Songs like Madrigali à 5 voci, Libro 5: No. 2, Da le belle contrade by Cipriano de Rore
Based on a tempo of (+/- 10%) and a similar genre
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Giovanni Bassano
Quem vidistis pastores
98 bpm • G min • 03:09 • -16.51db
12% Popularity • 16% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
12% Popularity • 16% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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Cristobal de Morales
4. Immutemur habitu / Iuxta vestibulum, ...
98 bpm • A min • 06:51 • -23.13db
8% Popularity • 13% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
8% Popularity • 13% Danceability • 16% Energy • 11% Liveness
17% Instrumentalness • 4% Positiveness
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Cipriano de Rore
Convien che ovunque sua sempre cortese
98 bpm • C# min • 04:41 • -14.17db
2% Popularity • 28% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 28% Danceability • 17% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Matthew Locke
The Little Consort, Suite No. 7 in G Min...
98 bpm • F# Maj • 01:05 • -19.89db
17% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 20% Liveness
3% Instrumentalness • 51% Positiveness
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Clément Janequin
Toutes les nuictz
98 bpm • B Maj • 02:05 • -24db
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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John Dowland
Lachrimæ Antiquæ Novæ
98 bpm • G min • 04:10 • -22.33db
8% Popularity • 14% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
8% Popularity • 14% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 20% Positiveness
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Johannes Wanning
Omnis qui se exaltat
97 bpm • G min • 01:52 • -14.46db
11% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
11% Popularity • 24% Danceability • 31% Energy • 14% Liveness
14% Instrumentalness • 11% Positiveness
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Salomone Rossi
Sinfonie et gagliarde, Libro 1: Gagliard...
97 bpm • D# min • 01:11 • -22.18db
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
27% Popularity • 36% Danceability • 15% Energy • 12% Liveness
89% Instrumentalness • 75% Positiveness
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Cipriano de Rore
Mia benigna fortuna
99 bpm • G min • 04:00 • -20.69db
3% Popularity • 16% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
3% Popularity • 16% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Elfrida Andrée
Ur drömliv I (Arr. for Vocal Ensemble)
97 bpm • C min • 02:02 • -24.21db
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 23% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Clément Janequin
O doulx regard, o parler gratieux
98 bpm • C Maj • 03:02 • -27.33db
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
8% Popularity • 16% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Cristobal de Morales
Inclina, Domine, aurem tuam: I. Inclina,...
97 bpm • C# min • 04:27 • -20.33db
7% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 15% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Philippe Verdelot
Igno soave
99 bpm • G# min • 01:59 • -19.29db
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
11% Popularity • 20% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Orazio Benevoli
Missa Tu es Petrus: V, Agnus Dei
96 bpm • G Maj • 02:11 • -19.59db
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
10% Popularity • 16% Danceability • 12% Energy • 11% Liveness
91% Instrumentalness • 15% Positiveness
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Cipriano de Rore
Madrigals, Book 1: Ancor che col partire
99 bpm • G# min • 03:04 • -21.71db
1% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
1% Popularity • 21% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Anonymous
Cancionero musical de palacio: No. 131, ...
100 bpm • C Maj • 02:46 • -30.68db
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
8% Popularity • 16% Danceability • 1% Energy • 10% Liveness
15% Instrumentalness • 15% Positiveness
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Gregorian Chants
Lamentations Of Jeremiah
100 bpm • F# Maj • 07:16 • -18.52db
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 4% Positiveness
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Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
100 bpm • C# Maj • 01:14 • -20.03db
18% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
18% Popularity • 35% Danceability • 9% Energy • 13% Liveness
5% Instrumentalness • 52% Positiveness
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Giorgio Mainerio
Caro ortolano
96 bpm • C Maj • 01:01 • -24.82db
9% Popularity • 45% Danceability • 8% Energy • 35% Liveness
16% Instrumentalness • 69% Positiveness
9% Popularity • 45% Danceability • 8% Energy • 35% Liveness
16% Instrumentalness • 69% Positiveness
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Cipriano de Rore
L'ineffabil bontà del Redentore
100 bpm • E Maj • 02:16 • -11.86db
2% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
2% Popularity • 22% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Mathieu Gascongne
Missa, "Myn herte heeft altyt verlanghen...
100 bpm • G min • 03:46 • -20db
9% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 9% Liveness
10% Instrumentalness • 6% Positiveness
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John Sheppard
Sheppard: Laudem dicite - 6. Gaudeamus e...
100 bpm • D# Maj • 01:07 • -22.8db
9% Popularity • 23% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
9% Popularity • 23% Danceability • 14% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Lumen Valo
Josef Gabriel Rheinberger: Kyrie (Cantus...
100 bpm • D# Maj • 04:19 • -20.15db
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 3% Positiveness
8% Popularity • 14% Danceability • 14% Energy • 11% Liveness
62% Instrumentalness • 3% Positiveness
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Orlando Gibbons
In Nomine No. 1 a 5
100 bpm • D min • 03:57 • -26.42db
8% Popularity • 14% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 9% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 8% Liveness
73% Instrumentalness • 9% Positiveness
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Anónimo
Pasión: Humiliávit. Bajo Solo.
95 bpm • E Maj • 03:00 • -19.69db
12% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
12% Popularity • 43% Danceability • 11% Energy • 18% Liveness
2% Instrumentalness • 46% Positiveness
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Cipriano de Rore
Era il bel viso suo qual esser suole
95 bpm • C# min • 04:35 • -15.04db
1% Popularity • 20% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
1% Popularity • 20% Danceability • 21% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Alessandro Striggio
All'imperio d'Amore: 9. O Giovenil ardir...
95 bpm • G Maj • 02:16 • -16db
11% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
11% Popularity • 31% Danceability • 12% Energy • 14% Liveness
20% Instrumentalness • 10% Positiveness
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John Sheppard
Sheppard: Martyr Dei qui unicum - 4. Glo...
100 bpm • F min • 01:12 • -17.93db
8% Popularity • 24% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
8% Popularity • 24% Danceability • 15% Energy • 12% Liveness
2% Instrumentalness • 20% Positiveness
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Philippe Verdelot
Gloriar mi poss io donne
101 bpm • C# min • 02:16 • -19.16db
10% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
10% Popularity • 19% Danceability • 10% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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John Cooke
Stella celi
102 bpm • D min • 01:53 • -23.92db
10% Popularity • 19% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 19% Danceability • 5% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Jacob Obrecht
Parce Domine
93 bpm • G min • 02:01 • -23db
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
11% Popularity • 23% Danceability • 12% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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Cipriano de Rore
Ancor che col partire (Embellished by Do...
102 bpm • A min • 03:48 • -16.85db
1% Popularity • 30% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
1% Popularity • 30% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Alessandro Orologio
La Favolla d'Apollo: 15. Apollo affronta...
94 bpm • D Maj • 01:02 • -16.01db
9% Popularity • 29% Danceability • 34% Energy • 24% Liveness
93% Instrumentalness • 59% Positiveness
9% Popularity • 29% Danceability • 34% Energy • 24% Liveness
93% Instrumentalness • 59% Positiveness
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John Sheppard
Sheppard: Jesu salvator saeculi, redempt...
95 bpm • C# Maj • 01:13 • -21.64db
11% Popularity • 17% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 17% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Jean Guyot de Châtelet
Benedicta es caelorum Regina
103 bpm • C Maj • 06:48 • -22.62db
11% Popularity • 16% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
11% Popularity • 16% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Salomone Rossi
Psalm 128: Shir hamma'alot, Ashrei kol y...
93 bpm • F# Maj • 02:32 • -20.05db
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
9% Popularity • 18% Danceability • 15% Energy • 34% Liveness
0% Instrumentalness • 9% Positiveness
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Loyset Compère
In nomine Iesu: Hora prima
103 bpm • C Maj • 01:44 • -22.14db
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
8% Popularity • 16% Danceability • 20% Energy • 11% Liveness
79% Instrumentalness • 7% Positiveness
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Hildegard von Bingen
O Ecclesia, BN 64
93 bpm • A Maj • 06:11 • -23.68db
10% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
10% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Cipriano de Rore
Ben qui si mostra il ciel
101 bpm • A min • 03:08 • -27.23db
1% Popularity • 14% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
1% Popularity • 14% Danceability • 1% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
15% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
15% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
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Johannes Ockeghem
Intemerata Dei mater: I. Intemerata Dei ...
103 bpm • D min • 02:28 • -19.9db
9% Popularity • 15% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
9% Popularity • 15% Danceability • 22% Energy • 10% Liveness
80% Instrumentalness • 10% Positiveness
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Heinrich Schütz
Auferstehungshistorie, SWV 50: (Introitu...
103 bpm • F# Maj • 01:29 • -19.23db
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
19% Popularity • 20% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Michael Praetorius
Bransle Loraine, TMA18
93 bpm • C Maj • 02:22 • -24db
10% Popularity • 52% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
10% Popularity • 52% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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Cipriano de Rore
Non è ch'il duol me scemi
94 bpm • A min • 02:56 • -23db
2% Popularity • 25% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
2% Popularity • 25% Danceability • 8% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
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Franciscus de Rivulo
O vos omnes qui transitis
93 bpm • A min • 02:03 • -17.04db
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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![Membra Jesu Nostri, BuxWV 75: Sonata [Ad cor] cover art](https://i.scdn.co/image/ab67616d00001e0213366b3e28d66deb3edae1c1)
Dietrich Buxtehude
Membra Jesu Nostri, BuxWV 75: Sonata [Ad...
104 bpm • E min • 01:55 • -22.08db
15% Popularity • 18% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
15% Popularity • 18% Danceability • 4% Energy • 11% Liveness
80% Instrumentalness • 8% Positiveness
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Sebastián de Vivanco
O Rex gloriae, a 8
93 bpm • E min • 02:35 • -18.53db
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
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John Dowland
M. Giles Hoby his Galiard
104 bpm • C min • 01:42 • -21.32db
10% Popularity • 18% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
10% Popularity • 18% Danceability • 7% Energy • 8% Liveness
81% Instrumentalness • 28% Positiveness
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markpowell
Christ Has Risen (2)
93 bpm • A min • 01:19 • -17.31db
14% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
14% Popularity • 15% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Cipriano de Rore
Calami sonum ferentes
94 bpm • A min • 05:08 • -30db
2% Popularity • 11% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
2% Popularity • 11% Danceability • 0% Energy • 11% Liveness
88% Instrumentalness • 8% Positiveness
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Luca Marenzio
La Favolla d'Apollo: 17. O mille volte a...
92 bpm • G Maj • 02:07 • -13.15db
9% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
9% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
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The Tallis Scholars
Victoria: Amicus Meus - 1. Amicus Meus
92 bpm • F min • 01:08 • -18.12db
17% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 26% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Ruffo
Missa Quarti Toni: Gloria
92 bpm • C Maj • 03:30 • -16db
7% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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John Dowland
The Second Book of Songes: No. 12, Fine ...
104 bpm • D Maj • 02:22 • -22.39db
10% Popularity • 49% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
10% Popularity • 49% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Domenico Scarlatti
Stabat Mater à 10 voix et basse continu...
92 bpm • B min • 06:33 • -21.3db
8% Popularity • 14% Danceability • 7% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
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Cipriano de Rore
Rore: Descendi in hortum meum - 2. Rever...
94 bpm • F Maj • 01:45 • -21db
13% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 8% Liveness
1% Instrumentalness • 12% Positiveness
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Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
92 bpm • A# Maj • 02:05 • -21.13db
9% Popularity • 14% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
9% Popularity • 14% Danceability • 13% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Michel Lambert
Le repos, l'ombre, le silence
104 bpm • A Maj • 05:10 • -22.71db
7% Popularity • 24% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
7% Popularity • 24% Danceability • 4% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
John Dowland
Lachrimae or Seven Tears: XVI. Mr Henry ...
104 bpm • A Maj • 01:58 • -20.52db
8% Popularity • 17% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
8% Popularity • 17% Danceability • 8% Energy • 10% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
10% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
Cipriano de Rore
Le Vergine, Stanza seconda: Vergine sagg...
94 bpm • C Maj • 03:43 • -11db
0% Popularity • 14% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
0% Popularity • 14% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Aleyn
Gloria
105 bpm • D min • 02:46 • -21.5db
7% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 30% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Jean Richafort
Requiem in memoriam Josquin Desprez: III...
105 bpm • A min • 06:26 • -19.02db
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
John Sheppard
Sheppard: Missa Cantate - 4a. Benedictus
91 bpm • G Maj • 00:54 • -20.69db
17% Popularity • 22% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
17% Popularity • 22% Danceability • 12% Energy • 12% Liveness
57% Instrumentalness • 9% Positiveness
► Preview
John Dowland
Lachrimae or Seven Tears: VIII. Mr Nicho...
92 bpm • G# min • 01:46 • -18.54db
12% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
12% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
► Preview
Gioachino Rossini
Petite messe solennelle: II. Kyrie. Chri...
105 bpm • F min • 02:01 • -34.68db
22% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
22% Popularity • 15% Danceability • 1% Energy • 9% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Cipriano de Rore
O morte eterno fin
103 bpm • C# min • 03:23 • -14.08db
1% Popularity • 20% Danceability • 23% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
1% Popularity • 20% Danceability • 23% Energy • 15% Liveness
1% Instrumentalness • 17% Positiveness
► Preview
Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
9% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
► Preview
Johann Hermann Schein
Wie lieblich sind deine Wohnungen
105 bpm • D min • 03:58 • -23.04db
11% Popularity • 15% Danceability • 9% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
11% Popularity • 15% Danceability • 9% Energy • 11% Liveness
51% Instrumentalness • 4% Positiveness
► Preview
Jheronimus Vinders
O mors inevitabili
91 bpm • G Maj • 02:44 • -18.84db
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 18% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Carlo Gesualdo
Sacrarum cantionum quinque vocibus, Libe...
91 bpm • D# min • 03:43 • -21.5db
8% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
8% Popularity • 19% Danceability • 10% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Michael Haydn
Missa Sanctae Crucis, MH 56: Gloria
105 bpm • B Maj • 02:53 • -21db
14% Popularity • 24% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 24% Danceability • 10% Energy • 36% Liveness
0% Instrumentalness • 9% Positiveness
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Cipriano de Rore
Madrigal à 4 "A la dolc' ombra
93 bpm • C# Maj • 01:50 • -29.92db
2% Popularity • 17% Danceability • 1% Energy • 10% Liveness
99% Instrumentalness • 35% Positiveness
2% Popularity • 17% Danceability • 1% Energy • 10% Liveness
99% Instrumentalness • 35% Positiveness
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ensemble tresonare
O Bone Jesu
106 bpm • D min • 03:51 • -22.18db
8% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Antoine Brumel
Missa Et ecce terrae motus: Kyrie
106 bpm • C Maj • 07:49 • -14.81db
9% Popularity • 15% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
9% Popularity • 15% Danceability • 24% Energy • 10% Liveness
10% Instrumentalness • 12% Positiveness
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Jean Mouton
Qui ne regrettoit
91 bpm • G min • 01:34 • -25.46db
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 10% Energy • 10% Liveness
32% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IX. Viae Sion lu...
91 bpm • F# Maj • 01:59 • -17.82db
13% Popularity • 13% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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George de La Hèle
Missa Praeter rerum seriem: III. Credo
106 bpm • D# min • 09:23 • -20.52db
9% Popularity • 17% Danceability • 16% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 16% Energy • 14% Liveness
10% Instrumentalness • 7% Positiveness
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Cipriano de Rore
Madrigali à 5 voci, Libro 4: No. 7, Com...
103 bpm • G# Maj • 02:48 • -20.49db
0% Popularity • 21% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
0% Popularity • 21% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
91 bpm • A# Maj • 01:11 • -19.29db
21% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Cristobal de Morales
Offertorium: I. Domine Jesu Christe, Rex...
91 bpm • C min • 04:46 • -20.21db
9% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
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Raulin De Vaux
Je suis trop jeunette, pour instruments
90 bpm • D# min • 01:23 • -26.25db
13% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
13% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
90 bpm • D min • 05:16 • -19.14db
7% Popularity • 12% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
7% Popularity • 12% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 6% Positiveness
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Cipriano de Rore
Missa Praeter rerum seriem: I. Kyrie
104 bpm • G min • 03:52 • -19.26db
2% Popularity • 15% Danceability • 19% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
2% Popularity • 15% Danceability • 19% Energy • 9% Liveness
26% Instrumentalness • 8% Positiveness
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Luca Marenzio
Se nelle voci nostre
90 bpm • F Maj • 02:35 • -14.75db
11% Popularity • 10% Danceability • 30% Energy • 30% Liveness
8% Instrumentalness • 13% Positiveness
11% Popularity • 10% Danceability • 30% Energy • 30% Liveness
8% Instrumentalness • 13% Positiveness
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Emilio de' Cavalieri
Secunda die Lectio prima: V. Defecerunt
107 bpm • F# Maj • 01:49 • -18db
9% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 29% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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John Sheppard
Sheppard: Jesu salvator saeculi, redempt...
89 bpm • D# min • 01:08 • -20.2db
8% Popularity • 11% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 11% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Claudio Monteverdi
Nisi dominus I
108 bpm • G Maj • 06:48 • -20.98db
8% Popularity • 28% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
8% Popularity • 28% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Cipriano de Rore
Ancor che col partire
92 bpm • D Maj • 02:09 • -22.78db
5% Popularity • 19% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
5% Popularity • 19% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
22% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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John Sheppard
Sheppard: Missa Cantate - 2c. Et ex Patr...
89 bpm • G Maj • 00:58 • -18.64db
12% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
12% Popularity • 11% Danceability • 21% Energy • 9% Liveness
1% Instrumentalness • 12% Positiveness
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Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
88 bpm • C# min • 01:19 • -19.86db
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
