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Magic Look
Songs like
Magic Look
by
Marques Toliver
Based on a tempo of (+/- 10%) and a similar genre
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Marques Toliver
Magic Look
87 bpm • F Maj • 03:02 • -8.35db
2% Popularity • 52% Danceability • 63% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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RJD2
Temperamental
88 bpm • F# min • 03:27 • -5.51db
25% Popularity • 79% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Andy Burrows
As Good as Gone
86 bpm • G Maj • 03:17 • -7db
12% Popularity • 58% Danceability • 71% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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William Fitzsimmons
Let You Break
88 bpm • E Maj • 03:22 • -12db
13% Popularity • 65% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 49% Positiveness
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King Creosote
Bats In The Attic (Unravelled)
88 bpm • G# Maj • 03:25 • -10.37db
20% Popularity • 38% Danceability • 43% Energy • 16% Liveness
36% Instrumentalness • 14% Positiveness
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Francis and the Lights
Etc
86 bpm • D# min • 03:26 • -7.94db
29% Popularity • 69% Danceability • 40% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
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Feist
Anti-Pioneer
88 bpm • B min • 05:33 • -10.54db
24% Popularity • 39% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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M. Ward
Clean Slate
85 bpm • F# Maj • 02:51 • -13.71db
6% Popularity • 53% Danceability • 26% Energy • 16% Liveness
2% Instrumentalness • 39% Positiveness
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Grey Reverend
Altruistic Holiday
85 bpm • C# Maj • 05:08 • -14db
21% Popularity • 63% Danceability • 19% Energy • 16% Liveness
51% Instrumentalness • 44% Positiveness
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Emily King
Ever After
85 bpm • C Maj • 03:40 • -11.24db
24% Popularity • 51% Danceability • 51% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Ben Khan
1000
89 bpm • E min • 02:54 • -6.71db
11% Popularity • 75% Danceability • 54% Energy • 15% Liveness
1% Instrumentalness • 33% Positiveness
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Lucy Rose
Lines
85 bpm • C# min • 03:38 • -7db
25% Popularity • 41% Danceability • 55% Energy • 31% Liveness
0% Instrumentalness • 57% Positiveness
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Quadron
Crush
90 bpm • E Maj • 03:44 • -8.98db
20% Popularity • 43% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Nizlopi
Find Me
90 bpm • G Maj • 03:06 • -7.45db
12% Popularity • 59% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
On the Chord I Found You (Bonus Track)
84 bpm • D Maj • 06:22 • -10.07db
0% Popularity • 41% Danceability • 59% Energy • 15% Liveness
63% Instrumentalness • 18% Positiveness
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Misun
Coffee
90 bpm • F# min • 03:44 • -5.41db
21% Popularity • 66% Danceability • 72% Energy • 10% Liveness
20% Instrumentalness • 51% Positiveness
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Robyn Sherwell
Islander
90 bpm • F# Maj • 02:54 • -6.77db
15% Popularity • 61% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 77% Positiveness
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Marques Toliver
If Only
90 bpm • D Maj • 03:48 • -7.11db
0% Popularity • 57% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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SOHN
Tempest
90 bpm • D Maj • 03:30 • -8db
30% Popularity • 39% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Laura Doggett
Moonshine
84 bpm • A min • 03:39 • -8.07db
10% Popularity • 48% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Husky
Hunter
84 bpm • C# min • 04:01 • -11.86db
20% Popularity • 42% Danceability • 33% Energy • 11% Liveness
1% Instrumentalness • 61% Positiveness
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Francis and the Lights
Can't Tell Me Nothing
91 bpm • F min • 02:11 • -8.38db
11% Popularity • 63% Danceability • 76% Energy • 14% Liveness
2% Instrumentalness • 57% Positiveness
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Purple Ferdinand
In My Dreams
91 bpm • E min • 03:37 • -7.87db
9% Popularity • 68% Danceability • 53% Energy • 12% Liveness
30% Instrumentalness • 26% Positiveness
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Marques Toliver
Find Your Way Back Home
84 bpm • G min • 03:36 • -7.28db
0% Popularity • 37% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Jon Mcxro
Stay Open
91 bpm • A min • 04:10 • -7.79db
16% Popularity • 69% Danceability • 67% Energy • 39% Liveness
1% Instrumentalness • 41% Positiveness
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Emily and The Woods
Helios
83 bpm • D min • 03:00 • -9.3db
23% Popularity • 61% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Active Child
These Arms
83 bpm • A# Maj • 03:51 • -9.17db
2% Popularity • 42% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kendra Morris
How You Want It
83 bpm • C min • 03:27 • -8.02db
12% Popularity • 45% Danceability • 68% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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The Mynabirds
Body of Work
91 bpm • G Maj • 03:00 • -6.23db
27% Popularity • 64% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Elbow
Honey Sun
91 bpm • A Maj • 04:56 • -13.27db
26% Popularity • 74% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Mia and Jonah
Rooms
92 bpm • A min • 03:49 • -14.5db
10% Popularity • 63% Danceability • 61% Energy • 10% Liveness
25% Instrumentalness • 70% Positiveness
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Marques Toliver
Canaan
92 bpm • G Maj • 02:28 • -7.81db
0% Popularity • 36% Danceability • 78% Energy • 32% Liveness
44% Instrumentalness • 34% Positiveness
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Monsters Of Folk
Dear God (Sincerely M.O.F.)
82 bpm • G# Maj • 05:06 • -9.43db
28% Popularity • 62% Danceability • 51% Energy • 11% Liveness
9% Instrumentalness • 52% Positiveness
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Paul Thomas Saunders
Appointment in Samarra
92 bpm • A# min • 05:06 • -9.11db
8% Popularity • 43% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Secret Cities
The Park
82 bpm • F Maj • 03:21 • -8.06db
9% Popularity • 30% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Theresa Andersson
Birds Fly Away
93 bpm • B min • 03:27 • -3.64db
10% Popularity • 53% Danceability • 88% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Kendra Morris
Just One More
82 bpm • C# Maj • 04:00 • -10.49db
12% Popularity • 61% Danceability • 44% Energy • 16% Liveness
10% Instrumentalness • 32% Positiveness
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kwes.
36
93 bpm • G Maj • 04:03 • -7.94db
14% Popularity • 64% Danceability • 47% Energy • 11% Liveness
24% Instrumentalness • 28% Positiveness
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Joan As Police Woman
Get Direct
81 bpm • C Maj • 06:44 • -16.89db
13% Popularity • 76% Danceability • 32% Energy • 10% Liveness
46% Instrumentalness • 50% Positiveness
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Active Child
Way Too Fast
81 bpm • F Maj • 05:16 • -10.94db
4% Popularity • 17% Danceability • 38% Energy • 10% Liveness
41% Instrumentalness • 9% Positiveness
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Kindness
House
94 bpm • C# min • 03:37 • -11db
33% Popularity • 72% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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Laura Mvula
Jump Right Out
80 bpm • A# Maj • 04:10 • -7.95db
15% Popularity • 46% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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John Legend
Show Me
94 bpm • F Maj • 04:58 • -9.05db
36% Popularity • 63% Danceability • 44% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
First Blush of Winter
94 bpm • F# Maj • 02:05 • -9.45db
0% Popularity • 24% Danceability • 60% Energy • 9% Liveness
8% Instrumentalness • 36% Positiveness
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Oscar + Martin
Recognise
94 bpm • G Maj • 02:10 • -7.72db
19% Popularity • 70% Danceability • 35% Energy • 13% Liveness
15% Instrumentalness • 37% Positiveness
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Natalie Prass
Violently
80 bpm • C# Maj • 05:44 • -8.78db
10% Popularity • 47% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 18% Positiveness
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POLIÇA
Vegas
80 bpm • G Maj • 04:11 • -8.78db
1% Popularity • 63% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 31% Positiveness
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How To Dress Well
Words I Don't Remember
80 bpm • D# min • 06:18 • -13.44db
28% Popularity • 53% Danceability • 21% Energy • 45% Liveness
56% Instrumentalness • 21% Positiveness
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Aloe Blacc
Long Time Coming
95 bpm • G Maj • 04:04 • -8db
7% Popularity • 64% Danceability • 66% Energy • 31% Liveness
0% Instrumentalness • 70% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
Strange Ideas
94 bpm • F# Maj • 05:09 • -9.77db
0% Popularity • 18% Danceability • 34% Energy • 31% Liveness
1% Instrumentalness • 22% Positiveness
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SOHN
Lessons
80 bpm • G min • 03:20 • -15.71db
24% Popularity • 47% Danceability • 50% Energy • 12% Liveness
35% Instrumentalness • 44% Positiveness
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Kan Wakan
Moving On
95 bpm • C# min • 03:43 • -9.57db
8% Popularity • 60% Danceability • 67% Energy • 9% Liveness
30% Instrumentalness • 61% Positiveness
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POLIÇA
Wandering Star
95 bpm • C Maj • 04:58 • -6.12db
7% Popularity • 56% Danceability • 74% Energy • 39% Liveness
4% Instrumentalness • 36% Positiveness
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Guillemots
Fleet
95 bpm • D Maj • 04:43 • -9.71db
12% Popularity • 61% Danceability • 46% Energy • 29% Liveness
4% Instrumentalness • 17% Positiveness
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Laura Mvula
Like the Morning Dew
95 bpm • D Maj • 03:40 • -9.06db
22% Popularity • 65% Danceability • 33% Energy • 20% Liveness
0% Instrumentalness • 29% Positiveness
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Emily Wells
Johnny Cash's Mama's House
80 bpm • G Maj • 04:22 • -8.74db
9% Popularity • 45% Danceability • 64% Energy • 11% Liveness
63% Instrumentalness • 29% Positiveness
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Marques Toliver
Something's Wrong
95 bpm • C Maj • 02:53 • -5.81db
0% Popularity • 50% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 50% Positiveness
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How To Dress Well
When I Was In Trouble
95 bpm • C min • 03:22 • -19.56db
9% Popularity • 23% Danceability • 26% Energy • 12% Liveness
44% Instrumentalness • 12% Positiveness
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Bombay Bicycle Club
You Already Know
95 bpm • D Maj • 04:21 • -16db
25% Popularity • 68% Danceability • 23% Energy • 10% Liveness
42% Instrumentalness • 41% Positiveness
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Jamie Lidell
Completely Exposed
79 bpm • C# Maj • 03:24 • -5.93db
8% Popularity • 52% Danceability • 78% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Big Scary
Invest
79 bpm • C Maj • 04:30 • -11.47db
22% Popularity • 61% Danceability • 67% Energy • 11% Liveness
6% Instrumentalness • 25% Positiveness
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Laura Mvula
Like the Morning Dew
96 bpm • D Maj • 03:37 • -12.26db
14% Popularity • 61% Danceability • 24% Energy • 13% Liveness
41% Instrumentalness • 33% Positiveness
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Electric Wire Hustle
Tom Boy
96 bpm • B Maj • 04:21 • -8.81db
19% Popularity • 52% Danceability • 62% Energy • 12% Liveness
4% Instrumentalness • 30% Positiveness
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How To Dress Well
Running Back
96 bpm • A Maj • 03:16 • -9.89db
10% Popularity • 77% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Villagers
The Soul Serene
79 bpm • G Maj • 04:10 • -10.79db
33% Popularity • 35% Danceability • 33% Energy • 7% Liveness
14% Instrumentalness • 23% Positiveness
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Willis Earl Beal
Coming Through
97 bpm • C Maj • 03:55 • -10.1db
23% Popularity • 74% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Tobias Jesso Jr.
Hollywood
97 bpm • C Maj • 06:08 • -11.99db
22% Popularity • 32% Danceability • 18% Energy • 11% Liveness
17% Instrumentalness • 14% Positiveness
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Iron & Wine
My Side of the Road
97 bpm • F Maj • 03:21 • -8.3db
7% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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The Night VI
Sienna
97 bpm • F# min • 03:44 • -8.42db
11% Popularity • 65% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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POLIÇA
I Need $
97 bpm • A min • 04:38 • -9.27db
1% Popularity • 66% Danceability • 42% Energy • 12% Liveness
6% Instrumentalness • 32% Positiveness
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Samantha Crain
For the Miner
78 bpm • G# min • 05:13 • -11.88db
14% Popularity • 72% Danceability • 43% Energy • 12% Liveness
4% Instrumentalness • 77% Positiveness
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EmilÃana Torrini
Speed of Dark
98 bpm • C Maj • 05:37 • -8.46db
26% Popularity • 69% Danceability • 74% Energy • 25% Liveness
8% Instrumentalness • 38% Positiveness
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Daudi Matsiko
This Day
78 bpm • A# Maj • 02:55 • -13.56db
13% Popularity • 49% Danceability • 34% Energy • 10% Liveness
30% Instrumentalness • 44% Positiveness
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Hundred Waters
Boreal - Original Mix
98 bpm • A Maj • 03:54 • -7.4db
13% Popularity • 46% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Jack Peñate
Body Down
98 bpm • G min • 04:06 • -6.49db
12% Popularity • 57% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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Feist
Bittersweet Melodies
98 bpm • D Maj • 03:56 • -8.72db
25% Popularity • 50% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Deptford Goth
Lions
98 bpm • A min • 02:28 • -17.78db
11% Popularity • 53% Danceability • 4% Energy • 11% Liveness
61% Instrumentalness • 18% Positiveness
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My Brightest Diamond
Reaching Through to the Other Side
77 bpm • F# min • 03:41 • -11.45db
12% Popularity • 64% Danceability • 30% Energy • 36% Liveness
1% Instrumentalness • 41% Positiveness
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Matthew E. White
Big Love
99 bpm • E min • 04:39 • -11db
17% Popularity • 48% Danceability • 69% Energy • 11% Liveness
90% Instrumentalness • 55% Positiveness
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Twin Shadow
Turn Me Up
77 bpm • G# min • 03:21 • -7db
19% Popularity • 65% Danceability • 60% Energy • 18% Liveness
0% Instrumentalness • 51% Positiveness
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Cody Chesnutt
That's Still Mama
99 bpm • C min • 04:15 • -4.28db
12% Popularity • 49% Danceability • 78% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Wet
You're the Best - EP Version
100 bpm • C Maj • 02:54 • -7.7db
31% Popularity • 57% Danceability • 39% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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RJD2
The Shining Path
100 bpm • G Maj • 04:08 • -7.87db
8% Popularity • 54% Danceability • 56% Energy • 37% Liveness
0% Instrumentalness • 62% Positiveness
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When Saints Go Machine
Pinned
100 bpm • D# min • 03:13 • -7.15db
8% Popularity • 68% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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James Blake
Fall Creek Boys Choir
100 bpm • F Maj • 04:33 • -12db
31% Popularity • 56% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Jungle
Platoon
100 bpm • C min • 03:10 • -10db
27% Popularity • 66% Danceability • 70% Energy • 13% Liveness
88% Instrumentalness • 70% Positiveness
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Marques Toliver
Charter Magic
100 bpm • G Maj • 06:24 • -7.67db
0% Popularity • 54% Danceability • 52% Energy • 46% Liveness
0% Instrumentalness • 37% Positiveness
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Firehorse
Our Hearts
100 bpm • C Maj • 04:02 • -8.88db
15% Popularity • 74% Danceability • 38% Energy • 11% Liveness
4% Instrumentalness • 21% Positiveness
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Generationals
Say for Certain
100 bpm • C Maj • 04:15 • -5.58db
23% Popularity • 78% Danceability • 93% Energy • 8% Liveness
53% Instrumentalness • 40% Positiveness
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Willis Earl Beal
Wavering Lines
76 bpm • F Maj • 03:53 • -15.09db
11% Popularity • 34% Danceability • 20% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Laura Mvula
She 1
75 bpm • F Maj • 02:42 • -9.31db
12% Popularity • 29% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 17% Positiveness
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Lo-Fang
When We're Fire
100 bpm • C# Maj • 03:48 • -8.97db
29% Popularity • 75% Danceability • 54% Energy • 9% Liveness
55% Instrumentalness • 18% Positiveness
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Marques Toliver
Try Your Best
100 bpm • F# Maj • 04:24 • -9.79db
0% Popularity • 66% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Nicholas Littlemore’s The Two Leaves Project
I'll Find You
101 bpm • G# min • 03:01 • -11.49db
0% Popularity • 34% Danceability • 54% Energy • 27% Liveness
2% Instrumentalness • 32% Positiveness
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Dirty Projectors
Gun Has No Trigger
101 bpm • A min • 03:24 • -5.89db
20% Popularity • 68% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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All We Are
Stone
102 bpm • F min • 05:28 • -8.93db
12% Popularity • 56% Danceability • 63% Energy • 10% Liveness
59% Instrumentalness • 62% Positiveness
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Laura Mvula
She
75 bpm • F Maj • 03:25 • -9.41db
31% Popularity • 26% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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India Bourne
We're All Stars
74 bpm • D Maj • 05:10 • -10.11db
13% Popularity • 39% Danceability • 12% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Marques Toliver
Anniversary
100 bpm • G min • 03:41 • -8.03db
0% Popularity • 25% Danceability • 69% Energy • 29% Liveness
0% Instrumentalness • 7% Positiveness
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Emily and The Woods
Doorstep
74 bpm • F Maj • 04:27 • -11.53db
8% Popularity • 51% Danceability • 41% Energy • 10% Liveness
19% Instrumentalness • 16% Positiveness
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Magic Look