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Magnificat - Second Service
Songs like
Magnificat - Second Service
by
Orlando Gibbons
Based on a tempo of (+/- 10%) and a similar genre
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Jacopo Peri
Euridice, Prologo - La Tragedia: Io che ...
98 bpm • F Maj • 06:04 • -31db
10% Popularity • 26% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Orlando Gibbons
In Nomine in D Minor a 5 (25)
98 bpm • G Maj • 04:26 • -18.38db
3% Popularity • 13% Danceability • 10% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Thomas Weelkes
Lament and Elegy: Death Hath Deprived Me
98 bpm • D# min • 03:13 • -21db
18% Popularity • 13% Danceability • 13% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Clément Janequin
Toutes les nuictz
98 bpm • B Maj • 02:05 • -24db
9% Popularity • 25% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Christopher Tye
In Nomine No. 20, 'Crye'
98 bpm • C# min • 01:54 • -24.23db
29% Popularity • 20% Danceability • 11% Energy • 9% Liveness
90% Instrumentalness • 22% Positiveness
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John Dowland
Lachrimae or Seven Tears: XIV. The Earl ...
97 bpm • C# min • 01:17 • -19.45db
26% Popularity • 32% Danceability • 11% Energy • 23% Liveness
96% Instrumentalness • 50% Positiveness
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Peter Philips
Christus resurgens
97 bpm • B Maj • 03:43 • -18db
26% Popularity • 29% Danceability • 14% Energy • 9% Liveness
17% Instrumentalness • 10% Positiveness
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Orlando Gibbons
Fantazia in G Minor a 6 (32)
98 bpm • F# min • 05:00 • -14.43db
2% Popularity • 13% Danceability • 14% Energy • 10% Liveness
10% Instrumentalness • 6% Positiveness
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Accentus
Drömmarna
99 bpm • D# Maj • 01:45 • -29.36db
29% Popularity • 17% Danceability • 6% Energy • 9% Liveness
17% Instrumentalness • 5% Positiveness
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Amy Beach
3 Shakespeare Choruses, Op. 39: No. 1. O...
99 bpm • D Maj • 01:49 • -24db
15% Popularity • 23% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 6% Positiveness
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Giovanni Gabrieli
Canzoni et sonate: Sonata No. 13 (arr. E...
97 bpm • G min • 02:26 • -18db
18% Popularity • 44% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 12% Positiveness
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John Dowland
Lachrimae Antiquae from Lachrimae, or Se...
97 bpm • G min • 04:17 • -30db
15% Popularity • 12% Danceability • 1% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Johann Michael Bach
Unser Leben währet siebenzig Jahr
97 bpm • C Maj • 03:54 • -25db
11% Popularity • 18% Danceability • 5% Energy • 11% Liveness
35% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Fantazia in G Minor a 6 (39)
99 bpm • F# min • 10:10 • -19.26db
5% Popularity • 13% Danceability • 3% Energy • 10% Liveness
43% Instrumentalness • 4% Positiveness
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Johannes Brahms
Warum ist das Licht gegeben dem Mühseli...
99 bpm • F Maj • 02:47 • -20db
10% Popularity • 15% Danceability • 15% Energy • 10% Liveness
31% Instrumentalness • 4% Positiveness
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Fraser Wilson
Wishes
99 bpm • E min • 04:14 • -27.09db
6% Popularity • 14% Danceability • 5% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
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Giovanni Gabrieli
Exaudi, Deus, orationem meam in F Minor,...
100 bpm • A Maj • 03:05 • -20db
22% Popularity • 19% Danceability • 13% Energy • 12% Liveness
56% Instrumentalness • 4% Positiveness
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Heinrich Isaac
Motet: Parce, Domine
100 bpm • A min • 01:40 • -21.81db
25% Popularity • 13% Danceability • 10% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
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Gregorio Allegri
Messe vidi turbam magnam: No. 3, Gloria
100 bpm • F Maj • 03:20 • -19db
16% Popularity • 18% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 8% Positiveness
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Orlando Gibbons
Galliard, MB 25
97 bpm • C Maj • 01:30 • -15.87db
1% Popularity • 40% Danceability • 22% Energy • 14% Liveness
85% Instrumentalness • 71% Positiveness
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Pierre de la Rue
Myn hert altyt heeft verlanghen I
96 bpm • G min • 02:22 • -19db
25% Popularity • 17% Danceability • 17% Energy • 11% Liveness
10% Instrumentalness • 4% Positiveness
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Johann Christoph Bach
Fürchte dich nicht
96 bpm • A min • 04:35 • -26db
11% Popularity • 18% Danceability • 5% Energy • 30% Liveness
0% Instrumentalness • 9% Positiveness
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Jacob Obrecht
Largire nunc mitissime
95 bpm • C Maj • 01:23 • -18db
35% Popularity • 15% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Johannes Brahms
Three Songs, Op. 42: II. Vineta
101 bpm • F# Maj • 02:54 • -25.92db
11% Popularity • 25% Danceability • 11% Energy • 33% Liveness
0% Instrumentalness • 6% Positiveness
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Thomas Morley
Sing We and Chant It
95 bpm • G Maj • 01:36 • -17.23db
13% Popularity • 54% Danceability • 31% Energy • 21% Liveness
0% Instrumentalness • 66% Positiveness
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Orlando Gibbons
Fantasia, MB 10
99 bpm • A min • 01:40 • -17.82db
3% Popularity • 36% Danceability • 25% Energy • 8% Liveness
89% Instrumentalness • 44% Positiveness
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John Dowland
M. Buctons his Galiard (Susanna Galliard...
101 bpm • F min • 01:31 • -26.29db
28% Popularity • 34% Danceability • 3% Energy • 12% Liveness
60% Instrumentalness • 25% Positiveness
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Orazio Benevoli
Missa si Deus pro nobis, a 16 voci: I. K...
94 bpm • C Maj • 04:44 • -19.22db
17% Popularity • 11% Danceability • 13% Energy • 18% Liveness
89% Instrumentalness • 6% Positiveness
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Dmitry Bortniansky
Sacred Concerto No. 15, "Priidite, vospo...
94 bpm • D# min • 02:02 • -34db
27% Popularity • 24% Danceability • 2% Energy • 11% Liveness
52% Instrumentalness • 3% Positiveness
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Louis Vierne
Messe solennelle pour deux orgues et cho...
94 bpm • E Maj • 03:26 • -21db
11% Popularity • 11% Danceability • 2% Energy • 12% Liveness
4% Instrumentalness • 4% Positiveness
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Paul Hindemith
6 Chansons: No. 1. La biche
102 bpm • C# min • 01:17 • -28db
29% Popularity • 22% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Orlando Gibbons
In Nomine XII "Crye"
96 bpm • C# min • 01:59 • -24.74db
2% Popularity • 40% Danceability • 16% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
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Heinrich Isaac
Innsbruck, ich muss dich lassen
94 bpm • F Maj • 04:46 • -24.89db
13% Popularity • 16% Danceability • 2% Energy • 7% Liveness
7% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Singet dem Herrn ein neues Lied, BWV 225...
102 bpm • D Maj • 03:09 • -21.69db
18% Popularity • 44% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Guillaume Dufay
Se la face ay pale
103 bpm • A# Maj • 02:53 • -23db
13% Popularity • 22% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Giulio Caccini
All'imperio d'Amore: 7. Ineffabile ardor...
103 bpm • A# Maj • 00:54 • -16db
21% Popularity • 18% Danceability • 26% Energy • 30% Liveness
99% Instrumentalness • 5% Positiveness
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Hans Leo Hassler
Verbum caro factum est
94 bpm • G Maj • 02:56 • -21db
14% Popularity • 17% Danceability • 10% Energy • 6% Liveness
24% Instrumentalness • 8% Positiveness
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Orlando Gibbons
We praise thee, O Father
96 bpm • D# min • 04:59 • -19.47db
1% Popularity • 20% Danceability • 15% Energy • 5% Liveness
0% Instrumentalness • 20% Positiveness
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Thomas Morley
A lieta vita (Sing and we chant it)
103 bpm • F# Maj • 01:31 • -22db
24% Popularity • 48% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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The Choir of Magdalen College, Oxford
I will exalt Thee
93 bpm • A min • 03:31 • -25.61db
21% Popularity • 23% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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John Dowland
Now, Oh Now I Needs Must Part
103 bpm • G Maj • 03:57 • -24db
10% Popularity • 36% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Pierre de la Rue
Jam sauche
93 bpm • F min • 01:16 • -19db
35% Popularity • 23% Danceability • 14% Energy • 27% Liveness
98% Instrumentalness • 47% Positiveness
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William Lawes
Lawes: Aire, for Lyra Viol, VdGS No. 462
103 bpm • G min • 02:15 • -26db
10% Popularity • 33% Danceability • 2% Energy • 16% Liveness
6% Instrumentalness • 35% Positiveness
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Orlando Gibbons
Mask, 'Welcome home', MB 42
100 bpm • C min • 01:08 • -29.86db
1% Popularity • 40% Danceability • 4% Energy • 13% Liveness
95% Instrumentalness • 26% Positiveness
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Adrian Willaert
Huc me sidereo
93 bpm • A min • 09:24 • -22db
13% Popularity • 11% Danceability • 14% Energy • 7% Liveness
11% Instrumentalness • 5% Positiveness
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The Tallis Scholars
Tallis: Sancte Deus - 1. Sancte Deus
104 bpm • A min • 01:46 • -23.94db
37% Popularity • 25% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Johannes Brahms
Der 13. Psalm, Op. 27
93 bpm • G Maj • 05:08 • -22.07db
14% Popularity • 16% Danceability • 11% Energy • 12% Liveness
90% Instrumentalness • 4% Positiveness
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Anton Bruckner
Afferentur regi, WAB 1
92 bpm • F Maj • 01:35 • -28db
24% Popularity • 12% Danceability • 4% Energy • 6% Liveness
36% Instrumentalness • 4% Positiveness
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Robert Parsons
A Song of Mr Robert Parsons
92 bpm • G# min • 01:55 • -29db
27% Popularity • 12% Danceability • 1% Energy • 11% Liveness
98% Instrumentalness • 12% Positiveness
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Orlando Gibbons
Galliard, MB 21
96 bpm • D Maj • 01:35 • -19.88db
1% Popularity • 43% Danceability • 19% Energy • 12% Liveness
85% Instrumentalness • 73% Positiveness
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Heinrich Kaminski
Psalm 130: Ich Harre auf den Herren
92 bpm • A# Maj • 01:08 • -27.74db
36% Popularity • 25% Danceability • 5% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
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Claudio Monteverdi
Madrigali amorosi: No. 9, Canzonetta by ...
104 bpm • C Maj • 01:25 • -29db
40% Popularity • 26% Danceability • 3% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Johann Sebastian Bach
Ich lasse dich nicht, du segnest mich de...
92 bpm • E min • 04:21 • -32.55db
21% Popularity • 20% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Giovanni Gabrieli
Sacrae symphoniae: Canzon septimi et oct...
92 bpm • C Maj • 02:39 • -18.34db
24% Popularity • 34% Danceability • 7% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Matthew Locke
Fantasy For 2 Trebles And Bass
105 bpm • B Maj • 04:11 • -22.76db
28% Popularity • 17% Danceability • 5% Energy • 12% Liveness
62% Instrumentalness • 5% Positiveness
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Orlando Gibbons
Fantasia, MB 9
101 bpm • G min • 04:37 • -15.81db
1% Popularity • 39% Danceability • 22% Energy • 14% Liveness
78% Instrumentalness • 27% Positiveness
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Clément Janequin
Au joly jeu
105 bpm • C Maj • 01:38 • -28db
39% Popularity • 32% Danceability • 2% Energy • 13% Liveness
82% Instrumentalness • 59% Positiveness
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Thomas Morley
April is in my mistress' face
105 bpm • G min • 01:13 • -19.98db
19% Popularity • 31% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Jean Richafort
Requiem in memoriam Josquin Desprez: III...
105 bpm • A min • 06:26 • -19.02db
9% Popularity • 15% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 3% Positiveness
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Edward Elgar
My Love Dwelt in A Northern Land, Op. 18...
105 bpm • A min • 04:01 • -24.76db
8% Popularity • 23% Danceability • 6% Energy • 12% Liveness
80% Instrumentalness • 4% Positiveness
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Michael Praetorius
Terpsichore*: Ballet des coqs
106 bpm • C Maj • 02:06 • -14.79db
20% Popularity • 46% Danceability • 37% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Orlando Gibbons
Fantasia in G Minor, VdGS 2.2
101 bpm • F# min • 03:25 • -20.52db
2% Popularity • 16% Danceability • 8% Energy • 11% Liveness
69% Instrumentalness • 5% Positiveness
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Maddalena Casulana
Il desiderio: No. 3, Morir non può il m...
91 bpm • G Maj • 01:54 • -21db
32% Popularity • 18% Danceability • 9% Energy • 9% Liveness
2% Instrumentalness • 4% Positiveness
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Thomas Morley
Burial Service: III. Thou Knowest, Lord,...
105 bpm • G min • 01:42 • -26db
15% Popularity • 20% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 4% Positiveness
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Heinrich Schütz
Das ist je gewißlich wahr, SWV 277
106 bpm • A min • 04:43 • -18.71db
14% Popularity • 22% Danceability • 13% Energy • 9% Liveness
1% Instrumentalness • 6% Positiveness
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Alfred Schnittke
Three Sacred Hymns: I. Gegrüßet seist ...
90 bpm • C min • 01:35 • -30db
13% Popularity • 20% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 5% Positiveness
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Michael Praetorius
Terpsichore*: Bransle de la Torche
91 bpm • C Maj • 02:14 • -26.03db
22% Popularity • 49% Danceability • 4% Energy • 18% Liveness
10% Instrumentalness • 46% Positiveness
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Kim André Arnesen
Making or Breaking
90 bpm • D Maj • 04:37 • -23.28db
21% Popularity • 10% Danceability • 11% Energy • 14% Liveness
95% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Fantasia, MB 14
104 bpm • C Maj • 01:57 • -15.64db
1% Popularity • 37% Danceability • 23% Energy • 12% Liveness
78% Instrumentalness • 32% Positiveness
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Thomas Morley
Canzonets to Three Voyces: XI. O Fly Not
105 bpm • B Maj • 01:18 • -18.31db
18% Popularity • 40% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 50% Positiveness
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John Dowland
The Earle of Essex Galiard from Lachrima...
107 bpm • F min • 01:30 • -23db
21% Popularity • 44% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Robert Lucas Pearsall
Sing we and chaunt it
107 bpm • C# min • 01:56 • -25db
34% Popularity • 26% Danceability • 19% Energy • 12% Liveness
18% Instrumentalness • 22% Positiveness
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William Lawes
Pieces for 2 Lutes: III. Corant
90 bpm • A Maj • 01:46 • -31db
26% Popularity • 39% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 29% Positiveness
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Emilio de' Cavalieri
Prima die Lectio prima: III. Quomodo sed...
89 bpm • F# min • 01:11 • -17.64db
23% Popularity • 33% Danceability • 10% Energy • 16% Liveness
2% Instrumentalness • 11% Positiveness
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Orlando Gibbons
Fantazia in D Minor a 6 (33)
92 bpm • G Maj • 04:23 • -15.47db
4% Popularity • 11% Danceability • 15% Energy • 8% Liveness
61% Instrumentalness • 4% Positiveness
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Thomas Morley
I Love, Alas, I Love Thee
107 bpm • G Maj • 01:32 • -23db
13% Popularity • 26% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Johannes Ockeghem
Requiem: Introitus
108 bpm • G Maj • 04:26 • -23.46db
10% Popularity • 20% Danceability • 12% Energy • 12% Liveness
7% Instrumentalness • 4% Positiveness
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Johannes Brahms
Fünf Gesänge, Op. 104: II. Nachtwache ...
89 bpm • D# Maj • 01:24 • -23db
12% Popularity • 15% Danceability • 10% Energy • 7% Liveness
4% Instrumentalness • 8% Positiveness
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Claudio Monteverdi
Cor mio, mentre vi miro
89 bpm • C min • 02:27 • -23.77db
20% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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John Taverner
In Nomine
108 bpm • E Maj • 02:25 • -32db
31% Popularity • 16% Danceability • 0% Energy • 22% Liveness
50% Instrumentalness • 7% Positiveness
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Orlando Gibbons
Alman, MB 37
104 bpm • G Maj • 01:44 • -28.21db
2% Popularity • 32% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 50% Positiveness
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Henry Purcell
Jehova, quam multi sunt hostes mei, Z. 1...
89 bpm • A min • 06:25 • -24.42db
8% Popularity • 16% Danceability • 10% Energy • 12% Liveness
35% Instrumentalness • 10% Positiveness
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The Tallis Scholars
Tallis: Spem in Alium - 4. Respice (Repe...
89 bpm • D Maj • 01:27 • -15.9db
35% Popularity • 19% Danceability • 28% Energy • 3% Liveness
5% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Aria
108 bpm • C Maj • 03:55 • -44.2db
18% Popularity • 31% Danceability • 0% Energy • 10% Liveness
57% Instrumentalness • 10% Positiveness
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Claudio Monteverdi
Hymnus: Ave maris stella
89 bpm • D Maj • 09:17 • -24.32db
8% Popularity • 15% Danceability • 7% Energy • 10% Liveness
54% Instrumentalness • 10% Positiveness
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Cristobal de Morales
Introitus: I. Requiem aeternam
88 bpm • G# Maj • 02:43 • -21.3db
14% Popularity • 12% Danceability • 9% Energy • 10% Liveness
27% Instrumentalness • 5% Positiveness
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Orlando Gibbons
In Nomine in G Minor a 6 (28)
105 bpm • F# min • 05:01 • -15.89db
2% Popularity • 15% Danceability • 16% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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William Croft
Burial Sentences: III. We Brought Nothin...
88 bpm • F min • 01:12 • -27.47db
33% Popularity • 12% Danceability • 4% Energy • 10% Liveness
58% Instrumentalness • 4% Positiveness
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Anton Bruckner
Mass No. 2 in E Minor, WAB 27: Kyrie
88 bpm • E min • 07:42 • -30db
8% Popularity • 10% Danceability • 2% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
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Antonio Lotti
Miserere
109 bpm • G# min • 01:30 • -19db
38% Popularity • 18% Danceability • 17% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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Claudio Monteverdi
Cantate Domino, SV 293
88 bpm • F Maj • 01:43 • -19db
37% Popularity • 14% Danceability • 17% Energy • 12% Liveness
87% Instrumentalness • 16% Positiveness
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Cristobal de Morales
Kyrie: III. Kyrie
88 bpm • G# Maj • 01:10 • -17.3db
19% Popularity • 13% Danceability • 13% Energy • 10% Liveness
98% Instrumentalness • 11% Positiveness
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Orlando Gibbons
Pavan in G Major a 6 (41)
109 bpm • F# Maj • 04:29 • -17.02db
2% Popularity • 19% Danceability • 15% Energy • 13% Liveness
47% Instrumentalness • 13% Positiveness
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Johann Michael Bach
Halt, was du hast
88 bpm • E min • 05:26 • -21db
18% Popularity • 18% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Dale Warland Singers
Requiem - Herbert Howells: III. Requiem ...
87 bpm • E min • 03:23 • -41db
32% Popularity • 9% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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John Taverner
Taverner: Missa Corona spinea - 01. Glor...
88 bpm • D# Maj • 05:32 • -21db
10% Popularity • 14% Danceability • 13% Energy • 21% Liveness
14% Instrumentalness • 4% Positiveness
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Thomas Morley
Pavin
87 bpm • A Maj • 04:56 • -38.39db
5% Popularity • 26% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 43% Positiveness
► Preview
Johannes Ockeghem
Intemerata Dei Mater
110 bpm • C# min • 07:43 • -22.94db
14% Popularity • 18% Danceability • 21% Energy • 10% Liveness
14% Instrumentalness • 4% Positiveness
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Orlando Gibbons
Pavan, MB 16
106 bpm • G min • 04:17 • -19.84db
1% Popularity • 37% Danceability • 10% Energy • 11% Liveness
82% Instrumentalness • 27% Positiveness
► Preview
Claudio Monteverdi
2nd Book of Madrigals for five Parts: Ec...
87 bpm • C min • 03:01 • -26db
6% Popularity • 17% Danceability • 10% Energy • 12% Liveness
91% Instrumentalness • 10% Positiveness
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Magnificat - Second Service