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Lucy
Songs like
Lucy
by
Alae
Based on a tempo of (+/- 10%) and a similar genre
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Ruben Young
Colors
96 bpm • F# min • 04:05 • -4db
14% Popularity • 74% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 61% Positiveness
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Pretty Sister
Come On Over
96 bpm • F min • 03:25 • -6.28db
43% Popularity • 72% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Kira Puru
Idiot
96 bpm • G# min • 02:44 • -5.24db
10% Popularity • 78% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Mitch James
Can't Help Myself
96 bpm • A min • 03:30 • -6.98db
27% Popularity • 74% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Alae
Lucy
96 bpm • E Maj • 03:15 • -10db
17% Popularity • 78% Danceability • 61% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Foley
So Personal
96 bpm • C min • 03:01 • -4.78db
28% Popularity • 63% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 85% Positiveness
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Alex Aiono
Old AF
96 bpm • F min • 03:07 • -7.07db
21% Popularity • 67% Danceability • 66% Energy • 40% Liveness
0% Instrumentalness • 90% Positiveness
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LA WOMEN
Overdue
95 bpm • F# min • 03:34 • -6.76db
12% Popularity • 65% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Ohyah.
No Release
97 bpm • E Maj • 03:25 • -5.01db
10% Popularity • 72% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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COTERIE
Deja Vu
95 bpm • G Maj • 03:06 • -7.81db
43% Popularity • 67% Danceability • 66% Energy • 36% Liveness
0% Instrumentalness • 69% Positiveness
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MOHI
Lovers Lane
97 bpm • G Maj • 03:45 • -9.64db
14% Popularity • 70% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 53% Positiveness
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Niko Walters
Old With Me
95 bpm • E Maj • 02:33 • -9.88db
17% Popularity • 75% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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DUAL
Running Around My Head
95 bpm • D Maj • 03:27 • -5.78db
14% Popularity • 59% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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Alex Bowen
I Believed in Us
97 bpm • D Maj • 03:39 • -9.38db
16% Popularity • 64% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Brierley
Tropics
97 bpm • C min • 02:52 • -9.9db
8% Popularity • 74% Danceability • 45% Energy • 28% Liveness
0% Instrumentalness • 55% Positiveness
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SYSYI
Show Love
95 bpm • D# min • 03:18 • -4.62db
14% Popularity • 60% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Rai-Elle
All About U
97 bpm • G Maj • 02:56 • -6.85db
19% Popularity • 78% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Niko Walters
Stay The Same
97 bpm • C Maj • 02:39 • -9db
21% Popularity • 80% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Cymbol
I Need You
97 bpm • D Maj • 03:20 • -8.2db
4% Popularity • 45% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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DUAL
So Alive
95 bpm • D min • 03:25 • -5.41db
24% Popularity • 76% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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Jackson Owens
If You Let Me Go
97 bpm • A min • 03:13 • -8.99db
19% Popularity • 69% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Bertie Anderson
Lifetime
95 bpm • G Maj • 03:52 • -6.74db
8% Popularity • 52% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Chris Valentine
High Life
94 bpm • A# min • 02:35 • -4.36db
16% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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STVN
Somebody
94 bpm • C Maj • 02:46 • -13db
28% Popularity • 61% Danceability • 39% Energy • 7% Liveness
0% Instrumentalness • 46% Positiveness
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Vallé
Trip Advisor
94 bpm • G Maj • 03:58 • -5.26db
9% Popularity • 77% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Harper Finn
She Said
98 bpm • D Maj • 03:20 • -6.78db
12% Popularity • 62% Danceability • 71% Energy • 30% Liveness
0% Instrumentalness • 29% Positiveness
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MAX
Butterflies - Jean Tonique Remix
98 bpm • B Maj • 02:56 • -6.5db
33% Popularity • 82% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Link Lewis
Always Be There
98 bpm • A Maj • 04:09 • -12.22db
26% Popularity • 74% Danceability • 38% Energy • 5% Liveness
0% Instrumentalness • 49% Positiveness
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SIIGHTS
Shoulda Been
94 bpm • G Maj • 02:28 • -7.47db
11% Popularity • 74% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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Liam Ferrari
Nobody Else
94 bpm • E Maj • 02:34 • -12.64db
22% Popularity • 54% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Foley
Anything Before You
98 bpm • G min • 03:29 • -4.33db
10% Popularity • 82% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Jane Holiday
All Yours
98 bpm • B min • 03:10 • -3.44db
23% Popularity • 42% Danceability • 87% Energy • 84% Liveness
0% Instrumentalness • 58% Positiveness
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Camo Columbo
Sapphire Moonlight
98 bpm • F# min • 03:14 • -7.07db
30% Popularity • 80% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Dan Caplen
Closer To You
98 bpm • E min • 03:16 • -5.12db
30% Popularity • 80% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Malia Civetz
Broke Boy - Stripped
98 bpm • D# Maj • 02:54 • -8.33db
20% Popularity • 76% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Jackson Penn
My Girl
98 bpm • C# min • 02:58 • -4.86db
29% Popularity • 72% Danceability • 64% Energy • 31% Liveness
0% Instrumentalness • 78% Positiveness
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Mitch James
Bright Blue Skies
98 bpm • G Maj • 03:02 • -9db
50% Popularity • 80% Danceability • 37% Energy • 17% Liveness
0% Instrumentalness • 53% Positiveness
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Muroki
Crossroads
94 bpm • G# min • 03:39 • -10.36db
28% Popularity • 74% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Juice
DiCaprio (Love Me All the Time)
94 bpm • F# min • 03:31 • -6.79db
33% Popularity • 70% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Skye Hine
Outlier
94 bpm • G Maj • 02:17 • -7.93db
10% Popularity • 70% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Malia Civetz
Broke Boy
98 bpm • G# Maj • 02:53 • -3.57db
54% Popularity • 79% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Sam Fischer
People I Don't Know
94 bpm • B min • 02:05 • -9db
31% Popularity • 86% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Xavier Dunn
You Lately
94 bpm • A Maj • 03:07 • -6.35db
31% Popularity • 77% Danceability • 40% Energy • 6% Liveness
0% Instrumentalness • 43% Positiveness
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Christabel
Ankle Deep
99 bpm • C Maj • 03:09 • -9.09db
14% Popularity • 34% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Balu Brigada
Old Love
93 bpm • A Maj • 03:48 • -6.42db
19% Popularity • 71% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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John Splithoff
Steady
99 bpm • B Maj • 03:25 • -7.96db
27% Popularity • 39% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 57% Positiveness
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The Bgp
Don't Cry
99 bpm • G Maj • 03:58 • -6.56db
14% Popularity • 87% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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MAALA
Clash & Collide
99 bpm • A# Maj • 02:41 • -6.92db
11% Popularity • 83% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Camo Columbo
Preach
93 bpm • D# min • 02:55 • -6.3db
24% Popularity • 83% Danceability • 32% Energy • 14% Liveness
1% Instrumentalness • 68% Positiveness
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Alae
Said Too Much
93 bpm • A# min • 03:11 • -9.99db
3% Popularity • 72% Danceability • 55% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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Beau Monga
No Diggity
93 bpm • C min • 02:30 • -8.27db
23% Popularity • 89% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 71% Positiveness
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Jordan James
Her Eyes
93 bpm • C Maj • 03:08 • -8.13db
15% Popularity • 81% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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BENEE
Kua Kore He Kupu / Soaked
93 bpm • C Maj • 03:59 • -7.96db
37% Popularity • 75% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Balu Brigada
nice to have someone to miss
93 bpm • C Maj • 03:10 • -8db
15% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Liam Berkeley
The Light
93 bpm • C Maj • 02:54 • -6.72db
8% Popularity • 73% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Mitch James
Got Today
92 bpm • F# Maj • 03:24 • -7db
23% Popularity • 55% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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John K
Chill
92 bpm • C# min • 03:25 • -5.48db
31% Popularity • 51% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Jordan Higo
Less
100 bpm • G min • 03:16 • -8.84db
20% Popularity • 73% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Foley
Midnight
100 bpm • F Maj • 03:29 • -6.15db
18% Popularity • 67% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Muroki
Wavy
100 bpm • A# Maj • 03:45 • -7.83db
51% Popularity • 88% Danceability • 73% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Pretty Sister
Convenience
100 bpm • A Maj • 02:58 • -7.59db
17% Popularity • 76% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Alae
Lucy [Nate Dousand Acapella]
92 bpm • C# min • 03:24 • -9.74db
0% Popularity • 68% Danceability • 39% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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Anthony Russo
Thinkin Bout You
100 bpm • C# Maj • 02:57 • -7db
40% Popularity • 84% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Zen Thomas
Why You Over There?
100 bpm • A Maj • 02:58 • -7.9db
10% Popularity • 72% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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Mitch James
Lay It On The Line
100 bpm • C# Maj • 03:05 • -7.71db
22% Popularity • 76% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Muroki
Surfin
100 bpm • G min • 03:24 • -3.95db
36% Popularity • 84% Danceability • 90% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Soran
Comfortable
100 bpm • G Maj • 03:09 • -6.53db
18% Popularity • 95% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 77% Positiveness
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Wafia
Hurricane
100 bpm • C# Maj • 03:15 • -7.94db
35% Popularity • 79% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Stewart Taylor
Mess Your Hair Up
100 bpm • B min • 02:53 • -6.06db
22% Popularity • 79% Danceability • 47% Energy • 46% Liveness
0% Instrumentalness • 64% Positiveness
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George Pelham
Be Myself
100 bpm • F# min • 02:41 • -6.65db
21% Popularity • 78% Danceability • 50% Energy • 7% Liveness
0% Instrumentalness • 82% Positiveness
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Joel Christopher
Directions
100 bpm • C Maj • 03:08 • -9db
22% Popularity • 72% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Ryan Ashley
INNOCENT
92 bpm • E min • 03:26 • -5db
25% Popularity • 59% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Louis III
Walk You Home
100 bpm • F Maj • 03:05 • -7.01db
9% Popularity • 64% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Soul Brown
Weekends
100 bpm • E min • 03:14 • -7.24db
14% Popularity • 77% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Teddy Swims
Picky
100 bpm • F min • 03:18 • -5.15db
43% Popularity • 68% Danceability • 80% Energy • 56% Liveness
0% Instrumentalness • 67% Positiveness
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Ark Woods
Like The Way
100 bpm • G Maj • 03:21 • -5.42db
35% Popularity • 66% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 69% Positiveness
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Alae
Frozen in La
100 bpm • B min • 03:48 • -11.42db
12% Popularity • 76% Danceability • 44% Energy • 35% Liveness
0% Instrumentalness • 39% Positiveness
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LA WOMEN
Slow Down
92 bpm • A min • 03:01 • -7.83db
27% Popularity • 73% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Jesse McCartney
Friends
100 bpm • G Maj • 02:15 • -7.52db
36% Popularity • 82% Danceability • 57% Energy • 5% Liveness
0% Instrumentalness • 55% Positiveness
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John K
1999
100 bpm • F# min • 02:47 • -5.61db
30% Popularity • 77% Danceability • 74% Energy • 3% Liveness
0% Instrumentalness • 56% Positiveness
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Sons of Zion
Drift Away
100 bpm • C# Maj • 02:59 • -11.6db
47% Popularity • 80% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 75% Positiveness
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Mitch James
21
92 bpm • G Maj • 03:21 • -7.37db
40% Popularity • 66% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Wingtip
When You're Lonely
92 bpm • D Maj • 02:52 • -7db
24% Popularity • 78% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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JXN
STELLAR
92 bpm • A# Maj • 03:25 • -5.98db
10% Popularity • 72% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 39% Positiveness
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Pacific Heights
Domino
92 bpm • A# min • 03:06 • -8.51db
9% Popularity • 78% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Malia Civetz
Love Thing
92 bpm • C# min • 03:07 • -4db
29% Popularity • 72% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Tony Ferrari
Where Did Our Summer Go?
92 bpm • F# Maj • 02:31 • -9.49db
17% Popularity • 73% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Lepani
Breathe
100 bpm • C Maj • 03:27 • -6.67db
15% Popularity • 68% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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Playyard
Reach Me
92 bpm • A# Maj • 02:18 • -7.4db
16% Popularity • 75% Danceability • 58% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Tazman Jack
Myself
92 bpm • E min • 03:27 • -6.39db
11% Popularity • 72% Danceability • 40% Energy • 66% Liveness
0% Instrumentalness • 57% Positiveness
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Foley
Better Than Love
92 bpm • A# Maj • 02:54 • -8.39db
10% Popularity • 67% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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SACHI
Worst Behaviour
100 bpm • F Maj • 03:14 • -3.38db
33% Popularity • 70% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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Sam Johnson
Too Good To Be True
92 bpm • B Maj • 03:23 • -8.81db
8% Popularity • 69% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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Human Nature
Nobody Just Like You - Acoustic
101 bpm • G Maj • 02:43 • -6.71db
8% Popularity • 62% Danceability • 56% Energy • 44% Liveness
0% Instrumentalness • 27% Positiveness
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Baker Boy
Move
101 bpm • F min • 02:46 • -3.88db
37% Popularity • 72% Danceability • 90% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Paige
Hit n Run
101 bpm • B min • 03:22 • -6.54db
15% Popularity • 80% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Cecily
Awake
101 bpm • C# min • 02:51 • -8.13db
11% Popularity • 72% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Harper Finn
Euphoria
101 bpm • A Maj • 02:57 • -5.07db
26% Popularity • 81% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Mitch James
Old News
101 bpm • F Maj • 03:50 • -7.4db
40% Popularity • 69% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Alae
Too Strung Up (Acoustic)
91 bpm • G# Maj • 03:30 • -15.6db
1% Popularity • 40% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Lucy