Songs like Madrigals, Book 3: Cantan gli augei contenti by Lodovico Agostini
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
88 bpm • G# min • 03:48 • -28.3db
8% Popularity • 12% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 6% Energy • 8% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Josquin: Missa Gaudeamus - 04. Gloria in...
88 bpm • G# min • 02:41 • -21db
15% Popularity • 11% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
15% Popularity • 11% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 16% Positiveness
► Preview
Tomaso Cecchino
Sonata 7
88 bpm • C# Maj • 01:59 • -21db
8% Popularity • 36% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
8% Popularity • 36% Danceability • 7% Energy • 11% Liveness
91% Instrumentalness • 37% Positiveness
► Preview
Heinrich Isaac
Argentum et aurum
88 bpm • A min • 03:08 • -14.68db
16% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
16% Popularity • 13% Danceability • 16% Energy • 23% Liveness
0% Instrumentalness • 13% Positiveness
► Preview
Emilio de' Cavalieri
Repons: Una hora
88 bpm • C# min • 01:42 • -19.13db
9% Popularity • 24% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 24% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
88 bpm • C# min • 01:19 • -19.86db
7% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
7% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
88 bpm • C# min • 03:11 • -25.03db
8% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
8% Popularity • 21% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Thomas Fabri
Ach Vlaendere vrie
89 bpm • A# Maj • 02:58 • -22.01db
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 16% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Thomas Crecquillon
Andreas Christi famulus
87 bpm • D Maj • 05:53 • -24db
8% Popularity • 9% Danceability • 11% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
8% Popularity • 9% Danceability • 11% Energy • 8% Liveness
19% Instrumentalness • 6% Positiveness
► Preview
Heinrich Isaac
Missa la Spagna: Agnus Dei
87 bpm • G# min • 01:36 • -33.01db
10% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
10% Popularity • 54% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 46% Positiveness
► Preview
Lodovico Agostini
Veni sponsa Christi (Arr. L. Stras)
87 bpm • C Maj • 03:03 • -23.93db
0% Popularity • 17% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 17% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
87 bpm • E Maj • 03:00 • -21.81db
8% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 10% Liveness
22% Instrumentalness • 11% Positiveness
► Preview
Giorgio Mainerio
Ballo francese
87 bpm • C Maj • 01:45 • -22db
11% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 27% Danceability • 4% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
► Preview
Martino Bitti
Sonata in G Minor: II. Alemanda
87 bpm • F# min • 01:37 • -22.51db
10% Popularity • 59% Danceability • 6% Energy • 11% Liveness
37% Instrumentalness • 74% Positiveness
10% Popularity • 59% Danceability • 6% Energy • 11% Liveness
37% Instrumentalness • 74% Positiveness
► Preview
Antonio de Cabezón
Differencias Sobre La Gallarda Milanesa
87 bpm • F Maj • 02:19 • -20db
11% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
11% Popularity • 38% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 10% Positiveness
► Preview
Silvius Leopold Weiss
Fugue in D Minor
87 bpm • C min • 02:43 • -30.34db
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
7% Popularity • 44% Danceability • 6% Energy • 9% Liveness
91% Instrumentalness • 62% Positiveness
► Preview
Lodovico Agostini
Madrigals, Book 3: Cantan gli augei cont...
87 bpm • G Maj • 02:18 • -16.32db
0% Popularity • 22% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
0% Popularity • 22% Danceability • 14% Energy • 32% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
21% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
21% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
► Preview
Pavel Jurkovič
Pro Jiříka a Věrku Kutinovy
90 bpm • C Maj • 01:18 • -18.08db
9% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
9% Popularity • 35% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
► Preview
Adrian Willaert
Infelix ego: I. Infelix ego
86 bpm • D Maj • 04:30 • -19.93db
7% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
7% Popularity • 9% Danceability • 15% Energy • 11% Liveness
79% Instrumentalness • 6% Positiveness
► Preview
Christopher Tye
In Nomine No. 14, 'Reporte'
86 bpm • C# min • 02:15 • -28db
21% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
21% Popularity • 19% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
► Preview
Joan Ambrosio Dalza
Calata a la spagnola No. 2
86 bpm • C min • 01:14 • -35.59db
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 52% Positiveness
18% Popularity • 40% Danceability • 3% Energy • 14% Liveness
92% Instrumentalness • 52% Positiveness
► Preview
John Johnson
Greensleeves (II)
90 bpm • F Maj • 01:18 • -26.1db
16% Popularity • 60% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
16% Popularity • 60% Danceability • 11% Energy • 11% Liveness
68% Instrumentalness • 76% Positiveness
► Preview
Luca Marenzio
Se nelle voci nostre
90 bpm • F Maj • 02:35 • -14.75db
17% Popularity • 10% Danceability • 30% Energy • 30% Liveness
8% Instrumentalness • 13% Positiveness
17% Popularity • 10% Danceability • 30% Energy • 30% Liveness
8% Instrumentalness • 13% Positiveness
► Preview
Matthew Locke
The Little Consort, Suite No. 10 in D Mi...
86 bpm • C# Maj • 01:01 • -19.21db
18% Popularity • 46% Danceability • 9% Energy • 15% Liveness
10% Instrumentalness • 43% Positiveness
18% Popularity • 46% Danceability • 9% Energy • 15% Liveness
10% Instrumentalness • 43% Positiveness
► Preview
Diego Ortiz
Recercadas del Trattado de Glosas: Recer...
86 bpm • F Maj • 02:16 • -20.84db
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
20% Popularity • 17% Danceability • 11% Energy • 11% Liveness
87% Instrumentalness • 21% Positiveness
► Preview
Vincenzo Ruffo
La Gamba in Basso e Soprano
86 bpm • D# min • 01:24 • -36.45db
14% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
14% Popularity • 27% Danceability • 0% Energy • 12% Liveness
58% Instrumentalness • 50% Positiveness
► Preview
Thomas Damett
Salve porta paradisi
86 bpm • C min • 01:42 • -22.55db
8% Popularity • 14% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
8% Popularity • 14% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
► Preview
William Byrd
De lamentatione Jeremiae prophetae, T. 1...
90 bpm • A Maj • 01:36 • -24.46db
11% Popularity • 11% Danceability • 16% Energy • 10% Liveness
36% Instrumentalness • 25% Positiveness
11% Popularity • 11% Danceability • 16% Energy • 10% Liveness
36% Instrumentalness • 25% Positiveness
► Preview
Lodovico Agostini
Il Nuovo echo, Book 3, Op. 10: Poi che d...
90 bpm • G min • 02:43 • -16.28db
0% Popularity • 21% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 21% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Francesco Cavalli
O quam suavis est: O quam suavis est
86 bpm • F# min • 04:54 • -17.65db
12% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
12% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Juan Gutiérrez de Padilla
Missa Ego flos campi: Kirie
86 bpm • G Maj • 02:10 • -20db
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 7% Liveness
5% Instrumentalness • 18% Positiveness
► Preview
Raulin De Vaux
Je suis trop jeunette, pour instruments
90 bpm • D# min • 01:23 • -26.25db
14% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
14% Popularity • 23% Danceability • 3% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
► Preview
Anon
Pavana and Gallyard
86 bpm • G min • 02:27 • -17.47db
8% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
8% Popularity • 31% Danceability • 9% Energy • 11% Liveness
92% Instrumentalness • 29% Positiveness
► Preview
William Byrd
Byrd: Miserere a 4
90 bpm • A# Maj • 01:33 • -25.78db
15% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
15% Popularity • 17% Danceability • 1% Energy • 11% Liveness
97% Instrumentalness • 25% Positiveness
► Preview
Cristobal de Morales
Offertorium: I. Domine Jesu Christe, Rex...
91 bpm • C min • 04:46 • -20.21db
9% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
9% Popularity • 16% Danceability • 13% Energy • 11% Liveness
14% Instrumentalness • 7% Positiveness
► Preview
Gregorio Allegri
Miserere: VII. Redde mihi laetitiam ; Do...
86 bpm • B min • 01:04 • -22.54db
21% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
21% Popularity • 23% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
John Dowland
Lachrimæ Tristes
85 bpm • G min • 05:00 • -23.92db
7% Popularity • 10% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
7% Popularity • 10% Danceability • 5% Energy • 11% Liveness
95% Instrumentalness • 14% Positiveness
► Preview
Diego Ortiz
Trattado de glosas: Recercadas primera y...
85 bpm • F Maj • 01:24 • -22.26db
9% Popularity • 29% Danceability • 14% Energy • 18% Liveness
20% Instrumentalness • 72% Positiveness
9% Popularity • 29% Danceability • 14% Energy • 18% Liveness
20% Instrumentalness • 72% Positiveness
► Preview
The Tallis Scholars
Palestrina: Assumpta Est Maria in Caelum...
91 bpm • A# Maj • 01:11 • -19.29db
21% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 22% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Francisco de la Torre
Cancionero Musical de la Colombina: No. ...
91 bpm • D min • 01:08 • -29.07db
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 16% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Emilio de' Cavalieri
Prima die Lectio prima: IX. Viae Sion lu...
91 bpm • F# Maj • 01:59 • -17.82db
13% Popularity • 13% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
13% Popularity • 13% Danceability • 11% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Juan del Encina
Daca, bailemos Carillo
85 bpm • A min • 02:47 • -26db
11% Popularity • 20% Danceability • 4% Energy • 10% Liveness
43% Instrumentalness • 21% Positiveness
11% Popularity • 20% Danceability • 4% Energy • 10% Liveness
43% Instrumentalness • 21% Positiveness
► Preview
Matthew Locke
Suite No. 1 in G Minor: III. Courante
91 bpm • A Maj • 01:10 • -19db
17% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
17% Popularity • 29% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
85 bpm • B Maj • 01:01 • -26.52db
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 5% Energy • 23% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Anonymous
Gagliarda la lavandara
91 bpm • C Maj • 01:18 • -24.84db
7% Popularity • 47% Danceability • 2% Energy • 12% Liveness
67% Instrumentalness • 90% Positiveness
7% Popularity • 47% Danceability • 2% Energy • 12% Liveness
67% Instrumentalness • 90% Positiveness
► Preview
A5 Vocal Ensemble
Guerrero: Ave virgo sanctissima
85 bpm • G# min • 03:45 • -20.45db
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
11% Popularity • 10% Danceability • 10% Energy • 11% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Michael Haydn
Missa pro Quadragesima, MH 551: Credo
85 bpm • E Maj • 01:31 • -20.77db
21% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
21% Popularity • 34% Danceability • 15% Energy • 42% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Emilio de' Cavalieri
Secunda die Lectio prima: VI. Hierusalem...
91 bpm • F# Maj • 01:17 • -15.97db
19% Popularity • 23% Danceability • 17% Energy • 15% Liveness
48% Instrumentalness • 13% Positiveness
19% Popularity • 23% Danceability • 17% Energy • 15% Liveness
48% Instrumentalness • 13% Positiveness
► Preview
Alexander Agricola
De tous biens plaine I
91 bpm • F min • 01:34 • -25.12db
11% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
11% Popularity • 23% Danceability • 3% Energy • 14% Liveness
91% Instrumentalness • 67% Positiveness
► Preview
Tylman Susato
Susato: Het derdren musyck boexken "Dans...
85 bpm • G min • 01:01 • -17db
14% Popularity • 60% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 91% Positiveness
14% Popularity • 60% Danceability • 25% Energy • 15% Liveness
97% Instrumentalness • 91% Positiveness
► Preview
John Dowland
Pavan Lachrimae Verae from Lachrimae, or...
85 bpm • G min • 04:42 • -31db
9% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
9% Popularity • 10% Danceability • 1% Energy • 11% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Gregorio Allegri
Miserere: I. Miserere mei Dei ; Et secun...
85 bpm • B min • 00:55 • -24.56db
20% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
20% Popularity • 19% Danceability • 4% Energy • 25% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: VId. Ad co...
84 bpm • D# min • 01:12 • -30.21db
16% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Kryštof Harant
Qui confidunt
84 bpm • A min • 03:11 • -17.2db
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
9% Popularity • 20% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Adam Václav Michna z Otradovic
The Czech Lute: No. 1, Predmluva
84 bpm • A Maj • 03:01 • -16.08db
8% Popularity • 25% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 25% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
► Preview
Lorenzini
Fantaisie
84 bpm • A min • 03:11 • -29.9db
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
62% Instrumentalness • 15% Positiveness
8% Popularity • 14% Danceability • 2% Energy • 7% Liveness
62% Instrumentalness • 15% Positiveness
► Preview
Antaisin.fi
Saapuu jo yö
84 bpm • E min • 02:36 • -16.37db
7% Popularity • 25% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
7% Popularity • 25% Danceability • 10% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
► Preview
Carlo Gesualdo
Tenebrae Responsories for Maundy Thursda...
84 bpm • G# Maj • 01:08 • -21.89db
7% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 4% Energy • 9% Liveness
29% Instrumentalness • 4% Positiveness
► Preview
Jean-Baptiste Lully
Le Bourgeois gentilhomme, LWV 43: Canari...
84 bpm • C min • 01:03 • -22.65db
24% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
24% Popularity • 44% Danceability • 20% Energy • 9% Liveness
41% Instrumentalness • 45% Positiveness
► Preview
Anónimo
Pasión: Fodérunt Manus Meas. Tenor S...
92 bpm • D Maj • 03:02 • -15.14db
14% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 38% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 42% Positiveness
► Preview
John Dowland
Lachrimae or Seven Tears: VIII. Mr Nicho...
92 bpm • G# min • 01:46 • -18.54db
13% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
13% Popularity • 23% Danceability • 12% Energy • 12% Liveness
87% Instrumentalness • 28% Positiveness
► Preview
Girolamo Frescobaldi
Messa Della Domenica: Kyrye III
92 bpm • C# min • 01:03 • -25.36db
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
31% Popularity • 22% Danceability • 5% Energy • 13% Liveness
59% Instrumentalness • 6% Positiveness
► Preview
William Byrd
De lamentatione Jeremiae prophetae, T. 1...
92 bpm • F# min • 02:03 • -24.18db
12% Popularity • 19% Danceability • 12% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
12% Popularity • 19% Danceability • 12% Energy • 13% Liveness
78% Instrumentalness • 4% Positiveness
► Preview
Domenico Scarlatti
Stabat Mater à 10 voix et basse continu...
92 bpm • B min • 06:33 • -21.3db
9% Popularity • 14% Danceability • 7% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 7% Energy • 8% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: IIId. Ad m...
84 bpm • F# min • 01:31 • -24.34db
9% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
9% Popularity • 18% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Emilio de' Cavalieri
Prime die Lectio secunda: XVII. Hierusal...
84 bpm • F# Maj • 00:52 • -18.44db
14% Popularity • 23% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
14% Popularity • 23% Danceability • 11% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
John Dowland
George Whitehead
84 bpm • C Maj • 01:17 • -26.18db
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
14% Popularity • 57% Danceability • 2% Energy • 10% Liveness
78% Instrumentalness • 46% Positiveness
► Preview
Claudio Merulo
Missa Virginis Mariae: VIII. Ite, missa ...
84 bpm • D min • 01:30 • -16.51db
12% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
12% Popularity • 21% Danceability • 7% Energy • 12% Liveness
42% Instrumentalness • 18% Positiveness
► Preview
Johann Sebastiani
St Matthew Passion: No. 1, Symphonia und...
92 bpm • F Maj • 01:09 • -18.36db
2% Popularity • 11% Danceability • 6% Energy • 13% Liveness
14% Instrumentalness • 8% Positiveness
2% Popularity • 11% Danceability • 6% Energy • 13% Liveness
14% Instrumentalness • 8% Positiveness
► Preview
Samuel Scheidt
Ludi musici I: 16. Alamande a 4, SSWV 54
92 bpm • B Maj • 01:44 • -18.2db
20% Popularity • 36% Danceability • 17% Energy • 25% Liveness
89% Instrumentalness • 59% Positiveness
20% Popularity • 36% Danceability • 17% Energy • 25% Liveness
89% Instrumentalness • 59% Positiveness
► Preview
Vincenzo Ruffo
Missa Quarti Toni: Gloria
92 bpm • C Maj • 03:30 • -16db
7% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
7% Popularity • 18% Danceability • 16% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
William Byrd
Byrd: Prelude & Goodnight Ground a 5
84 bpm • D# Maj • 05:58 • -21.22db
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
9% Popularity • 15% Danceability • 10% Energy • 14% Liveness
90% Instrumentalness • 28% Positiveness
► Preview
Ippolito Tartagliano
Canzon sopra Susanna
92 bpm • F# min • 03:36 • -17.24db
7% Popularity • 16% Danceability • 11% Energy • 19% Liveness
77% Instrumentalness • 13% Positiveness
7% Popularity • 16% Danceability • 11% Energy • 19% Liveness
77% Instrumentalness • 13% Positiveness
► Preview
Maddalena Casulana
Maddalena Casulana : O notte o ciel o ma...
84 bpm • C Maj • 01:30 • -22.34db
13% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
13% Popularity • 34% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Luca Marenzio
La Favolla d'Apollo: 17. O mille volte a...
92 bpm • G Maj • 02:07 • -13.15db
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
8% Popularity • 34% Danceability • 35% Energy • 8% Liveness
8% Instrumentalness • 32% Positiveness
► Preview
William Lawes
Royal Consort in D Minor for 2 theorbos:...
84 bpm • C# min • 01:01 • -22.59db
24% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
24% Popularity • 19% Danceability • 7% Energy • 25% Liveness
94% Instrumentalness • 34% Positiveness
► Preview
Antonio Cornazzano
La Figlia di Guglielmino
84 bpm • D# Maj • 01:16 • -25.46db
9% Popularity • 21% Danceability • 3% Energy • 41% Liveness
100% Instrumentalness • 36% Positiveness
9% Popularity • 21% Danceability • 3% Energy • 41% Liveness
100% Instrumentalness • 36% Positiveness
► Preview
Anthony Holborne
Dances: The Honiesuckle
93 bpm • C Maj • 01:13 • -18.98db
7% Popularity • 68% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
7% Popularity • 68% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 91% Positiveness
► Preview
Girolamo Frescobaldi
Begli occhi io non prouo, F7.18
93 bpm • G min • 02:45 • -21db
9% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 35% Danceability • 8% Energy • 27% Liveness
0% Instrumentalness • 36% Positiveness
► Preview
Gabriello Puliti
Donna ingrata
93 bpm • D# Maj • 02:15 • -22.33db
7% Popularity • 43% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
7% Popularity • 43% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 46% Positiveness
► Preview
Sebastián de Vivanco
O Rex gloriae, a 8
93 bpm • E min • 02:35 • -18.53db
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
8% Popularity • 20% Danceability • 17% Energy • 10% Liveness
25% Instrumentalness • 6% Positiveness
► Preview
Franciscus de Rivulo
O vos omnes qui transitis
93 bpm • A min • 02:03 • -17.04db
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 22% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Tobias Hume
The Lady of Sussex Delight
83 bpm • D# min • 01:58 • -18.09db
17% Popularity • 40% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
17% Popularity • 40% Danceability • 19% Energy • 10% Liveness
90% Instrumentalness • 63% Positiveness
► Preview
Hieronymus Praetorius
Te Deum patrem ingénitum
83 bpm • G# min • 04:15 • -16.18db
12% Popularity • 18% Danceability • 22% Energy • 7% Liveness
72% Instrumentalness • 6% Positiveness
12% Popularity • 18% Danceability • 22% Energy • 7% Liveness
72% Instrumentalness • 6% Positiveness
► Preview
Thomas Tallis
In Nomine
93 bpm • C# min • 02:45 • -29.04db
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
14% Popularity • 14% Danceability • 1% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
► Preview
Michael Praetorius
Bransle Loraine, TMA18
93 bpm • C Maj • 02:22 • -24db
10% Popularity • 52% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
10% Popularity • 52% Danceability • 8% Energy • 11% Liveness
97% Instrumentalness • 57% Positiveness
► Preview
Anonymous
Pieces from the Lumley Part Books: III. ...
93 bpm • F Maj • 01:06 • -27.19db
9% Popularity • 49% Danceability • 6% Energy • 15% Liveness
26% Instrumentalness • 22% Positiveness
9% Popularity • 49% Danceability • 6% Energy • 15% Liveness
26% Instrumentalness • 22% Positiveness
► Preview
Tomás Luis de Victoria
Tenebrae Responsories - Matins Responsor...
83 bpm • C# min • 04:04 • -30.98db
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 8% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Samuel Scheidt
Battle Suite: III. Gailliard Battaglia
93 bpm • G Maj • 01:39 • -16.27db
16% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
16% Popularity • 44% Danceability • 30% Energy • 14% Liveness
90% Instrumentalness • 54% Positiveness
► Preview
Jacob Clemens non Papa
Magi veniunt ab oriente: I. Magi veniunt...
83 bpm • B min • 03:06 • -20.2db
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 16% Energy • 8% Liveness
66% Instrumentalness • 6% Positiveness
► Preview
Thomas Tallis
Lamentations of Jeremiah II: I. De lamen...
83 bpm • D# min • 01:27 • -24.01db
11% Popularity • 10% Danceability • 11% Energy • 15% Liveness
32% Instrumentalness • 17% Positiveness
11% Popularity • 10% Danceability • 11% Energy • 15% Liveness
32% Instrumentalness • 17% Positiveness
► Preview
William Brade
Suite: XVIII. Courant No. 52
94 bpm • F Maj • 01:32 • -21.4db
12% Popularity • 57% Danceability • 12% Energy • 20% Liveness
95% Instrumentalness • 48% Positiveness
12% Popularity • 57% Danceability • 12% Energy • 20% Liveness
95% Instrumentalness • 48% Positiveness
► Preview
Giorgio Mainerio
L'arboscello ballo furlano
83 bpm • C Maj • 01:42 • -24.11db
8% Popularity • 32% Danceability • 4% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
8% Popularity • 32% Danceability • 4% Energy • 12% Liveness
63% Instrumentalness • 32% Positiveness
► Preview
Juan del Encina
Ya soy desposado
83 bpm • G Maj • 02:42 • -28db
9% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 27% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Domenico Scarlatti
Stabat Mater à 10 voix et basse continu...
83 bpm • A Maj • 03:15 • -21.99db
8% Popularity • 12% Danceability • 7% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
8% Popularity • 12% Danceability • 7% Energy • 12% Liveness
11% Instrumentalness • 4% Positiveness
► Preview
Claude Gervaise
Suite I: Bransle de Champaigne I
83 bpm • G min • 01:19 • -22.8db
10% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
10% Popularity • 47% Danceability • 9% Energy • 9% Liveness
84% Instrumentalness • 46% Positiveness
► Preview
The Hilliard Ensemble
de Missa "Mille Regretz": Agnus Dei III ...
83 bpm • G# min • 02:13 • -23.33db
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 15% Energy • 20% Liveness
40% Instrumentalness • 4% Positiveness
