Songs like Magnificat, Wq. 215: Magnificat, Wq. 215: 1. Chor. Magnificat anima mea Dominum by Carl Philipp Emanuel Bach
Based on a tempo of (+/- 10%) and a similar genre
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Carl Philipp Emanuel Bach
Heilig ist Gott, Wq. 217: Heilig ist Got...
135 bpm • B Maj • 05:56 • -20db
9% Popularity • 21% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
9% Popularity • 21% Danceability • 17% Energy • 9% Liveness
79% Instrumentalness • 5% Positiveness
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Anton Bruckner
Christus factus est, WAB 11
135 bpm • D min • 05:03 • -20.99db
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
22% Popularity • 18% Danceability • 7% Energy • 9% Liveness
9% Instrumentalness • 3% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: VII....
135 bpm • E Maj • 02:20 • -19.33db
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
32% Popularity • 25% Danceability • 29% Energy • 16% Liveness
0% Instrumentalness • 43% Positiveness
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Joseph Haydn
Mass in C Major, Hob. XXII:5 "Missa Cell...
135 bpm • G Maj • 02:59 • -20.29db
4% Popularity • 30% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
4% Popularity • 30% Danceability • 22% Energy • 12% Liveness
7% Instrumentalness • 28% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In D Major, TWV 55:D15:...
135 bpm • D Maj • 01:59 • -17.23db
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
45% Popularity • 63% Danceability • 34% Energy • 15% Liveness
92% Instrumentalness • 83% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
134 bpm • F Maj • 09:59 • -22.21db
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
18% Popularity • 16% Danceability • 9% Energy • 11% Liveness
55% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • C# Maj • 02:53 • -18.05db
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
24% Popularity • 37% Danceability • 27% Energy • 10% Liveness
17% Instrumentalness • 59% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
134 bpm • G min • 01:54 • -23.43db
19% Popularity • 24% Danceability • 1% Energy • 54% Liveness
13% Instrumentalness • 4% Positiveness
19% Popularity • 24% Danceability • 1% Energy • 54% Liveness
13% Instrumentalness • 4% Positiveness
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Antonio Vivaldi
Gloria in D Major, RV 589 (Rev. Negri): ...
136 bpm • D Maj • 02:13 • -14db
17% Popularity • 46% Danceability • 42% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
17% Popularity • 46% Danceability • 42% Energy • 15% Liveness
46% Instrumentalness • 40% Positiveness
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Gabriel Fauré
Cantique de Jean Racine, Op. 11
134 bpm • C# Maj • 05:51 • -23.12db
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
10% Popularity • 16% Danceability • 6% Energy • 11% Liveness
56% Instrumentalness • 4% Positiveness
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Wolfgang Amadeus Mozart
Vesperae solennes de confessore in C, K....
137 bpm • C Maj • 03:50 • -17db
9% Popularity • 30% Danceability • 29% Energy • 34% Liveness
92% Instrumentalness • 39% Positiveness
9% Popularity • 30% Danceability • 29% Energy • 34% Liveness
92% Instrumentalness • 39% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
136 bpm • F Maj • 10:44 • -20.61db
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
20% Popularity • 15% Danceability • 8% Energy • 10% Liveness
58% Instrumentalness • 3% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 5 in B Minor, Wq. 1...
134 bpm • D# min • 03:50 • -17.71db
5% Popularity • 33% Danceability • 16% Energy • 42% Liveness
50% Instrumentalness • 26% Positiveness
5% Popularity • 33% Danceability • 16% Energy • 42% Liveness
50% Instrumentalness • 26% Positiveness
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Arcangelo Corelli
Concerto Grosso in D Major, Op. 6 No. 4:...
133 bpm • C# Maj • 02:54 • -18.11db
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
41% Popularity • 56% Danceability • 26% Energy • 18% Liveness
9% Instrumentalness • 71% Positiveness
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Antonio Vivaldi
In furore iustissimae irae, RV 626: I. A...
134 bpm • B min • 04:29 • -18.72db
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
25% Popularity • 48% Danceability • 24% Energy • 31% Liveness
3% Instrumentalness • 53% Positiveness
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Gabriel Fauré
Requiem, Op. 48: VII. Libera me
134 bpm • G min • 04:26 • -22.55db
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
17% Popularity • 19% Danceability • 8% Energy • 11% Liveness
52% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Brandenburg Concerto No. 3 in G Major, B...
137 bpm • F# Maj • 04:28 • -18.36db
17% Popularity • 54% Danceability • 61% Energy • 34% Liveness
91% Instrumentalness • 94% Positiveness
17% Popularity • 54% Danceability • 61% Energy • 34% Liveness
91% Instrumentalness • 94% Positiveness
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Georg Philipp Telemann
Ouvertüre C-dur "Hamburger Ebb und Flut...
133 bpm • B Maj • 09:27 • -18db
22% Popularity • 27% Danceability • 24% Energy • 26% Liveness
93% Instrumentalness • 18% Positiveness
22% Popularity • 27% Danceability • 24% Energy • 26% Liveness
93% Instrumentalness • 18% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
135 bpm • B Maj • 05:52 • -21db
11% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
11% Popularity • 32% Danceability • 15% Energy • 26% Liveness
0% Instrumentalness • 36% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: III. Tecum princ...
133 bpm • B min • 02:58 • -24.35db
21% Popularity • 30% Danceability • 4% Energy • 16% Liveness
2% Instrumentalness • 14% Positiveness
21% Popularity • 30% Danceability • 4% Energy • 16% Liveness
2% Instrumentalness • 14% Positiveness
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Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": II...
138 bpm • G Maj • 04:29 • -14.63db
23% Popularity • 31% Danceability • 28% Energy • 7% Liveness
25% Instrumentalness • 11% Positiveness
23% Popularity • 31% Danceability • 28% Energy • 7% Liveness
25% Instrumentalness • 11% Positiveness
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Gabriel Fauré
Messe basse: I. Kyrie
137 bpm • G# Maj • 02:10 • -27.63db
9% Popularity • 15% Danceability • 6% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
9% Popularity • 15% Danceability • 6% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Henry Purcell
Purcell: Funeral Sentences for the Death...
132 bpm • A Maj • 01:58 • -23.62db
8% Popularity • 20% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
8% Popularity • 20% Danceability • 8% Energy • 14% Liveness
6% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Christe eleiso...
132 bpm • C# Maj • 05:21 • -25.95db
4% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
4% Popularity • 25% Danceability • 5% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 1 in G Major, Wq. 1...
136 bpm • F# Maj • 04:11 • -16.93db
2% Popularity • 41% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
2% Popularity • 41% Danceability • 24% Energy • 9% Liveness
84% Instrumentalness • 57% Positiveness
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George Frideric Handel
Water Music, Suite No. 2, HWV 349: No. 1...
132 bpm • C# Maj • 03:43 • -16.46db
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
40% Popularity • 52% Danceability • 24% Energy • 10% Liveness
27% Instrumentalness • 69% Positiveness
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Heinrich Schütz
Geistliche Chor-Music, Op. 11: No. 23, S...
132 bpm • G Maj • 04:11 • -23.19db
21% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
21% Popularity • 18% Danceability • 6% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Giovanni Battista Pergolesi
Stabat Mater, P. 77: VI. Vidit suum
138 bpm • F min • 03:31 • -28db
35% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
35% Popularity • 17% Danceability • 3% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Vivaldi's Women
Gloria: Gloria in excelsis
132 bpm • D Maj • 02:21 • -14.22db
9% Popularity • 44% Danceability • 37% Energy • 8% Liveness
6% Instrumentalness • 34% Positiveness
9% Popularity • 44% Danceability • 37% Energy • 8% Liveness
6% Instrumentalness • 34% Positiveness
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Johann Sebastian Bach
Mass in B Minor, BWV 232: Et in Spiritum...
138 bpm • G# Maj • 05:19 • -21.26db
4% Popularity • 26% Danceability • 11% Energy • 16% Liveness
74% Instrumentalness • 20% Positiveness
4% Popularity • 26% Danceability • 11% Energy • 16% Liveness
74% Instrumentalness • 20% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Flute Concerto in G Major, Wq...
138 bpm • G Maj • 05:15 • -20.55db
16% Popularity • 47% Danceability • 24% Energy • 9% Liveness
68% Instrumentalness • 81% Positiveness
16% Popularity • 47% Danceability • 24% Energy • 9% Liveness
68% Instrumentalness • 81% Positiveness
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George Frideric Handel
Water Music, Suite No. 1, HWV 348: I. Ov...
138 bpm • E Maj • 03:12 • -21.04db
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
38% Popularity • 34% Danceability • 18% Energy • 10% Liveness
69% Instrumentalness • 56% Positiveness
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Gabriel Fauré
Requiem, Op. 48: I. Introitus
131 bpm • D min • 01:44 • -27.11db
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 10% Liveness
87% Instrumentalness • 3% Positiveness
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Niccolò Jommelli
La Betulia liberata: Aria "Prigionier ch...
139 bpm • C# Maj • 07:51 • -22.44db
12% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 30% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Francis Poulenc
Gloria, FP 144: II. Laudamus te
139 bpm • F Maj • 02:50 • -21db
23% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
23% Popularity • 30% Danceability • 23% Energy • 11% Liveness
84% Instrumentalness • 33% Positiveness
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Johann Sebastian Bach
St. John Passion, BWV 245, Part I: No. 7...
138 bpm • C# min • 05:01 • -22db
3% Popularity • 26% Danceability • 11% Energy • 13% Liveness
11% Instrumentalness • 29% Positiveness
3% Popularity • 26% Danceability • 11% Energy • 13% Liveness
11% Instrumentalness • 29% Positiveness
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Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
139 bpm • F# Maj • 03:59 • -23.43db
10% Popularity • 49% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 49% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Charles Gounod
Ave Maria, CG89a
131 bpm • F Maj • 02:52 • -25.34db
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 10% Energy • 12% Liveness
26% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mozart: Mass No. 15 in C Major, K. 317 "...
140 bpm • G Maj • 04:23 • -16.49db
14% Popularity • 27% Danceability • 22% Energy • 9% Liveness
15% Instrumentalness • 12% Positiveness
14% Popularity • 27% Danceability • 22% Energy • 9% Liveness
15% Instrumentalness • 12% Positiveness
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Georg Philipp Telemann
Orpheus: Act I, Scene 10, "C'est ma plus...
131 bpm • F# min • 02:56 • -26.32db
16% Popularity • 30% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
16% Popularity • 30% Danceability • 4% Energy • 16% Liveness
0% Instrumentalness • 11% Positiveness
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Anton Bruckner
Requiem: I. Requiem
140 bpm • G min • 05:05 • -19.49db
8% Popularity • 17% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
8% Popularity • 17% Danceability • 12% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245: Part II: Chor...
132 bpm • B min • 07:55 • -23.27db
28% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
28% Popularity • 20% Danceability • 11% Energy • 16% Liveness
80% Instrumentalness • 8% Positiveness
► Preview
Carl Philipp Emanuel Bach
Magnificat, Wq. 215: Magnificat, Wq. 215...
139 bpm • C# Maj • 01:50 • -16.77db
15% Popularity • 41% Danceability • 28% Energy • 11% Liveness
36% Instrumentalness • 52% Positiveness
15% Popularity • 41% Danceability • 28% Energy • 11% Liveness
36% Instrumentalness • 52% Positiveness
► Preview
Johannes Brahms
Ein deutsches Requiem, Op. 45: 4. Chor: ...
130 bpm • D# Maj • 05:34 • -25db
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
28% Popularity • 16% Danceability • 6% Energy • 9% Liveness
79% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: II. ...
130 bpm • A# min • 04:38 • -18db
34% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
34% Popularity • 18% Danceability • 18% Energy • 11% Liveness
39% Instrumentalness • 3% Positiveness
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Franz Schubert
Mass No.2 in G Major, D.167: II. Gloria
129 bpm • D Maj • 02:51 • -19.89db
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
14% Popularity • 27% Danceability • 13% Energy • 17% Liveness
61% Instrumentalness • 15% Positiveness
► Preview
Tafelmusik Baroque Orchestra
Antonio Vivaldi: Concerto For 2 Violins ...
141 bpm • G# min • 03:19 • -21.85db
31% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
31% Popularity • 40% Danceability • 18% Energy • 14% Liveness
20% Instrumentalness • 42% Positiveness
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Johann Sebastian Bach
St. Matthew Passion, BWV 244 / Part Two:...
139 bpm • D Maj • 01:03 • -27.5db
41% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
41% Popularity • 19% Danceability • 5% Energy • 12% Liveness
92% Instrumentalness • 23% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 2 in B-Flat Major, ...
131 bpm • A Maj • 03:37 • -17.53db
4% Popularity • 39% Danceability • 18% Energy • 26% Liveness
51% Instrumentalness • 34% Positiveness
4% Popularity • 39% Danceability • 18% Energy • 26% Liveness
51% Instrumentalness • 34% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: Vi...
129 bpm • F# Maj • 02:25 • -19db
15% Popularity • 50% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 85% Positiveness
15% Popularity • 50% Danceability • 25% Energy • 8% Liveness
59% Instrumentalness • 85% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 4. Alleluia
129 bpm • A min • 02:28 • -20db
12% Popularity • 38% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 38% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Franz Schubert
Mass No. 2 in G Major, D. 167: Kyrie
129 bpm • G Maj • 03:01 • -24.31db
12% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
12% Popularity • 24% Danceability • 7% Energy • 16% Liveness
64% Instrumentalness • 8% Positiveness
► Preview
Anton Bruckner
Requiem in D Minor, WAB 39: IVa. Agnus D...
128 bpm • D min • 02:47 • -21.93db
11% Popularity • 24% Danceability • 6% Energy • 27% Liveness
2% Instrumentalness • 7% Positiveness
11% Popularity • 24% Danceability • 6% Energy • 27% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Johann Sebastian Bach
Komm, Jesu, komm, BWV 229
131 bpm • F# min • 08:58 • -22db
24% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
24% Popularity • 25% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
► Preview
Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
141 bpm • G Maj • 03:52 • -21.28db
2% Popularity • 46% Danceability • 26% Energy • 24% Liveness
2% Instrumentalness • 63% Positiveness
2% Popularity • 46% Danceability • 26% Energy • 24% Liveness
2% Instrumentalness • 63% Positiveness
► Preview
Georg Philipp Telemann
Ouverture "La Bizarre", en Sol Majeur: O...
128 bpm • F# Maj • 01:10 • -19.54db
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
20% Popularity • 44% Danceability • 26% Energy • 18% Liveness
79% Instrumentalness • 86% Positiveness
► Preview
Wolfgang Amadeus Mozart
Requiem in D Minor, K. 626 (Süssmayr - ...
141 bpm • A min • 01:59 • -15.23db
20% Popularity • 34% Danceability • 39% Energy • 49% Liveness
1% Instrumentalness • 45% Positiveness
20% Popularity • 34% Danceability • 39% Energy • 49% Liveness
1% Instrumentalness • 45% Positiveness
► Preview
Camille Saint-Saëns
Calme des nuits, Op. 68, No. 1
128 bpm • E min • 04:13 • -40.65db
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
25% Popularity • 17% Danceability • 1% Energy • 9% Liveness
49% Instrumentalness • 3% Positiveness
► Preview
George Frideric Handel
Ode for the Birthday of Queen Anne, HWV ...
128 bpm • A Maj • 02:29 • -21.11db
9% Popularity • 32% Danceability • 8% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
9% Popularity • 32% Danceability • 8% Energy • 20% Liveness
2% Instrumentalness • 40% Positiveness
► Preview
Johann Sebastian Bach
Brandenburg Concerto No. 1 in F Major, B...
130 bpm • C# min • 03:59 • -22.81db
11% Popularity • 16% Danceability • 6% Energy • 18% Liveness
36% Instrumentalness • 4% Positiveness
11% Popularity • 16% Danceability • 6% Energy • 18% Liveness
36% Instrumentalness • 4% Positiveness
► Preview
Carl Philipp Emanuel Bach
Hamburg Symphony No. 4 in A Major, Wq. 1...
128 bpm • D# Maj • 04:23 • -16.37db
3% Popularity • 38% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 56% Positiveness
3% Popularity • 38% Danceability • 22% Energy • 16% Liveness
80% Instrumentalness • 56% Positiveness
► Preview
Anton Bruckner
Kronstorfer Messe in D Minor, WAB 146: I...
127 bpm • F Maj • 01:35 • -29.29db
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
33% Popularity • 17% Danceability • 2% Energy • 10% Liveness
22% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Mass in C Major, K. 317 "Coronation": II...
128 bpm • C Maj • 06:24 • -13.69db
17% Popularity • 41% Danceability • 36% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
17% Popularity • 41% Danceability • 36% Energy • 10% Liveness
57% Instrumentalness • 7% Positiveness
► Preview
Franz Schubert
Mass No. 2 in G Major, D. 167: II. Glori...
127 bpm • A Maj • 02:54 • -14.64db
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
11% Popularity • 33% Danceability • 34% Energy • 13% Liveness
2% Instrumentalness • 19% Positiveness
► Preview
Johann Christian Bach
Grand Overture in D major, Op. 18, No. 4...
144 bpm • A Maj • 02:39 • -21.64db
1% Popularity • 46% Danceability • 10% Energy • 7% Liveness
70% Instrumentalness • 49% Positiveness
1% Popularity • 46% Danceability • 10% Energy • 7% Liveness
70% Instrumentalness • 49% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245, Part I: No. 1...
130 bpm • F# min • 09:36 • -13.5db
6% Popularity • 26% Danceability • 36% Energy • 11% Liveness
55% Instrumentalness • 12% Positiveness
6% Popularity • 26% Danceability • 36% Energy • 11% Liveness
55% Instrumentalness • 12% Positiveness
► Preview
Carl Philipp Emanuel Bach
Hamburg Symphony No. 6 in E Major, Wq. 1...
127 bpm • D# Maj • 02:24 • -16.85db
2% Popularity • 35% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
2% Popularity • 35% Danceability • 30% Energy • 10% Liveness
86% Instrumentalness • 62% Positiveness
► Preview
Georg Philipp Telemann
Viola Concerto in G Major, TWV 51:G9: I....
144 bpm • G Maj • 03:44 • -21.35db
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
45% Popularity • 20% Danceability • 10% Energy • 40% Liveness
73% Instrumentalness • 11% Positiveness
► Preview
Claudio Monteverdi
L'incoronazione di Poppea, SV 308 / Act ...
145 bpm • G Maj • 05:14 • -24.21db
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
11% Popularity • 25% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Antonio Vivaldi
Gloria in D Major, RV589: 1. Gloria in e...
126 bpm • C# Maj • 02:22 • -17.45db
23% Popularity • 47% Danceability • 28% Energy • 14% Liveness
4% Instrumentalness • 32% Positiveness
23% Popularity • 47% Danceability • 28% Energy • 14% Liveness
4% Instrumentalness • 32% Positiveness
► Preview
Francesco Durante
Magnificat in B flat major: Magnificat a...
126 bpm • A Maj • 02:35 • -16db
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
16% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
► Preview
Johann Sebastian Bach
St. John Passion, BWV 245, Part 2: No. 2...
130 bpm • C# Maj • 03:43 • -18.38db
3% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
3% Popularity • 46% Danceability • 25% Energy • 16% Liveness
0% Instrumentalness • 22% Positiveness
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Carl Philipp Emanuel Bach
Magnificat in D Major, Wq. 215: No. 1, M...
125 bpm • C# Maj • 03:08 • -17db
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
14% Popularity • 34% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 59% Positiveness
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Johann Christian Bach
Harpsichord Concerto in B-flat Major, Op...
145 bpm • A Maj • 06:42 • -23.03db
4% Popularity • 36% Danceability • 14% Energy • 7% Liveness
16% Instrumentalness • 48% Positiveness
4% Popularity • 36% Danceability • 14% Energy • 7% Liveness
16% Instrumentalness • 48% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165: 1. Exsultate...
125 bpm • F Maj • 04:21 • -14db
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
18% Popularity • 40% Danceability • 20% Energy • 34% Liveness
5% Instrumentalness • 33% Positiveness
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Antonio Vivaldi
Vivaldi: Gloria in D Major, RV 589: I. G...
125 bpm • A Maj • 02:23 • -11db
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
19% Popularity • 45% Danceability • 46% Energy • 19% Liveness
88% Instrumentalness • 39% Positiveness
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Cologne Chamber Orchestra
Overture (Suite) In G Minor, TWV 55: G4:...
146 bpm • G min • 01:31 • -15db
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
54% Popularity • 51% Danceability • 42% Energy • 27% Liveness
91% Instrumentalness • 97% Positiveness
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Johann Sebastian Bach
Bach, JS: Matthäus-Passion, BWV 244, Pt...
129 bpm • D# min • 06:40 • -19.08db
35% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
35% Popularity • 23% Danceability • 17% Energy • 15% Liveness
57% Instrumentalness • 18% Positiveness
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Francesco Durante
Magnificat in B flat major: Sicut erat i...
125 bpm • A Maj • 01:56 • -18db
14% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
14% Popularity • 32% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Carl Philipp Emanuel Bach
Keyboard Concerto in D Minor, Wq. 23, H....
133 bpm • D min • 08:14 • -20.49db
16% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
16% Popularity • 41% Danceability • 18% Energy • 13% Liveness
84% Instrumentalness • 33% Positiveness
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Johann Christian Bach
Grand Overture in D major, Op. 18, No. 6...
146 bpm • E Maj • 02:33 • -25db
13% Popularity • 48% Danceability • 4% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
13% Popularity • 48% Danceability • 4% Energy • 22% Liveness
8% Instrumentalness • 39% Positiveness
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George Frideric Handel
Acis and Galatea, HWV 49b: Sinfonia
125 bpm • A Maj • 03:15 • -32db
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
41% Popularity • 42% Danceability • 7% Energy • 31% Liveness
85% Instrumentalness • 61% Positiveness
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Johannes Brahms
Ein deutsches Requiem (A German Requiem)...
124 bpm • D# Maj • 05:11 • -20.94db
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
25% Popularity • 21% Danceability • 11% Energy • 11% Liveness
45% Instrumentalness • 7% Positiveness
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Johann Sebastian Bach
Wachet auf, ruft uns die Stimme, BWV 140...
143 bpm • D# Maj • 04:15 • -29.74db
11% Popularity • 14% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
11% Popularity • 14% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Jean-Marie Leclair
Concerto 5 in A Minor, Op. 7: I. Vivace
124 bpm • C# min • 05:31 • -17db
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
29% Popularity • 44% Danceability • 21% Energy • 34% Liveness
1% Instrumentalness • 52% Positiveness
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Carl Philipp Emanuel Bach
Oboe Concerto in B-Flat Major, Wq. 164, ...
131 bpm • A# Maj • 08:09 • -19.42db
15% Popularity • 30% Danceability • 12% Energy • 18% Liveness
85% Instrumentalness • 36% Positiveness
15% Popularity • 30% Danceability • 12% Energy • 18% Liveness
85% Instrumentalness • 36% Positiveness
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Wolfgang Amadeus Mozart
Exsultate, jubilate, K.165 (158a): III. ...
124 bpm • A Maj • 06:09 • -23db
9% Popularity • 30% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 30% Danceability • 5% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: Dominus a dextri...
146 bpm • C# min • 03:07 • -17db
15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
15% Popularity • 32% Danceability • 23% Energy • 38% Liveness
1% Instrumentalness • 43% Positiveness
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Antonio Vivaldi
Gloria: Laudamus te
123 bpm • F# Maj • 02:09 • -21db
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
22% Popularity • 44% Danceability • 14% Energy • 32% Liveness
1% Instrumentalness • 70% Positiveness
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Johann Sebastian Bach
Magnificat in E-Flat Major, BWV 243a: Et...
127 bpm • A min • 03:29 • -24.91db
9% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Ludwig Bach
Trauermusik: 23. Aria (Sopran): "Da, da ...
123 bpm • E Maj • 03:59 • -21.48db
2% Popularity • 59% Danceability • 10% Energy • 36% Liveness
4% Instrumentalness • 66% Positiveness
2% Popularity • 59% Danceability • 10% Energy • 36% Liveness
4% Instrumentalness • 66% Positiveness
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Carl Philipp Emanuel Bach
Hamburg Symphony No. 2 in B-Flat Major, ...
124 bpm • E Maj • 05:30 • -16.61db
4% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
4% Popularity • 41% Danceability • 30% Energy • 31% Liveness
83% Instrumentalness • 84% Positiveness
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Wolfgang Amadeus Mozart
Ave verum corpus in D Major, K. 618
123 bpm • D Maj • 02:47 • -21db
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
31% Popularity • 17% Danceability • 8% Energy • 7% Liveness
37% Instrumentalness • 3% Positiveness
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George Frideric Handel
Dixit Dominus, HWV 232: V. Tu es sacerdo...
146 bpm • A Maj • 01:39 • -20.68db
22% Popularity • 18% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
22% Popularity • 18% Danceability • 22% Energy • 12% Liveness
72% Instrumentalness • 33% Positiveness
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Claudio Monteverdi
L'incoronazione di Poppea: "Pur ti miro"
123 bpm • F# Maj • 04:36 • -20db
17% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
17% Popularity • 28% Danceability • 8% Energy • 7% Liveness
1% Instrumentalness • 9% Positiveness
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Johann Sebastian Bach
Bach, JS: Brandenburg Concerto No. 6 in ...
125 bpm • A Maj • 05:30 • -21.21db
32% Popularity • 47% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
32% Popularity • 47% Danceability • 15% Energy • 11% Liveness
1% Instrumentalness • 81% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice: Act II, Scene 1, Ball...
122 bpm • G Maj • 01:56 • -19db
20% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
20% Popularity • 39% Danceability • 32% Energy • 58% Liveness
56% Instrumentalness • 38% Positiveness
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Carl Philipp Emanuel Bach
Bach, CPE: Magnificat in D Minor, Wq. 21...
147 bpm • E Maj • 04:03 • -20.88db
1% Popularity • 40% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
1% Popularity • 40% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
