Songs like M L K by Cantus
Based on a tempo of (+/- 10%) and a similar genre
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Cantus
Kaksikpühendus: I. Ühte Laulu Tahaks L...
136 bpm • C min • 01:49 • -22.73db
2% Popularity • 27% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 27% Danceability • 1% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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John Jacob Niles
I Wonder as I Wander - Arr. for Male Voi...
136 bpm • E min • 03:15 • -23.95db
1% Popularity • 16% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
1% Popularity • 16% Danceability • 16% Energy • 10% Liveness
81% Instrumentalness • 10% Positiveness
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Josquin des Prez
Ave Maria
136 bpm • C Maj • 06:07 • -25.7db
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
14% Popularity • 18% Danceability • 5% Energy • 7% Liveness
17% Instrumentalness • 5% Positiveness
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Jacobus Gallus
Domine ad adjuvandum
136 bpm • D# Maj • 02:24 • -19db
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
29% Popularity • 23% Danceability • 14% Energy • 12% Liveness
70% Instrumentalness • 9% Positiveness
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Josef Rheinberger
Geistliche Chöre, Op. 69: III. Abendlie...
136 bpm • F Maj • 03:21 • -27db
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
15% Popularity • 18% Danceability • 5% Energy • 7% Liveness
51% Instrumentalness • 4% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
136 bpm • E Maj • 00:39 • -29.15db
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
14% Popularity • 19% Danceability • 3% Energy • 10% Liveness
55% Instrumentalness • 14% Positiveness
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Marques L.A. Garrett
My heart be brave - SATB
136 bpm • G# Maj • 04:16 • -30.03db
11% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Philip Bliss
It is Well With My Soul (Arr. for choir ...
136 bpm • G# Maj • 05:20 • -21.76db
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
10% Popularity • 18% Danceability • 13% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Cantus
Let Your Voice Be Heard
136 bpm • G min • 03:40 • -20.5db
0% Popularity • 47% Danceability • 37% Energy • 34% Liveness
88% Instrumentalness • 74% Positiveness
0% Popularity • 47% Danceability • 37% Energy • 34% Liveness
88% Instrumentalness • 74% Positiveness
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Bob Chilcott
The lily and the rose
135 bpm • A min • 03:26 • -23.65db
18% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
18% Popularity • 25% Danceability • 6% Energy • 11% Liveness
62% Instrumentalness • 7% Positiveness
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Gerald Finzi
Seven Poems of Robert Bridges, Op. 17: I...
136 bpm • F# min • 01:38 • -26db
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
10% Popularity • 22% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sven-David Sandström
Four Songs of Love: II. Until the Daybre...
137 bpm • G# Maj • 02:23 • -34.11db
9% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 2% Energy • 11% Liveness
50% Instrumentalness • 4% Positiveness
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Emma Lou Diemer
3 Madrigals: No. 1. O Mistress Mine, Whe...
135 bpm • G min • 01:00 • -23.4db
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
17% Popularity • 44% Danceability • 10% Energy • 16% Liveness
0% Instrumentalness • 13% Positiveness
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Elaine Hagenberg
O Love
137 bpm • G Maj • 05:27 • -19db
29% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 9% Energy • 12% Liveness
67% Instrumentalness • 4% Positiveness
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Cantus
M L K
136 bpm • G Maj • 03:01 • -25.79db
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Burchard
Sitivit anima mea (Live)
135 bpm • D# Maj • 06:08 • -29.73db
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
22% Popularity • 16% Danceability • 3% Energy • 69% Liveness
17% Instrumentalness • 3% Positiveness
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Paul Nelson
A Lullaby
137 bpm • E Maj • 03:45 • -27.64db
0% Popularity • 15% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 4% Positiveness
0% Popularity • 15% Danceability • 5% Energy • 11% Liveness
21% Instrumentalness • 4% Positiveness
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Zero8
Sure on This Shining Night
137 bpm • B Maj • 06:10 • -19.02db
12% Popularity • 15% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 14% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Andrea Ramsey
That Which Remains
135 bpm • E Maj • 03:23 • -21.95db
9% Popularity • 18% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 11% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Aaron Copland
The Promise of Living from The Tender La...
135 bpm • F Maj • 05:39 • -24.25db
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
7% Popularity • 16% Danceability • 7% Energy • 9% Liveness
30% Instrumentalness • 4% Positiveness
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Randall Thompson
Alleluia
137 bpm • D Maj • 06:20 • -29.8db
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 4% Energy • 14% Liveness
96% Instrumentalness • 4% Positiveness
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Robert Lucas Pearsall
Tu es Petrus
137 bpm • D# Maj • 02:48 • -29db
21% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
21% Popularity • 15% Danceability • 6% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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James MacMillan
O Radiant Dawn
135 bpm • C min • 04:54 • -24.84db
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
24% Popularity • 18% Danceability • 7% Energy • 11% Liveness
28% Instrumentalness • 3% Positiveness
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Billy Joel
Lullabye (Goodnight, My Angel) - Live
135 bpm • C min • 03:55 • -20.43db
7% Popularity • 21% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
7% Popularity • 21% Danceability • 16% Energy • 11% Liveness
1% Instrumentalness • 5% Positiveness
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Veljo Tormis
Incantatio Maris Aestuosi (Incantation f...
137 bpm • A min • 07:41 • -20.86db
0% Popularity • 22% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
0% Popularity • 22% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 7% Positiveness
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David Dickau
If Music Be the Food of Love
137 bpm • G# Maj • 04:58 • -26.2db
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 4. Quia Per Crucem...
137 bpm • A min • 01:26 • -23.78db
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
38% Popularity • 17% Danceability • 11% Energy • 11% Liveness
11% Instrumentalness • 4% Positiveness
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Francis Poulenc
Quatre Petit Prières de Saint Francois ...
137 bpm • D# min • 02:05 • -22.69db
0% Popularity • 24% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 24% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Herbert Howells
4 Anthems: No. 3, Like as the Hart
135 bpm • C Maj • 06:00 • -28.68db
7% Popularity • 16% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
7% Popularity • 16% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 3% Positiveness
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Jefferey L. Ames
I've Been in the Storm So Long (version ...
135 bpm • E min • 04:58 • -25.5db
9% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
9% Popularity • 17% Danceability • 10% Energy • 12% Liveness
6% Instrumentalness • 4% Positiveness
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Zero8
Ubi Caritas
135 bpm • B min • 03:09 • -20.66db
16% Popularity • 17% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 17% Danceability • 7% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Phoenix Chamber Choir
Why the Caged Bird Sings
137 bpm • B Maj • 08:51 • -28.9db
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
9% Popularity • 16% Danceability • 2% Energy • 7% Liveness
12% Instrumentalness • 3% Positiveness
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Anton Bruckner
Os justi meditabitur sapientiam, WAB 30
135 bpm • C Maj • 05:25 • -24.13db
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 8% Liveness
27% Instrumentalness • 3% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Prologue: N...
135 bpm • A Maj • 04:05 • -25.76db
17% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
17% Popularity • 24% Danceability • 3% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Salt Lake Vocal Artists
O Filii Et Filiae
134 bpm • G# Maj • 03:46 • -18.09db
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
10% Popularity • 20% Danceability • 15% Energy • 8% Liveness
49% Instrumentalness • 7% Positiveness
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Cecilia McDowall
Three Latin Motets: II. Ave, Maria
134 bpm • B Maj • 02:58 • -29db
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
9% Popularity • 20% Danceability • 5% Energy • 14% Liveness
81% Instrumentalness • 3% Positiveness
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Arvo Pärt
Nunc Dimittis: Nunc dimittis
134 bpm • C# min • 05:06 • -28.51db
10% Popularity • 16% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
10% Popularity • 16% Danceability • 3% Energy • 10% Liveness
14% Instrumentalness • 3% Positiveness
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Sarah Quartel
Sing, my Child - SATB
138 bpm • F Maj • 04:24 • -20.99db
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 25% Danceability • 13% Energy • 22% Liveness
0% Instrumentalness • 5% Positiveness
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Hildegaardvon Bingen
O Frondens Virga - Arr. for Vocal Ensemb...
138 bpm • D# min • 03:10 • -16.9db
1% Popularity • 18% Danceability • 22% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 22% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Sjaella
Christ fuhr gen Himmel
134 bpm • E min • 02:17 • -24.65db
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 26% Danceability • 7% Energy • 16% Liveness
92% Instrumentalness • 4% Positiveness
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Edward Elgar
As Torrents in Summer
138 bpm • D# Maj • 02:04 • -31db
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 20% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 4% Positiveness
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Gjermund Larsen
Solistvals (Soloist's Waltz)
138 bpm • G Maj • 03:59 • -22db
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 10% Liveness
75% Instrumentalness • 19% Positiveness
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Z. Randall Stroope
Amor de mi Alma
134 bpm • C# Maj • 06:16 • -25db
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 5% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Sven-David Sandström
4 Songs of Love: No. 4, His Left Hand
138 bpm • A min • 01:55 • -40db
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
17% Popularity • 14% Danceability • 1% Energy • 8% Liveness
53% Instrumentalness • 3% Positiveness
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Millikin University Choir
Wade In De Water
134 bpm • D min • 02:49 • -18.58db
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 34% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Kuhnau
Tristis Est Anima Mea
134 bpm • F min • 03:48 • -24.17db
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 9% Liveness
88% Instrumentalness • 4% Positiveness
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Cantus
Let Your Voice Be Heard
133 bpm • G min • 03:25 • -20.92db
1% Popularity • 42% Danceability • 25% Energy • 28% Liveness
68% Instrumentalness • 71% Positiveness
1% Popularity • 42% Danceability • 25% Energy • 28% Liveness
68% Instrumentalness • 71% Positiveness
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Paul J. Christiansen
Wondrous Love
139 bpm • G# min • 02:39 • -27.8db
21% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
21% Popularity • 24% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 6% Positiveness
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Herbert Howells
Requiem: Salvator mundi
139 bpm • G Maj • 02:00 • -31.24db
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 4% Energy • 9% Liveness
37% Instrumentalness • 4% Positiveness
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Zero8
Sonnet 18: Shall I Compare Thee to a Sum...
139 bpm • E Maj • 04:00 • -14.98db
12% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
12% Popularity • 15% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Atlanta Master Chorale
Fare Thee Well, Love
133 bpm • F# Maj • 04:47 • -26.28db
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 5% Energy • 10% Liveness
5% Instrumentalness • 3% Positiveness
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Henry Purcell
Remember Not, Lord, Our Offences, Z. 50
133 bpm • A min • 03:16 • -24.9db
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Evening Prayer
133 bpm • A Maj • 05:54 • -28.41db
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sydney Guillaume
Gagòt (Live)
133 bpm • C# Maj • 05:20 • -23.58db
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
8% Popularity • 23% Danceability • 12% Energy • 73% Liveness
0% Instrumentalness • 9% Positiveness
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Felix Mendelssohn
Elijah, Op. 70, MWV A 25: Lift Thine Eye...
133 bpm • D Maj • 01:52 • -36.94db
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
9% Popularity • 18% Danceability • 2% Energy • 6% Liveness
96% Instrumentalness • 5% Positiveness
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Stephen Paulus
The Road Home
133 bpm • F Maj • 03:56 • -28.22db
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
44% Popularity • 20% Danceability • 5% Energy • 12% Liveness
3% Instrumentalness • 5% Positiveness
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The Concordia Choir
Witness
140 bpm • D Maj • 02:53 • -20.99db
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 33% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Jason Max Ferdinand Singers
A Prayer
133 bpm • G Maj • 05:15 • -22.88db
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
20% Popularity • 17% Danceability • 14% Energy • 11% Liveness
71% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Phoenix
139 bpm • A Maj • 04:25 • -30db
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
16% Popularity • 15% Danceability • 3% Energy • 7% Liveness
48% Instrumentalness • 3% Positiveness
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Thomas Weelkes
Hosanna to the Son of David
132 bpm • A# min • 02:00 • -24.11db
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
18% Popularity • 19% Danceability • 15% Energy • 6% Liveness
7% Instrumentalness • 14% Positiveness
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Jean Berger
The Eyes of All Wait Upon Thee
132 bpm • E min • 02:36 • -22db
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
25% Popularity • 20% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Hugo Alfvén
Gryning vid havet - Live
140 bpm • E Maj • 04:23 • -17.93db
1% Popularity • 18% Danceability • 10% Energy • 26% Liveness
6% Instrumentalness • 4% Positiveness
1% Popularity • 18% Danceability • 10% Energy • 26% Liveness
6% Instrumentalness • 4% Positiveness
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Giuseppe Ottavio Pitoni
Cantate Domino
140 bpm • A# Maj • 01:11 • -20.07db
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
25% Popularity • 20% Danceability • 16% Energy • 25% Liveness
39% Instrumentalness • 23% Positiveness
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Ivo Antognini
I am the rose of Sharon
132 bpm • A min • 05:28 • -29.68db
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
9% Popularity • 16% Danceability • 6% Energy • 9% Liveness
18% Instrumentalness • 4% Positiveness
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Ola Gjeilo
The Spheres
133 bpm • C# min • 04:51 • -35db
28% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
28% Popularity • 16% Danceability • 2% Energy • 6% Liveness
53% Instrumentalness • 3% Positiveness
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Steven Samtez
We Two: III. Here the Frailest Leaves of...
132 bpm • B Maj • 01:52 • -30.78db
0% Popularity • 16% Danceability • 3% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 3% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Kammerkoor Head Ööd Vend
Õhtul
141 bpm • D# Maj • 03:41 • -27db
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
33% Popularity • 14% Danceability • 1% Energy • 12% Liveness
84% Instrumentalness • 4% Positiveness
► Preview
Kim André Arnesen
O Sacrum Convivium
140 bpm • C Maj • 05:55 • -28db
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
12% Popularity • 14% Danceability • 5% Energy • 14% Liveness
82% Instrumentalness • 3% Positiveness
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Erich Kunzel
Morning Hymn
131 bpm • B min • 00:56 • -37.4db
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
25% Popularity • 16% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Elaine Hagenberg
The Music of Stillness - SATB
130 bpm • F# Maj • 05:37 • -24db
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
23% Popularity • 16% Danceability • 4% Energy • 19% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Ola Gjeilo
Ola Gjeilo: Tota pulchra es
131 bpm • E Maj • 06:27 • -26.08db
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
12% Popularity • 18% Danceability • 6% Energy • 7% Liveness
18% Instrumentalness • 3% Positiveness
► Preview
Phoenix Chamber Choir
Ballade to the Moon
130 bpm • E Maj • 05:25 • -30.67db
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
17% Popularity • 22% Danceability • 2% Energy • 5% Liveness
15% Instrumentalness • 6% Positiveness
► Preview
Kammerkoor Head Ööd Vend
Valgusele
141 bpm • D# Maj • 02:42 • -38.65db
16% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
16% Popularity • 14% Danceability • 0% Energy • 9% Liveness
84% Instrumentalness • 4% Positiveness
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Max Reger
Nachtlied
130 bpm • B min • 03:02 • -27db
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 4% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Daniel Gawthrop
There is Sweet Music Here
130 bpm • G# Maj • 02:49 • -31.1db
3% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Kirby Shaw
Plenty Good Room
142 bpm • D Maj • 03:18 • -25.63db
8% Popularity • 50% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 50% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
► Preview
Philip Stopford
Ave verum
142 bpm • F# min • 03:35 • -27.27db
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
28% Popularity • 14% Danceability • 9% Energy • 13% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Herbert Howells
Requiem: Salvator Mundi
130 bpm • G Maj • 02:19 • -30.35db
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 2% Energy • 10% Liveness
86% Instrumentalness • 4% Positiveness
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Cantus
Swing Low, Sweet Chariot
130 bpm • G# Maj • 03:20 • -23.21db
2% Popularity • 23% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
2% Popularity • 23% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Jaakko Mäntyjärvi
4 Shakespeare Songs: No. 2. Lullaby
130 bpm • F# Maj • 03:01 • -27db
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 9% Liveness
2% Instrumentalness • 6% Positiveness
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Jonathan Dove
The Passing of the Year: No. 1. Invocati...
143 bpm • G Maj • 01:31 • -21db
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
28% Popularity • 21% Danceability • 7% Energy • 6% Liveness
15% Instrumentalness • 9% Positiveness
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Andrea Ramsey
That Which Remains - Live
130 bpm • D Maj • 02:53 • -18.65db
2% Popularity • 19% Danceability • 18% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
2% Popularity • 19% Danceability • 18% Energy • 12% Liveness
22% Instrumentalness • 7% Positiveness
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Philip Stopford
There Is No Rose
130 bpm • A# Maj • 03:27 • -27db
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
13% Popularity • 22% Danceability • 5% Energy • 13% Liveness
92% Instrumentalness • 4% Positiveness
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Zero8
O Magnum Mysterium
130 bpm • E Maj • 05:53 • -23.5db
12% Popularity • 16% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
12% Popularity • 16% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 4% Positiveness
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Anton Bruckner
Locus iste
129 bpm • C Maj • 03:41 • -27.37db
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
15% Popularity • 16% Danceability • 5% Energy • 6% Liveness
3% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Infinity
129 bpm • F Maj • 07:41 • -27db
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
11% Popularity • 16% Danceability • 10% Energy • 12% Liveness
96% Instrumentalness • 3% Positiveness
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Ethan Sperry
Ramkali
129 bpm • G Maj • 06:11 • -20.41db
2% Popularity • 30% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
2% Popularity • 30% Danceability • 23% Energy • 9% Liveness
3% Instrumentalness • 9% Positiveness
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Jackson Hill
Ma fin est mon commencement
129 bpm • G# min • 06:18 • -22.34db
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
8% Popularity • 21% Danceability • 10% Energy • 15% Liveness
2% Instrumentalness • 4% Positiveness
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Edie Hill
A True Heart is Waiting
129 bpm • C Maj • 07:39 • -23.52db
0% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Nils Lindberg
Shall I Compare Thee
143 bpm • A min • 02:50 • -22db
22% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
22% Popularity • 19% Danceability • 16% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Philip Stopford
For the Beauty of the Earth (Version for...
143 bpm • G# Maj • 03:21 • -25.26db
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
14% Popularity • 19% Danceability • 11% Energy • 12% Liveness
43% Instrumentalness • 6% Positiveness
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Atlanta Master Chorale
When Memory Fades
129 bpm • G Maj • 05:02 • -32.01db
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 22% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Robert Lucas Pearsall
Lay a garland on her hearse
129 bpm • C min • 03:01 • -25db
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
23% Popularity • 17% Danceability • 10% Energy • 10% Liveness
3% Instrumentalness • 4% Positiveness
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Susan LaBarr
Grace Before Sleep
129 bpm • C# Maj • 03:45 • -23db
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 20% Danceability • 12% Energy • 13% Liveness
85% Instrumentalness • 4% Positiveness
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Benedictines of Mary, Queen of Apostles
Let All Mortal Flesh Keep Silence
129 bpm • D min • 02:58 • -20.56db
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
34% Popularity • 26% Danceability • 9% Energy • 12% Liveness
44% Instrumentalness • 9% Positiveness
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Sydney Guillaume
Twa Tanbou
129 bpm • A min • 03:50 • -19.49db
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 41% Danceability • 35% Energy • 72% Liveness
0% Instrumentalness • 41% Positiveness
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Sting
Valparaiso
129 bpm • D min • 04:00 • -25.87db
0% Popularity • 22% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 22% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 4% Positiveness
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Joshua Shank
David's Lamentation
129 bpm • E Maj • 04:12 • -22.04db
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
14% Popularity • 16% Danceability • 5% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
