Songs like LXX Symphonien: Symphonia XX aus dem D - Symphonia LXX aus dem A - Symphonia XIX aus dem D by László Czidra
Based on a tempo of (+/- 10%) and a similar genre
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Charivari Agréable
Telemann: Concerto for four violins - Al...
131 bpm • F# Maj • 02:04 • -24.24db
16% Popularity • 33% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 11% Liveness
92% Instrumentalness • 51% Positiveness
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John Dowland
Lachrimae, "Seaven Teares": XVI. M. Buct...
131 bpm • G min • 01:54 • -19.69db
0% Popularity • 54% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
0% Popularity • 54% Danceability • 8% Energy • 24% Liveness
0% Instrumentalness • 44% Positiveness
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László Czidra
Danserye: Allemaigne: No. 36. Allemande ...
131 bpm • C min • 01:37 • -24.68db
2% Popularity • 38% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 36% Positiveness
2% Popularity • 38% Danceability • 6% Energy • 10% Liveness
98% Instrumentalness • 36% Positiveness
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Traditional
Dances from the Sopron Virginal Book: Hu...
131 bpm • C Maj • 04:11 • -22.95db
1% Popularity • 46% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
1% Popularity • 46% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 28% Positiveness
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Jan Dismas Zelenka
The Lamentations of Jeremiah the Prophet...
131 bpm • C# Maj • 04:00 • -30.61db
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 34% Danceability • 1% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Louis Couperin
Suite in A Minor: III. Courante La Migno...
131 bpm • G# min • 01:34 • -20db
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
28% Popularity • 31% Danceability • 17% Energy • 8% Liveness
7% Instrumentalness • 51% Positiveness
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Arcangelo Corelli
Violin Sonata in A Major, Op. 5 No. 6: I...
131 bpm • G Maj • 02:50 • -19.95db
18% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
18% Popularity • 23% Danceability • 8% Energy • 38% Liveness
0% Instrumentalness • 17% Positiveness
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Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75, Ad pedes: ...
131 bpm • F min • 01:08 • -15db
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
28% Popularity • 27% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 12% Positiveness
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Georg Philipp Telemann
Suite in A Minor, TWV 55:A2: V. Rejouiss...
130 bpm • A min • 02:38 • -16.33db
0% Popularity • 60% Danceability • 22% Energy • 11% Liveness
67% Instrumentalness • 88% Positiveness
0% Popularity • 60% Danceability • 22% Energy • 11% Liveness
67% Instrumentalness • 88% Positiveness
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Antonio Vivaldi
Concerto for 2 Flutes in C Major, RV 533...
130 bpm • G Maj • 02:47 • -25.93db
0% Popularity • 28% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 26% Positiveness
0% Popularity • 28% Danceability • 6% Energy • 12% Liveness
93% Instrumentalness • 26% Positiveness
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Arnold von Bruck
So trinken wir alle
130 bpm • G# Maj • 01:32 • -16.57db
0% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
0% Popularity • 46% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Jean-Baptiste Lully
Phaeton: Acte II, Chaconne
130 bpm • F Maj • 07:05 • -14db
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
8% Popularity • 36% Danceability • 16% Energy • 55% Liveness
0% Instrumentalness • 27% Positiveness
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Antonio de Cabezón
Diferencias sobre la Gallarda Milanesa (...
130 bpm • E Maj • 02:25 • -17db
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
23% Popularity • 26% Danceability • 15% Energy • 10% Liveness
93% Instrumentalness • 34% Positiveness
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Girolamo Frescobaldi
A miei pianti al fine un dì, F7.32
130 bpm • G Maj • 01:27 • -23.58db
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
23% Popularity • 46% Danceability • 12% Energy • 30% Liveness
90% Instrumentalness • 73% Positiveness
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Traditional
Dances from the Locse virginal Book: Cho...
132 bpm • G Maj • 03:22 • -31.26db
1% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
1% Popularity • 43% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 70% Positiveness
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Henry Purcell
Amphitryon, Z. 572, "The 2 Sosias": IV. ...
129 bpm • E Maj • 01:38 • -25.63db
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
29% Popularity • 41% Danceability • 3% Energy • 9% Liveness
15% Instrumentalness • 21% Positiveness
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John Adson
Adson's Masque
130 bpm • G min • 01:40 • -16.23db
10% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
10% Popularity • 31% Danceability • 16% Energy • 13% Liveness
3% Instrumentalness • 38% Positiveness
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Giovanni Gabrieli
Canzona Seconda (a 6), C196
129 bpm • A min • 04:06 • -25.69db
4% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
4% Popularity • 30% Danceability • 4% Energy • 25% Liveness
93% Instrumentalness • 15% Positiveness
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Francesco Geminiani
Oboe Sonata No. 3: I. Adagio
129 bpm • D# min • 01:10 • -19.59db
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
27% Popularity • 24% Danceability • 6% Energy • 14% Liveness
97% Instrumentalness • 25% Positiveness
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George Frideric Handel
Recorder Sonata in A Minor, Op. 1 No. 4,...
129 bpm • A min • 02:28 • -18.91db
2% Popularity • 31% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
2% Popularity • 31% Danceability • 9% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Carl Friedrich Abel
Allegretto in A Major
129 bpm • G# Maj • 04:43 • -28.4db
9% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
9% Popularity • 41% Danceability • 4% Energy • 12% Liveness
73% Instrumentalness • 38% Positiveness
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Henry Purcell
Fantasy Upon One Note
133 bpm • E Maj • 02:45 • -20db
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Vincenzo Galilei
Fronimo: Ricercare del primo tuono
129 bpm • C Maj • 01:10 • -18.68db
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
24% Popularity • 47% Danceability • 19% Energy • 10% Liveness
72% Instrumentalness • 33% Positiveness
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Luca Marenzio
Euridice, Prologo: Sinfonia a 5
129 bpm • F Maj • 01:37 • -27db
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
11% Popularity • 30% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Marin Marais
Alcyone Suite: Marche en rondeau
129 bpm • C# min • 01:37 • -16db
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
25% Popularity • 41% Danceability • 19% Energy • 8% Liveness
84% Instrumentalness • 36% Positiveness
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Johann Rosenmüller
Sonata Decima à 5 en fa majeur
129 bpm • E Maj • 05:33 • -18.3db
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
8% Popularity • 36% Danceability • 19% Energy • 9% Liveness
2% Instrumentalness • 25% Positiveness
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John Blow
Lovely Selina
128 bpm • F# Maj • 02:12 • -27db
24% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 38% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Johann Joachim Quantz
Flute Concerto in D Minor, QV 5:81: II. ...
134 bpm • D# Maj • 05:49 • -22.31db
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
39% Popularity • 24% Danceability • 4% Energy • 16% Liveness
22% Instrumentalness • 35% Positiveness
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Andrea Falconieri
Corriente Dicha la Cuella
134 bpm • E Maj • 01:03 • -14.95db
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
32% Popularity • 70% Danceability • 36% Energy • 8% Liveness
97% Instrumentalness • 52% Positiveness
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Pierre Sandrin
Chanson a 4
128 bpm • F Maj • 01:31 • -21.1db
0% Popularity • 35% Danceability • 10% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 35% Danceability • 10% Energy • 41% Liveness
0% Instrumentalness • 23% Positiveness
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Marin Marais
5e livre de viole: Chaconne
128 bpm • F# Maj • 03:13 • -22db
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
16% Popularity • 28% Danceability • 9% Energy • 10% Liveness
84% Instrumentalness • 30% Positiveness
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George Frideric Handel
Recorder Sonata in G Minor, Op. 1 No. 2,...
135 bpm • G min • 02:07 • -17.75db
2% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
2% Popularity • 51% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Girolamo Frescobaldi
Canzona prima a 4, canto alto tenor bass...
135 bpm • G Maj • 02:18 • -16.23db
12% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
12% Popularity • 21% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Marco Uccellini
Sonate, arie et correnti, Op. 3: No. 5, ...
135 bpm • C# Maj • 03:58 • -18.86db
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
13% Popularity • 40% Danceability • 17% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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Pierre Passereau
ll est bel et bon, commere, mon mary: Il...
135 bpm • C min • 01:01 • -18db
20% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
20% Popularity • 52% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Antonio Vivaldi
Recorder Concerto in F Major, RV 442: II...
135 bpm • F Maj • 01:48 • -12.67db
0% Popularity • 70% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 89% Positiveness
0% Popularity • 70% Danceability • 25% Energy • 14% Liveness
4% Instrumentalness • 89% Positiveness
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Domenico Zipoli
Beatus vir: II. Exortum est
135 bpm • C# min • 01:36 • -25db
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
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Claudin de Sermisy
Tant que vivrai
127 bpm • F Maj • 03:00 • -23.78db
0% Popularity • 39% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
0% Popularity • 39% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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László Czidra
Danserye: Ronde: No. 14. Mon amy
135 bpm • A min • 01:24 • -20.82db
1% Popularity • 16% Danceability • 4% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
1% Popularity • 16% Danceability • 4% Energy • 11% Liveness
10% Instrumentalness • 15% Positiveness
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Girolamo Frescobaldi
Canzona ottava a basso solo "detta l’a...
127 bpm • G min • 03:07 • -22.14db
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
12% Popularity • 36% Danceability • 18% Energy • 22% Liveness
4% Instrumentalness • 49% Positiveness
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Giovanni Battista Fontana
18 Sonatas in 1, 2, 3 Parts: Sonata No. ...
127 bpm • C# Maj • 06:58 • -22db
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
11% Popularity • 28% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Nicolas Millot
Susane un jour
126 bpm • F Maj • 02:40 • -19.07db
0% Popularity • 24% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
0% Popularity • 24% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Arcangelo Corelli
12 Trio Sonatas, Op. 3, Trio Sonata No. ...
136 bpm • F Maj • 02:03 • -17.95db
25% Popularity • 46% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 46% Danceability • 15% Energy • 65% Liveness
0% Instrumentalness • 59% Positiveness
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Claudio Monteverdi
Canzonette, Book 1: La fiera vista
136 bpm • E Maj • 05:55 • -22.29db
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 25% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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László Czidra
Danserye: Branle: No. 26. De post
136 bpm • C Maj • 01:24 • -25.88db
1% Popularity • 63% Danceability • 28% Energy • 19% Liveness
84% Instrumentalness • 96% Positiveness
1% Popularity • 63% Danceability • 28% Energy • 19% Liveness
84% Instrumentalness • 96% Positiveness
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Traditional
Dances from the Vietorisz Tablature: Cho...
126 bpm • C Maj • 02:58 • -26.19db
1% Popularity • 42% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
1% Popularity • 42% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 33% Positiveness
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Pierre Sandrin
Chanson a 4
136 bpm • D min • 02:00 • -19.48db
0% Popularity • 33% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
0% Popularity • 33% Danceability • 9% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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Dietrich Buxtehude
Mit Fried und Freud ich fahr dahin, BuxW...
136 bpm • C Maj • 07:15 • -29db
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 13% Liveness
31% Instrumentalness • 4% Positiveness
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Clément Janequin
Tresves d'amours
126 bpm • G Maj • 01:08 • -18.71db
0% Popularity • 36% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 36% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 48% Positiveness
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Diego Ortiz
Recercada tercera sobre tenores Italiano...
126 bpm • E Maj • 02:13 • -33db
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
15% Popularity • 40% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 58% Positiveness
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László Czidra
Danserye: Branle: No. 28. Danse de Hercu...
136 bpm • F Maj • 01:46 • -17.2db
1% Popularity • 43% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 25% Positiveness
1% Popularity • 43% Danceability • 18% Energy • 15% Liveness
96% Instrumentalness • 25% Positiveness
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Traditional
Dances from the Vietorisz Tablature: Per...
126 bpm • C Maj • 01:30 • -29.07db
1% Popularity • 51% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 57% Positiveness
1% Popularity • 51% Danceability • 2% Energy • 9% Liveness
75% Instrumentalness • 57% Positiveness
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Samuel Scheidt
Ludi musici: Paduan a 4 - Courant a 5 (A...
137 bpm • A min • 06:23 • -18.54db
0% Popularity • 29% Danceability • 7% Energy • 8% Liveness
58% Instrumentalness • 22% Positiveness
0% Popularity • 29% Danceability • 7% Energy • 8% Liveness
58% Instrumentalness • 22% Positiveness
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Henry Purcell
12 Sonatas of III parts Z790-801: Sonata...
137 bpm • F# min • 07:03 • -22.09db
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
11% Popularity • 23% Danceability • 7% Energy • 12% Liveness
4% Instrumentalness • 7% Positiveness
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Marco Dall'Aquila
Cara cossa: Gagliarda, "La cara cossa"
125 bpm • C Maj • 01:04 • -30db
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
34% Popularity • 43% Danceability • 4% Energy • 9% Liveness
83% Instrumentalness • 60% Positiveness
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Johann Pachelbel
Partie 5 en si bémol majeur: Gavotte - ...
125 bpm • A Maj • 02:25 • -15db
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 35% Danceability • 20% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Gergely Sarkozy
Danserye: Allemaigne: No. 35. Allemande ...
126 bpm • D min • 02:36 • -25.07db
1% Popularity • 51% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
1% Popularity • 51% Danceability • 9% Energy • 9% Liveness
85% Instrumentalness • 25% Positiveness
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Arcangelo Corelli
Sonata in C Major, No. 3: IV. Allegro
125 bpm • B Maj • 01:02 • -15.61db
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
56% Popularity • 47% Danceability • 35% Energy • 27% Liveness
27% Instrumentalness • 90% Positiveness
► Preview
Nicola Matteis
The False Consonances of Musick, Aria I
137 bpm • F# Maj • 01:21 • -28.47db
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
30% Popularity • 47% Danceability • 6% Energy • 10% Liveness
97% Instrumentalness • 65% Positiveness
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Henry Purcell
9 Fantasia a 4: IX. Fantazia in A Minor,...
137 bpm • C# min • 04:11 • -23.76db
15% Popularity • 16% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
15% Popularity • 16% Danceability • 3% Energy • 11% Liveness
7% Instrumentalness • 10% Positiveness
► Preview
Antonio Vivaldi
Chamber Concerto in F Major, RV 100: III...
125 bpm • F Maj • 02:57 • -18.52db
0% Popularity • 46% Danceability • 20% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
0% Popularity • 46% Danceability • 20% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness
► Preview
Orlande de Lassus
Si du malheur
138 bpm • D# min • 02:52 • -31db
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
29% Popularity • 15% Danceability • 3% Energy • 11% Liveness
2% Instrumentalness • 6% Positiveness
► Preview
László Czidra
Danserye: Basse danse: No. 10. Mon desir
126 bpm • D min • 01:34 • -23.63db
3% Popularity • 39% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
3% Popularity • 39% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 24% Positiveness
► Preview
Marc-Antoine Charpentier
Te Deum, H. 146: V. "Tu devicto mortis a...
124 bpm • C# Maj • 01:52 • -17.21db
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 41% Danceability • 28% Energy • 8% Liveness
92% Instrumentalness • 28% Positiveness
► Preview
Johann David Heinichen
Concerto in G Minor - Oboe, Strings & B....
124 bpm • F# min • 04:32 • -18.62db
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
22% Popularity • 57% Danceability • 26% Energy • 18% Liveness
95% Instrumentalness • 75% Positiveness
► Preview
Henry Purcell
Strike the Viol
125 bpm • E Maj • 03:54 • -19.71db
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
12% Popularity • 52% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
Johann Walter
Christ lag in Todesbanden
138 bpm • D min • 01:12 • -29.1db
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
35% Popularity • 15% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
► Preview
Georg Philipp Telemann
Quatuor No. 1 in D Major: III. Vite
124 bpm • C# min • 02:15 • -19.38db
7% Popularity • 51% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
7% Popularity • 51% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
► Preview
László Czidra
Danserye: Basse danse: No. 3. Cest une d...
125 bpm • C Maj • 01:22 • -25.97db
2% Popularity • 17% Danceability • 2% Energy • 14% Liveness
95% Instrumentalness • 34% Positiveness
2% Popularity • 17% Danceability • 2% Energy • 14% Liveness
95% Instrumentalness • 34% Positiveness
► Preview
Arcangelo Corelli
Concerto in D Major, Op. 6 No. 1: IV. Al...
124 bpm • C Maj • 01:52 • -18.98db
10% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
10% Popularity • 21% Danceability • 15% Energy • 21% Liveness
5% Instrumentalness • 42% Positiveness
► Preview
Frederick the Great
Flute Sonata in E Minor: III. Presto
124 bpm • D# min • 03:13 • -24db
19% Popularity • 54% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 62% Positiveness
19% Popularity • 54% Danceability • 7% Energy • 14% Liveness
94% Instrumentalness • 62% Positiveness
► Preview
Henry Purcell
Timon of Athens, Masque: Curtain Tune on...
125 bpm • F# min • 02:20 • -27.13db
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
23% Popularity • 50% Danceability • 7% Energy • 14% Liveness
31% Instrumentalness • 65% Positiveness
► Preview
Heinrich Ignaz Franz von Biber
Sonatae Violino Solo (1681): Sonata No. ...
124 bpm • C# min • 08:24 • -12.63db
9% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
9% Popularity • 34% Danceability • 25% Energy • 10% Liveness
22% Instrumentalness • 5% Positiveness
► Preview
Benedetto Marcello
Sonata No. 12, Op. 2: Ciaccona
123 bpm • E Maj • 04:15 • -28.16db
11% Popularity • 42% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
11% Popularity • 42% Danceability • 5% Energy • 8% Liveness
95% Instrumentalness • 23% Positiveness
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Giovanni Picchi
Intavolatura di balli: Ballo Ongaro
139 bpm • C Maj • 03:29 • -21.47db
1% Popularity • 29% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
1% Popularity • 29% Danceability • 7% Energy • 10% Liveness
2% Instrumentalness • 20% Positiveness
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Paolo Pandolfo
sopra Passemezzo moderno
139 bpm • G Maj • 01:33 • -20.72db
34% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
34% Popularity • 42% Danceability • 20% Energy • 9% Liveness
95% Instrumentalness • 22% Positiveness
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Carlos Seixas
Harpsichord Concerto in A Major: I. Alle...
123 bpm • G# Maj • 01:52 • -21db
8% Popularity • 34% Danceability • 20% Energy • 16% Liveness
24% Instrumentalness • 95% Positiveness
8% Popularity • 34% Danceability • 20% Energy • 16% Liveness
24% Instrumentalness • 95% Positiveness
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Pietro Locatelli
Concerto Grosso in F Major, Op. 1, No. 1...
123 bpm • F Maj • 01:34 • -18.1db
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Claudio Monteverdi
Madrigali guerrieri: No. 1, Sonnet by an...
123 bpm • G Maj • 09:54 • -18.68db
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 13% Energy • 6% Liveness
0% Instrumentalness • 9% Positiveness
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William Christie
Purcell : King Arthur : Overture to Act ...
140 bpm • C min • 01:53 • -23db
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
34% Popularity • 45% Danceability • 15% Energy • 59% Liveness
18% Instrumentalness • 67% Positiveness
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Modo Antiquo
Concerto In Do maggiore: Allegro Molto
123 bpm • F# Maj • 02:26 • -20.13db
22% Popularity • 58% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
22% Popularity • 58% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 59% Positiveness
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Antonio Vivaldi
Recorder Concerto in F Major, RV 442: II...
123 bpm • F Maj • 01:58 • -18.33db
3% Popularity • 70% Danceability • 14% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
3% Popularity • 70% Danceability • 14% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
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Jean-Baptiste Lully
Intermedes de Xerxes: Bourre pour les Ba...
140 bpm • F# Maj • 01:04 • -24db
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
48% Popularity • 52% Danceability • 12% Energy • 11% Liveness
85% Instrumentalness • 34% Positiveness
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László Czidra
Danserye: Basse danse: No. 12. C'est a g...
140 bpm • F Maj • 02:08 • -21.86db
0% Popularity • 52% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 63% Positiveness
0% Popularity • 52% Danceability • 9% Energy • 15% Liveness
96% Instrumentalness • 63% Positiveness
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Giovanni Battista Sammartini
Sonata for 2 Recorders and Basso Continu...
140 bpm • C# min • 01:35 • -25.49db
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
31% Popularity • 42% Danceability • 4% Energy • 16% Liveness
88% Instrumentalness • 52% Positiveness
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Juan Arañés
Una sarao de la chacona, "A la vida bona...
140 bpm • F# Maj • 01:58 • -20.35db
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
14% Popularity • 42% Danceability • 21% Energy • 16% Liveness
95% Instrumentalness • 78% Positiveness
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Traditional
Dances from the Vietorisz Tablature: Mic...
141 bpm • A min • 01:31 • -22.44db
1% Popularity • 30% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
1% Popularity • 30% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 44% Positiveness
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Baldassare Galuppi
Concerto primo in G Major: I. Andante - ...
122 bpm • G Maj • 02:08 • -17db
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
14% Popularity • 41% Danceability • 20% Energy • 12% Liveness
65% Instrumentalness • 37% Positiveness
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Francesco Cavalli
Musiche sacre: No. 23, Canzon à 3
122 bpm • G# min • 05:31 • -18.68db
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
38% Popularity • 27% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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László Czidra
Danserye: Basse danse: No. 7. Entre du f...
122 bpm • C Maj • 01:04 • -16.09db
2% Popularity • 63% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 89% Positiveness
2% Popularity • 63% Danceability • 17% Energy • 12% Liveness
95% Instrumentalness • 89% Positiveness
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Michael Haydn
Missa Tempore Quadragesimae, MH 553: Agn...
141 bpm • F# min • 03:23 • -19db
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
20% Popularity • 22% Danceability • 9% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
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Jean-Baptiste Lully
Ballet de l'impatience, LWV 14: 1e Entr�...
122 bpm • A Maj • 01:04 • -20.21db
11% Popularity • 33% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
11% Popularity • 33% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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Pietrobono de Burzellis
2 Pavanes (a 4)
142 bpm • F Maj • 02:50 • -22.96db
0% Popularity • 45% Danceability • 2% Energy • 11% Liveness
47% Instrumentalness • 9% Positiveness
0% Popularity • 45% Danceability • 2% Energy • 11% Liveness
47% Instrumentalness • 9% Positiveness
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Henry Purcell
The Fairy Queen, Z. 629: Hornpipe
121 bpm • A Maj • 01:14 • -16db
24% Popularity • 47% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 79% Positiveness
24% Popularity • 47% Danceability • 24% Energy • 9% Liveness
92% Instrumentalness • 79% Positiveness
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Diego Ortiz
Passamezzo moderno: Recercada secunda
121 bpm • B Maj • 01:44 • -16db
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
18% Popularity • 70% Danceability • 29% Energy • 10% Liveness
97% Instrumentalness • 93% Positiveness
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The Scholars Baroque Ensemble
The Indian Queen, Z. 630: First Music - ...
121 bpm • E Maj • 01:27 • -25db
31% Popularity • 37% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
31% Popularity • 37% Danceability • 5% Energy • 15% Liveness
83% Instrumentalness • 58% Positiveness
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John Blow
Chacony in G
120 bpm • F# Maj • 04:35 • -18db
9% Popularity • 34% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
9% Popularity • 34% Danceability • 18% Energy • 12% Liveness
10% Instrumentalness • 36% Positiveness
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Jean-Baptiste Lully
Les plaisirs: Bourree pour les Coutisans
121 bpm • B min • 00:48 • -26db
27% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
27% Popularity • 68% Danceability • 8% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
