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Machine Gun, Second Take
Songs like
Machine Gun, Second Take
by
The Peter Brötzmann Octet
Based on a tempo of (+/- 10%) and a similar genre
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Andrew Hill
Siete Ocho - Remastered 2003 / Rudy Van ...
110 bpm • F min • 08:58 • -10.43db
17% Popularity • 36% Danceability • 64% Energy • 10% Liveness
4% Instrumentalness • 49% Positiveness
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Supersilent
6.2
110 bpm • C min • 09:57 • -17.47db
12% Popularity • 29% Danceability • 19% Energy • 11% Liveness
83% Instrumentalness • 13% Positiveness
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The Peter Brötzmann Octet
Machine Gun, Second Take
110 bpm • D Maj • 15:00 • -15.9db
6% Popularity • 29% Danceability • 67% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
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Charlie Haden
The Interlude (Drinking Music)
109 bpm • D# Maj • 01:25 • -11.45db
10% Popularity • 46% Danceability • 33% Energy • 12% Liveness
44% Instrumentalness • 61% Positiveness
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Anthony Braxton
BOR----H (Opus 23E)
111 bpm • G# Maj • 03:23 • -10.76db
12% Popularity • 49% Danceability • 65% Energy • 9% Liveness
61% Instrumentalness • 76% Positiveness
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Alice Coltrane
Lord Of Lords
111 bpm • A Maj • 11:17 • -15.2db
14% Popularity • 16% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Magma
Zombies - 2020 Remastered Version
111 bpm • G# Maj • 04:24 • -9db
22% Popularity • 44% Danceability • 95% Energy • 36% Liveness
88% Instrumentalness • 24% Positiveness
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Albert Ayler
Bells
111 bpm • C Maj • 03:09 • -9.13db
11% Popularity • 42% Danceability • 67% Energy • 21% Liveness
88% Instrumentalness • 80% Positiveness
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Max Roach
Twinkle Toes
111 bpm • C# Maj • 03:33 • -16.35db
11% Popularity • 54% Danceability • 20% Energy • 10% Liveness
5% Instrumentalness • 40% Positiveness
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Bill Laswell
Improvised Music #2
109 bpm • G# min • 05:04 • -17.7db
8% Popularity • 40% Danceability • 42% Energy • 15% Liveness
72% Instrumentalness • 23% Positiveness
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The Lounge Lizards
One Big Yes
111 bpm • C min • 06:23 • -12.49db
19% Popularity • 43% Danceability • 58% Energy • 10% Liveness
6% Instrumentalness • 84% Positiveness
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McCoy Tyner
La Cubana
111 bpm • G Maj • 10:26 • -11.1db
15% Popularity • 40% Danceability • 79% Energy • 21% Liveness
1% Instrumentalness • 41% Positiveness
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Marion Brown
Bismillahi 'Rrahmani 'Rrahim
109 bpm • F# Maj • 06:02 • -18.32db
20% Popularity • 24% Danceability • 17% Energy • 11% Liveness
88% Instrumentalness • 4% Positiveness
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Ramleh
Redcap Part 2
111 bpm • E min • 06:40 • -3db
11% Popularity • 16% Danceability • 82% Energy • 20% Liveness
0% Instrumentalness • 4% Positiveness
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Max Roach
Drums Unlimited
109 bpm • G# min • 04:20 • -25.82db
16% Popularity • 42% Danceability • 48% Energy • 5% Liveness
88% Instrumentalness • 43% Positiveness
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Michael White
John Coltrane Was Here
112 bpm • E min • 06:04 • -14.89db
9% Popularity • 47% Danceability • 49% Energy • 11% Liveness
85% Instrumentalness • 47% Positiveness
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Henry Cow
Teenbeat Introduction
112 bpm • A min • 04:32 • -21db
11% Popularity • 33% Danceability • 27% Energy • 26% Liveness
6% Instrumentalness • 31% Positiveness
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Last Exit
Discharge
108 bpm • G min • 03:24 • -11.68db
13% Popularity • 25% Danceability • 94% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Don Cherry
Initiation (Demo)
112 bpm • B min • 02:54 • -20.75db
18% Popularity • 70% Danceability • 23% Energy • 18% Liveness
62% Instrumentalness • 71% Positiveness
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Henry Threadgill
In for a penny, in for a pound (opening)
112 bpm • C# Maj • 04:35 • -12.56db
10% Popularity • 47% Danceability • 48% Energy • 19% Liveness
85% Instrumentalness • 62% Positiveness
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Matana Roberts
Jewels Of The Sky: Inscription
112 bpm • D Maj • 01:48 • -9.14db
13% Popularity • 16% Danceability • 40% Energy • 53% Liveness
88% Instrumentalness • 12% Positiveness
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Peter Brötzmann
It's Almost Dark
112 bpm • A# Maj • 10:09 • -10.42db
10% Popularity • 29% Danceability • 17% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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This Heat
Water
108 bpm • A# min • 03:10 • -19.61db
13% Popularity • 40% Danceability • 27% Energy • 10% Liveness
80% Instrumentalness • 4% Positiveness
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Rufus Harley
Crack
112 bpm • F min • 09:56 • -7.76db
8% Popularity • 28% Danceability • 82% Energy • 77% Liveness
3% Instrumentalness • 44% Positiveness
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Bennie Maupin
Song For Tracie Dixon Summers
112 bpm • D Maj • 05:19 • -14.54db
10% Popularity • 31% Danceability • 10% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Jaco Pastorius
Okonkole y Trompa
108 bpm • E min • 04:25 • -23.9db
32% Popularity • 61% Danceability • 42% Energy • 11% Liveness
95% Instrumentalness • 98% Positiveness
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John Lurie
Ketchak
112 bpm • C# min • 08:53 • -10.42db
9% Popularity • 46% Danceability • 58% Energy • 10% Liveness
81% Instrumentalness • 20% Positiveness
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Albert Ayler
The Wizard
108 bpm • D min • 07:22 • -14.06db
21% Popularity • 33% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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This Heat
Music Like Escaping Gas
108 bpm • G min • 03:40 • -17.16db
12% Popularity • 19% Danceability • 10% Energy • 8% Liveness
81% Instrumentalness • 3% Positiveness
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Muhal Richard Abrams
Afrisong
112 bpm • G# Maj • 05:09 • -26db
17% Popularity • 34% Danceability • 5% Energy • 7% Liveness
87% Instrumentalness • 34% Positiveness
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Dollar Brand
ドンの歌
107 bpm • E min • 07:36 • -9.65db
9% Popularity • 25% Danceability • 53% Energy • 16% Liveness
75% Instrumentalness • 20% Positiveness
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Jan Garbarek Quartet
Skarabée
113 bpm • F Maj • 06:16 • -21.17db
16% Popularity • 53% Danceability • 47% Energy • 10% Liveness
6% Instrumentalness • 29% Positiveness
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Anthony Williams
Echo - Remastered 2009/Rudy Van Gelder E...
107 bpm • D Maj • 05:00 • -16db
15% Popularity • 40% Danceability • 76% Energy • 36% Liveness
78% Instrumentalness • 20% Positiveness
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Steve Lehman Trio
Interlude
113 bpm • G# Maj • 01:04 • -17db
22% Popularity • 65% Danceability • 29% Energy • 9% Liveness
91% Instrumentalness • 11% Positiveness
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The Lounge Lizards
Incident On South Street
107 bpm • F# Maj • 03:25 • -13.74db
20% Popularity • 42% Danceability • 64% Energy • 6% Liveness
66% Instrumentalness • 62% Positiveness
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Sonny Sharrock
Blind Willie
113 bpm • E Maj • 03:10 • -15db
27% Popularity • 60% Danceability • 53% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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Raymond Scott
Baltimore Gas & Electric Co.
107 bpm • A# min • 01:14 • -15db
27% Popularity • 52% Danceability • 46% Energy • 13% Liveness
40% Instrumentalness • 94% Positiveness
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Cecil Taylor
T (Beautiful Young'n)
113 bpm • F# Maj • 00:52 • -25.4db
18% Popularity • 40% Danceability • 10% Energy • 11% Liveness
92% Instrumentalness • 34% Positiveness
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Storm & Stress
Today is Totally Crashing & Stunned in B...
113 bpm • F# min • 10:07 • -14.14db
8% Popularity • 41% Danceability • 45% Energy • 9% Liveness
48% Instrumentalness • 53% Positiveness
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Ramleh
Grazing On Fear 2
107 bpm • A# Maj • 07:07 • -5.04db
10% Popularity • 16% Danceability • 31% Energy • 12% Liveness
68% Instrumentalness • 4% Positiveness
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Maurício Tagliari
EICNSCS para 6 músicos
107 bpm • B Maj • 08:03 • -12.08db
12% Popularity • 43% Danceability • 51% Energy • 6% Liveness
65% Instrumentalness • 16% Positiveness
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Laddio Bolocko
Goat Lips
114 bpm • A# min • 06:57 • -2.61db
15% Popularity • 18% Danceability • 96% Energy • 14% Liveness
67% Instrumentalness • 6% Positiveness
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Gil Evans
Proclamation
114 bpm • F# Maj • 03:55 • -27.61db
20% Popularity • 50% Danceability • 7% Energy • 10% Liveness
83% Instrumentalness • 4% Positiveness
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Max Roach
Tears For Johannesburg - Remastered
106 bpm • B Maj • 09:46 • -17.96db
14% Popularity • 41% Danceability • 33% Energy • 12% Liveness
74% Instrumentalness • 51% Positiveness
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Don Cherry
Bra Joe from Kilimanjaro
114 bpm • A# Maj • 02:32 • -14.05db
11% Popularity • 29% Danceability • 70% Energy • 46% Liveness
92% Instrumentalness • 25% Positiveness
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Sun Ra & His Arkestra
Say
106 bpm • C Maj • 12:10 • -10.98db
16% Popularity • 40% Danceability • 62% Energy • 9% Liveness
54% Instrumentalness • 50% Positiveness
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Albert Ayler
Angels
114 bpm • F Maj • 05:32 • -19.51db
11% Popularity • 30% Danceability • 14% Energy • 42% Liveness
12% Instrumentalness • 15% Positiveness
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Duke Ellington
Money Jungle - Remastered
106 bpm • F Maj • 05:29 • -9.02db
27% Popularity • 52% Danceability • 70% Energy • 11% Liveness
2% Instrumentalness • 63% Positiveness
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Eberhard Weber
An Evening With Vincent Van Ritz
114 bpm • F Maj • 05:50 • -13db
22% Popularity • 32% Danceability • 47% Energy • 11% Liveness
97% Instrumentalness • 18% Positiveness
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Gastr Del Sol
A Jar Of Fat
106 bpm • C min • 02:10 • -26.03db
10% Popularity • 41% Danceability • 5% Energy • 9% Liveness
71% Instrumentalness • 23% Positiveness
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Steph Richards
Canopy
106 bpm • C# Maj • 03:41 • -15.44db
12% Popularity • 46% Danceability • 43% Energy • 39% Liveness
77% Instrumentalness • 42% Positiveness
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Derek Bailey
Laura
106 bpm • G Maj • 02:58 • -16.4db
13% Popularity • 66% Danceability • 13% Energy • 15% Liveness
83% Instrumentalness • 13% Positiveness
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Sonny Sharrock
Black Woman
115 bpm • D Maj • 05:14 • -11db
20% Popularity • 17% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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John Lurie
Are You Warm Enough?
105 bpm • A Maj • 02:46 • -19.65db
11% Popularity • 73% Danceability • 16% Energy • 13% Liveness
39% Instrumentalness • 34% Positiveness
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Ramleh
Hole In The Heart
115 bpm • G min • 03:51 • -4.56db
13% Popularity • 16% Danceability • 78% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Ill Considered
Pearls
115 bpm • G min • 09:53 • -9.64db
12% Popularity • 24% Danceability • 40% Energy • 17% Liveness
94% Instrumentalness • 14% Positiveness
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Art Ensemble Of Chicago
Prayer For Jimbo Kwesi
105 bpm • D Maj • 09:47 • -21.07db
9% Popularity • 22% Danceability • 12% Energy • 12% Liveness
72% Instrumentalness • 5% Positiveness
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Moondog
Death, When You Come To Me
115 bpm • B min • 02:03 • -14.41db
14% Popularity • 70% Danceability • 80% Energy • 2% Liveness
0% Instrumentalness • 86% Positiveness
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Rahsaan Roland Kirk
Fingers in the Wind
105 bpm • G# Maj • 04:18 • -17.8db
15% Popularity • 36% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 34% Positiveness
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Stan Kenton
Thermopolae
105 bpm • E min • 02:56 • -6.8db
8% Popularity • 22% Danceability • 56% Energy • 18% Liveness
52% Instrumentalness • 29% Positiveness
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Sonny Sharrock
Princess Sonata:Flowers Laugh
116 bpm • E Maj • 02:12 • -17.17db
12% Popularity • 45% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 34% Positiveness
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Last Exit
Backwater
116 bpm • G Maj • 05:27 • -13.55db
8% Popularity • 38% Danceability • 87% Energy • 43% Liveness
77% Instrumentalness • 18% Positiveness
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Sam Newsome
Straight Horns of Plenty
116 bpm • G min • 02:31 • -14.7db
10% Popularity • 92% Danceability • 32% Energy • 10% Liveness
93% Instrumentalness • 79% Positiveness
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Naked City
Skate Key
104 bpm • A Maj • 01:04 • -1.81db
15% Popularity • 40% Danceability • 98% Energy • 92% Liveness
86% Instrumentalness • 35% Positiveness
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This Heat
Makeshift Swahili
104 bpm • B min • 04:00 • -10.01db
23% Popularity • 35% Danceability • 66% Energy • 9% Liveness
43% Instrumentalness • 29% Positiveness
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Isotope 217
Prince Namor
104 bpm • E Maj • 07:26 • -21.01db
10% Popularity • 22% Danceability • 12% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
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John Zorn
The Big Gundown
116 bpm • D Maj • 07:26 • -11.9db
9% Popularity • 42% Danceability • 61% Energy • 8% Liveness
45% Instrumentalness • 20% Positiveness
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Pete La Roca
The Dancing Girl
104 bpm • F min • 06:11 • -14.44db
11% Popularity • 34% Danceability • 55% Energy • 25% Liveness
32% Instrumentalness • 44% Positiveness
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Henry Cow
The Tenth Chaffinch
104 bpm • A min • 06:04 • -22.06db
9% Popularity • 35% Danceability • 17% Energy • 10% Liveness
67% Instrumentalness • 17% Positiveness
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Cecil Taylor
Trance
117 bpm • C Maj • 09:12 • -6.4db
8% Popularity • 38% Danceability • 94% Energy • 61% Liveness
0% Instrumentalness • 34% Positiveness
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Alice Coltrane
Lord Help Me To Be
117 bpm • D Maj • 07:34 • -14db
21% Popularity • 37% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Cluster
Halwa
117 bpm • G# Maj • 02:51 • -17.81db
24% Popularity • 44% Danceability • 28% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Jaimie Branch
...Meanwhile
104 bpm • D Maj • 02:49 • -14db
13% Popularity • 39% Danceability • 45% Energy • 11% Liveness
71% Instrumentalness • 19% Positiveness
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Paul Motian Trio
It Should've Happened A Long Time Ago
117 bpm • F# min • 06:06 • -16db
15% Popularity • 34% Danceability • 15% Energy • 38% Liveness
3% Instrumentalness • 28% Positiveness
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John Lurie
Men Working
103 bpm • G# min • 01:07 • -18.53db
35% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 30% Positiveness
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Mary Halvorson
Armory Beams
103 bpm • B Maj • 01:08 • -12.44db
20% Popularity • 42% Danceability • 21% Energy • 18% Liveness
94% Instrumentalness • 4% Positiveness
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Alice Coltrane
Galaxy Around Olodumare
117 bpm • A Maj • 04:15 • -18.02db
15% Popularity • 21% Danceability • 35% Energy • 17% Liveness
92% Instrumentalness • 20% Positiveness
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Bennie Maupin
The Jewel In The Lotus
103 bpm • D Maj • 10:02 • -14.09db
15% Popularity • 27% Danceability • 31% Energy • 21% Liveness
9% Instrumentalness • 4% Positiveness
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Sonny Sharrock
Peanut
103 bpm • G Maj • 09:14 • -10.83db
15% Popularity • 27% Danceability • 92% Energy • 14% Liveness
69% Instrumentalness • 24% Positiveness
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Chad Taylor
Box Step
103 bpm • A min • 05:59 • -17db
9% Popularity • 42% Danceability • 32% Energy • 9% Liveness
53% Instrumentalness • 36% Positiveness
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Charlie Haden
The Introduction
117 bpm • A# min • 01:14 • -11.35db
20% Popularity • 32% Danceability • 29% Energy • 32% Liveness
95% Instrumentalness • 25% Positiveness
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Kenny Wheeler
Part 4 - For P.A.
103 bpm • D Maj • 09:26 • -18.04db
16% Popularity • 36% Danceability • 22% Energy • 11% Liveness
9% Instrumentalness • 7% Positiveness
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Chick Corea
Imp's Welcome
103 bpm • E Maj • 02:55 • -17.74db
18% Popularity • 29% Danceability • 26% Energy • 55% Liveness
86% Instrumentalness • 5% Positiveness
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Joe Zawinul
Arrival in New York
118 bpm • F Maj • 01:57 • -20.55db
17% Popularity • 36% Danceability • 25% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Andrew Hill
Dedication - Rudy Van Gelder Edition/199...
103 bpm • C# Maj • 06:45 • -14.56db
13% Popularity • 40% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 27% Positiveness
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Joe Harriott
Spring Low, Sweet Harriott
118 bpm • G min • 01:57 • -16.69db
20% Popularity • 48% Danceability • 26% Energy • 11% Liveness
7% Instrumentalness • 23% Positiveness
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Ramleh
Bite The Bolster
103 bpm • C Maj • 05:13 • -4.59db
22% Popularity • 14% Danceability • 73% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Mats Gustafsson
THERE ARE SOME WORLDS WHERE ALL DREAMS D...
118 bpm • C# Maj • 07:12 • -20.23db
8% Popularity • 27% Danceability • 8% Energy • 12% Liveness
92% Instrumentalness • 3% Positiveness
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Jaimie Branch
The Storm
103 bpm • C# Maj • 05:48 • -14.17db
8% Popularity • 22% Danceability • 32% Energy • 34% Liveness
89% Instrumentalness • 5% Positiveness
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Merzbow
Why Is the Courtesy of the Prey Always C...
102 bpm • A Maj • 09:50 • -7.86db
10% Popularity • 21% Danceability • 98% Energy • 14% Liveness
79% Instrumentalness • 8% Positiveness
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Steve Lehman
39
102 bpm • A min • 08:02 • -14.27db
13% Popularity • 41% Danceability • 45% Energy • 14% Liveness
70% Instrumentalness • 30% Positiveness
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Bengt Berger
Chetu
102 bpm • G# min • 03:20 • -15.37db
11% Popularity • 40% Danceability • 28% Energy • 10% Liveness
13% Instrumentalness • 94% Positiveness
► Preview
John Lurie
Promenade Du Maquereau
118 bpm • A min • 01:29 • -14.6db
20% Popularity • 77% Danceability • 36% Energy • 10% Liveness
6% Instrumentalness • 58% Positiveness
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Louis Hardin
Theme - Instrumental
102 bpm • G Maj • 02:59 • -14.87db
29% Popularity • 54% Danceability • 56% Energy • 13% Liveness
82% Instrumentalness • 82% Positiveness
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The Gil Evans Orchestra
Sunken Treasure
102 bpm • C# Maj • 04:17 • -16.03db
15% Popularity • 46% Danceability • 15% Energy • 10% Liveness
85% Instrumentalness • 15% Positiveness
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Ramleh
Product Of Fear
118 bpm • G# min • 07:06 • -6.76db
20% Popularity • 17% Danceability • 0% Energy • 10% Liveness
98% Instrumentalness • 39% Positiveness
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Herbie Hancock
Rain Dance
102 bpm • A# min • 09:15 • -14db
28% Popularity • 68% Danceability • 69% Energy • 13% Liveness
86% Instrumentalness • 54% Positiveness
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Anthony Braxton
Dedicated to Multi-Instrumentalist Jack ...
119 bpm • E Maj • 00:42 • -27.18db
19% Popularity • 41% Danceability • 0% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Painkiller
Tortured Souls
119 bpm • E min • 01:53 • -10.23db
20% Popularity • 24% Danceability • 66% Energy • 49% Liveness
70% Instrumentalness • 19% Positiveness
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Art Ensemble Of Chicago
Dreaming Of The Master
119 bpm • G# Maj • 11:40 • -16.16db
9% Popularity • 43% Danceability • 31% Energy • 6% Liveness
46% Instrumentalness • 53% Positiveness
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Machine Gun, Second Take