Songs like Made to Love You by Dan Owen
Based on a tempo of (+/- 10%) and a similar genre
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Plested
Either You Love Me Or You Don't
81 bpm • A Maj • 03:21 • -6db
33% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 56% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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James Gillespie
Rescue Me
81 bpm • A# min • 03:16 • -8db
38% Popularity • 56% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 56% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 38% Positiveness
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Blake McGrath
Missing You
81 bpm • G# Maj • 04:00 • -5.91db
38% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
38% Popularity • 32% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Dean Lewis
Chemicals
81 bpm • B Maj • 03:41 • -10db
56% Popularity • 55% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
56% Popularity • 55% Danceability • 46% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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Daniel Docherty
Hold Me
81 bpm • G# Maj • 03:46 • -11.9db
31% Popularity • 38% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 38% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Elina
Wild Enough
81 bpm • B Maj • 03:06 • -8.08db
51% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 50% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 29% Positiveness
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Dan Owen
Made to Love You
81 bpm • C Maj • 03:27 • -10db
48% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
48% Popularity • 36% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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The Beach
U. R. Beautiful - Acoustic
81 bpm • D Maj • 03:42 • -10.36db
18% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 59% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Juke Ross
Colour Me
81 bpm • G# min • 03:31 • -8.36db
56% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
56% Popularity • 54% Danceability • 33% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Dermot Kennedy
Swim Good
81 bpm • A min • 03:59 • -14db
44% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
44% Popularity • 40% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Sonny Tennet
Calm Down
80 bpm • D Maj • 03:50 • -10.09db
35% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 40% Danceability • 16% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Billy Lockett
Empty House
80 bpm • F# Maj • 02:49 • -7.3db
35% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
35% Popularity • 55% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Dan Owen
What is a Man - Acoustic
81 bpm • F Maj • 03:24 • -6.56db
10% Popularity • 33% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
10% Popularity • 33% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Brimsley
First Time
82 bpm • G# Maj • 03:13 • -7.9db
43% Popularity • 45% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 45% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Dean Lewis
Don’t Hold Me
82 bpm • D# Maj • 02:59 • -9.05db
51% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
51% Popularity • 64% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Aidan Martin
Punchline
82 bpm • D Maj • 03:51 • -7.34db
45% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
45% Popularity • 41% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Hearts & Colors
Say You Will
82 bpm • B Maj • 03:31 • -11.44db
21% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
21% Popularity • 51% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Emeli Sandé
Sweet Architect
82 bpm • E Maj • 03:19 • -8.48db
37% Popularity • 45% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 45% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Plested
Easier Said Than Done
82 bpm • A Maj • 03:21 • -9.68db
27% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
27% Popularity • 56% Danceability • 45% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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The Dunwells
Will You Wait For Me
80 bpm • C Maj • 03:20 • -14.32db
17% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
17% Popularity • 35% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Rhys Lewis
Be Your Man - Acoustic
80 bpm • A min • 03:24 • -10.01db
41% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 69% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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James Arthur
I Am
82 bpm • F# min • 03:11 • -5.18db
55% Popularity • 48% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
55% Popularity • 48% Danceability • 59% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Jack Curley
Down
80 bpm • F# Maj • 03:04 • -9.03db
55% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 64% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Billy Lockett
Wide Eyed
80 bpm • A# Maj • 02:42 • -12db
43% Popularity • 40% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
43% Popularity • 40% Danceability • 28% Energy • 9% Liveness
6% Instrumentalness • 24% Positiveness
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James Gillespie
Good Life
82 bpm • E min • 03:24 • -5.3db
27% Popularity • 70% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 70% Danceability • 58% Energy • 25% Liveness
0% Instrumentalness • 50% Positiveness
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Frances
Say It Again - Acoustic
80 bpm • E Maj • 03:01 • -9.82db
40% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
40% Popularity • 66% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Trevor Myall
All the Things
80 bpm • A Maj • 04:35 • -8.48db
28% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
28% Popularity • 42% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Juke Ross
We Never Die (Acoustic)
80 bpm • B min • 03:16 • -6db
33% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
33% Popularity • 69% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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James Blunt
Time of Our Lives
80 bpm • G Maj • 04:30 • -13.34db
39% Popularity • 34% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
39% Popularity • 34% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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JP Cooper
Wait
80 bpm • E Maj • 03:51 • -8.06db
50% Popularity • 55% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
50% Popularity • 55% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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James TW
Black & Blue
82 bpm • G Maj • 02:54 • -8.32db
42% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
42% Popularity • 67% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Rhys Lewis
Better Than Today
80 bpm • C Maj • 03:49 • -10.75db
49% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
49% Popularity • 45% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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K E M A L
Everywhere
80 bpm • D Maj • 02:18 • -15db
54% Popularity • 43% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
54% Popularity • 43% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 24% Positiveness
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Billy Lockett
Say I'm Sober
80 bpm • A min • 03:43 • -9.19db
29% Popularity • 48% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
29% Popularity • 48% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Adam French
No Cigar
82 bpm • D# Maj • 02:55 • -11.53db
15% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
15% Popularity • 42% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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James Arthur
Remember Who I Was
80 bpm • G# Maj • 02:57 • -9.12db
44% Popularity • 35% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
44% Popularity • 35% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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James Gillespie
Don't Let Me Get Me
82 bpm • A min • 03:20 • -9db
31% Popularity • 31% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 31% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Ed Wells
Young
83 bpm • D Maj • 05:26 • -15.52db
12% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
12% Popularity • 35% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Dan Owen
Closer to You - Home Recording
83 bpm • D Maj • 03:25 • -6.2db
6% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
6% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Ella Henderson
Lay Down
79 bpm • A# Maj • 04:18 • -10.37db
17% Popularity • 39% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 39% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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Adam French
The Rat
83 bpm • F# min • 03:40 • -6.94db
14% Popularity • 35% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 35% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rag'n'Bone Man
Grace
79 bpm • F Maj • 03:31 • -9.53db
53% Popularity • 52% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
53% Popularity • 52% Danceability • 46% Energy • 29% Liveness
0% Instrumentalness • 36% Positiveness
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Maria Mena
Growing Pains
79 bpm • B Maj • 03:55 • -11.5db
35% Popularity • 39% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
35% Popularity • 39% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Comet Blue
Spaceship - Popvilla Sessions
79 bpm • C# Maj • 03:16 • -8db
20% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dan Owen
Call My Name - Acoustic
83 bpm • A# Maj • 03:10 • -7.39db
12% Popularity • 63% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
12% Popularity • 63% Danceability • 62% Energy • 29% Liveness
0% Instrumentalness • 61% Positiveness
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Daniel Docherty
Garden in the Snow
83 bpm • C Maj • 05:14 • -10.99db
17% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 54% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Ed Sheeran
Save Myself
79 bpm • A# Maj • 04:07 • -5.62db
61% Popularity • 55% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
61% Popularity • 55% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Dean Lewis
A Place We Knew
83 bpm • B Maj • 03:26 • -7.44db
48% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
48% Popularity • 58% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Corey Harper
On the Run
83 bpm • A Maj • 03:26 • -7.49db
36% Popularity • 41% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
36% Popularity • 41% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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James Blunt
Courtney's Song
78 bpm • C Maj • 04:26 • -10.43db
31% Popularity • 34% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
31% Popularity • 34% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 17% Positiveness
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Dan Owen
Bring Back Love
84 bpm • B min • 03:23 • -12.27db
13% Popularity • 54% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 54% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Rhys Lewis
What If
84 bpm • C# min • 03:12 • -7.29db
37% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
37% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Skinny Living
Let Me In
84 bpm • A min • 03:30 • -7.49db
39% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 66% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Billy Raffoul
Easy Tiger
78 bpm • C# Maj • 03:16 • -10db
50% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
50% Popularity • 56% Danceability • 43% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Dermot Kennedy
Shelter
85 bpm • C# Maj • 04:30 • -14.88db
37% Popularity • 37% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
37% Popularity • 37% Danceability • 27% Energy • 7% Liveness
1% Instrumentalness • 5% Positiveness
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Zak Manley
Hang with Me
84 bpm • F Maj • 03:07 • -12.92db
42% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
42% Popularity • 74% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Owen
Parachute
84 bpm • C# Maj • 03:32 • -4.24db
10% Popularity • 48% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
10% Popularity • 48% Danceability • 80% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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James Smith
T-Shirts
78 bpm • F# Maj • 03:10 • -12.83db
46% Popularity • 44% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
46% Popularity • 44% Danceability • 25% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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Jazz Morley
Disconnected
77 bpm • A Maj • 05:05 • -12.94db
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 31% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Adam French
Incompatible
78 bpm • G min • 03:49 • -10.95db
15% Popularity • 32% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
15% Popularity • 32% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Sam Smith
Scars
77 bpm • D Maj • 03:03 • -10.39db
48% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 57% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Parson James
Stole the Show
85 bpm • G# min • 03:51 • -8.86db
49% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 52% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Noah Cyrus
Make Me (Cry) - Acoustic Version
77 bpm • C Maj • 03:52 • -7.74db
51% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 60% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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James Smith
T-Shirts - Acoustic
77 bpm • G Maj • 03:15 • -9.02db
45% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
45% Popularity • 48% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Lewis Capaldi
Forever
85 bpm • C# Maj • 03:30 • -7.12db
75% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
75% Popularity • 65% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Adam French
Slow Dancing
85 bpm • C min • 03:26 • -6.41db
28% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
28% Popularity • 61% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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Rhys Lewis
Things You Can't Change
85 bpm • C# Maj • 03:19 • -7.56db
49% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
49% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Nathan Ball
Drifting
77 bpm • F min • 04:26 • -8db
40% Popularity • 29% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
40% Popularity • 29% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Luca Fogale
Half-Saved
77 bpm • A# Maj • 03:25 • -10.79db
49% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
49% Popularity • 66% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Oliver Riot
Tired and Awake
77 bpm • G Maj • 03:38 • -13.55db
36% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 29% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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BANNERS
Ghosts
77 bpm • C Maj • 04:10 • -7.15db
51% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 50% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Sam Smith
How Will I Know
85 bpm • C Maj • 03:52 • -12.29db
60% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 53% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Blake McGrath
Instead
77 bpm • C# Maj • 04:35 • -8db
35% Popularity • 42% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
35% Popularity • 42% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Dermot Kennedy
Glory
77 bpm • D Maj • 03:42 • -7.45db
43% Popularity • 55% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 55% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Dan Owen
Fall Like a Feather - Acoustic Demo
76 bpm • G Maj • 03:52 • -8.41db
10% Popularity • 62% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 62% Danceability • 25% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Rhys Lewis
Hold On To Happiness
86 bpm • B min • 03:38 • -10db
38% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 69% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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James Gillespie
Lost
86 bpm • F# Maj • 03:20 • -8.03db
29% Popularity • 64% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 64% Danceability • 62% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Gabrielle Aplin
Please Don't Say You Love Me
86 bpm • C Maj • 03:01 • -9.86db
54% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
54% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Ward Thomas
Someone to Someone
86 bpm • E Maj • 02:59 • -7.26db
12% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
12% Popularity • 58% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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JP Cooper
Passport Home
86 bpm • F Maj • 03:00 • -6.59db
51% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
51% Popularity • 61% Danceability • 47% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Dan Owen
Icarus - Acoustic
76 bpm • C Maj • 03:36 • -6db
34% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
34% Popularity • 72% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Billy Raffoul
Acoustic
76 bpm • A Maj • 02:52 • -11db
60% Popularity • 88% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
60% Popularity • 88% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Tom Odell
True Colours
76 bpm • A# Maj • 02:23 • -12.1db
64% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
64% Popularity • 52% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Juke Ross
Keep You Dry
76 bpm • F# Maj • 03:11 • -10.64db
43% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
43% Popularity • 37% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Garrett Kato
I'll Be Around - Acoustic
76 bpm • C# Maj • 03:14 • -15.32db
33% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 53% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Smith
Burning - Recorded At RAK Studios, Londo...
76 bpm • F# Maj • 03:51 • -10.27db
40% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
40% Popularity • 56% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Dan Owen
Icarus
76 bpm • C Maj • 03:28 • -3.7db
23% Popularity • 49% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 49% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 54% Positiveness
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JP Cooper
Beneath The Streetlights And The Moon
76 bpm • C Maj • 03:34 • -6.91db
42% Popularity • 39% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
42% Popularity • 39% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Belle Mt.
Origins (Acoustic)
76 bpm • D# Maj • 03:39 • -13.17db
28% Popularity • 50% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 50% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Aidan Martin
Sin in Your Skin
76 bpm • G min • 03:57 • -12db
38% Popularity • 49% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
38% Popularity • 49% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Lewis Capaldi
Leaving My Love Behind
76 bpm • D Maj • 03:30 • -4.84db
67% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
67% Popularity • 41% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Tom Odell
You're Gonna Break My Heart Tonight
87 bpm • F min • 04:38 • -8.32db
43% Popularity • 29% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
43% Popularity • 29% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Smith
Burning
87 bpm • F# Maj • 03:23 • -9.38db
57% Popularity • 63% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
57% Popularity • 63% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Dean Lewis
Chemicals - Acoustic
76 bpm • F# Maj • 03:54 • -11.09db
41% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 45% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Dermot Kennedy
Outnumbered - Acoustic
75 bpm • A min • 03:54 • -7.92db
53% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
53% Popularity • 52% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Ella Henderson
All Again
75 bpm • D Maj • 04:11 • -6db
24% Popularity • 28% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
24% Popularity • 28% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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James Arthur
At My Weakest
75 bpm • A# Maj • 03:37 • -8db
53% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 64% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Billy Lockett
Who I Am
75 bpm • E Maj • 03:05 • -8db
28% Popularity • 34% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
28% Popularity • 34% Danceability • 35% Energy • 16% Liveness
0% Instrumentalness • 17% Positiveness
