Songs like Luxury Problems by Andy Stott
Based on a tempo of (+/- 10%) and a similar genre
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Andy Stott
Luxury Problems
104 bpm • G Maj • 05:03 • -13db
33% Popularity • 77% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
33% Popularity • 77% Danceability • 53% Energy • 12% Liveness
88% Instrumentalness • 35% Positiveness
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Anthony Naples
Tango
104 bpm • A min • 03:24 • -8db
29% Popularity • 66% Danceability • 62% Energy • 14% Liveness
75% Instrumentalness • 15% Positiveness
29% Popularity • 66% Danceability • 62% Energy • 14% Liveness
75% Instrumentalness • 15% Positiveness
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Leon Vynehall
Movements (Chapter III)
104 bpm • B min • 03:51 • -15.26db
49% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
49% Popularity • 52% Danceability • 30% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Talaboman
Safe Changes
104 bpm • E Maj • 06:23 • -9.92db
33% Popularity • 79% Danceability • 50% Energy • 18% Liveness
67% Instrumentalness • 61% Positiveness
33% Popularity • 79% Danceability • 50% Energy • 18% Liveness
67% Instrumentalness • 61% Positiveness
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Thomas Fehlmann
Chapter M (driving)
104 bpm • C# Maj • 01:58 • -14.73db
34% Popularity • 51% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
34% Popularity • 51% Danceability • 38% Energy • 11% Liveness
88% Instrumentalness • 41% Positiveness
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Pole
Stadt
104 bpm • G Maj • 03:27 • -15.04db
22% Popularity • 84% Danceability • 36% Energy • 28% Liveness
68% Instrumentalness • 38% Positiveness
22% Popularity • 84% Danceability • 36% Energy • 28% Liveness
68% Instrumentalness • 38% Positiveness
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Andy Stott
Butterflies
104 bpm • C Maj • 04:23 • -12.66db
24% Popularity • 65% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
24% Popularity • 65% Danceability • 36% Energy • 9% Liveness
72% Instrumentalness • 24% Positiveness
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MP Productions
In My Heart (July '19)
105 bpm • B min • 04:44 • -14.29db
18% Popularity • 34% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
18% Popularity • 34% Danceability • 78% Energy • 9% Liveness
92% Instrumentalness • 47% Positiveness
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Lord Of The Isles
Waiting in Arisaig
103 bpm • A min • 06:43 • -11db
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
27% Popularity • 57% Danceability • 54% Energy • 15% Liveness
86% Instrumentalness • 4% Positiveness
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Betonkust
Smerig Eiland
105 bpm • F# Maj • 04:20 • -13.6db
10% Popularity • 56% Danceability • 68% Energy • 9% Liveness
84% Instrumentalness • 51% Positiveness
10% Popularity • 56% Danceability • 68% Energy • 9% Liveness
84% Instrumentalness • 51% Positiveness
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Pye Corner Audio
Northern Safety Route
105 bpm • D Maj • 06:24 • -15.21db
12% Popularity • 58% Danceability • 49% Energy • 14% Liveness
87% Instrumentalness • 22% Positiveness
12% Popularity • 58% Danceability • 49% Energy • 14% Liveness
87% Instrumentalness • 22% Positiveness
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Sky H1
Darklite
105 bpm • G# min • 05:21 • -13db
25% Popularity • 54% Danceability • 64% Energy • 34% Liveness
55% Instrumentalness • 60% Positiveness
25% Popularity • 54% Danceability • 64% Energy • 34% Liveness
55% Instrumentalness • 60% Positiveness
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DJ Python
Lampara
103 bpm • B min • 04:47 • -12.28db
14% Popularity • 42% Danceability • 56% Energy • 14% Liveness
90% Instrumentalness • 20% Positiveness
14% Popularity • 42% Danceability • 56% Energy • 14% Liveness
90% Instrumentalness • 20% Positiveness
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Speedy J
De-Orbit - Remastered 2021
105 bpm • C# Maj • 06:10 • -11db
29% Popularity • 61% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 48% Positiveness
29% Popularity • 61% Danceability • 85% Energy • 9% Liveness
6% Instrumentalness • 48% Positiveness
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James Holden
The Neverending
103 bpm • A min • 04:29 • -9.45db
17% Popularity • 51% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
17% Popularity • 51% Danceability • 63% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Huerco S.
A Sea Of Love
102 bpm • A# min • 07:17 • -28.72db
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
39% Popularity • 14% Danceability • 12% Energy • 11% Liveness
87% Instrumentalness • 12% Positiveness
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Pye Corner Audio
Resist
105 bpm • D Maj • 07:22 • -11.78db
10% Popularity • 65% Danceability • 53% Energy • 8% Liveness
83% Instrumentalness • 20% Positiveness
10% Popularity • 65% Danceability • 53% Energy • 8% Liveness
83% Instrumentalness • 20% Positiveness
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Andy Stott
New Ground
102 bpm • G# Maj • 06:21 • -13.99db
17% Popularity • 63% Danceability • 44% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
17% Popularity • 63% Danceability • 44% Energy • 15% Liveness
90% Instrumentalness • 12% Positiveness
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Intrusion
Seduction
102 bpm • G# Maj • 08:16 • -19db
25% Popularity • 55% Danceability • 42% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
25% Popularity • 55% Danceability • 42% Energy • 11% Liveness
76% Instrumentalness • 29% Positiveness
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burger/ink
Flesh & Bleed
102 bpm • B Maj • 04:43 • -15.61db
23% Popularity • 67% Danceability • 45% Energy • 15% Liveness
85% Instrumentalness • 55% Positiveness
23% Popularity • 67% Danceability • 45% Energy • 15% Liveness
85% Instrumentalness • 55% Positiveness
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Mønic
Deep Summer - Burial Remix
106 bpm • G Maj • 10:16 • -15.03db
21% Popularity • 44% Danceability • 49% Energy • 17% Liveness
52% Instrumentalness • 30% Positiveness
21% Popularity • 44% Danceability • 49% Energy • 17% Liveness
52% Instrumentalness • 30% Positiveness
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Helena Hauff
Dreams in Colour
101 bpm • D# Maj • 01:41 • -12.31db
33% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 43% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Huerco S.
Rushing To Paradise
107 bpm • A# Maj • 09:27 • -13.16db
11% Popularity • 57% Danceability • 55% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
11% Popularity • 57% Danceability • 55% Energy • 7% Liveness
50% Instrumentalness • 28% Positiveness
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Andy Stott
Sleepless
106 bpm • E min • 05:49 • -10.49db
25% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
25% Popularity • 63% Danceability • 81% Energy • 36% Liveness
4% Instrumentalness • 14% Positiveness
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DJ Python
TÃmbrame
107 bpm • A# min • 04:53 • -11db
15% Popularity • 80% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
15% Popularity • 80% Danceability • 55% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Pye Corner Audio
Ganzfeld Effect
107 bpm • E min • 05:05 • -17db
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
25% Popularity • 45% Danceability • 32% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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Rival Consoles
Ghosting
101 bpm • E min • 04:29 • -10.61db
26% Popularity • 62% Danceability • 71% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
26% Popularity • 62% Danceability • 71% Energy • 12% Liveness
88% Instrumentalness • 6% Positiveness
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Against All Logic
Cityfade
108 bpm • A# min • 05:40 • -7.77db
45% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
45% Popularity • 71% Danceability • 89% Energy • 13% Liveness
90% Instrumentalness • 31% Positiveness
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Mouse On Mars
Kompod
101 bpm • F# Maj • 04:10 • -18db
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
89% Instrumentalness • 56% Positiveness
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Andy Stott
Intermittent
102 bpm • C# min • 03:26 • -12.07db
15% Popularity • 70% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
15% Popularity • 70% Danceability • 45% Energy • 9% Liveness
94% Instrumentalness • 5% Positiveness
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Raime
Some Things Can Happen Just Like This
100 bpm • D Maj • 04:33 • -16.62db
10% Popularity • 61% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
10% Popularity • 61% Danceability • 20% Energy • 9% Liveness
73% Instrumentalness • 14% Positiveness
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Palmbomen II
Pure Tibet
108 bpm • A# min • 06:20 • -5.69db
9% Popularity • 64% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 34% Positiveness
9% Popularity • 64% Danceability • 93% Energy • 41% Liveness
83% Instrumentalness • 34% Positiveness
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Plaid
Do Matter
100 bpm • G# Maj • 03:40 • -16.86db
39% Popularity • 52% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
39% Popularity • 52% Danceability • 29% Energy • 11% Liveness
56% Instrumentalness • 28% Positiveness
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Against All Logic
If Loving You is Wrong
108 bpm • E min • 03:56 • -6.24db
34% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
34% Popularity • 73% Danceability • 90% Energy • 64% Liveness
16% Instrumentalness • 72% Positiveness
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DJ Python
Pq Cq
100 bpm • C min • 06:39 • -13.72db
7% Popularity • 72% Danceability • 82% Energy • 11% Liveness
82% Instrumentalness • 86% Positiveness
7% Popularity • 72% Danceability • 82% Energy • 11% Liveness
82% Instrumentalness • 86% Positiveness
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Andy Stott
Posers
106 bpm • E min • 05:07 • -15db
21% Popularity • 69% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
21% Popularity • 69% Danceability • 48% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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DjRUM
Waters Rising
108 bpm • C min • 06:19 • -11.34db
31% Popularity • 38% Danceability • 71% Energy • 56% Liveness
44% Instrumentalness • 4% Positiveness
31% Popularity • 38% Danceability • 71% Energy • 56% Liveness
44% Instrumentalness • 4% Positiveness
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Bendik Giske
Cruising (Laurel Halo Remix)
100 bpm • C# Maj • 06:22 • -14db
19% Popularity • 66% Danceability • 45% Energy • 9% Liveness
74% Instrumentalness • 42% Positiveness
19% Popularity • 66% Danceability • 45% Energy • 9% Liveness
74% Instrumentalness • 42% Positiveness
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Pye Corner Audio
The Mirror Ball Cracked
100 bpm • E min • 04:49 • -18db
17% Popularity • 61% Danceability • 42% Energy • 7% Liveness
96% Instrumentalness • 41% Positiveness
17% Popularity • 61% Danceability • 42% Energy • 7% Liveness
96% Instrumentalness • 41% Positiveness
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Bowery Electric
Beat
100 bpm • D Maj • 07:16 • -16.78db
35% Popularity • 51% Danceability • 44% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
35% Popularity • 51% Danceability • 44% Energy • 8% Liveness
92% Instrumentalness • 26% Positiveness
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The Field
Burned Out
109 bpm • G# min • 07:33 • -10.72db
19% Popularity • 46% Danceability • 89% Energy • 25% Liveness
95% Instrumentalness • 60% Positiveness
19% Popularity • 46% Danceability • 89% Energy • 25% Liveness
95% Instrumentalness • 60% Positiveness
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Andy Stott
North to South
101 bpm • G# Maj • 04:50 • -14.74db
16% Popularity • 74% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
16% Popularity • 74% Danceability • 34% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Leon Vynehall
Midnight on Rainbow Road
109 bpm • F min • 06:23 • -7.53db
34% Popularity • 47% Danceability • 85% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
34% Popularity • 47% Danceability • 85% Energy • 28% Liveness
97% Instrumentalness • 14% Positiveness
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Lucrecia Dalt
Tar - Jan Jelinek Remix
109 bpm • C# Maj • 05:59 • -21db
27% Popularity • 67% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
27% Popularity • 67% Danceability • 20% Energy • 10% Liveness
86% Instrumentalness • 63% Positiveness
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Odd Nosdam
Sisters - Boards of Canada remix
99 bpm • A# min • 03:37 • -10.23db
29% Popularity • 59% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
29% Popularity • 59% Danceability • 73% Energy • 9% Liveness
80% Instrumentalness • 46% Positiveness
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Dettinger
Blond 2
110 bpm • D# min • 06:16 • -11.34db
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
15% Popularity • 39% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Vril
Statera Rerum
110 bpm • A# min • 08:06 • -19.68db
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
17% Popularity • 51% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 13% Positiveness
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Andy Stott
Over
100 bpm • G# Maj • 05:03 • -10.27db
14% Popularity • 72% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 10% Positiveness
14% Popularity • 72% Danceability • 30% Energy • 10% Liveness
76% Instrumentalness • 10% Positiveness
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Forest Swords
Friend, You Will Never Learn
110 bpm • A min • 08:12 • -12db
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
27% Popularity • 35% Danceability • 82% Energy • 10% Liveness
92% Instrumentalness • 34% Positiveness
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Ninos Du Brasil
Em Que o Rio do Mar Se Torna
110 bpm • A# min • 05:23 • -12.05db
15% Popularity • 71% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
15% Popularity • 71% Danceability • 50% Energy • 34% Liveness
94% Instrumentalness • 8% Positiveness
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Thomas Fehlmann
Alles, Immer
110 bpm • A# min • 06:18 • -10db
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
21% Popularity • 68% Danceability • 79% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Kelly Lee Owens
Arthur
110 bpm • E min • 04:05 • -14.68db
25% Popularity • 61% Danceability • 55% Energy • 39% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 61% Danceability • 55% Energy • 39% Liveness
94% Instrumentalness • 6% Positiveness
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Pole
Silberfisch
110 bpm • E min • 06:36 • -17db
24% Popularity • 55% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
24% Popularity • 55% Danceability • 54% Energy • 22% Liveness
61% Instrumentalness • 37% Positiveness
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Andy Stott
New Romantic
100 bpm • C# Maj • 05:39 • -10db
36% Popularity • 71% Danceability • 62% Energy • 8% Liveness
69% Instrumentalness • 6% Positiveness
36% Popularity • 71% Danceability • 62% Energy • 8% Liveness
69% Instrumentalness • 6% Positiveness
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The Black Dog
Cup Noodle
110 bpm • A# min • 03:30 • -20.82db
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
42% Popularity • 70% Danceability • 23% Energy • 11% Liveness
89% Instrumentalness • 64% Positiveness
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Squarepusher
Midi Sans Frontieres (Avec Batterie)
110 bpm • D Maj • 06:00 • -9.89db
34% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
34% Popularity • 62% Danceability • 70% Energy • 7% Liveness
81% Instrumentalness • 28% Positiveness
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oqbqbo
Rei
110 bpm • G min • 05:30 • -10.14db
30% Popularity • 68% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
30% Popularity • 68% Danceability • 56% Energy • 10% Liveness
92% Instrumentalness • 37% Positiveness
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Kelly Lee Owens
Bird
110 bpm • A# Maj • 05:15 • -13db
36% Popularity • 66% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
36% Popularity • 66% Danceability • 43% Energy • 11% Liveness
88% Instrumentalness • 28% Positiveness
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Daniel Avery
Simulrec
110 bpm • D min • 06:02 • -13.58db
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
21% Popularity • 68% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 43% Positiveness
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Andy Stott
Tell Me Anthing
109 bpm • D Maj • 05:43 • -14db
30% Popularity • 89% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 89% Danceability • 46% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Rival Consoles
Helios
110 bpm • A Maj • 05:01 • -9db
30% Popularity • 72% Danceability • 63% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
30% Popularity • 72% Danceability • 63% Energy • 8% Liveness
84% Instrumentalness • 20% Positiveness
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Helena Hauff
It Was All Fields Around Here When I Was...
98 bpm • G Maj • 03:34 • -9.54db
15% Popularity • 67% Danceability • 71% Energy • 13% Liveness
96% Instrumentalness • 89% Positiveness
15% Popularity • 67% Danceability • 71% Energy • 13% Liveness
96% Instrumentalness • 89% Positiveness
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Pye Corner Audio
Zero Centre - mixed
98 bpm • F# min • 02:48 • -10.07db
23% Popularity • 47% Danceability • 91% Energy • 22% Liveness
96% Instrumentalness • 13% Positiveness
23% Popularity • 47% Danceability • 91% Energy • 22% Liveness
96% Instrumentalness • 13% Positiveness
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Against All Logic
Trouble Rooney
111 bpm • C min • 06:38 • -9.56db
19% Popularity • 92% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
19% Popularity • 92% Danceability • 44% Energy • 12% Liveness
87% Instrumentalness • 12% Positiveness
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Betonkust
24x33
98 bpm • C Maj • 05:28 • -11db
21% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 64% Danceability • 64% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Andy Stott
Cherry Eye
99 bpm • C# Maj • 07:32 • -16.01db
17% Popularity • 74% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
17% Popularity • 74% Danceability • 33% Energy • 11% Liveness
92% Instrumentalness • 31% Positiveness
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Arca
Manners
97 bpm • C Maj • 04:41 • -11db
27% Popularity • 77% Danceability • 39% Energy • 35% Liveness
66% Instrumentalness • 47% Positiveness
27% Popularity • 77% Danceability • 39% Energy • 35% Liveness
66% Instrumentalness • 47% Positiveness
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DJ Python
Todo Era Azul - Siempre Dub
112 bpm • F Maj • 04:34 • -10.92db
12% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
12% Popularity • 34% Danceability • 74% Energy • 9% Liveness
91% Instrumentalness • 60% Positiveness
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Pearson Sound
Raindrops, Pt. II
97 bpm • A# min • 02:39 • -23db
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
26% Popularity • 51% Danceability • 12% Energy • 11% Liveness
64% Instrumentalness • 41% Positiveness
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Demdike Stare
Bardo Thodol
112 bpm • E min • 05:35 • -12.18db
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
14% Popularity • 60% Danceability • 56% Energy • 19% Liveness
87% Instrumentalness • 9% Positiveness
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Daniel Avery
These Nights Never End
112 bpm • A min • 05:46 • -8.92db
26% Popularity • 84% Danceability • 54% Energy • 15% Liveness
87% Instrumentalness • 35% Positiveness
26% Popularity • 84% Danceability • 54% Energy • 15% Liveness
87% Instrumentalness • 35% Positiveness
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Andy Stott
How It Was
110 bpm • A# min • 06:09 • -10.77db
22% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
22% Popularity • 77% Danceability • 40% Energy • 9% Liveness
3% Instrumentalness • 23% Positiveness
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Tricky
Valentine - Andy Stott Remix
112 bpm • E min • 06:36 • -12.41db
8% Popularity • 46% Danceability • 68% Energy • 21% Liveness
36% Instrumentalness • 10% Positiveness
8% Popularity • 46% Danceability • 68% Energy • 21% Liveness
36% Instrumentalness • 10% Positiveness
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The Field
Is This Power
112 bpm • F# min • 08:39 • -10db
32% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
32% Popularity • 59% Danceability • 58% Energy • 20% Liveness
79% Instrumentalness • 50% Positiveness
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Shed
Extreme Sat
112 bpm • C Maj • 03:19 • -15.61db
26% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
26% Popularity • 55% Danceability • 44% Energy • 14% Liveness
21% Instrumentalness • 69% Positiveness
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Call Super
Sulu Sekou
112 bpm • C Maj • 04:24 • -12.69db
8% Popularity • 77% Danceability • 40% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
8% Popularity • 77% Danceability • 40% Energy • 10% Liveness
67% Instrumentalness • 11% Positiveness
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Pye Corner Audio
Sleep Games
96 bpm • B min • 05:05 • -17db
20% Popularity • 42% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
20% Popularity • 42% Danceability • 47% Energy • 10% Liveness
96% Instrumentalness • 11% Positiveness
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Andy Stott
Hatch the Plan
97 bpm • C# min • 08:39 • -10db
22% Popularity • 39% Danceability • 55% Energy • 38% Liveness
68% Instrumentalness • 7% Positiveness
22% Popularity • 39% Danceability • 55% Energy • 38% Liveness
68% Instrumentalness • 7% Positiveness
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Dauwd
Murmure
96 bpm • B min • 04:47 • -15.25db
31% Popularity • 62% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
31% Popularity • 62% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 12% Positiveness
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Terekke
Amaze
113 bpm • C# Maj • 05:57 • -20db
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
18% Popularity • 40% Danceability • 34% Energy • 51% Liveness
91% Instrumentalness • 15% Positiveness
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James Holden
Blackpool Late Eighties
113 bpm • G Maj • 08:38 • -10.15db
29% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
29% Popularity • 67% Danceability • 42% Energy • 12% Liveness
92% Instrumentalness • 44% Positiveness
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Porter Ricks
Anguilla Electrica
113 bpm • A# min • 07:10 • -14.26db
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
10% Popularity • 83% Danceability • 73% Energy • 14% Liveness
83% Instrumentalness • 39% Positiveness
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Sky H1
Elysian Heights
113 bpm • F min • 04:06 • -11db
25% Popularity • 34% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
25% Popularity • 34% Danceability • 78% Energy • 10% Liveness
87% Instrumentalness • 53% Positiveness
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Andy Stott
Made Your Point
113 bpm • A# min • 06:03 • -15db
20% Popularity • 79% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
20% Popularity • 79% Danceability • 50% Energy • 11% Liveness
93% Instrumentalness • 18% Positiveness
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Spacetime Continuum
Fluresence - Mixed
95 bpm • A min • 04:25 • -11.97db
30% Popularity • 31% Danceability • 62% Energy • 22% Liveness
80% Instrumentalness • 23% Positiveness
30% Popularity • 31% Danceability • 62% Energy • 22% Liveness
80% Instrumentalness • 23% Positiveness
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Claro Intelecto
Sunshine
95 bpm • C# Maj • 06:02 • -9.14db
17% Popularity • 66% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 16% Positiveness
17% Popularity • 66% Danceability • 76% Energy • 19% Liveness
90% Instrumentalness • 16% Positiveness
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Beaumont Hannant
Utuba
114 bpm • A# Maj • 08:12 • -13.32db
20% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
20% Popularity • 39% Danceability • 48% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Thool
Tepeu
114 bpm • F# Maj • 06:15 • -9.42db
26% Popularity • 44% Danceability • 76% Energy • 10% Liveness
47% Instrumentalness • 19% Positiveness
26% Popularity • 44% Danceability • 76% Energy • 10% Liveness
47% Instrumentalness • 19% Positiveness
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The Hundred In The Hands
Keep It Low - Andy Stott Remix
95 bpm • E min • 06:50 • -8.59db
3% Popularity • 56% Danceability • 67% Energy • 8% Liveness
73% Instrumentalness • 11% Positiveness
3% Popularity • 56% Danceability • 67% Energy • 8% Liveness
73% Instrumentalness • 11% Positiveness
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Andy Stott
Take
96 bpm • C# Maj • 06:06 • -12.48db
15% Popularity • 75% Danceability • 45% Energy • 8% Liveness
24% Instrumentalness • 41% Positiveness
15% Popularity • 75% Danceability • 45% Energy • 8% Liveness
24% Instrumentalness • 41% Positiveness
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DJ Python
q.e.p.d
114 bpm • G Maj • 05:58 • -10.84db
15% Popularity • 78% Danceability • 63% Energy • 9% Liveness
8% Instrumentalness • 31% Positiveness
15% Popularity • 78% Danceability • 63% Energy • 9% Liveness
8% Instrumentalness • 31% Positiveness
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Maps
I Heard Them Say (Andy Stott Remix) - mi...
95 bpm • B min • 03:21 • -11db
20% Popularity • 46% Danceability • 78% Energy • 85% Liveness
76% Instrumentalness • 41% Positiveness
20% Popularity • 46% Danceability • 78% Energy • 85% Liveness
76% Instrumentalness • 41% Positiveness
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Shed
The Praetorian
115 bpm • G Maj • 02:22 • -20.34db
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
35% Popularity • 34% Danceability • 40% Energy • 9% Liveness
87% Instrumentalness • 25% Positiveness
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Patricia
Liminal States
115 bpm • F Maj • 05:03 • -12.15db
22% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
22% Popularity • 66% Danceability • 76% Energy • 9% Liveness
88% Instrumentalness • 38% Positiveness
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The Field
Who Goes There
115 bpm • C# min • 08:51 • -16.52db
15% Popularity • 31% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
15% Popularity • 31% Danceability • 49% Energy • 10% Liveness
86% Instrumentalness • 52% Positiveness
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Andy Stott
We Stay Together (Part One)
95 bpm • C# min • 06:36 • -17.61db
16% Popularity • 71% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
16% Popularity • 71% Danceability • 29% Energy • 9% Liveness
89% Instrumentalness • 8% Positiveness
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burger/ink
Milk & Honey
115 bpm • A Maj • 04:57 • -22db
22% Popularity • 75% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 82% Positiveness
22% Popularity • 75% Danceability • 22% Energy • 11% Liveness
97% Instrumentalness • 82% Positiveness
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Lukid
Drip
115 bpm • D# min • 06:40 • -10.53db
17% Popularity • 72% Danceability • 81% Energy • 17% Liveness
24% Instrumentalness • 41% Positiveness
17% Popularity • 72% Danceability • 81% Energy • 17% Liveness
24% Instrumentalness • 41% Positiveness
