Songs like Mad Rush by Philip Glass
Based on a tempo of (+/- 10%) and a similar genre
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Jean-Michel Blais
outsiders - Edit
114 bpm • F Maj • 04:42 • -18.44db
29% Popularity • 31% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
29% Popularity • 31% Danceability • 21% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Philip Glass
Mad Rush
114 bpm • F Maj • 14:31 • -24.39db
38% Popularity • 19% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 19% Danceability • 4% Energy • 8% Liveness
92% Instrumentalness • 4% Positiveness
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Clint Mansell
The Night Café
113 bpm • D min • 04:07 • -16db
45% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
45% Popularity • 34% Danceability • 31% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Sjors Mans
Without You
113 bpm • A min • 04:09 • -31.39db
32% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
32% Popularity • 35% Danceability • 2% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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Redi Hasa
Dajti Mountain
113 bpm • D min • 04:18 • -14.88db
29% Popularity • 30% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
29% Popularity • 30% Danceability • 17% Energy • 11% Liveness
91% Instrumentalness • 24% Positiveness
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Max Richter
The Trees
115 bpm • G min • 07:52 • -13.73db
33% Popularity • 23% Danceability • 31% Energy • 34% Liveness
94% Instrumentalness • 3% Positiveness
33% Popularity • 23% Danceability • 31% Energy • 34% Liveness
94% Instrumentalness • 3% Positiveness
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Sylvain Chauveau
Le Brasier De Tristesse
113 bpm • C Maj • 03:36 • -20db
37% Popularity • 37% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
37% Popularity • 37% Danceability • 9% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Jean-Michel Blais
outsiders
113 bpm • F Maj • 04:59 • -17.18db
26% Popularity • 30% Danceability • 30% Energy • 19% Liveness
86% Instrumentalness • 11% Positiveness
26% Popularity • 30% Danceability • 30% Energy • 19% Liveness
86% Instrumentalness • 11% Positiveness
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Federico Albanese
The Lantern
115 bpm • C min • 04:27 • -25.68db
31% Popularity • 45% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
31% Popularity • 45% Danceability • 13% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Astor Piazzolla
Oblivion (Arr. String Quartet)
115 bpm • C min • 03:32 • -16.62db
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
27% Popularity • 19% Danceability • 19% Energy • 11% Liveness
89% Instrumentalness • 15% Positiveness
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Hugar
Ró
115 bpm • F min • 02:37 • -31.66db
25% Popularity • 50% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
25% Popularity • 50% Danceability • 2% Energy • 9% Liveness
87% Instrumentalness • 22% Positiveness
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Max Richter
Vladimir's Blues
115 bpm • A Maj • 01:18 • -22db
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
66% Popularity • 38% Danceability • 16% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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John Adams
Hallelujah Junction
115 bpm • D# Maj • 02:09 • -20.78db
28% Popularity • 37% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 50% Positiveness
28% Popularity • 37% Danceability • 30% Energy • 18% Liveness
93% Instrumentalness • 50% Positiveness
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Brambles
In The Androgynous Dark
113 bpm • G# Maj • 04:43 • -17.02db
49% Popularity • 59% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
49% Popularity • 59% Danceability • 12% Energy • 9% Liveness
94% Instrumentalness • 7% Positiveness
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Dominique Charpentier
Instantané (The Cakemaker Original Movi...
115 bpm • F min • 03:00 • -18.5db
31% Popularity • 46% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
31% Popularity • 46% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 5% Positiveness
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Annelie
In
116 bpm • F min • 02:25 • -26.72db
24% Popularity • 40% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
24% Popularity • 40% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 16% Positiveness
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Valeria Szervánszky
Ma mère l'oye, M. 60: 5. Le jardin fée...
116 bpm • C Maj • 03:00 • -24db
44% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
44% Popularity • 49% Danceability • 1% Energy • 6% Liveness
1% Instrumentalness • 7% Positiveness
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Max Richter
Infra 4
116 bpm • D min • 02:45 • -14db
32% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 19% Energy • 11% Liveness
69% Instrumentalness • 4% Positiveness
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Angus MacRae
Spring Nocturne
116 bpm • G min • 04:32 • -18.92db
35% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
35% Popularity • 22% Danceability • 20% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Ave Air
The Music Box
112 bpm • G# min • 03:17 • -18.49db
40% Popularity • 56% Danceability • 18% Energy • 38% Liveness
91% Instrumentalness • 12% Positiveness
40% Popularity • 56% Danceability • 18% Energy • 38% Liveness
91% Instrumentalness • 12% Positiveness
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Federico Albanese
Secret Room
116 bpm • G min • 04:35 • -22.33db
24% Popularity • 50% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
24% Popularity • 50% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Annelie
Oh Gloria
116 bpm • D# min • 02:53 • -25.4db
29% Popularity • 44% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
29% Popularity • 44% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Ólafur Arnalds
Reminiscence
112 bpm • C# min • 04:28 • -17.79db
54% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
54% Popularity • 18% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 5% Positiveness
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Philip Glass
Metamorphosis III
116 bpm • D min • 04:31 • -19.89db
13% Popularity • 47% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
13% Popularity • 47% Danceability • 9% Energy • 11% Liveness
94% Instrumentalness • 3% Positiveness
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Nils Frahm
Familiar
116 bpm • D# min • 05:38 • -30.89db
38% Popularity • 29% Danceability • 3% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
38% Popularity • 29% Danceability • 3% Energy • 7% Liveness
82% Instrumentalness • 4% Positiveness
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Jóhann Jóhannsson
Flight from the City - VÃkingur Ólafss...
112 bpm • G min • 06:26 • -26.64db
37% Popularity • 30% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
37% Popularity • 30% Danceability • 20% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Federico Albanese
Carousel #3
116 bpm • G min • 04:22 • -27.11db
39% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
39% Popularity • 27% Danceability • 4% Energy • 13% Liveness
93% Instrumentalness • 4% Positiveness
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VÃkingur Ólafsson
For Jóhann
111 bpm • C min • 03:03 • -34db
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
34% Popularity • 63% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 24% Positiveness
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Ólafur Arnalds
21:05
117 bpm • D# Maj • 05:15 • -29.48db
46% Popularity • 47% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
46% Popularity • 47% Danceability • 10% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Philip Glass
Metamorphosis 2
112 bpm • A min • 07:09 • -29.22db
32% Popularity • 25% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
32% Popularity • 25% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 4% Positiveness
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Nico Muhly
Allen & Lucien
117 bpm • A# Maj • 01:56 • -27.23db
25% Popularity • 24% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
25% Popularity • 24% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 10% Positiveness
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Sophie Hutchings
Tail Lights
111 bpm • G# Maj • 03:26 • -27.09db
31% Popularity • 34% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
31% Popularity • 34% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Stephan Moccio
Lumière
117 bpm • G Maj • 04:11 • -32.13db
49% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
49% Popularity • 27% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Max Richter
The Departure
117 bpm • C min • 01:15 • -39.05db
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
65% Popularity • 38% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Caroline Shaw
Plan & Elevation: IV. The Orangery
117 bpm • A Maj • 01:57 • -23.16db
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 22% Liveness
26% Instrumentalness • 18% Positiveness
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Martin Kohlstedt
AUHEJA
117 bpm • F min • 06:23 • -15.58db
14% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
14% Popularity • 39% Danceability • 14% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Lubomyr Melnyk
Son of Parasol
111 bpm • E min • 07:34 • -18.25db
19% Popularity • 23% Danceability • 30% Energy • 12% Liveness
81% Instrumentalness • 16% Positiveness
19% Popularity • 23% Danceability • 30% Energy • 12% Liveness
81% Instrumentalness • 16% Positiveness
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Niklas Paschburg
Sand Whirling
117 bpm • B min • 04:31 • -18.53db
27% Popularity • 37% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
27% Popularity • 37% Danceability • 23% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Anja Lechner
Flow
118 bpm • C# min • 06:20 • -25.66db
28% Popularity • 25% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
28% Popularity • 25% Danceability • 4% Energy • 7% Liveness
91% Instrumentalness • 5% Positiveness
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Max Richter
On the Nature of Daylight (Entropy)
117 bpm • C# Maj • 06:53 • -14.82db
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
46% Popularity • 17% Danceability • 24% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Philip Glass
Metamorphosis I
118 bpm • C Maj • 06:39 • -28.73db
14% Popularity • 38% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
14% Popularity • 38% Danceability • 1% Energy • 14% Liveness
90% Instrumentalness • 3% Positiveness
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Caroline Shaw
Plan & Elevation: V. The Beech Tree
117 bpm • G Maj • 02:36 • -20.64db
39% Popularity • 36% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
39% Popularity • 36% Danceability • 19% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
they sink
110 bpm • F min • 02:35 • -27.62db
49% Popularity • 44% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
49% Popularity • 44% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Una Luna
Il Vicolo
118 bpm • D# Maj • 03:20 • -25db
38% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
38% Popularity • 42% Danceability • 5% Energy • 11% Liveness
93% Instrumentalness • 14% Positiveness
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Oskar Schuster
Les sablons
110 bpm • G Maj • 02:42 • -23db
37% Popularity • 45% Danceability • 14% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
37% Popularity • 45% Danceability • 14% Energy • 16% Liveness
94% Instrumentalness • 26% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • F min • 04:39 • -15.34db
43% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
43% Popularity • 47% Danceability • 26% Energy • 32% Liveness
87% Instrumentalness • 4% Positiveness
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Lars Meyer
Arctic Lake
110 bpm • D min • 02:05 • -15.16db
25% Popularity • 28% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
25% Popularity • 28% Danceability • 34% Energy • 11% Liveness
92% Instrumentalness • 23% Positiveness
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Sophie Hutchings
Scattered On The Wind - Pt. 1
110 bpm • D# min • 04:53 • -17.5db
16% Popularity • 36% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
16% Popularity • 36% Danceability • 22% Energy • 11% Liveness
89% Instrumentalness • 12% Positiveness
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Martin Kohlstedt
OMBLEH
119 bpm • C Maj • 05:40 • -29db
33% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
33% Popularity • 37% Danceability • 6% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Jean-Michel Blais
blind - acoustique
119 bpm • E Maj • 05:38 • -32.7db
25% Popularity • 41% Danceability • 6% Energy • 21% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 41% Danceability • 6% Energy • 21% Liveness
91% Instrumentalness • 9% Positiveness
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Federico Albanese
My Piano Night
109 bpm • C min • 04:45 • -30db
37% Popularity • 40% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 40% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Max Richter
Recomposed By Max Richter: Vivaldi, The ...
111 bpm • E Maj • 03:09 • -12.82db
47% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
47% Popularity • 54% Danceability • 30% Energy • 12% Liveness
90% Instrumentalness • 41% Positiveness
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Nils Frahm
Re
109 bpm • F# min • 03:50 • -24.15db
53% Popularity • 46% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
53% Popularity • 46% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 23% Positiveness
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Sergio DÃaz De Rojas
Waltz
119 bpm • C# min • 01:48 • -25.12db
52% Popularity • 46% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
52% Popularity • 46% Danceability • 9% Energy • 9% Liveness
94% Instrumentalness • 12% Positiveness
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Sophie Hutchings
Surrender To The Deepest Blue
119 bpm • C# min • 03:35 • -15.44db
17% Popularity • 32% Danceability • 30% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
17% Popularity • 32% Danceability • 30% Energy • 8% Liveness
84% Instrumentalness • 6% Positiveness
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Agnes Obel
Parliament Of Owls
119 bpm • B min • 02:29 • -17.04db
51% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
51% Popularity • 21% Danceability • 24% Energy • 15% Liveness
94% Instrumentalness • 12% Positiveness
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Chilly Gonzales
Daft Punk Medley
109 bpm • D min • 03:40 • -23.68db
36% Popularity • 44% Danceability • 3% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
36% Popularity • 44% Danceability • 3% Energy • 19% Liveness
94% Instrumentalness • 5% Positiveness
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Max Richter
Autumn Music 2
109 bpm • F# min • 03:49 • -16db
35% Popularity • 17% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
35% Popularity • 17% Danceability • 20% Energy • 12% Liveness
85% Instrumentalness • 16% Positiveness
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Frédéric Chopin
Preludes, Op. 28: No. 4, Largo
109 bpm • A min • 02:11 • -25.93db
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
61% Popularity • 38% Danceability • 2% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Ólafur Arnalds
saman
109 bpm • C min • 02:11 • -32.24db
65% Popularity • 58% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 43% Positiveness
65% Popularity • 58% Danceability • 2% Energy • 10% Liveness
85% Instrumentalness • 43% Positiveness
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Gerard Cousins
Opening
120 bpm • D Maj • 05:06 • -21.49db
19% Popularity • 30% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
19% Popularity • 30% Danceability • 12% Energy • 9% Liveness
93% Instrumentalness • 28% Positiveness
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Sebastian Plano
Éxta
120 bpm • B min • 02:21 • -16db
38% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
38% Popularity • 18% Danceability • 27% Energy • 10% Liveness
79% Instrumentalness • 10% Positiveness
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Chilly Gonzales
Lana Del Rey Medley
120 bpm • A# Maj • 03:08 • -21.16db
28% Popularity • 45% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
28% Popularity • 45% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 9% Positiveness
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Federico Albanese
By the Deep Sea
120 bpm • F min • 03:58 • -22.62db
47% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
47% Popularity • 54% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Philip Glass
Façades
120 bpm • A# Maj • 06:36 • -22.72db
14% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
14% Popularity • 30% Danceability • 20% Energy • 11% Liveness
84% Instrumentalness • 3% Positiveness
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Phil France
The Swimmer
120 bpm • B Maj • 04:12 • -18.03db
39% Popularity • 50% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
39% Popularity • 50% Danceability • 7% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
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Martin Kohlstedt
AMSOMB
120 bpm • A min • 06:34 • -18.42db
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
23% Popularity • 25% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Zoë Keating
The Last Bird
120 bpm • G# Maj • 01:56 • -10db
41% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
41% Popularity • 43% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 12% Positiveness
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Hushed
Lanterns
120 bpm • E Maj • 03:20 • -23.17db
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
38% Popularity • 45% Danceability • 16% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Federico Albanese
Mauer Blues
120 bpm • C# Maj • 04:01 • -20.92db
39% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
39% Popularity • 44% Danceability • 35% Energy • 10% Liveness
86% Instrumentalness • 11% Positiveness
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Frédéric Chopin
Nocturne in G Minor
120 bpm • G min • 03:01 • -27.33db
36% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
36% Popularity • 37% Danceability • 10% Energy • 16% Liveness
91% Instrumentalness • 30% Positiveness
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Phil France
Circle - Reprise
120 bpm • F# Maj • 03:57 • -17db
31% Popularity • 57% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
31% Popularity • 57% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 31% Positiveness
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A Winged Victory for the Sullen
We Played Some Open Chords and Rejoiced,...
108 bpm • A# Maj • 06:18 • -22.84db
36% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
36% Popularity • 26% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 3% Positiveness
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Max Richter
November
120 bpm • C Maj • 06:07 • -11.44db
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
55% Popularity • 45% Danceability • 44% Energy • 10% Liveness
18% Instrumentalness • 14% Positiveness
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Ólafur Arnalds
20:17
108 bpm • D# Maj • 05:54 • -29.09db
57% Popularity • 36% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
57% Popularity • 36% Danceability • 2% Energy • 11% Liveness
87% Instrumentalness • 17% Positiveness
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Rui Massena
Valsa
108 bpm • C Maj • 04:05 • -27.26db
25% Popularity • 57% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
25% Popularity • 57% Danceability • 4% Energy • 11% Liveness
90% Instrumentalness • 13% Positiveness
► Preview
Dardust
S.A.D. - Piano Solo
108 bpm • G min • 03:25 • -22.59db
25% Popularity • 32% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
25% Popularity • 32% Danceability • 24% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Illuminine
Dear, Dolores - Rework
107 bpm • E Maj • 04:21 • -29db
44% Popularity • 39% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
44% Popularity • 39% Danceability • 3% Energy • 13% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Joep Beving
Unus mundus
107 bpm • F Maj • 04:18 • -25.04db
27% Popularity • 40% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
27% Popularity • 40% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Sophie Hutchings
Two Flames
121 bpm • G min • 05:28 • -17.29db
14% Popularity • 36% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
14% Popularity • 36% Danceability • 25% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
► Preview
Ilya Beshevli
Wanderer
121 bpm • F# min • 03:27 • -16.5db
24% Popularity • 29% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
24% Popularity • 29% Danceability • 37% Energy • 11% Liveness
83% Instrumentalness • 34% Positiveness
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Jean-Michel Blais
Un autre amour
107 bpm • E min • 02:47 • -22.7db
29% Popularity • 30% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
29% Popularity • 30% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 9% Positiveness
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William Duckworth
Times Curve Prelude No. 17
121 bpm • C# Maj • 02:29 • -31.96db
26% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
26% Popularity • 44% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 17% Positiveness
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VÃkingur Ólafsson
…And at the Hour of Death
122 bpm • C Maj • 02:32 • -36.33db
49% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
49% Popularity • 48% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 20% Positiveness
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Ólafur Arnalds
Eyes Shut - Nocturne in C Minor
107 bpm • C min • 06:41 • -25db
37% Popularity • 22% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
37% Popularity • 22% Danceability • 2% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Simon P. Castonguay
L'apostrophe
122 bpm • E Maj • 05:13 • -17db
30% Popularity • 32% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
30% Popularity • 32% Danceability • 19% Energy • 11% Liveness
84% Instrumentalness • 17% Positiveness
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Library Tapes
Running By The Roads, Running By The Fie...
122 bpm • D min • 02:02 • -28.82db
47% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
47% Popularity • 45% Danceability • 6% Energy • 10% Liveness
91% Instrumentalness • 15% Positiveness
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Philip Glass
Metamorphosis II
106 bpm • A min • 07:24 • -25.84db
22% Popularity • 26% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
22% Popularity • 26% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 20% Positiveness
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Chassol
Magical Mountains
106 bpm • C# Maj • 03:30 • -21.34db
17% Popularity • 32% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 32% Danceability • 11% Energy • 10% Liveness
93% Instrumentalness • 3% Positiveness
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VÃkingur Ólafsson
Reflection
106 bpm • C# Maj • 05:34 • -33db
47% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
47% Popularity • 43% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 30% Positiveness
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Hauschka
Another Hike
123 bpm • C Maj • 03:37 • -16.53db
29% Popularity • 51% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
29% Popularity • 51% Danceability • 32% Energy • 12% Liveness
85% Instrumentalness • 13% Positiveness
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Federico Albanese
Shadow Land, Pt. 1
123 bpm • F min • 03:54 • -22.17db
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
42% Popularity • 42% Danceability • 9% Energy • 10% Liveness
89% Instrumentalness • 8% Positiveness
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Nils Frahm
The Roughest Trade
106 bpm • D min • 03:40 • -30.12db
35% Popularity • 46% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
35% Popularity • 46% Danceability • 1% Energy • 6% Liveness
88% Instrumentalness • 18% Positiveness
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Philip Glass
Escape
106 bpm • A min • 03:50 • -27.02db
9% Popularity • 19% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
9% Popularity • 19% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 5% Positiveness
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Ólafur Arnalds
Happiness Does Not Wait
123 bpm • F min • 04:11 • -16.61db
57% Popularity • 40% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
57% Popularity • 40% Danceability • 13% Energy • 11% Liveness
85% Instrumentalness • 12% Positiveness
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Chilly Gonzales
October 3rd
123 bpm • F min • 03:19 • -25.78db
23% Popularity • 42% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
23% Popularity • 42% Danceability • 2% Energy • 13% Liveness
91% Instrumentalness • 6% Positiveness
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Rhiannon Bannenberg
For Stormboy
123 bpm • G# min • 01:36 • -29.13db
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
51% Popularity • 20% Danceability • 5% Energy • 9% Liveness
86% Instrumentalness • 13% Positiveness
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Alice Baldwin
Was am Ende
123 bpm • A# min • 04:52 • -26.25db
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
20% Popularity • 18% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
