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MAGNIFICAT: I. Magnificat anima mea
Songs like
MAGNIFICAT: I. Magnificat anima mea
by
Kim André Arnesen
Based on a tempo of (+/- 10%) and a similar genre
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Øystein Baadsvik
Ordner seg (It'll Be All Right)
87 bpm • F Maj • 04:42 • -28.54db
12% Popularity • 11% Danceability • 1% Energy • 8% Liveness
89% Instrumentalness • 8% Positiveness
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George Frideric Handel
Eternal Source of Light Divine
87 bpm • B Maj • 03:45 • -19.32db
15% Popularity • 18% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Giuseppe Tartini
Sonata for Violin and Continuo in G Mino...
87 bpm • G min • 03:25 • -21.58db
6% Popularity • 53% Danceability • 21% Energy • 26% Liveness
2% Instrumentalness • 74% Positiveness
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Kim André Arnesen
MAGNIFICAT: I. Magnificat anima mea
87 bpm • E min • 06:04 • -24db
16% Popularity • 14% Danceability • 9% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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The Wartburg Choir
Let My Love Be Heard
87 bpm • F Maj • 04:29 • -24.48db
17% Popularity • 9% Danceability • 3% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
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Victor Kalinnikov
Hymn To The Mother Of God (Bogoroditse D...
87 bpm • D min • 01:23 • -42db
31% Popularity • 21% Danceability • 2% Energy • 9% Liveness
98% Instrumentalness • 6% Positiveness
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Johan Söderqvist
Love & Rage
88 bpm • E min • 03:13 • -15.59db
16% Popularity • 23% Danceability • 14% Energy • 14% Liveness
37% Instrumentalness • 3% Positiveness
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Knut Nystedt
3 Motets, Op. 43: No. 2, Peace I Leave w...
86 bpm • C# min • 02:41 • -20.75db
14% Popularity • 16% Danceability • 3% Energy • 28% Liveness
73% Instrumentalness • 3% Positiveness
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Samuel Barber
Four Songs Op. 13: No. 3 Sure On This Sh...
88 bpm • A# Maj • 02:31 • -17.02db
22% Popularity • 19% Danceability • 18% Energy • 14% Liveness
90% Instrumentalness • 4% Positiveness
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Kim André Arnesen
TUVAYHUN: VIII. Rachel’s Song
87 bpm • B min • 06:32 • -28.83db
7% Popularity • 12% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Andreas Scholl
Juxta Crucem
88 bpm • C min • 02:54 • -15.74db
22% Popularity • 12% Danceability • 12% Energy • 12% Liveness
55% Instrumentalness • 4% Positiveness
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Henryk Górecki
Miserere, Op. 44: 9. Domine Deus noster ...
86 bpm • C Maj • 04:29 • -22.53db
10% Popularity • 9% Danceability • 6% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
De Fire Ã…rstider, Opus 8, No. 1 - 4, Ko...
88 bpm • D Maj • 02:27 • -31.82db
7% Popularity • 13% Danceability • 2% Energy • 11% Liveness
7% Instrumentalness • 3% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: IV. Beth
86 bpm • F# min • 01:12 • -24db
36% Popularity • 9% Danceability • 2% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
16% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
The City
88 bpm • D# Maj • 10:40 • -20db
14% Popularity • 13% Danceability • 16% Energy • 18% Liveness
29% Instrumentalness • 4% Positiveness
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Alfred Schnittke
3 Sacred Hymns: No. 2. Gospodi, Gospodi ...
86 bpm • C min • 01:50 • -25.43db
28% Popularity • 12% Danceability • 7% Energy • 6% Liveness
0% Instrumentalness • 3% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater: 1. Stabat Mater
88 bpm • E min • 04:31 • -24.88db
35% Popularity • 17% Danceability • 3% Energy • 10% Liveness
1% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Sergei Rachmaninoff
All-Night Vigil, Op. 37: Psalm 103 (104)...
86 bpm • B Maj • 05:26 • -31db
12% Popularity • 10% Danceability • 5% Energy • 11% Liveness
78% Instrumentalness • 4% Positiveness
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Millikin University Choir
Stetit Angelus
86 bpm • A min • 04:38 • -24db
29% Popularity • 12% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Holy
86 bpm • F Maj • 02:26 • -16.27db
13% Popularity • 12% Danceability • 16% Energy • 26% Liveness
61% Instrumentalness • 4% Positiveness
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Marja Mortensson
Lååje - Dawn
88 bpm • A# Maj • 04:57 • -18.63db
4% Popularity • 18% Danceability • 12% Energy • 9% Liveness
1% Instrumentalness • 8% Positiveness
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Josquin des Prez
Mille regretz
86 bpm • F# min • 02:14 • -28.85db
28% Popularity • 17% Danceability • 6% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Geirr Tveitt
Vél komne Med Aera
86 bpm • E min • 03:28 • -16.52db
14% Popularity • 14% Danceability • 12% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Ola Gjeilo
Ubi Caritas
85 bpm • F# min • 05:22 • -25db
38% Popularity • 16% Danceability • 5% Energy • 8% Liveness
67% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41: ...
85 bpm • E min • 07:50 • -23.81db
32% Popularity • 16% Danceability • 2% Energy • 5% Liveness
79% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life: Mercy
86 bpm • A min • 01:30 • -25db
15% Popularity • 16% Danceability • 7% Energy • 43% Liveness
0% Instrumentalness • 14% Positiveness
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Kevin Puts
If I Were A Swan
85 bpm • C# Maj • 06:22 • -24db
9% Popularity • 16% Danceability • 13% Energy • 9% Liveness
82% Instrumentalness • 3% Positiveness
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Steve Dobrogosz
Mass: VI. Agnus Dei
86 bpm • C Maj • 06:39 • -20.51db
11% Popularity • 18% Danceability • 6% Energy • 11% Liveness
8% Instrumentalness • 4% Positiveness
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Jessye Norman
Dido and Aeneas: Dido's Lament
89 bpm • C min • 04:49 • -15.19db
18% Popularity • 31% Danceability • 22% Energy • 10% Liveness
23% Instrumentalness • 4% Positiveness
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Trad. gregoriansk
Antifon til Magnificat: Hodie pretiosus ...
85 bpm • D# min • 04:03 • -26.5db
2% Popularity • 26% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky SERENADE for Strings op. 48:...
85 bpm • D Maj • 08:43 • -20.27db
4% Popularity • 11% Danceability • 9% Energy • 17% Liveness
60% Instrumentalness • 4% Positiveness
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César Franck
Messe a 3 voix (Mass in 3 voices), Op. 1...
89 bpm • A Maj • 05:01 • -28db
28% Popularity • 17% Danceability • 3% Energy • 9% Liveness
21% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Fount of Life
85 bpm • C# Maj • 02:57 • -18.45db
10% Popularity • 9% Danceability • 10% Energy • 20% Liveness
6% Instrumentalness • 4% Positiveness
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Ståle Kleiberg
Hymn to Love
85 bpm • F Maj • 14:35 • -19.7db
3% Popularity • 9% Danceability • 18% Energy • 27% Liveness
30% Instrumentalness • 3% Positiveness
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James Whitbourn
Give us the wings of faith
85 bpm • A min • 02:36 • -25db
36% Popularity • 12% Danceability • 16% Energy • 10% Liveness
97% Instrumentalness • 3% Positiveness
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Majorstua Kammerkor & Tore Erik Mohn
Identity & The Ground
89 bpm • G# Maj • 06:13 • -26.74db
20% Popularity • 10% Danceability • 3% Energy • 20% Liveness
50% Instrumentalness • 3% Positiveness
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John Tavener
Funeral Ikos
85 bpm • G# Maj • 08:07 • -32.54db
21% Popularity • 10% Danceability • 4% Energy • 7% Liveness
54% Instrumentalness • 4% Positiveness
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Claude Debussy
Trois chansons de Bilitis, L. 90: No. 1,...
85 bpm • F# Maj • 02:45 • -29db
22% Popularity • 29% Danceability • 2% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
TUVAYHUN: XV. Song for Justice
89 bpm • G min • 05:00 • -18.1db
14% Popularity • 25% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 5% Positiveness
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Edward Elgar
Ave Maria, Op. 2, No. 2
85 bpm • A# Maj • 02:45 • -28.14db
26% Popularity • 12% Danceability • 6% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Andreas Scholl
Stabat Mater
85 bpm • F Maj • 02:01 • -11.05db
37% Popularity • 36% Danceability • 14% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Eric William Barnum
Dawn
84 bpm • F Maj • 04:18 • -29db
12% Popularity • 9% Danceability • 3% Energy • 8% Liveness
83% Instrumentalness • 4% Positiveness
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John Tavener
Song for Athene
84 bpm • F Maj • 05:42 • -30.58db
15% Popularity • 18% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
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Øystein Baadsvik
Tango
84 bpm • C min • 04:34 • -18.57db
6% Popularity • 28% Danceability • 6% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Kim André Arnesen
TUVAYHUN: IV. Forty Days and Forty Night...
84 bpm • E min • 06:01 • -20db
8% Popularity • 39% Danceability • 23% Energy • 10% Liveness
36% Instrumentalness • 10% Positiveness
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John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
20% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
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The Wartburg Choir
MLK
84 bpm • G# Maj • 02:33 • -37.74db
16% Popularity • 8% Danceability • 0% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
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Henryk Górecki
Symphony No. 3, Op. 36 "Symphony of Sorr...
90 bpm • A# min • 08:54 • -24db
24% Popularity • 15% Danceability • 4% Energy • 16% Liveness
72% Instrumentalness • 3% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36 ...
90 bpm • A# Maj • 04:00 • -19.85db
33% Popularity • 16% Danceability • 9% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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OperaBabes
Dido's Lament
90 bpm • G min • 03:29 • -12db
13% Popularity • 14% Danceability • 29% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
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Kim André Arnesen
TUVAYHUN: VI. What is Peace?
90 bpm • D# Maj • 03:49 • -22.95db
9% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Sven-David Sandström
To See a World
84 bpm • G min • 04:01 • -33db
11% Popularity • 8% Danceability • 0% Energy • 8% Liveness
55% Instrumentalness • 3% Positiveness
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Joseph Canteloube
Baïlèro
84 bpm • A# Maj • 07:06 • -16db
18% Popularity • 19% Danceability • 12% Energy • 18% Liveness
2% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Antiphon, O quam mirabilis est
83 bpm • A Maj • 03:31 • -27.57db
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Trio Mediæval
RÃs upp, drottni dýrð
91 bpm • C Maj • 01:06 • -28.26db
26% Popularity • 26% Danceability • 2% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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Joseph Haydn
Concerto No. 1 in C Major, Hob. VIIh:1 "...
91 bpm • C Maj • 05:29 • -21.57db
2% Popularity • 34% Danceability • 8% Energy • 7% Liveness
92% Instrumentalness • 27% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
20% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Los Angeles Master Chorale
The Sound of Spirit
91 bpm • C# Maj • 03:02 • -21.89db
26% Popularity • 22% Danceability • 9% Energy • 11% Liveness
97% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 8 in C Minor, Op. 13 "P...
83 bpm • D Maj • 01:44 • -39.68db
40% Popularity • 18% Danceability • 1% Energy • 9% Liveness
97% Instrumentalness • 4% Positiveness
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Samuel Barber
Sure on this shining night, Op. 13, No. ...
83 bpm • A# Maj • 02:33 • -26.46db
23% Popularity • 20% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 4% Positiveness
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John Tavener
The Lamb
83 bpm • A min • 04:14 • -39.3db
24% Popularity • 8% Danceability • 1% Energy • 6% Liveness
11% Instrumentalness • 3% Positiveness
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Henry Purcell
Dido and Aeneas / Act 3: "Thy Hand Belin...
83 bpm • F# min • 04:06 • -28.04db
40% Popularity • 14% Danceability • 2% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Blessed: Holy
84 bpm • D# Maj • 03:20 • -17.03db
9% Popularity • 17% Danceability • 16% Energy • 10% Liveness
18% Instrumentalness • 3% Positiveness
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Franz Biebl
Ave Maria
83 bpm • A# Maj • 06:53 • -28.06db
12% Popularity • 8% Danceability • 5% Energy • 33% Liveness
46% Instrumentalness • 4% Positiveness
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Charles Villiers Stanford
The Bluebird
91 bpm • B Maj • 03:13 • -28db
25% Popularity • 17% Danceability • 4% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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James Morgan
Let The Love That Dwells In Your Hearts ...
83 bpm • C Maj • 02:07 • -23.79db
25% Popularity • 15% Danceability • 10% Energy • 8% Liveness
95% Instrumentalness • 4% Positiveness
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Gras
Midtsommerflørt
91 bpm • A min • 02:59 • -15.5db
4% Popularity • 32% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sergei Rachmaninoff
Liturgy of St. John Chrysostom for Choru...
83 bpm • D# Maj • 02:58 • -35.07db
25% Popularity • 16% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Kim André Arnesen
Holy Spirit Mass: Blessed: Hosanna
84 bpm • A# Maj • 02:02 • -15.46db
9% Popularity • 15% Danceability • 20% Energy • 9% Liveness
28% Instrumentalness • 3% Positiveness
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John Dowland
Flow, my tears
83 bpm • A# min • 05:10 • -25.77db
13% Popularity • 15% Danceability • 7% Energy • 14% Liveness
36% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Concerto for Violin and Strings in F Maj...
83 bpm • B min • 02:59 • -36.42db
1% Popularity • 18% Danceability • 4% Energy • 13% Liveness
70% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Josquin: Missa Gaudeamus - 05. Qui Tolli...
83 bpm • G# min • 03:54 • -22.36db
20% Popularity • 9% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
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Vladimir Martynov
The Beatitudes
92 bpm • A# Maj • 05:15 • -32.19db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Cyrillus Kreek
Bless the Lord, My Soul
83 bpm • G Maj • 02:25 • -28.38db
23% Popularity • 15% Danceability • 3% Energy • 18% Liveness
13% Instrumentalness • 3% Positiveness
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Kim André Arnesen
Till Death Us Do Part (SATB div & Piano)
84 bpm • D min • 05:42 • -17.34db
7% Popularity • 12% Danceability • 21% Energy • 8% Liveness
3% Instrumentalness • 10% Positiveness
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John Dowland
Now, O Now I Needs Must Part
83 bpm • G Maj • 05:07 • -19db
13% Popularity • 19% Danceability • 9% Energy • 8% Liveness
41% Instrumentalness • 17% Positiveness
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Antonio Vivaldi
Concerto for Violin and Strings in G Min...
92 bpm • G# Maj • 02:20 • -33.06db
3% Popularity • 22% Danceability • 5% Energy • 33% Liveness
0% Instrumentalness • 4% Positiveness
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The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Michael Nyman
No Time in Eternity: I. To Music (I)
92 bpm • B Maj • 02:14 • -25.13db
15% Popularity • 37% Danceability • 2% Energy • 19% Liveness
2% Instrumentalness • 15% Positiveness
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Eliza Gilkyson
Requiem (Arr. Johnson)
83 bpm • A# Maj • 04:11 • -30.04db
25% Popularity • 12% Danceability • 1% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Kim André Arnesen
TUVAYHUN: II. I am Poor
83 bpm • G Maj • 10:57 • -23.75db
7% Popularity • 13% Danceability • 6% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
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Carl Nielsen
Aftenstemning (Evening Mood), FS 48
82 bpm • C# Maj • 02:34 • -28db
25% Popularity • 14% Danceability • 2% Energy • 10% Liveness
7% Instrumentalness • 3% Positiveness
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Samuel Barber
To be sung on the water, Op. 42, No. 2
82 bpm • C min • 03:17 • -34.26db
21% Popularity • 9% Danceability • 1% Energy • 13% Liveness
56% Instrumentalness • 4% Positiveness
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Hildegard von Bingen
Hymn O ignee spiritus
82 bpm • F min • 10:06 • -27.83db
19% Popularity • 16% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Nicola Fago
Fago: Confitebor tibi Domine: V. "Initiu...
82 bpm • C# min • 01:18 • -22db
28% Popularity • 27% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Alice Tegner
O Salve Regina
82 bpm • G min • 01:40 • -22.76db
23% Popularity • 27% Danceability • 9% Energy • 9% Liveness
91% Instrumentalness • 4% Positiveness
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Kim André Arnesen
TUVAYHUN: IX. The Pure in Heart
83 bpm • A Maj • 01:58 • -35.82db
5% Popularity • 20% Danceability • 0% Energy • 11% Liveness
19% Instrumentalness • 9% Positiveness
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Thomas Brøndbo
No Ringes Jula Inn Igjen
82 bpm • E Maj • 03:23 • -8.62db
6% Popularity • 42% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
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Francesco Nicola Fago
Fago: Il Faraone sommerso: "Alla gente a...
92 bpm • E Maj • 04:45 • -21db
30% Popularity • 22% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Robert Moran
Trinity Requiem: In paradisum
82 bpm • G# Maj • 04:44 • -25.92db
10% Popularity • 9% Danceability • 10% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Kim André Arnesen
TUVAYHUN: XIII. Song for a Lily
92 bpm • E min • 05:13 • -29.12db
5% Popularity • 11% Danceability • 3% Energy • 8% Liveness
38% Instrumentalness • 3% Positiveness
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Hildegard von Bingen
Symphonia et Ordo virtutum: O Euchari, i...
82 bpm • C# min • 01:43 • -27db
20% Popularity • 26% Danceability • 2% Energy • 7% Liveness
0% Instrumentalness • 23% Positiveness
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Randall Thompson
Alleluia
82 bpm • D Maj • 05:20 • -26db
23% Popularity • 11% Danceability • 5% Energy • 7% Liveness
89% Instrumentalness • 4% Positiveness
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Francis Poulenc
Quatre petites prières de Saint Franço...
81 bpm • E Maj • 01:22 • -29.32db
18% Popularity • 17% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Kheruvimskaya pesnya (Cherubic Hymn)
82 bpm • E min • 04:58 • -27.07db
18% Popularity • 8% Danceability • 2% Energy • 6% Liveness
1% Instrumentalness • 3% Positiveness
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Richard Strauss
Morgen! Op. 27, No. 4
93 bpm • G Maj • 03:41 • -21.93db
19% Popularity • 18% Danceability • 12% Energy • 27% Liveness
12% Instrumentalness • 4% Positiveness
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MAGNIFICAT: I. Magnificat anima mea