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Songs like
Main Title (from "Buffy the Vampire Slayer")
by
Orchestra
Based on a tempo of (+/- 10%) and a similar genre
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George Bruns
A Secret Revealed
68 bpm • F Maj • 01:57 • -25.82db
32% Popularity • 27% Danceability • 6% Energy • 18% Liveness
86% Instrumentalness • 7% Positiveness
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Richard Robbins
Return To Florence
69 bpm • G# Maj • 01:54 • -21db
28% Popularity • 20% Danceability • 12% Energy • 15% Liveness
90% Instrumentalness • 4% Positiveness
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Phil Coulter
The Town I Loved So Well
70 bpm • C Maj • 04:47 • -10.37db
4% Popularity • 19% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Patrick Doyle
Your boy's alive [Gosford Park - Origina...
70 bpm • C# min • 01:58 • -20.49db
7% Popularity • 7% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 6% Positiveness
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Jay Blackton (conductor), Guys and Dolls Pit Orchestra
Overture from Guys and Dolls
70 bpm • G# Maj • 01:42 • -10.77db
18% Popularity • 30% Danceability • 42% Energy • 88% Liveness
9% Instrumentalness • 67% Positiveness
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Orchestra
Overture "Me And My Girl" - Original Cas...
70 bpm • D min • 03:51 • -16.26db
14% Popularity • 37% Danceability • 22% Energy • 8% Liveness
45% Instrumentalness • 58% Positiveness
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2003 Broadway Cast Gypsy
Overture
70 bpm • A# Maj • 04:44 • -10.47db
15% Popularity • 24% Danceability • 42% Energy • 11% Liveness
81% Instrumentalness • 40% Positiveness
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Richard Robbins
The Broken Engagement
70 bpm • G# Maj • 01:55 • -21.2db
12% Popularity • 17% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Roy Orbison
A love so beautiful
70 bpm • C Maj • 04:19 • -9.04db
8% Popularity • 21% Danceability • 34% Energy • 14% Liveness
2% Instrumentalness • 6% Positiveness
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Frances Nero
If Ever I Would Leave You - Love Montage
66 bpm • A# Maj • 05:54 • -15db
20% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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The Music Man 2022 Orchestra
Overture
71 bpm • F Maj • 01:12 • -10.09db
18% Popularity • 43% Danceability • 75% Energy • 90% Liveness
47% Instrumentalness • 68% Positiveness
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Hello, Dolly! Orchestra
Prologue
65 bpm • F Maj • 01:14 • -11.83db
16% Popularity • 19% Danceability • 29% Energy • 30% Liveness
71% Instrumentalness • 24% Positiveness
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Julia Deakin
Where Is Love?
71 bpm • C Maj • 03:35 • -23.78db
28% Popularity • 13% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Heather Headley
King Of Pride Rock / Circle Of Life (Rep...
65 bpm • F Maj • 03:22 • -11.96db
39% Popularity • 24% Danceability • 34% Energy • 8% Liveness
2% Instrumentalness • 24% Positiveness
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Craig Armstrong
Your Song
64 bpm • C Maj • 02:28 • -16db
39% Popularity • 24% Danceability • 15% Energy • 16% Liveness
82% Instrumentalness • 6% Positiveness
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Patrick Doyle
Carpe diem [Gosford Park - Original Moti...
72 bpm • G Maj • 01:01 • -21.74db
7% Popularity • 20% Danceability • 6% Energy • 11% Liveness
96% Instrumentalness • 11% Positiveness
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Richard Robbins
In The National Gallery
71 bpm • C Maj • 01:31 • -23.91db
13% Popularity • 23% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 4% Positiveness
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Columbia Studio Orchestra
Opening Credits
72 bpm • G Maj • 02:51 • -9db
19% Popularity • 25% Danceability • 54% Energy • 34% Liveness
11% Instrumentalness • 45% Positiveness
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Wilfrid Hyde-White
You Did It - Voice
72 bpm • C Maj • 04:36 • -13.67db
18% Popularity • 52% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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The "Oliver! 1994" Orchestra
Prologue
73 bpm • C# Maj • 01:13 • -17.03db
23% Popularity • 29% Danceability • 25% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Lionel Bart
It's A Fine Life
73 bpm • C# Maj • 03:39 • -15.57db
10% Popularity • 76% Danceability • 10% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Stephen Warbeck
To Albania [Captain Corelli's Mandolin -...
74 bpm • E min • 02:01 • -17.89db
12% Popularity • 8% Danceability • 27% Energy • 10% Liveness
96% Instrumentalness • 3% Positiveness
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Frederick Loewe
Camelot: C'est moi
74 bpm • G Maj • 03:28 • -12db
24% Popularity • 63% Danceability • 35% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Mindi Dickstein
Overture
74 bpm • A min • 00:54 • -8.65db
24% Popularity • 53% Danceability • 42% Energy • 12% Liveness
81% Instrumentalness • 29% Positiveness
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Original Broadway Cast of Finding Neverland
Prologue - Original Broadway Cast Record...
74 bpm • G# Maj • 01:41 • -12.35db
23% Popularity • 21% Danceability • 52% Energy • 31% Liveness
53% Instrumentalness • 32% Positiveness
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Frank Churchill
Fire / Reunion / Finale
75 bpm • G# Maj • 05:36 • -17.31db
21% Popularity • 15% Danceability • 30% Energy • 8% Liveness
29% Instrumentalness • 18% Positiveness
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The Cast of 101 Dalmatians
What's All The Hurry/A Perfect Situation...
74 bpm • F Maj • 03:18 • -13db
19% Popularity • 33% Danceability • 17% Energy • 10% Liveness
2% Instrumentalness • 24% Positiveness
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Hans Zimmer
Suite [Nine Months]
62 bpm • F Maj • 05:13 • -18.79db
13% Popularity • 6% Danceability • 19% Energy • 69% Liveness
84% Instrumentalness • 5% Positiveness
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Giuseppe Verdi
Rigoletto: La donna è mobile (Act III)
75 bpm • F# Maj • 02:04 • -16.54db
4% Popularity • 52% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Frederick Loewe
Camelot: Overture
75 bpm • E min • 03:12 • -13db
23% Popularity • 12% Danceability • 28% Energy • 48% Liveness
83% Instrumentalness • 27% Positiveness
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Rodgers & Hammerstein
Oklahoma! / Finale: Oh, What A Beautiful...
76 bpm • A Maj • 03:58 • -14db
17% Popularity • 44% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 50% Positiveness
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Ivor Novello
The Dancing Years: Waltz Of My Heart
76 bpm • D# Maj • 02:01 • -16.06db
27% Popularity • 46% Danceability • 15% Energy • 14% Liveness
88% Instrumentalness • 20% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Main Title / Prologue
76 bpm • F Maj • 05:20 • -10db
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Oliver Wallace
Cinderella: Prologue
76 bpm • G Maj • 04:40 • -19.73db
16% Popularity • 14% Danceability • 11% Energy • 12% Liveness
49% Instrumentalness • 5% Positiveness
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Rex Harrison
I've Grown Accustomed To Her Face - Voic...
77 bpm • F Maj • 05:57 • -16db
22% Popularity • 46% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cast of Ghost - The Musical
Overture
76 bpm • G Maj • 02:07 • -14.93db
18% Popularity • 22% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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The Cast of Mary Poppins
A Man Has Dreams (The Life I Lead) _ A S...
77 bpm • D# Maj • 04:28 • -23db
4% Popularity • 43% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Frederick Loewe
Camelot: Finale Ultimo
77 bpm • D# Maj • 02:03 • -17.84db
23% Popularity • 39% Danceability • 13% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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The Cast of Peter Pan
The Last Night in the Nursery - Original
77 bpm • E min • 03:00 • -20.73db
14% Popularity • 28% Danceability • 8% Energy • 21% Liveness
76% Instrumentalness • 7% Positiveness
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Paul J. Smith
A Perfect Fit
77 bpm • G min • 01:30 • -17.31db
30% Popularity • 24% Danceability • 20% Energy • 28% Liveness
83% Instrumentalness • 4% Positiveness
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Shirley Jones
Goodnight My Someone
77 bpm • B Maj • 02:51 • -14.31db
29% Popularity • 23% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Lionel Bart
You've Got To Pick A Pocket Or Two
78 bpm • F min • 02:53 • -17.02db
19% Popularity • 68% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Benny Andersson
Anthem
78 bpm • D Maj • 03:11 • -8.14db
4% Popularity • 12% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Miklós Rózsa
The Miracle
78 bpm • D# Maj • 01:46 • -13.74db
17% Popularity • 11% Danceability • 24% Energy • 43% Liveness
98% Instrumentalness • 26% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
30% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Oliver Wallace
Midnight Chase
78 bpm • A min • 01:36 • -12.33db
31% Popularity • 37% Danceability • 45% Energy • 13% Liveness
79% Instrumentalness • 38% Positiveness
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Les Misérables Cast
Epilogue
79 bpm • E Maj • 08:24 • -20.45db
38% Popularity • 27% Danceability • 6% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Renée Fleming
You'll Never Walk Alone
79 bpm • C Maj • 02:53 • -10.91db
31% Popularity • 27% Danceability • 24% Energy • 15% Liveness
28% Instrumentalness • 4% Positiveness
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Hans Zimmer
Am I not merciful? ["Gladiator" - Music ...
79 bpm • E min • 06:47 • -20.05db
12% Popularity • 7% Danceability • 21% Energy • 70% Liveness
84% Instrumentalness • 4% Positiveness
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George Frideric Handel
Semele HWV 58 - Act 2: Where'er you walk
79 bpm • A# Maj • 04:29 • -17.2db
3% Popularity • 17% Danceability • 18% Energy • 23% Liveness
0% Instrumentalness • 14% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
38% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Alan Jay Lerner
My Fair Lady: I could have danced all ni...
79 bpm • C Maj • 03:31 • -16db
17% Popularity • 39% Danceability • 31% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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The Scarlet Pimpernel
Entr'acte - Instrumental
79 bpm • G Maj • 02:40 • -11.04db
16% Popularity • 18% Danceability • 35% Energy • 4% Liveness
64% Instrumentalness • 39% Positiveness
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Gordon Macrae
The Surrey with the Fringe on Top (Excer...
79 bpm • D Maj • 04:55 • -17db
23% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Larry Morey
Sleepy Morning In The Woods/The Young Pr...
79 bpm • C Maj • 05:13 • -20.25db
30% Popularity • 25% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 24% Positiveness
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André Previn
End Titles* - Instrumental
79 bpm • A# Maj • 01:38 • -19.39db
16% Popularity • 48% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Sonia Swaby
The Movie in My Mind
80 bpm • G# min • 04:46 • -19.4db
23% Popularity • 16% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Philharmonic Wind Orchestra
Alice in Wonderland
79 bpm • C min • 05:47 • -12.39db
19% Popularity • 33% Danceability • 32% Energy • 21% Liveness
69% Instrumentalness • 39% Positiveness
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An American in Paris Orchestra
Concerto in F
80 bpm • C# min • 06:42 • -13db
17% Popularity • 17% Danceability • 16% Energy • 31% Liveness
85% Instrumentalness • 6% Positiveness
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Richard Addinsell
Goodbye Mr. Chips: Theme
80 bpm • E min • 03:19 • -17.43db
10% Popularity • 9% Danceability • 18% Energy • 12% Liveness
89% Instrumentalness • 13% Positiveness
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Larry Morey
The Meadow / Bambi Sees Faline / Bambi G...
80 bpm • A Maj • 04:55 • -21db
25% Popularity • 28% Danceability • 12% Energy • 44% Liveness
7% Instrumentalness • 36% Positiveness
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Stephen Warbeck
My Name is Charlotte Gray
81 bpm • E Maj • 05:01 • -18.36db
5% Popularity • 11% Danceability • 15% Energy • 9% Liveness
76% Instrumentalness • 6% Positiveness
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Bill Shirley
On The Street Where You Live (reprise)* ...
81 bpm • C Maj • 01:23 • -16db
24% Popularity • 39% Danceability • 25% Energy • 64% Liveness
0% Instrumentalness • 37% Positiveness
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Guys and Dolls Orchestra (1992)
Runyonland
81 bpm • G# Maj • 02:57 • -17db
27% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
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Jerry Orbach
Lullaby of Broadway
81 bpm • C Maj • 05:02 • -14db
24% Popularity • 32% Danceability • 33% Energy • 16% Liveness
0% Instrumentalness • 35% Positiveness
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Patrick Doyle
Only for a while [Gosford Park - Origina...
81 bpm • A min • 03:14 • -15.64db
6% Popularity • 15% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Itzhak Perlman
Excerpts from "Fiddler On the Roof" - Va...
81 bpm • E min • 04:14 • -8db
19% Popularity • 43% Danceability • 42% Energy • 17% Liveness
68% Instrumentalness • 31% Positiveness
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Sonny Burke
Lady and the Tramp: Bella Notte (arr. fo...
82 bpm • G Maj • 03:17 • -21db
26% Popularity • 14% Danceability • 10% Energy • 22% Liveness
92% Instrumentalness • 5% Positiveness
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Bill Shirley
On The Street Where You Live
81 bpm • C Maj • 02:56 • -17db
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Lionel Bart
That's Your Funeral
82 bpm • F min • 02:24 • -16.52db
11% Popularity • 72% Danceability • 15% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Dirty Rotten Scoundrels Original Broadway Cast
Overture
82 bpm • E Maj • 01:44 • -10.18db
16% Popularity • 57% Danceability • 44% Energy • 6% Liveness
70% Instrumentalness • 77% Positiveness
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Brian Stokes Mitchell
The Impossible Dream (The Quest)
82 bpm • A Maj • 03:53 • -9.28db
37% Popularity • 39% Danceability • 32% Energy • 8% Liveness
1% Instrumentalness • 28% Positiveness
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Meryl Streep
The Bell Song
82 bpm • A Maj • 04:45 • -16.38db
7% Popularity • 44% Danceability • 3% Energy • 7% Liveness
1% Instrumentalness • 30% Positiveness
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The Wonderland Orchestra
Overture
82 bpm • B min • 02:05 • -16.48db
19% Popularity • 32% Danceability • 19% Energy • 15% Liveness
64% Instrumentalness • 38% Positiveness
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Lt. Cable
My Girl Back Home
82 bpm • E Maj • 01:40 • -17db
25% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Matthew Gilsenan/The Celtic Tenors/Mike Moran/Patrick Kernan/Gavyn Wright/Orchestra
The Contender
82 bpm • A# Maj • 04:09 • -10.1db
3% Popularity • 49% Danceability • 27% Energy • 20% Liveness
0% Instrumentalness • 16% Positiveness
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Stephen Warbeck
Lemoni [Captain Corelli's Mandolin - Ori...
82 bpm • A min • 01:21 • -20.99db
14% Popularity • 19% Danceability • 14% Energy • 34% Liveness
90% Instrumentalness • 5% Positiveness
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Judy Garland
Over the Rainbow Reprise - Outtake; Alte...
82 bpm • G# Maj • 01:33 • -30.34db
22% Popularity • 50% Danceability • 4% Energy • 22% Liveness
0% Instrumentalness • 16% Positiveness
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Cy Coleman
On the Twentieth Century: Overture
82 bpm • G Maj • 03:37 • -12.52db
9% Popularity • 39% Danceability • 33% Energy • 25% Liveness
56% Instrumentalness • 38% Positiveness
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Lesley Garrett
Canteloube / Arr Kashif: Chants d'Auverg...
82 bpm • A# Maj • 03:44 • -23.65db
5% Popularity • 13% Danceability • 5% Energy • 11% Liveness
32% Instrumentalness • 6% Positiveness
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Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
36% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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J.A.C. Redford
Rooftop
83 bpm • D Maj • 03:13 • -21.13db
25% Popularity • 13% Danceability • 13% Energy • 34% Liveness
73% Instrumentalness • 4% Positiveness
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How to Succeed in Business Without Really Trying Orchestra
Overture
83 bpm • C Maj • 02:28 • -13.61db
13% Popularity • 28% Danceability • 24% Energy • 17% Liveness
91% Instrumentalness • 55% Positiveness
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Stephen Warbeck
After the Dance [Captain Corelli's Mando...
83 bpm • D min • 02:15 • -22.78db
14% Popularity • 14% Danceability • 9% Energy • 7% Liveness
96% Instrumentalness • 4% Positiveness
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André Previn
The Transylvanian March* - Voice
83 bpm • D min • 01:18 • -14.65db
17% Popularity • 59% Danceability • 12% Energy • 33% Liveness
24% Instrumentalness • 56% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Larry Morey
Exploring / Say Bird / Flower
83 bpm • C min • 06:01 • -23.35db
28% Popularity • 29% Danceability • 7% Energy • 18% Liveness
2% Instrumentalness • 31% Positiveness
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Bournemouth Symphony Orchestra
Master of the House / Stars / Red & Blac...
83 bpm • A Maj • 04:54 • -18.32db
12% Popularity • 21% Danceability • 20% Energy • 20% Liveness
2% Instrumentalness • 18% Positiveness
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Frederick Loewe
My Fair Lady: On the Street Where You Li...
83 bpm • D Maj • 02:54 • -14db
18% Popularity • 20% Danceability • 26% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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Lionel Bart
As Long As He Needs Me
83 bpm • F Maj • 03:51 • -18.46db
9% Popularity • 21% Danceability • 5% Energy • 17% Liveness
0% Instrumentalness • 18% Positiveness
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J.A.C. Redford
Fightin' Irish: Strike Action
84 bpm • G Maj • 01:50 • -16.79db
26% Popularity • 42% Danceability • 46% Energy • 31% Liveness
97% Instrumentalness • 52% Positiveness
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Cast of Sleeping Beauty
Finale
84 bpm • A# Maj • 01:41 • -13.45db
36% Popularity • 18% Danceability • 30% Energy • 44% Liveness
34% Instrumentalness • 57% Positiveness
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Richard Robbins
Lucy, Charlotte And Miss Lavish See The ...
84 bpm • F Maj • 01:57 • -19.4db
17% Popularity • 12% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 5% Positiveness
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Patrick Doyle
Bored to sobs [Gosford Park - Original M...
84 bpm • A# Maj • 01:28 • -16.93db
10% Popularity • 39% Danceability • 10% Energy • 12% Liveness
3% Instrumentalness • 19% Positiveness
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Frederick Loewe
My Fair Lady: Overture
84 bpm • C Maj • 02:45 • -9db
13% Popularity • 22% Danceability • 47% Energy • 50% Liveness
97% Instrumentalness • 40% Positiveness
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Lionel Bart
Oom-Pah-Pah
84 bpm • D Maj • 03:15 • -13.75db
14% Popularity • 67% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 61% Positiveness
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Danny Elfman
After Midnight
84 bpm • C# Maj • 03:24 • -10.51db
12% Popularity • 36% Danceability • 33% Energy • 10% Liveness
3% Instrumentalness • 25% Positiveness
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The Cast of Peter Pan
Mermaid Lagoon/Bad Day At Skull Rock - O...
84 bpm • F Maj • 04:30 • -17db
17% Popularity • 32% Danceability • 11% Energy • 9% Liveness
80% Instrumentalness • 31% Positiveness
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