Songs like Mach by Örjan Högberg
Based on a tempo of (+/- 10%) and a similar genre
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Örjan Högberg
Strikes
120 bpm • D min • 04:29 • -16.48db
0% Popularity • 67% Danceability • 42% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
0% Popularity • 67% Danceability • 42% Energy • 15% Liveness
87% Instrumentalness • 24% Positiveness
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Tanita Tikaram
Don't Shake Me Up
120 bpm • D Maj • 02:59 • -12.96db
44% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 73% Danceability • 44% Energy • 26% Liveness
0% Instrumentalness • 83% Positiveness
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Chris Rea
Sing a Song of Love to Me
120 bpm • D Maj • 03:34 • -14.94db
40% Popularity • 47% Danceability • 26% Energy • 20% Liveness
2% Instrumentalness • 8% Positiveness
40% Popularity • 47% Danceability • 26% Energy • 20% Liveness
2% Instrumentalness • 8% Positiveness
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Ian Shaw
My Brother
120 bpm • F Maj • 04:34 • -15db
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
21% Popularity • 76% Danceability • 20% Energy • 12% Liveness
5% Instrumentalness • 38% Positiveness
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Livingston Taylor
Isn't She Lovely
120 bpm • A Maj • 04:37 • -22.2db
31% Popularity • 54% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
31% Popularity • 54% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 28% Positiveness
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John Martyn
You Don't Know What Love Is
120 bpm • C# Maj • 05:18 • -16db
25% Popularity • 42% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
25% Popularity • 42% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 18% Positiveness
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Örjan Högberg
Mach
120 bpm • G Maj • 03:40 • -15.86db
0% Popularity • 79% Danceability • 58% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
0% Popularity • 79% Danceability • 58% Energy • 9% Liveness
93% Instrumentalness • 38% Positiveness
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Anne Ducros
Your Song
120 bpm • A Maj • 04:30 • -13db
8% Popularity • 58% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
8% Popularity • 58% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Keith Jarrett
My Song
120 bpm • C Maj • 06:09 • -16.7db
39% Popularity • 44% Danceability • 9% Energy • 12% Liveness
52% Instrumentalness • 12% Positiveness
39% Popularity • 44% Danceability • 9% Energy • 12% Liveness
52% Instrumentalness • 12% Positiveness
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Tanita Tikaram
To Drink the Rainbow (Acoustic)
120 bpm • G Maj • 03:31 • -10.14db
40% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 58% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Crystal Gayle
Old Boyfriends
120 bpm • F# min • 05:52 • -14.37db
14% Popularity • 46% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
14% Popularity • 46% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Anne Sofie von Otter
Rope
121 bpm • E min • 03:54 • -13.52db
12% Popularity • 55% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 55% Danceability • 24% Energy • 5% Liveness
0% Instrumentalness • 14% Positiveness
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Örjan Högberg
Lakshmi
120 bpm • D Maj • 03:48 • -18.21db
0% Popularity • 64% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
0% Popularity • 64% Danceability • 45% Energy • 12% Liveness
89% Instrumentalness • 21% Positiveness
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Thomas Quasthoff
Nice 'N' Easy
119 bpm • D min • 03:36 • -10.59db
10% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Bryan Ferry
Bitters End
119 bpm • F Maj • 02:26 • -13.02db
27% Popularity • 44% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
27% Popularity • 44% Danceability • 23% Energy • 11% Liveness
86% Instrumentalness • 32% Positiveness
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Allen Toussaint
Waltz For Debby
119 bpm • F Maj • 03:14 • -17.42db
23% Popularity • 71% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
23% Popularity • 71% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Jef Neve
Crystal Lights
119 bpm • D min • 04:44 • -14.79db
17% Popularity • 30% Danceability • 27% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
17% Popularity • 30% Danceability • 27% Energy • 30% Liveness
81% Instrumentalness • 4% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
37% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
37% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Mathilde Santing
I've Grown Accustomed to Her Face
119 bpm • C Maj • 02:54 • -21.61db
16% Popularity • 72% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
16% Popularity • 72% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Magdalena Kozená
Begin the Beguine
119 bpm • A# Maj • 03:53 • -11.61db
11% Popularity • 36% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 36% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Gordon Haskell
All the Time in the World
122 bpm • A Maj • 04:58 • -13.98db
30% Popularity • 77% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 59% Positiveness
30% Popularity • 77% Danceability • 35% Energy • 11% Liveness
2% Instrumentalness • 59% Positiveness
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Anne Sofie von Otter
Just A Curio
118 bpm • C Maj • 04:17 • -16.26db
10% Popularity • 40% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 40% Danceability • 19% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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David Crosby
By the Light of Common Day
122 bpm • C Maj • 06:15 • -14.1db
14% Popularity • 69% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
14% Popularity • 69% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 24% Positiveness
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Tanita Tikaram
Everyday Is New
118 bpm • F Maj • 04:55 • -12.19db
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 43% Positiveness
22% Popularity • 50% Danceability • 44% Energy • 10% Liveness
5% Instrumentalness • 43% Positiveness
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Mathias Duplessy
Oriental Little Paris
122 bpm • A min • 03:17 • -11.54db
23% Popularity • 48% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
23% Popularity • 48% Danceability • 22% Energy • 11% Liveness
3% Instrumentalness • 38% Positiveness
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Charles Trenet
La Mer
122 bpm • C Maj • 03:00 • -10db
15% Popularity • 60% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
15% Popularity • 60% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 42% Positiveness
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Erich Nussbaum
Orpheo Negro
118 bpm • A min • 03:29 • -14.42db
29% Popularity • 71% Danceability • 25% Energy • 10% Liveness
24% Instrumentalness • 67% Positiveness
29% Popularity • 71% Danceability • 25% Energy • 10% Liveness
24% Instrumentalness • 67% Positiveness
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Tom Waits
I Beg Your Pardon
122 bpm • F min • 04:26 • -15.25db
17% Popularity • 33% Danceability • 11% Energy • 12% Liveness
6% Instrumentalness • 7% Positiveness
17% Popularity • 33% Danceability • 11% Energy • 12% Liveness
6% Instrumentalness • 7% Positiveness
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Van Morrison
Affirmation
118 bpm • G# Maj • 06:03 • -11.51db
13% Popularity • 49% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 23% Positiveness
13% Popularity • 49% Danceability • 35% Energy • 12% Liveness
9% Instrumentalness • 23% Positiveness
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Paolo Conte
Sirat Al Bunduqiyyah
123 bpm • A min • 04:07 • -12.71db
32% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
32% Popularity • 29% Danceability • 18% Energy • 8% Liveness
84% Instrumentalness • 7% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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Janis Ian
At Seventeen
123 bpm • C Maj • 04:08 • -11.31db
35% Popularity • 69% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
35% Popularity • 69% Danceability • 27% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Bryan Ferry
When Somebody Thinks You're Wonderful
117 bpm • C min • 02:57 • -12.21db
26% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
26% Popularity • 70% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Anne Bisson
Little Black Lake
117 bpm • A# Maj • 04:16 • -19.98db
19% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 53% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 18% Positiveness
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Van Morrison
Sometimes I Feel Like a Motherless Child
118 bpm • F# min • 04:28 • -10.45db
34% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
34% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Mathilde Santing
The First Time Ever I Saw Your Face
123 bpm • D min • 04:18 • -20.28db
19% Popularity • 31% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
19% Popularity • 31% Danceability • 11% Energy • 12% Liveness
4% Instrumentalness • 13% Positiveness
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Fairground Attraction
Do You Want To Know A Secret?
117 bpm • F Maj • 02:33 • -21.47db
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
30% Popularity • 64% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Gaucho
It's Been a While
123 bpm • A min • 04:07 • -12.88db
21% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
21% Popularity • 70% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Notting Hillbillies
Bewildered
117 bpm • F min • 02:36 • -17.55db
43% Popularity • 47% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 47% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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J.J. Cale
You Keep Me Hangin' On
117 bpm • C Maj • 03:26 • -16.51db
39% Popularity • 68% Danceability • 30% Energy • 14% Liveness
12% Instrumentalness • 50% Positiveness
39% Popularity • 68% Danceability • 30% Energy • 14% Liveness
12% Instrumentalness • 50% Positiveness
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Suzanne Vega
Walk on the Wild Side
117 bpm • D Maj • 04:15 • -16.66db
30% Popularity • 49% Danceability • 19% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 49% Danceability • 19% Energy • 67% Liveness
0% Instrumentalness • 44% Positiveness
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Miles Davis
Time After Time - Live
116 bpm • C Maj • 09:56 • -18.23db
31% Popularity • 44% Danceability • 11% Energy • 97% Liveness
27% Instrumentalness • 32% Positiveness
31% Popularity • 44% Danceability • 11% Energy • 97% Liveness
27% Instrumentalness • 32% Positiveness
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Françoise Hardy
I'll Be Seeing You
116 bpm • D Maj • 04:05 • -9.68db
32% Popularity • 75% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
32% Popularity • 75% Danceability • 37% Energy • 9% Liveness
2% Instrumentalness • 49% Positiveness
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Bryan Ferry
September Song
116 bpm • D min • 03:03 • -13.83db
22% Popularity • 46% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
22% Popularity • 46% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 18% Positiveness
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Laurie Anderson
Strange Angels
116 bpm • C Maj • 03:52 • -18.82db
27% Popularity • 62% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 62% Danceability • 34% Energy • 4% Liveness
0% Instrumentalness • 50% Positiveness
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Johann Sebastian Bach
Keyboard Concerto in F Minor, BWV 1056: ...
124 bpm • G# Maj • 02:51 • -26.94db
21% Popularity • 57% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
21% Popularity • 57% Danceability • 2% Energy • 13% Liveness
94% Instrumentalness • 44% Positiveness
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Tom Waits
Take Me Home
116 bpm • G# Maj • 01:35 • -16db
39% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
39% Popularity • 38% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Martha Wainwright
The Traitor
116 bpm • A Maj • 04:44 • -13.03db
27% Popularity • 43% Danceability • 21% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 43% Danceability • 21% Energy • 70% Liveness
0% Instrumentalness • 19% Positiveness
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Sally Oldfield
Sun in My Eyes
116 bpm • F# Maj • 04:18 • -9.66db
24% Popularity • 56% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 56% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Bryan Ferry
Easy Living
116 bpm • G# Maj • 02:16 • -10.13db
31% Popularity • 66% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 35% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Lisa Ekdahl
I Know You Love Me
116 bpm • G min • 03:43 • -10db
33% Popularity • 56% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
33% Popularity • 56% Danceability • 38% Energy • 8% Liveness
1% Instrumentalness • 52% Positiveness
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Van Morrison
Allow Me
125 bpm • C Maj • 03:52 • -9.37db
30% Popularity • 52% Danceability • 31% Energy • 14% Liveness
22% Instrumentalness • 28% Positiveness
30% Popularity • 52% Danceability • 31% Energy • 14% Liveness
22% Instrumentalness • 28% Positiveness
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The Rosenberg Trio
Dance in the Old Fashioned Way
125 bpm • G# Maj • 03:15 • -10.77db
29% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 56% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Mariza
Há uma música do povo
115 bpm • C min • 03:10 • -9.05db
28% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
28% Popularity • 50% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Frazey Ford
Three Golden Trees
115 bpm • D# Maj • 05:04 • -11.9db
43% Popularity • 62% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
43% Popularity • 62% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Richard Julian
Don't Wait Up
115 bpm • A Maj • 03:14 • -14.85db
18% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
18% Popularity • 51% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Toots Thielemans
Ne me quitte pas
126 bpm • E min • 03:32 • -17.96db
21% Popularity • 58% Danceability • 2% Energy • 6% Liveness
60% Instrumentalness • 10% Positiveness
21% Popularity • 58% Danceability • 2% Energy • 6% Liveness
60% Instrumentalness • 10% Positiveness
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Yusuf / Cat Stevens
How Can I Tell You - Remastered 2021
125 bpm • D Maj • 04:26 • -14.65db
57% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
57% Popularity • 55% Danceability • 26% Energy • 12% Liveness
2% Instrumentalness • 16% Positiveness
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Marcos Valle
Valle, M / Valle, P: So nice
126 bpm • C Maj • 04:24 • -10db
42% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 52% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Biel Ballester Trio
Per Na Cola
114 bpm • G Maj • 03:37 • -8db
24% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
24% Popularity • 66% Danceability • 62% Energy • 11% Liveness
86% Instrumentalness • 65% Positiveness
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Viktor Lazlo
Promised Land
126 bpm • A Maj • 04:00 • -14.68db
12% Popularity • 69% Danceability • 28% Energy • 7% Liveness
2% Instrumentalness • 41% Positiveness
12% Popularity • 69% Danceability • 28% Energy • 7% Liveness
2% Instrumentalness • 41% Positiveness
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George Harrison
While My Guitar Gently Weeps (Arranged f...
114 bpm • E min • 04:06 • -17.81db
34% Popularity • 29% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
34% Popularity • 29% Danceability • 23% Energy • 12% Liveness
93% Instrumentalness • 25% Positiveness
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Jack Sels
Rain On The Grand'Place
114 bpm • F min • 02:30 • -12db
27% Popularity • 55% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
27% Popularity • 55% Danceability • 11% Energy • 11% Liveness
96% Instrumentalness • 47% Positiveness
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Sophie Zelmani
Sailing
114 bpm • A Maj • 04:02 • -15.72db
25% Popularity • 47% Danceability • 7% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
25% Popularity • 47% Danceability • 7% Energy • 10% Liveness
17% Instrumentalness • 4% Positiveness
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Lizz Wright
River Man
114 bpm • F min • 05:32 • -10.18db
25% Popularity • 40% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
25% Popularity • 40% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Laura Fygi
I Will Wait For You
114 bpm • D# Maj • 02:46 • -13.12db
29% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 43% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Bryan Ferry
Where or When
126 bpm • F# Maj • 03:19 • -14.06db
29% Popularity • 28% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 16% Positiveness
29% Popularity • 28% Danceability • 16% Energy • 11% Liveness
11% Instrumentalness • 16% Positiveness
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Shindig Society
Philadelphia
114 bpm • F Maj • 04:08 • -11db
30% Popularity • 59% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
30% Popularity • 59% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 13% Positiveness
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Celia Vaz
Ticket to Ride
114 bpm • G Maj • 04:29 • -11.2db
11% Popularity • 72% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 72% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Van Morrison
Spanish Steps
127 bpm • E min • 05:24 • -9.97db
35% Popularity • 44% Danceability • 42% Energy • 8% Liveness
73% Instrumentalness • 13% Positiveness
35% Popularity • 44% Danceability • 42% Energy • 8% Liveness
73% Instrumentalness • 13% Positiveness
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Enrico Pieranunzi
Kingdom - Where Nobody Dies
114 bpm • D Maj • 06:58 • -15.2db
16% Popularity • 33% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
16% Popularity • 33% Danceability • 10% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Christy Moore
Shine on You Crazy Diamond
127 bpm • F min • 05:06 • -15.98db
33% Popularity • 57% Danceability • 16% Energy • 13% Liveness
5% Instrumentalness • 12% Positiveness
33% Popularity • 57% Danceability • 16% Energy • 13% Liveness
5% Instrumentalness • 12% Positiveness
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Elvis Costello
I Still Have That Other Girl
127 bpm • F Maj • 02:46 • -11.99db
36% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 46% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Harry Sacksioni
Elixer
127 bpm • B min • 01:51 • -14.32db
32% Popularity • 46% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
32% Popularity • 46% Danceability • 40% Energy • 12% Liveness
93% Instrumentalness • 51% Positiveness
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George Cole Quintet
Sheila's Waltz
114 bpm • A min • 07:36 • -9.35db
27% Popularity • 54% Danceability • 37% Energy • 10% Liveness
7% Instrumentalness • 22% Positiveness
27% Popularity • 54% Danceability • 37% Energy • 10% Liveness
7% Instrumentalness • 22% Positiveness
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Fairground Attraction
Whispers
113 bpm • D Maj • 03:50 • -20db
32% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
32% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Anoushka Shankar
Unsaid
113 bpm • D Maj • 04:28 • -20.1db
46% Popularity • 41% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
46% Popularity • 41% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Andrea Bocelli
Pianissimo
127 bpm • G Maj • 04:28 • -15.24db
36% Popularity • 30% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 20% Positiveness
36% Popularity • 30% Danceability • 17% Energy • 11% Liveness
11% Instrumentalness • 20% Positiveness
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marcus schinkel trio
Brucia la Terra
113 bpm • C Maj • 05:18 • -9.9db
29% Popularity • 71% Danceability • 47% Energy • 17% Liveness
88% Instrumentalness • 66% Positiveness
29% Popularity • 71% Danceability • 47% Energy • 17% Liveness
88% Instrumentalness • 66% Positiveness
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Mark Orton
Childhood
113 bpm • D Maj • 01:52 • -18db
29% Popularity • 42% Danceability • 2% Energy • 13% Liveness
24% Instrumentalness • 42% Positiveness
29% Popularity • 42% Danceability • 2% Energy • 13% Liveness
24% Instrumentalness • 42% Positiveness
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Joplin's Jukebox
Heliotrope Bouquet
113 bpm • E Maj • 02:54 • -18db
17% Popularity • 51% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
17% Popularity • 51% Danceability • 24% Energy • 11% Liveness
85% Instrumentalness • 30% Positiveness
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Guy Chambers
Go Gentle
128 bpm • D# min • 04:23 • -23.76db
22% Popularity • 36% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
22% Popularity • 36% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Tanita Tikaram
Valentine Heart (Acoustic)
113 bpm • G Maj • 04:11 • -11.27db
33% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 60% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Marlene Dietrich
Where Have All The Flowers Gone
128 bpm • C Maj • 03:37 • -12db
35% Popularity • 68% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 68% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Graham Nash
Encore
128 bpm • E Maj • 03:51 • -18db
34% Popularity • 64% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
34% Popularity • 64% Danceability • 14% Energy • 11% Liveness
5% Instrumentalness • 15% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Aria (1)
128 bpm • G Maj • 02:28 • -20db
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
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John Cale
(I Keep A) Close Watch - Fragments
128 bpm • G min • 02:33 • -12.99db
23% Popularity • 44% Danceability • 39% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
23% Popularity • 44% Danceability • 39% Energy • 97% Liveness
0% Instrumentalness • 29% Positiveness
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Ayọ
Throw It Away
112 bpm • A# Maj • 05:11 • -14.56db
37% Popularity • 90% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
37% Popularity • 90% Danceability • 26% Energy • 11% Liveness
2% Instrumentalness • 40% Positiveness
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Paul Simon
Questions for the Angels
112 bpm • D Maj • 04:01 • -17.94db
18% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 40% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Cassandra Wilson
Harvest Moon
112 bpm • A# Maj • 05:01 • -22db
40% Popularity • 40% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 4% Positiveness
40% Popularity • 40% Danceability • 5% Energy • 22% Liveness
26% Instrumentalness • 4% Positiveness
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Sara Gazarek
And So It Goes
129 bpm • G Maj • 05:12 • -20.35db
39% Popularity • 45% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 45% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Elvis Costello
You Shouldn’t Look At Me That Way
112 bpm • G# Maj • 04:30 • -9db
22% Popularity • 57% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
22% Popularity • 57% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 15% Positiveness
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Kat Edmonson
Chim Chim Cher-Ee
129 bpm • G# Maj • 02:36 • -11.1db
18% Popularity • 49% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 49% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Joséphine Baker
Night and Day
129 bpm • C# Maj • 02:14 • -13.2db
23% Popularity • 74% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 56% Positiveness
23% Popularity • 74% Danceability • 28% Energy • 22% Liveness
1% Instrumentalness • 56% Positiveness
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Susannah McCorkle
The Waters Of March
129 bpm • B min • 03:57 • -24.88db
46% Popularity • 64% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
46% Popularity • 64% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 42% Positiveness
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Jacques Loussier
Air on a G String
129 bpm • C Maj • 03:35 • -28.12db
29% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
29% Popularity • 49% Danceability • 3% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
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Susie Arioli
All the Way
112 bpm • F Maj • 03:07 • -11.21db
37% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
37% Popularity • 51% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Siri Gjære
Winter's Broken
129 bpm • G Maj • 03:35 • -20.46db
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 37% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
