness
6% Instrumentalness • 28% Positiveness
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Vera Blue
Settle
82 bpm • E Maj • 03:38 • -7.05db
48% Popularity • 52% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
48% Popularity • 52% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 19% Positiveness
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Chet Faker
Get High
81 bpm • F Maj • 03:42 • -9.04db
52% Popularity • 70% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 57% Positiveness
52% Popularity • 70% Danceability • 57% Energy • 20% Liveness
16% Instrumentalness • 57% Positiveness
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SBTRKT
Trials of the Past
78 bpm • E min • 04:24 • -6.84db
42% Popularity • 74% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
42% Popularity • 74% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Boo Seeka
Turn Up Your Light
82 bpm • A min • 03:54 • -5.48db
33% Popularity • 52% Danceability • 71% Energy • 15% Liveness
2% Instrumentalness • 7% Positiveness
33% Popularity • 52% Danceability • 71% Energy • 15% Liveness
2% Instrumentalness • 7% Positiveness
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The Palms
Push Off
78 bpm • A# min • 03:50 • -6.82db
62% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
62% Popularity • 61% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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FKJ
Waiting
82 bpm • E min • 04:22 • -7db
54% Popularity • 67% Danceability • 64% Energy • 11% Liveness
17% Instrumentalness • 36% Positiveness
54% Popularity • 67% Danceability • 64% Energy • 11% Liveness
17% Instrumentalness • 36% Positiveness
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Cage The Elephant
Trouble
78 bpm • C Maj • 03:45 • -5.66db
72% Popularity • 47% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
72% Popularity • 47% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Chet Faker
I Must Be Stupid
82 bpm • G min • 05:09 • -11.9db
26% Popularity • 38% Danceability • 30% Energy • 27% Liveness
4% Instrumentalness • 18% Positiveness
26% Popularity • 38% Danceability • 30% Energy • 27% Liveness
4% Instrumentalness • 18% Positiveness
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Sticky Fingers
Australia Street
78 bpm • C Maj • 03:39 • -8.09db
63% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
63% Popularity • 46% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Max Frost
Nice and Slow - EP Version
82 bpm • B min • 03:50 • -6.33db
36% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
36% Popularity • 59% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Jungle
Cherry
83 bpm • G# Maj • 03:16 • -8.32db
63% Popularity • 61% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
63% Popularity • 61% Danceability • 43% Energy • 13% Liveness
3% Instrumentalness • 47% Positiveness
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James Blake
Retrograde
78 bpm • G min • 03:43 • -11.28db
64% Popularity • 53% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 19% Positiveness
64% Popularity • 53% Danceability • 25% Energy • 13% Liveness
10% Instrumentalness • 19% Positiveness
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Portugal. The Man
The Sun
77 bpm • D min • 03:01 • -6.1db
48% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
48% Popularity • 59% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Alabama Shakes
Future People
77 bpm • F# min • 03:21 • -4.33db
42% Popularity • 46% Danceability • 77% Energy • 10% Liveness
25% Instrumentalness • 52% Positiveness
42% Popularity • 46% Danceability • 77% Energy • 10% Liveness
25% Instrumentalness • 52% Positiveness
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Wax Tailor
Que Sera
83 bpm • A Maj • 02:44 • -5.05db
63% Popularity • 71% Danceability • 72% Energy • 17% Liveness
24% Instrumentalness • 42% Positiveness
63% Popularity • 71% Danceability • 72% Energy • 17% Liveness
24% Instrumentalness • 42% Positiveness
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Santigold
Chasing Shadows
76 bpm • C Maj • 03:15 • -5.55db
38% Popularity • 74% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
38% Popularity • 74% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Jamie xx
Obvs
76 bpm • F min • 03:51 • -12.6db
49% Popularity • 65% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 41% Positiveness
49% Popularity • 65% Danceability • 39% Energy • 8% Liveness
93% Instrumentalness • 41% Positiveness
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Chet Faker
Oh Me Oh My
76 bpm • C Maj • 05:51 • -10.29db
35% Popularity • 62% Danceability • 47% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
35% Popularity • 62% Danceability • 47% Energy • 29% Liveness
1% Instrumentalness • 68% Positiveness
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Portugal. The Man
So Young
76 bpm • E min • 04:06 • -7.84db
62% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
62% Popularity • 67% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Bahamas
Lost In The Light
76 bpm • D Maj • 03:56 • -8.8db
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
67% Popularity • 60% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Arlo Parks
Cola
75 bpm • E min • 03:49 • -10.52db
55% Popularity • 81% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
55% Popularity • 81% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Tash Sultana
Free Mind
75 bpm • G# min • 03:25 • -7.97db
43% Popularity • 62% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
43% Popularity • 62% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Metronomy
The Look
85 bpm • A min • 04:37 • -7.79db
75% Popularity • 64% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 50% Positiveness
75% Popularity • 64% Danceability • 54% Energy • 8% Liveness
4% Instrumentalness • 50% Positiveness
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Flume
Left Alone
85 bpm • E min • 03:29 • -5.66db
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
43% Popularity • 49% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Tourist
We Stayed Up All Night
85 bpm • B Maj • 04:25 • -7db
54% Popularity • 52% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
54% Popularity • 52% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 59% Positiveness
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Harrison Brome
Fill Your Brains
75 bpm • C# Maj • 03:37 • -7.57db
51% Popularity • 67% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
51% Popularity • 67% Danceability • 69% Energy • 8% Liveness
6% Instrumentalness • 51% Positiveness
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Lewis Del Mar
Tap Water Drinking
75 bpm • F min • 04:13 • -6.73db
41% Popularity • 52% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
41% Popularity • 52% Danceability • 54% Energy • 31% Liveness
0% Instrumentalness • 29% Positiveness
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Broken Bells
The Angel and the Fool
75 bpm • F Maj • 03:15 • -12db
45% Popularity • 60% Danceability • 32% Energy • 8% Liveness
83% Instrumentalness • 36% Positiveness
45% Popularity • 60% Danceability • 32% Energy • 8% Liveness
83% Instrumentalness • 36% Positiveness
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Electric Guest
American Daydream
75 bpm • F min • 02:48 • -10.01db
31% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
31% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Allan Rayman
Graceland
75 bpm • D# min • 04:46 • -8.77db
39% Popularity • 68% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 68% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Louis The Child
It's Strange
86 bpm • C Maj • 04:05 • -7.79db
55% Popularity • 84% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
55% Popularity • 84% Danceability • 49% Energy • 10% Liveness
4% Instrumentalness • 42% Positiveness
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Bob Moses
Before I Fall
86 bpm • A min • 03:59 • -6.72db
40% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 54% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Portugal. The Man
Modern Jesus
86 bpm • A# min • 03:14 • -7.41db
57% Popularity • 63% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 63% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 76% Positiveness
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Ocean Alley
Yellow Mellow
86 bpm • B min • 03:45 • -3.35db
64% Popularity • 49% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
64% Popularity • 49% Danceability • 85% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Lewis Del Mar
Wave(s)
74 bpm • E min • 03:58 • -8.17db
48% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
48% Popularity • 62% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Crooked Colours
I Hope You Get It
74 bpm • D Maj • 03:20 • -7.33db
37% Popularity • 59% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
37% Popularity • 59% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 50% Positiveness
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Tash Sultana
Pink Moon
87 bpm • D# min • 06:50 • -9db
43% Popularity • 28% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 28% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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FKJ
Learn to Fly
87 bpm • F min • 04:28 • -8.22db
51% Popularity • 64% Danceability • 62% Energy • 8% Liveness
75% Instrumentalness • 38% Positiveness
51% Popularity • 64% Danceability • 62% Energy • 8% Liveness
75% Instrumentalness • 38% Positiveness
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Son Lux
Easy
73 bpm • D min • 04:00 • -9.95db
54% Popularity • 60% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
54% Popularity • 60% Danceability • 30% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Glass Animals
Toes
73 bpm • C# min • 04:14 • -12.32db
59% Popularity • 64% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
59% Popularity • 64% Danceability • 35% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Dan Croll
From Nowhere
88 bpm • G# min • 03:16 • -5.58db
51% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 63% Danceability • 88% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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Masego
Navajo
89 bpm • F# min • 03:14 • -7.4db
74% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
74% Popularity • 57% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 36% Positiveness
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Chet Faker
Lesson In Patience
88 bpm • C Maj • 05:45 • -14.7db
19% Popularity • 43% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
19% Popularity • 43% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
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Jarryd James
Do You Remember
72 bpm • C# min • 03:54 • -10.9db
48% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 67% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Matt Corby
Talk It Out
89 bpm • B Maj • 03:10 • -4.09db
47% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
47% Popularity • 38% Danceability • 90% Energy • 16% Liveness
3% Instrumentalness • 53% Positiveness
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Black Pumas
Colors
90 bpm • E Maj • 04:06 • -6.54db
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
72% Popularity • 55% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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SAFIA
Listen to Soul, Listen to Blues
90 bpm • F# min • 03:51 • -9db
38% Popularity • 59% Danceability • 67% Energy • 9% Liveness
50% Instrumentalness • 16% Positiveness
38% Popularity • 59% Danceability • 67% Energy • 9% Liveness
50% Instrumentalness • 16% Positiveness
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Gramatik
Muy Tranquilo
90 bpm • G Maj • 03:53 • -3.88db
61% Popularity • 64% Danceability • 62% Energy • 18% Liveness
3% Instrumentalness • 75% Positiveness
61% Popularity • 64% Danceability • 62% Energy • 18% Liveness
3% Instrumentalness • 75% Positiveness
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Glass Animals
Hazey
90 bpm • C# Maj • 04:25 • -11db
54% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
54% Popularity • 65% Danceability • 50% Energy • 11% Liveness
1% Instrumentalness • 40% Positiveness
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Two Feet
Her Life
90 bpm • C Maj • 02:48 • -11.43db
59% Popularity • 74% Danceability • 42% Energy • 10% Liveness
53% Instrumentalness • 15% Positiveness
59% Popularity • 74% Danceability • 42% Energy • 10% Liveness
53% Instrumentalness • 15% Positiveness
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Matt Corby
Monday
90 bpm • F# Maj • 04:08 • -7.14db
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
37% Popularity • 53% Danceability • 50% Energy • 7% Liveness
1% Instrumentalness • 27% Positiveness
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Fhin
But Now a Warm Feel Is Running
90 bpm • D min • 05:02 • -10.82db
41% Popularity • 80% Danceability • 28% Energy • 22% Liveness
4% Instrumentalness • 10% Positiveness
41% Popularity • 80% Danceability • 28% Energy • 22% Liveness
4% Instrumentalness • 10% Positiveness
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Sticky Fingers
Clouds & Cream
90 bpm • F# Maj • 02:54 • -8.45db
55% Popularity • 66% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 66% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Allan Rayman
Verona The Hellcat
90 bpm • A# min • 04:00 • -7db
40% Popularity • 83% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 83% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Rhye
Last Dance
90 bpm • A min • 03:26 • -10db
50% Popularity • 78% Danceability • 41% Energy • 22% Liveness
13% Instrumentalness • 74% Positiveness
50% Popularity • 78% Danceability • 41% Energy • 22% Liveness
13% Instrumentalness • 74% Positiveness
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Two Another
Another Night
90 bpm • A min • 04:11 • -7.56db
29% Popularity • 67% Danceability • 33% Energy • 40% Liveness
2% Instrumentalness • 38% Positiveness
29% Popularity • 67% Danceability • 33% Energy • 40% Liveness
2% Instrumentalness • 38% Positiveness
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Jack Garratt
Worry
90 bpm • A min • 04:02 • -10.08db
48% Popularity • 58% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 58% Danceability • 49% Energy • 50% Liveness
0% Instrumentalness • 34% Positiveness
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Chet Faker
It's Not You (Demo)
91 bpm • D Maj • 04:28 • -9.99db
22% Popularity • 86% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 86% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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FKJ
Instant Need
91 bpm • A# min • 04:30 • -7.98db
58% Popularity • 77% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 57% Positiveness
58% Popularity • 77% Danceability • 49% Energy • 7% Liveness
4% Instrumentalness • 57% Positiveness
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LEISURE
All over You
70 bpm • D Maj • 03:54 • -8.83db
34% Popularity • 76% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
34% Popularity • 76% Danceability • 36% Energy • 9% Liveness
1% Instrumentalness • 87% Positiveness
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Rhye
Open
91 bpm • C Maj • 03:37 • -10.96db
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
60% Popularity • 55% Danceability • 32% Energy • 28% Liveness
9% Instrumentalness • 23% Positiveness
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Kraak & Smaak
Stumble
91 bpm • G min • 04:30 • -11.39db
61% Popularity • 66% Danceability • 55% Energy • 6% Liveness
56% Instrumentalness • 22% Positiveness
61% Popularity • 66% Danceability • 55% Energy • 6% Liveness
56% Instrumentalness • 22% Positiveness
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Lewis Del Mar
Painting (Masterpiece)
92 bpm • F# Maj • 04:03 • -5.17db
49% Popularity • 73% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 73% Danceability • 86% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Tash Sultana
Greed
92 bpm • D# min • 03:42 • -5db
38% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 72% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 47% Positiveness
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FKJ
Better Give U Up
92 bpm • B min • 04:16 • -6.92db
60% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
60% Popularity • 52% Danceability • 72% Energy • 8% Liveness
1% Instrumentalness • 48% Positiveness
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Foals
London Thunder
92 bpm • F# Maj • 04:14 • -9.75db
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
52% Popularity • 48% Danceability • 36% Energy • 8% Liveness
31% Instrumentalness • 4% Positiveness
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Disclosure
Magnets
92 bpm • A# min • 03:19 • -7.88db
64% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
64% Popularity • 70% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 65% Positiveness
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NEIL FRANCES
Teardrops
92 bpm • B Maj • 03:18 • -8db
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
72% Popularity • 87% Danceability • 72% Energy • 7% Liveness
9% Instrumentalness • 83% Positiveness
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Winston Surfshirt
Be About You
92 bpm • G# min • 04:08 • -10db
48% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
48% Popularity • 76% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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SOHN
Artifice
93 bpm • E min • 03:17 • -5db
43% Popularity • 49% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
43% Popularity • 49% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 72% Positiveness
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Glass Animals
Poplar St
69 bpm • E min • 04:22 • -7.8db
59% Popularity • 57% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
59% Popularity • 57% Danceability • 45% Energy • 14% Liveness
1% Instrumentalness • 26% Positiveness
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Two Another
Shouldn't Have Done That
93 bpm • G Maj • 04:25 • -9db
39% Popularity • 79% Danceability • 39% Energy • 13% Liveness
12% Instrumentalness • 34% Positiveness
39% Popularity • 79% Danceability • 39% Energy • 13% Liveness
12% Instrumentalness • 34% Positiveness
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The Whitest Boy Alive
Intentions
94 bpm • C Maj • 03:39 • -6.63db
23% Popularity • 88% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 68% Positiveness
23% Popularity • 88% Danceability • 41% Energy • 9% Liveness
14% Instrumentalness • 68% Positiveness
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Lianne La Havas
Green & Gold
94 bpm • G Maj • 04:38 • -8.46db
57% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
57% Popularity • 70% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 28% Positiveness
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Miike Snow
Genghis Khan
94 bpm • A# min • 03:32 • -3.24db
61% Popularity • 69% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
61% Popularity • 69% Danceability • 85% Energy • 60% Liveness
0% Instrumentalness • 45% Positiveness
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Polo & Pan
Nanã
94 bpm • E min • 03:10 • -6.34db
63% Popularity • 68% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 38% Positiveness
63% Popularity • 68% Danceability • 74% Energy • 19% Liveness
4% Instrumentalness • 38% Positiveness
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Vallis Alps
Young
94 bpm • D# min • 05:24 • -12.11db
54% Popularity • 59% Danceability • 38% Energy • 10% Liveness
29% Instrumentalness • 20% Positiveness
54% Popularity • 59% Danceability • 38% Energy • 10% Liveness
29% Instrumentalness • 20% Positiveness
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Two Another
Coming Alive
94 bpm • A min • 03:55 • -4.15db
58% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
58% Popularity • 63% Danceability • 59% Energy • 14% Liveness
0% Instrumentalness • 12% Positiveness
