Songs like Macbeth: Act IV: Una macchia e qui tutt'ora by Giuseppe Verdi
Based on a tempo of (+/- 10%) and a similar genre
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Giuseppe Verdi
La traviata / Act I: "Si ridesta in ciel...
91 bpm • G# Maj • 01:37 • -15.2db
36% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
36% Popularity • 38% Danceability • 42% Energy • 12% Liveness
38% Instrumentalness • 37% Positiveness
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Giacomo Puccini
Puccini: Tosca, Act 2: "Vissi d'arte, vi...
90 bpm • D# Maj • 03:05 • -15db
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
30% Popularity • 22% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: Séguedille...
90 bpm • G Maj • 04:15 • -20.02db
13% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 42% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
92 bpm • E Maj • 07:05 • -20.75db
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
52% Popularity • 32% Danceability • 14% Energy • 12% Liveness
76% Instrumentalness • 28% Positiveness
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Angela Gheorghiu
Don Pasquale: Tornami a dir che m'ami
90 bpm • A Maj • 03:25 • -27.33db
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
90 bpm • D Maj • 03:49 • -28.46db
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
38% Popularity • 20% Danceability • 6% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 4: "Miserere d'un'alm...
91 bpm • C# Maj • 05:16 • -21.42db
14% Popularity • 27% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 27% Danceability • 9% Energy • 33% Liveness
0% Instrumentalness • 13% Positiveness
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Giacomo Puccini
Puccini: Gianni Schicchi, Act 1: "O mio ...
91 bpm • G# Maj • 02:31 • -21db
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
24% Popularity • 25% Danceability • 14% Energy • 18% Liveness
8% Instrumentalness • 4% Positiveness
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Richard Wagner
Die Walküre, WWV 86B, Act I: Winterstü...
89 bpm • A# Maj • 03:51 • -15db
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
27% Popularity • 28% Danceability • 21% Energy • 11% Liveness
18% Instrumentalness • 9% Positiveness
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Umberto Giordano
Fedora / Act 2: "Amor ti vieta"
93 bpm • C Maj • 01:48 • -14db
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 24% Liveness
83% Instrumentalness • 9% Positiveness
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Richard Strauss
Der Rosenkavalier, Op. 59 / Act 1: "Di r...
89 bpm • C# Maj • 03:03 • -13db
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
38% Popularity • 19% Danceability • 31% Energy • 38% Liveness
6% Instrumentalness • 7% Positiveness
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George Frideric Handel
Handel: Serse, HWV 40, Act 1, Scene 1: A...
89 bpm • E Maj • 03:23 • -20.19db
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
36% Popularity • 13% Danceability • 12% Energy • 16% Liveness
2% Instrumentalness • 4% Positiveness
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Giuseppe Verdi
Rigoletto / Act III: Maddalena? / Aspett...
92 bpm • B Maj • 02:53 • -28.99db
12% Popularity • 36% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
12% Popularity • 36% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Ruggero Leoncavallo
Pagliacci, Act I: "Recitar! Vesti la giu...
89 bpm • E Maj • 03:35 • -19.59db
22% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 18% Liveness
10% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
Malinconia, ninfa gentile
94 bpm • E Maj • 01:36 • -19.59db
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
34% Popularity • 30% Danceability • 16% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Preludio
88 bpm • F Maj • 02:05 • -19db
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 15% Danceability • 21% Energy • 61% Liveness
94% Instrumentalness • 6% Positiveness
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Maria Callas
Extrait "Casta Diva"
87 bpm • F Maj • 07:25 • -16db
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 12% Energy • 13% Liveness
11% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: "Su! del Nilo al sac...
90 bpm • G# Maj • 02:49 • -17.15db
19% Popularity • 29% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
19% Popularity • 29% Danceability • 17% Energy • 4% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
87 bpm • E Maj • 06:19 • -19.97db
20% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
20% Popularity • 34% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
88 bpm • F Maj • 05:40 • -17.03db
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
46% Popularity • 29% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Alfredo Catalani
La Wally / Act 1: "Ebben? Ne andrò lont...
87 bpm • E Maj • 03:42 • -21db
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 6% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Mirella Freni
Turandot: Tu, che di gel sei cinta
87 bpm • B Maj • 02:31 • -13.82db
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
24% Popularity • 28% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act II: "Una furtiva ...
87 bpm • A# min • 04:10 • -24.75db
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Giuseppe Verdi
La traviata / Act 3: "Prendi, quest'è l...
92 bpm • C# Maj • 04:15 • -22.58db
12% Popularity • 26% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 26% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Regina coeli laet...
87 bpm • G Maj • 05:25 • -14db
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
15% Popularity • 21% Danceability • 33% Energy • 43% Liveness
0% Instrumentalness • 6% Positiveness
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Vincenzo Bellini
La sonnambula, Act I: Come per me sereno
88 bpm • D# Maj • 02:31 • -17.42db
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 23% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Giacomo Puccini
Puccini: Madama Butterfly, Act 1: "Quant...
87 bpm • F# Maj • 03:46 • -17.61db
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Umberto Giordano
Fedora: Amor ti vieta
96 bpm • C Maj • 01:46 • -13.68db
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
40% Popularity • 21% Danceability • 28% Energy • 12% Liveness
57% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 3: "...
86 bpm • C min • 03:02 • -17.48db
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
37% Popularity • 26% Danceability • 9% Energy • 10% Liveness
1% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: "Fu la sorte dell'ar...
86 bpm • G Maj • 02:39 • -19db
18% Popularity • 28% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
18% Popularity • 28% Danceability • 9% Energy • 26% Liveness
0% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: Voi lo sapete
96 bpm • E min • 03:15 • -14.07db
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 24% Danceability • 18% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani / Act I: A te, o cara
86 bpm • D Maj • 05:46 • -16.27db
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
40% Popularity • 16% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann: Les oiseaux dans ...
86 bpm • G# Maj • 06:34 • -18.4db
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 8% Liveness
47% Instrumentalness • 14% Positiveness
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Luciano Pavarotti
La Traviata - Act. I - Libiam Ne' Lieti ...
97 bpm • A# Maj • 03:12 • -12db
35% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
35% Popularity • 44% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Giacomo Puccini
Gianni Schicchi: O mio babbino caro
98 bpm • G# Maj • 02:49 • -21.23db
51% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
51% Popularity • 21% Danceability • 16% Energy • 51% Liveness
38% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
Simon Boccanegra, Act III: Piango, perch...
92 bpm • D# min • 03:48 • -16.09db
9% Popularity • 18% Danceability • 21% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
9% Popularity • 18% Danceability • 21% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Franz Lehár
Die lustige Witwe (The Merry Widow) (200...
85 bpm • G Maj • 02:28 • -20.48db
36% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
36% Popularity • 21% Danceability • 8% Energy • 18% Liveness
1% Instrumentalness • 6% Positiveness
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Amilcare Ponchielli
La Gioconda, Op. 9: "Cielo e mar!"
84 bpm • D# Maj • 05:05 • -16db
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
31% Popularity • 17% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Was sie besaß, sie gab es hin [Ogni Suo Aver Tal Femmina] cover art](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6)
Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
98 bpm • D min • 01:29 • -11db
8% Popularity • 48% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
8% Popularity • 48% Danceability • 37% Energy • 64% Liveness
0% Instrumentalness • 59% Positiveness
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Giacomo Puccini
Turandot, SC 91, Act III: Nessun dorma!
84 bpm • D Maj • 02:57 • -12.51db
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
56% Popularity • 21% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Macbeth, Act I: Witches' Chorus. Che fac...
92 bpm • A min • 07:46 • -19.66db
16% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
16% Popularity • 39% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia (The Barber of S...
99 bpm • C Maj • 05:00 • -18db
50% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
50% Popularity • 48% Danceability • 27% Energy • 22% Liveness
1% Instrumentalness • 40% Positiveness
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Léo Delibes
Lakmé / Act 1: Viens, Mallika, ... Dôm...
84 bpm • B Maj • 06:03 • -22.23db
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
38% Popularity • 23% Danceability • 6% Energy • 41% Liveness
0% Instrumentalness • 6% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
83 bpm • E Maj • 04:08 • -17db
48% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 20% Energy • 19% Liveness
1% Instrumentalness • 4% Positiveness
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Carl Maria von Weber
Der Freischütz, J. 277 / Act III: "Und ...
84 bpm • G# Maj • 05:57 • -23.47db
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
29% Popularity • 18% Danceability • 7% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
83 bpm • C# Maj • 03:20 • -10.9db
5% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 35% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Giuseppe Verdi
La traviata: Act II: Amami, Alfredo! (Vi...
90 bpm • F Maj • 01:01 • -8.17db
32% Popularity • 27% Danceability • 56% Energy • 64% Liveness
57% Instrumentalness • 7% Positiveness
32% Popularity • 27% Danceability • 56% Energy • 64% Liveness
57% Instrumentalness • 7% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
39% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
38% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
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Gaetano Donizetti
La fille du régiment / Act 1: Ah! mes a...
82 bpm • D# Maj • 01:43 • -14.88db
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 47% Danceability • 31% Energy • 18% Liveness
0% Instrumentalness • 46% Positiveness
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Ruggero Leoncavallo
Pagliacci / Act 1: "Recitar!...Vesti la ...
81 bpm • E min • 03:41 • -13db
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
33% Popularity • 20% Danceability • 36% Energy • 10% Liveness
51% Instrumentalness • 8% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: Hungarian Da...
80 bpm • F# min • 04:09 • -17db
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
38% Popularity • 23% Danceability • 21% Energy • 14% Liveness
82% Instrumentalness • 30% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 3: "Di quella pira"
89 bpm • C Maj • 03:20 • -10.98db
22% Popularity • 39% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 33% Positiveness
22% Popularity • 39% Danceability • 44% Energy • 8% Liveness
1% Instrumentalness • 33% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
32% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Gaetano Donizetti
Don Pasquale / Act 3: "Com'è gentil...t...
102 bpm • A Maj • 03:49 • -10.78db
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 38% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 30% Positiveness
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Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
I puritani: Qui la voce sua soave
103 bpm • G# Maj • 05:27 • -16db
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
25% Popularity • 33% Danceability • 8% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Giuseppe Verdi
La traviata / Act III: Parigi, o cara, n...
89 bpm • G# Maj • 04:55 • -20.49db
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 25% Danceability • 12% Energy • 29% Liveness
0% Instrumentalness • 8% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
27% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
40% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "L'amour es...
104 bpm • D Maj • 04:17 • -23.98db
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
24% Popularity • 40% Danceability • 3% Energy • 37% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Manon Lescaut / Act 1: Donna non vidi ma...
79 bpm • A# Maj • 02:11 • -14.19db
36% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 30% Danceability • 32% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
33% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Giuseppe Verdi
Verdi: La traviata, Act 1: "Un dì, feli...
93 bpm • F Maj • 03:30 • -14.73db
4% Popularity • 29% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
4% Popularity • 29% Danceability • 15% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Ruggero Leoncavallo
Mattinata (Orch. Faris)
79 bpm • E Maj • 01:58 • -14.46db
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
38% Popularity • 23% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
101 bpm • D Maj • 03:45 • -27db
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 22% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Gaetano Donizetti
Donizetti: L'elisir d'amore, Act 2: "Una...
79 bpm • A# min • 04:17 • -22.29db
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 6% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Giuseppe Verdi
Verdi: Aida, Act 2: "Gloria all'Egitto, ...
93 bpm • D# Maj • 03:02 • -14.3db
22% Popularity • 26% Danceability • 28% Energy • 56% Liveness
24% Instrumentalness • 22% Positiveness
22% Popularity • 26% Danceability • 28% Energy • 56% Liveness
24% Instrumentalness • 22% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "Votre toast" (To...
105 bpm • F Maj • 05:20 • -14.2db
25% Popularity • 36% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
25% Popularity • 36% Danceability • 37% Energy • 34% Liveness
0% Instrumentalness • 25% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann (1989 Digital Rema...
101 bpm • C Maj • 01:12 • -31.8db
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
38% Popularity • 43% Danceability • 4% Energy • 9% Liveness
56% Instrumentalness • 44% Positiveness
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Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
31% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Ludwig van Beethoven
Symphony No. 9 in D Minor, Op. 125 "Chor...
78 bpm • D Maj • 03:22 • -13db
33% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
33% Popularity • 24% Danceability • 49% Energy • 24% Liveness
57% Instrumentalness • 21% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
30% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Giuseppe Verdi
Il Trovatore / Act 1: "Di due figli"
105 bpm • E min • 08:25 • -18db
18% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
18% Popularity • 43% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
33% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
33% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
29% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Francesco Maria Piave
La Forza Del Destino: Pace, Pace
78 bpm • C min • 05:24 • -29db
26% Popularity • 21% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 21% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
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Giacomo Puccini
Puccini: La bohème, Act 1: "Sì. mi chi...
78 bpm • D Maj • 05:01 • -17.69db
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
31% Popularity • 17% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 2: "Una furtiva l...
78 bpm • F min • 04:38 • -18db
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
29% Popularity • 16% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Nabucco: Overture
89 bpm • C Maj • 07:29 • -18db
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
31% Popularity • 32% Danceability • 14% Energy • 6% Liveness
74% Instrumentalness • 22% Positiveness
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Georges Bizet
Bizet: Carmen, WD 31, Act 1: "Sur la pla...
107 bpm • A# Maj • 01:54 • -25db
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
26% Popularity • 39% Danceability • 8% Energy • 16% Liveness
11% Instrumentalness • 40% Positiveness
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Elena Filipova
Messa da Requiem: II Lacrymosa
77 bpm • A# min • 05:45 • -22db
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
32% Popularity • 19% Danceability • 15% Energy • 9% Liveness
7% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Giacomo Puccini
Madama Butterfly, SC 74, Act II: Un bel ...
77 bpm • C# Maj • 04:52 • -19.56db
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
31% Popularity • 20% Danceability • 10% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Johann Strauss II
Die Fledermaus: Overture
109 bpm • D Maj • 07:40 • -14.49db
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
43% Popularity • 39% Danceability • 24% Energy • 5% Liveness
78% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
La traviata / Act II: "Che fai?" - "Null...
89 bpm • F Maj • 02:05 • -15db
30% Popularity • 36% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
30% Popularity • 36% Danceability • 28% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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Agnes Baltsa
Carmen (Act I, Sequedille)
112 bpm • D Maj • 02:04 • -14.83db
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
21% Popularity • 44% Danceability • 19% Energy • 69% Liveness
0% Instrumentalness • 21% Positiveness
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Georges Bizet
Carmen / Act II: Toreador Song: "Votre t...
112 bpm • A# min • 03:49 • -12.54db
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
43% Popularity • 47% Danceability • 36% Energy • 15% Liveness
23% Instrumentalness • 58% Positiveness
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Charles Gounod
Gounod : Faust : Act 1 "Le veau d'or" [M...
108 bpm • G# Maj • 02:06 • -17.15db
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
15% Popularity • 47% Danceability • 40% Energy • 55% Liveness
0% Instrumentalness • 48% Positiveness
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Giacomo Puccini
Turandot / Act 1: Non piangere Liù
111 bpm • D# min • 05:03 • -12.13db
34% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
34% Popularity • 27% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Léo Delibes
Coppélia / Tableau 1: No. 1 Valse
114 bpm • D# Maj • 02:01 • -23db
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 7% Energy • 13% Liveness
93% Instrumentalness • 26% Positiveness
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Giuseppe Verdi
Aida, Act I: Sì: corre voce che l'Etiop...
89 bpm • G Maj • 01:35 • -31db
10% Popularity • 24% Danceability • 4% Energy • 19% Liveness
2% Instrumentalness • 25% Positiveness
10% Popularity • 24% Danceability • 4% Energy • 19% Liveness
2% Instrumentalness • 25% Positiveness
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Francesco Maria Piave
La Traviata · Oper in 3 Akten · Arien ...
114 bpm • E Maj • 03:54 • -23.55db
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 8% Energy • 34% Liveness
87% Instrumentalness • 4% Positiveness
