Songs like Main Title by Alfred Newman
Based on a tempo of (+/- 10%) and a similar genre
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Alfred Newman
Main Title
60 bpm • F min • 01:33 • -14db
22% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
22% Popularity • 22% Danceability • 26% Energy • 12% Liveness
82% Instrumentalness • 14% Positiveness
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Academy of St. Martin in the Fields
What Else Do You Love?
61 bpm • D# Maj • 01:05 • -23.09db
39% Popularity • 25% Danceability • 4% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
39% Popularity • 25% Danceability • 4% Energy • 7% Liveness
49% Instrumentalness • 3% Positiveness
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Charlie Chaplin
Smile - Love Theme
61 bpm • E min • 01:42 • -5.76db
16% Popularity • 17% Danceability • 58% Energy • 20% Liveness
88% Instrumentalness • 5% Positiveness
16% Popularity • 17% Danceability • 58% Energy • 20% Liveness
88% Instrumentalness • 5% Positiveness
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George Fenton
Books Are Cocktails
61 bpm • C Maj • 01:10 • -22.06db
20% Popularity • 69% Danceability • 8% Energy • 15% Liveness
2% Instrumentalness • 52% Positiveness
20% Popularity • 69% Danceability • 8% Energy • 15% Liveness
2% Instrumentalness • 52% Positiveness
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Robert Farnon
The Westminster Waltz
62 bpm • D Maj • 02:58 • -21db
21% Popularity • 10% Danceability • 11% Energy • 28% Liveness
47% Instrumentalness • 22% Positiveness
21% Popularity • 10% Danceability • 11% Energy • 28% Liveness
47% Instrumentalness • 22% Positiveness
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Twentieth Century Fox Orchestra
Theatre Lobby
62 bpm • G Maj • 01:27 • -12.71db
2% Popularity • 22% Danceability • 31% Energy • 35% Liveness
93% Instrumentalness • 12% Positiveness
2% Popularity • 22% Danceability • 31% Energy • 35% Liveness
93% Instrumentalness • 12% Positiveness
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Alfred Newman
Emergency Landing!
61 bpm • C# Maj • 01:41 • -15db
5% Popularity • 39% Danceability • 40% Energy • 11% Liveness
98% Instrumentalness • 29% Positiveness
5% Popularity • 39% Danceability • 40% Energy • 11% Liveness
98% Instrumentalness • 29% Positiveness
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Neal Hefti
The Odd Couple Theme - Instrumental Demo
63 bpm • F min • 01:12 • -12.82db
32% Popularity • 55% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 71% Positiveness
32% Popularity • 55% Danceability • 46% Energy • 21% Liveness
94% Instrumentalness • 71% Positiveness
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Victor Silvester
Medley: Moonglow (Slow Foxtrot) / Theme ...
57 bpm • C Maj • 02:28 • -15.89db
37% Popularity • 24% Danceability • 24% Energy • 8% Liveness
32% Instrumentalness • 30% Positiveness
37% Popularity • 24% Danceability • 24% Energy • 8% Liveness
32% Instrumentalness • 30% Positiveness
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George Fenton
If Only
63 bpm • G Maj • 01:06 • -20db
46% Popularity • 36% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
46% Popularity • 36% Danceability • 10% Energy • 8% Liveness
97% Instrumentalness • 7% Positiveness
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Pino Donaggio
Garden of Innocence
56 bpm • D Maj • 02:08 • -13.05db
45% Popularity • 24% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
45% Popularity • 24% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 6% Positiveness
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Christopher Gunning
Poirot Variants
64 bpm • G min • 08:57 • -19.83db
22% Popularity • 16% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 11% Positiveness
22% Popularity • 16% Danceability • 10% Energy • 5% Liveness
89% Instrumentalness • 11% Positiveness
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Alfred Newman
The Catacombs
61 bpm • D Maj • 05:01 • -22.84db
3% Popularity • 8% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
3% Popularity • 8% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 4% Positiveness
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Twentieth Century Fox Orchestra
Waldo
64 bpm • A Maj • 04:30 • -16.85db
1% Popularity • 12% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
1% Popularity • 12% Danceability • 20% Energy • 10% Liveness
85% Instrumentalness • 4% Positiveness
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Ricardo Neffi
La chanson du Chianti
65 bpm • D Maj • 03:19 • -21.45db
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 52% Positiveness
14% Popularity • 31% Danceability • 18% Energy • 11% Liveness
25% Instrumentalness • 52% Positiveness
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Frances Nero
If Ever I Would Leave You - Love Montage
66 bpm • A# Maj • 05:54 • -15db
19% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 11% Danceability • 18% Energy • 19% Liveness
0% Instrumentalness • 5% Positiveness
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The Percy Faith Strings
The Song from "Moulin Rose"
66 bpm • G Maj • 03:48 • -14.2db
36% Popularity • 21% Danceability • 30% Energy • 31% Liveness
86% Instrumentalness • 8% Positiveness
36% Popularity • 21% Danceability • 30% Energy • 31% Liveness
86% Instrumentalness • 8% Positiveness
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Antón García Abril
Anillos De Oro
67 bpm • F# min • 04:50 • -23.79db
13% Popularity • 16% Danceability • 7% Energy • 38% Liveness
86% Instrumentalness • 12% Positiveness
13% Popularity • 16% Danceability • 7% Energy • 38% Liveness
86% Instrumentalness • 12% Positiveness
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Alfred Newman
Hope
63 bpm • E Maj • 01:33 • -23.62db
3% Popularity • 16% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
3% Popularity • 16% Danceability • 14% Energy • 9% Liveness
82% Instrumentalness • 8% Positiveness
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Geoffrey Burgon
Julia's Theme
68 bpm • C Maj • 02:07 • -22.79db
36% Popularity • 14% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
36% Popularity • 14% Danceability • 8% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Jerome Moross
The Big Country
68 bpm • G Maj • 03:05 • -13.2db
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
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Ernest Gold
Exodus Soundtrack Suite - Original Sound...
68 bpm • A min • 14:52 • -13.87db
9% Popularity • 8% Danceability • 26% Energy • 35% Liveness
41% Instrumentalness • 6% Positiveness
9% Popularity • 8% Danceability • 26% Energy • 35% Liveness
41% Instrumentalness • 6% Positiveness
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Mario Nascimbene
Funeral / Exit
69 bpm • F Maj • 03:55 • -18db
11% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
11% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Philharmonic Wind Orchestra
A Heart Beats in Space / Another World o...
69 bpm • G# Maj • 07:07 • -8.64db
20% Popularity • 17% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
20% Popularity • 17% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 5% Positiveness
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Alfred Newman
Destiny
64 bpm • F# min • 09:08 • -19db
2% Popularity • 8% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
2% Popularity • 8% Danceability • 14% Energy • 13% Liveness
82% Instrumentalness • 4% Positiveness
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Stelvio Cipriani
Tempo Al Tempo
69 bpm • F Maj • 01:15 • -10db
37% Popularity • 28% Danceability • 21% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
37% Popularity • 28% Danceability • 21% Energy • 20% Liveness
95% Instrumentalness • 4% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
The Carousel Waltz
70 bpm • D Maj • 07:12 • -14.45db
7% Popularity • 21% Danceability • 29% Energy • 6% Liveness
55% Instrumentalness • 32% Positiveness
7% Popularity • 21% Danceability • 29% Energy • 6% Liveness
55% Instrumentalness • 32% Positiveness
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Ivor Novello
I Can Give You the Starlight [Arr. S. M...
70 bpm • D min • 04:59 • -23.18db
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
17% Popularity • 35% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Richard Rodney Bennett
Murder On The Orient Express - Waltz
51 bpm • C Maj • 03:58 • -18db
20% Popularity • 14% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
20% Popularity • 14% Danceability • 22% Energy • 10% Liveness
90% Instrumentalness • 18% Positiveness
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Orchestra de Verona
Days Of Heaven (Main Theme)
70 bpm • C min • 02:49 • -16.29db
15% Popularity • 21% Danceability • 27% Energy • 37% Liveness
94% Instrumentalness • 13% Positiveness
15% Popularity • 21% Danceability • 27% Energy • 37% Liveness
94% Instrumentalness • 13% Positiveness
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Alfred Newman
First Kiss
65 bpm • F min • 02:26 • -34.79db
0% Popularity • 20% Danceability • 0% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
0% Popularity • 20% Danceability • 0% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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Cole Porter (composer), The MGM Studio Orchestra
Easy to Love
71 bpm • G Maj • 01:19 • -16.65db
35% Popularity • 21% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
35% Popularity • 21% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 43% Positiveness
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David Raksin
Laura
71 bpm • A min • 03:24 • -14.07db
11% Popularity • 9% Danceability • 26% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
11% Popularity • 9% Danceability • 26% Energy • 32% Liveness
92% Instrumentalness • 4% Positiveness
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Twentieth Century Fox Orchestra
Apartment House
72 bpm • B Maj • 01:21 • -20.56db
1% Popularity • 23% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
1% Popularity • 23% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 4% Positiveness
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Gary Grant
Ballet
71 bpm • G Maj • 01:00 • -14.67db
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
27% Popularity • 49% Danceability • 36% Energy • 26% Liveness
90% Instrumentalness • 51% Positiveness
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Michael Kamen
Maid Marian At The Waterfall/(Everything...
72 bpm • F Maj • 04:30 • -21.17db
12% Popularity • 9% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
12% Popularity • 9% Danceability • 8% Energy • 14% Liveness
84% Instrumentalness • 6% Positiveness
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Alfred Newman
Third Uncle
67 bpm • B Maj • 02:01 • -22.78db
1% Popularity • 25% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
1% Popularity • 25% Danceability • 8% Energy • 8% Liveness
96% Instrumentalness • 8% Positiveness
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Bill Conti
Breaking The Sound Barrier
72 bpm • C Maj • 04:46 • -11.77db
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
23% Popularity • 31% Danceability • 38% Energy • 12% Liveness
92% Instrumentalness • 12% Positiveness
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Original Soundtrack
Restaurant Interior
72 bpm • D# Maj • 01:53 • -18.25db
12% Popularity • 32% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
12% Popularity • 32% Danceability • 13% Energy • 13% Liveness
3% Instrumentalness • 39% Positiveness
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The Melachrino Strings
Among My Souvenirs
72 bpm • D# Maj • 04:05 • -22.84db
25% Popularity • 18% Danceability • 7% Energy • 33% Liveness
90% Instrumentalness • 4% Positiveness
25% Popularity • 18% Danceability • 7% Energy • 33% Liveness
90% Instrumentalness • 4% Positiveness
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Luis Bacalov
Il Postino Poeta
72 bpm • E Maj • 03:25 • -14.34db
33% Popularity • 42% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
33% Popularity • 42% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 21% Positiveness
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The Melachrino Strings and Orchestra
Dancing in the Dark
73 bpm • A min • 02:57 • -11.64db
21% Popularity • 23% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
21% Popularity • 23% Danceability • 33% Energy • 12% Liveness
84% Instrumentalness • 12% Positiveness
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Alfred Newman
Home in the Meadow
71 bpm • B min • 01:56 • -16db
21% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Geoffrey Burgon
Finale (Brideshead Revisited)
73 bpm • C Maj • 02:50 • -21db
25% Popularity • 10% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
25% Popularity • 10% Danceability • 6% Energy • 12% Liveness
82% Instrumentalness • 4% Positiveness
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Angelo Badalamenti
Love Theme from Cousins (Finale)
73 bpm • C# min • 02:37 • -18db
11% Popularity • 16% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
11% Popularity • 16% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 6% Positiveness
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Charles Williams
The Dream of Olwen - 1988 Remastered Ver...
73 bpm • F Maj • 04:02 • -15db
7% Popularity • 22% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
7% Popularity • 22% Danceability • 16% Energy • 10% Liveness
78% Instrumentalness • 5% Positiveness
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Claude Debussy
Suite bergamasque, L. 75: Suite bergamas...
73 bpm • C# Maj • 03:25 • -22.41db
14% Popularity • 34% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
14% Popularity • 34% Danceability • 3% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Twentieth Century Fox Orchestra
The Café
73 bpm • C min • 04:06 • -16.74db
4% Popularity • 17% Danceability • 24% Energy • 38% Liveness
86% Instrumentalness • 10% Positiveness
4% Popularity • 17% Danceability • 24% Energy • 38% Liveness
86% Instrumentalness • 10% Positiveness
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Alfred Newman
The Market Place
71 bpm • B min • 05:00 • -24.51db
3% Popularity • 9% Danceability • 7% Energy • 22% Liveness
64% Instrumentalness • 5% Positiveness
3% Popularity • 9% Danceability • 7% Energy • 22% Liveness
64% Instrumentalness • 5% Positiveness
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Glenn Miller Orchestra
Moonlight Serenade
73 bpm • C# min • 03:39 • -15db
37% Popularity • 31% Danceability • 20% Energy • 49% Liveness
35% Instrumentalness • 22% Positiveness
37% Popularity • 31% Danceability • 20% Energy • 49% Liveness
35% Instrumentalness • 22% Positiveness
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The London Theatre Orchestra
Adagio For Strings (Theme From Platoon)
73 bpm • F Maj • 06:16 • -24db
17% Popularity • 7% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
17% Popularity • 7% Danceability • 6% Energy • 7% Liveness
87% Instrumentalness • 4% Positiveness
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Ron Goodwin
Those Magnificent Men in Their Flying Ma...
74 bpm • A# Maj • 06:18 • -18.01db
8% Popularity • 14% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
8% Popularity • 14% Danceability • 22% Energy • 8% Liveness
90% Instrumentalness • 13% Positiveness
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The Melachrino Strings
Misty
74 bpm • E Maj • 03:42 • -18.8db
27% Popularity • 8% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
27% Popularity • 8% Danceability • 15% Energy • 13% Liveness
63% Instrumentalness • 4% Positiveness
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Ernest Gold
Fight for Peace
74 bpm • E min • 01:26 • -12.44db
12% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
12% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Alfred Newman
Marcellus' Farewell
73 bpm • F Maj • 01:26 • -23.28db
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
3% Popularity • 16% Danceability • 8% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
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Twentieth Century Fox Orchestra
End Title
74 bpm • A# Maj • 01:23 • -10.86db
1% Popularity • 21% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
1% Popularity • 21% Danceability • 42% Energy • 11% Liveness
85% Instrumentalness • 3% Positiveness
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George Fenton
A New Day
75 bpm • D# Maj • 01:24 • -12.57db
22% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
22% Popularity • 10% Danceability • 22% Energy • 6% Liveness
95% Instrumentalness • 5% Positiveness
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Hollywood Symphony Orchestra
Thornbirds Theme
75 bpm • A min • 03:10 • -13db
9% Popularity • 11% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
9% Popularity • 11% Danceability • 22% Energy • 11% Liveness
2% Instrumentalness • 10% Positiveness
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Jim Parker
Foyle's War - Main Title
75 bpm • D min • 02:12 • -16db
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
23% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Gabriel Yared
Blue Zoon
75 bpm • A# Maj • 02:48 • -18db
15% Popularity • 25% Danceability • 11% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
15% Popularity • 25% Danceability • 11% Energy • 14% Liveness
59% Instrumentalness • 11% Positiveness
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Alfred Newman
The Map of Jerusalem
74 bpm • G# Maj • 05:05 • -21.39db
4% Popularity • 10% Danceability • 11% Energy • 20% Liveness
37% Instrumentalness • 4% Positiveness
4% Popularity • 10% Danceability • 11% Energy • 20% Liveness
37% Instrumentalness • 4% Positiveness
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Twentieth Century Fox Orchestra
The Café / Lydecker's Αpartment
74 bpm • A Maj • 04:14 • -19.95db
2% Popularity • 24% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
2% Popularity • 24% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 4% Positiveness
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Francis Lai
Theme From Love Story
75 bpm • A min • 03:20 • -20.67db
46% Popularity • 31% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 15% Positiveness
46% Popularity • 31% Danceability • 12% Energy • 13% Liveness
86% Instrumentalness • 15% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
27% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
27% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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The Society Syncopators (performers)
By the Beautiful Sea
75 bpm • G Maj • 01:21 • -10.5db
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
17% Popularity • 41% Danceability • 69% Energy • 12% Liveness
46% Instrumentalness • 68% Positiveness
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The Starshine Orchestra And Singers
Theme From The Virginian
75 bpm • G Maj • 02:33 • -11db
22% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
22% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Alfred Newman
The Burial
75 bpm • F# min • 04:43 • -22.91db
0% Popularity • 14% Danceability • 5% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
0% Popularity • 14% Danceability • 5% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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The Bosworth Orchestra
Springtime
75 bpm • D Maj • 03:15 • -11db
11% Popularity • 13% Danceability • 36% Energy • 24% Liveness
92% Instrumentalness • 23% Positiveness
11% Popularity • 13% Danceability • 36% Energy • 24% Liveness
92% Instrumentalness • 23% Positiveness
► Preview
Francis Lai
The Long Walk Home
75 bpm • A min • 01:30 • -19.83db
36% Popularity • 27% Danceability • 34% Energy • 34% Liveness
95% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 34% Energy • 34% Liveness
95% Instrumentalness • 4% Positiveness
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London Festival Symphony Orchestra
Dream Of Olwen
76 bpm • G min • 03:35 • -15.9db
8% Popularity • 17% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 15% Positiveness
8% Popularity • 17% Danceability • 15% Energy • 8% Liveness
25% Instrumentalness • 15% Positiveness
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Peter Nero
Just One of Those Things
76 bpm • G min • 02:11 • -14.16db
10% Popularity • 53% Danceability • 44% Energy • 6% Liveness
86% Instrumentalness • 66% Positiveness
10% Popularity • 53% Danceability • 44% Energy • 6% Liveness
86% Instrumentalness • 66% Positiveness
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Antonio Rossi & His Orchestra
Yesterday, Once More
76 bpm • D# Maj • 04:05 • -16.92db
18% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
18% Popularity • 25% Danceability • 15% Energy • 12% Liveness
96% Instrumentalness • 6% Positiveness
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Alfred Newman
Inez - Lost Forever
75 bpm • E Maj • 01:48 • -21.39db
4% Popularity • 8% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
4% Popularity • 8% Danceability • 10% Energy • 12% Liveness
86% Instrumentalness • 4% Positiveness
► Preview
Robert Farnon
Westminster Waltz
76 bpm • D Maj • 03:24 • -11.33db
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
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Rachel Portman
Gypsy Blessing
76 bpm • C Maj • 03:19 • -20.26db
8% Popularity • 18% Danceability • 8% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
8% Popularity • 18% Danceability • 8% Energy • 15% Liveness
94% Instrumentalness • 7% Positiveness
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Alexandre Desplat
Time After Time - Instrumental
76 bpm • F# Maj • 02:06 • -17.36db
23% Popularity • 28% Danceability • 22% Energy • 14% Liveness
24% Instrumentalness • 22% Positiveness
23% Popularity • 28% Danceability • 22% Energy • 14% Liveness
24% Instrumentalness • 22% Positiveness
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Leonard Rosenman
Main Title
76 bpm • E min • 02:50 • -17db
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
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The Warner Bros. Studio Orchestra
Medley (Shine / It Had To Be You)
76 bpm • F min • 02:20 • -9.93db
7% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
7% Popularity • 59% Danceability • 40% Energy • 7% Liveness
92% Instrumentalness • 80% Positiveness
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The Melachrino Strings and Orchestra
The Loveliest Night of the Year
76 bpm • A Maj • 02:45 • -12db
30% Popularity • 15% Danceability • 33% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
30% Popularity • 15% Danceability • 33% Energy • 6% Liveness
92% Instrumentalness • 23% Positiveness
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Ron Goodwin
The Girl from Corsica
76 bpm • G min • 02:59 • -10.67db
15% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 22% Danceability • 38% Energy • 15% Liveness
90% Instrumentalness • 29% Positiveness
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Alfred Newman
Attempted Suicide
77 bpm • G# min • 01:53 • -18.28db
3% Popularity • 18% Danceability • 15% Energy • 17% Liveness
10% Instrumentalness • 3% Positiveness
3% Popularity • 18% Danceability • 15% Energy • 17% Liveness
10% Instrumentalness • 3% Positiveness
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Paul Weston
Autumn in Rome
77 bpm • F min • 03:04 • -13.27db
19% Popularity • 10% Danceability • 27% Energy • 27% Liveness
84% Instrumentalness • 7% Positiveness
19% Popularity • 10% Danceability • 27% Energy • 27% Liveness
84% Instrumentalness • 7% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Main Title / Prologue
76 bpm • F Maj • 05:20 • -10db
9% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
9% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Marcello Ciorciolini
Ti Guarderò Nel Cuore
78 bpm • B min • 03:50 • -11.68db
10% Popularity • 21% Danceability • 30% Energy • 13% Liveness
58% Instrumentalness • 16% Positiveness
10% Popularity • 21% Danceability • 30% Energy • 13% Liveness
58% Instrumentalness • 16% Positiveness
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Riz Ortolani
More - Modelle in blu
78 bpm • B min • 03:50 • -8db
16% Popularity • 20% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
16% Popularity • 20% Danceability • 40% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Alfred Newman
The Carriage of the Cross
77 bpm • A# min • 02:01 • -15.51db
4% Popularity • 18% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 12% Positiveness
4% Popularity • 18% Danceability • 22% Energy • 10% Liveness
97% Instrumentalness • 12% Positiveness
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The Percy Faith Strings
Michelle
78 bpm • E min • 04:32 • -13.47db
14% Popularity • 18% Danceability • 31% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
14% Popularity • 18% Danceability • 31% Energy • 38% Liveness
91% Instrumentalness • 4% Positiveness
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Dave Grusin
Theme from the Champ
78 bpm • C Maj • 02:34 • -12.6db
9% Popularity • 14% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
9% Popularity • 14% Danceability • 21% Energy • 16% Liveness
92% Instrumentalness • 3% Positiveness
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Twentieth Century Fox Orchestra
Outside Lydecker's Αpartment
78 bpm • D Maj • 01:27 • -21.77db
1% Popularity • 22% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
1% Popularity • 22% Danceability • 14% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Ron Goodwin
Theme from Limelight
78 bpm • F Maj • 03:01 • -19.86db
14% Popularity • 22% Danceability • 11% Energy • 36% Liveness
47% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 11% Energy • 36% Liveness
47% Instrumentalness • 9% Positiveness
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Charlie Chaplin
Modern Times - Main Title
78 bpm • A# Maj • 01:47 • -6.13db
8% Popularity • 44% Danceability • 47% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
8% Popularity • 44% Danceability • 47% Energy • 12% Liveness
81% Instrumentalness • 63% Positiveness
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Alfred Newman
Airport Love Theme
78 bpm • G# min • 03:32 • -23db
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
25% Popularity • 15% Danceability • 14% Energy • 21% Liveness
96% Instrumentalness • 8% Positiveness
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Burt Bacharach
The Old Fun City (N.Y. Sequence)
79 bpm • D# Maj • 04:04 • -16.04db
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
20% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
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The Fantasy Strings
Moonlight In Vermont
79 bpm • F min • 03:15 • -8.23db
20% Popularity • 41% Danceability • 64% Energy • 23% Liveness
60% Instrumentalness • 33% Positiveness
20% Popularity • 41% Danceability • 64% Energy • 23% Liveness
60% Instrumentalness • 33% Positiveness
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Twentieth Century Fox Orchestra
Mark Mcpherson
79 bpm • G Maj • 01:05 • -16.19db
1% Popularity • 15% Danceability • 17% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
1% Popularity • 15% Danceability • 17% Energy • 11% Liveness
74% Instrumentalness • 3% Positiveness
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Academy of St. Martin in the Fields
Why Picton?
79 bpm • E min • 01:09 • -20.64db
30% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
30% Popularity • 20% Danceability • 5% Energy • 27% Liveness
90% Instrumentalness • 4% Positiveness
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Gary Grant
Continue
79 bpm • G min • 03:03 • -21db
25% Popularity • 29% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
25% Popularity • 29% Danceability • 16% Energy • 9% Liveness
94% Instrumentalness • 38% Positiveness
