Songs like Main Title (From "The Comancheros") - From "The Comancheros" by Elmer Bernstein
Based on a tempo of (+/- 10%) and a similar genre
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Elmer Bernstein
Main Title
74 bpm • F Maj • 01:42 • -9.63db
23% Popularity • 30% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
23% Popularity • 30% Danceability • 34% Energy • 12% Liveness
2% Instrumentalness • 56% Positiveness
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Ernest Gold
Fight for Peace
74 bpm • E min • 01:26 • -12.44db
14% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
14% Popularity • 17% Danceability • 42% Energy • 9% Liveness
86% Instrumentalness • 26% Positiveness
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Carter Burwell
Hello, Mr. Pocket!
74 bpm • G Maj • 02:17 • -17.39db
19% Popularity • 15% Danceability • 6% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 6% Energy • 16% Liveness
93% Instrumentalness • 4% Positiveness
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George Dunning
3:10 To Yuma (Lovely Emily)
74 bpm • A# min • 03:29 • -13.79db
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 20% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Cliff Eidelman
Star Trek VI: The Undiscovered Country: ...
73 bpm • F Maj • 07:45 • -19db
26% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 19% Energy • 30% Liveness
90% Instrumentalness • 4% Positiveness
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Aaron Copland
The Red Pony Suite: IV. Walk To The Bunk...
75 bpm • F Maj • 02:57 • -30.65db
24% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 9% Positiveness
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Elmer Bernstein
Boo Who?
74 bpm • G Maj • 03:00 • -27.32db
12% Popularity • 12% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
12% Popularity • 12% Danceability • 4% Energy • 11% Liveness
59% Instrumentalness • 4% Positiveness
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Alexander Courage
Star Trek (Main Title)
73 bpm • A# Maj • 01:04 • -15db
23% Popularity • 25% Danceability • 26% Energy • 36% Liveness
95% Instrumentalness • 15% Positiveness
23% Popularity • 25% Danceability • 26% Energy • 36% Liveness
95% Instrumentalness • 15% Positiveness
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Carter Burwell
The Book
74 bpm • A Maj • 01:48 • -15.82db
27% Popularity • 29% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
27% Popularity • 29% Danceability • 11% Energy • 10% Liveness
82% Instrumentalness • 17% Positiveness
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Jim Parker
Foyle's War - Main Title
75 bpm • D min • 02:12 • -16db
24% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
24% Popularity • 25% Danceability • 22% Energy • 10% Liveness
95% Instrumentalness • 30% Positiveness
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Leonard Rosenman
Rebel Without a Cause: Love Theme
75 bpm • G Maj • 01:28 • -29.59db
28% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
28% Popularity • 7% Danceability • 6% Energy • 13% Liveness
84% Instrumentalness • 3% Positiveness
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The Starshine Orchestra And Singers
Theme From The Virginian
75 bpm • G Maj • 02:33 • -11db
24% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
24% Popularity • 40% Danceability • 68% Energy • 9% Liveness
86% Instrumentalness • 48% Positiveness
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Quincy Jones
Britannia And Mr. Bridger - If You Pleas...
73 bpm • G Maj • 01:59 • -11.58db
16% Popularity • 41% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 41% Danceability • 12% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Elmer Bernstein
Main Title
73 bpm • F Maj • 01:40 • -10.7db
18% Popularity • 41% Danceability • 39% Energy • 19% Liveness
95% Instrumentalness • 70% Positiveness
18% Popularity • 41% Danceability • 39% Energy • 19% Liveness
95% Instrumentalness • 70% Positiveness
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DLG Orchestra
2001 (A Space Odyssey)
75 bpm • C Maj • 01:38 • -10db
17% Popularity • 20% Danceability • 22% Energy • 39% Liveness
46% Instrumentalness • 3% Positiveness
17% Popularity • 20% Danceability • 22% Energy • 39% Liveness
46% Instrumentalness • 3% Positiveness
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The Hollywood Prime Time Orchestra
Lassie
75 bpm • A min • 00:55 • -11db
13% Popularity • 19% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
13% Popularity • 19% Danceability • 24% Energy • 9% Liveness
3% Instrumentalness • 15% Positiveness
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Peter Breiner
Land of Hope and Glory, mother of the fr...
73 bpm • G Maj • 01:16 • -12.99db
33% Popularity • 36% Danceability • 22% Energy • 19% Liveness
98% Instrumentalness • 32% Positiveness
33% Popularity • 36% Danceability • 22% Energy • 19% Liveness
98% Instrumentalness • 32% Positiveness
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Dan Redfeld & Elizabeth Hedman
The Patriot: Main Theme
76 bpm • C Maj • 04:20 • -17db
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
24% Popularity • 20% Danceability • 14% Energy • 10% Liveness
2% Instrumentalness • 16% Positiveness
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Randy Newman
Atlantic City - Soundtrack Version
75 bpm • D Maj • 02:14 • -14db
27% Popularity • 65% Danceability • 23% Energy • 17% Liveness
3% Instrumentalness • 61% Positiveness
27% Popularity • 65% Danceability • 23% Energy • 17% Liveness
3% Instrumentalness • 61% Positiveness
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Robert Farnon
Westminster Waltz
76 bpm • D Maj • 03:24 • -11.33db
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
10% Popularity • 11% Danceability • 27% Energy • 25% Liveness
74% Instrumentalness • 17% Positiveness
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Michael Kamen
Wagon Wheel
72 bpm • A Maj • 01:58 • -13.79db
10% Popularity • 16% Danceability • 15% Energy • 8% Liveness
66% Instrumentalness • 22% Positiveness
10% Popularity • 16% Danceability • 15% Energy • 8% Liveness
66% Instrumentalness • 22% Positiveness
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Leonard Rosenman
Main Title
76 bpm • E min • 02:50 • -17db
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
12% Popularity • 7% Danceability • 12% Energy • 39% Liveness
96% Instrumentalness • 13% Positiveness
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Elmer Bernstein
The Bitter Life
76 bpm • B min • 02:03 • -12.24db
10% Popularity • 18% Danceability • 46% Energy • 26% Liveness
88% Instrumentalness • 20% Positiveness
10% Popularity • 18% Danceability • 46% Energy • 26% Liveness
88% Instrumentalness • 20% Positiveness
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The Warner Bros. Studio Orchestra
Medley: Main Title / Prologue
76 bpm • F Maj • 05:20 • -10db
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
10% Popularity • 21% Danceability • 42% Energy • 11% Liveness
13% Instrumentalness • 9% Positiveness
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Alfred Newman
Home in the Meadow
71 bpm • B min • 01:56 • -16db
21% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
21% Popularity • 39% Danceability • 14% Energy • 20% Liveness
1% Instrumentalness • 36% Positiveness
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Cliff Eidelman
Clear All Moorings - Star Trek VI/Soundt...
71 bpm • D Maj • 01:39 • -23db
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
26% Popularity • 14% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Thomas Newman
The Shawshank Redemption
71 bpm • A# Maj • 04:34 • -23.06db
19% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
19% Popularity • 12% Danceability • 7% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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Leonard Rosenman
Ferris Wheel
76 bpm • C Maj • 01:25 • -25.39db
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
23% Popularity • 21% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Prelude - The 10 Commandments
77 bpm • A min • 05:06 • -12.37db
17% Popularity • 13% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 17% Positiveness
17% Popularity • 13% Danceability • 32% Energy • 27% Liveness
90% Instrumentalness • 17% Positiveness
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Royal Liverpool Philharmonic Orchestra
Main Title Theme
71 bpm • C# Maj • 03:32 • -17.15db
17% Popularity • 39% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
17% Popularity • 39% Danceability • 17% Energy • 9% Liveness
82% Instrumentalness • 4% Positiveness
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US Military Bands
My Country 'Tis of Thee
78 bpm • F Maj • 01:13 • -20.63db
27% Popularity • 24% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
27% Popularity • 24% Danceability • 15% Energy • 11% Liveness
95% Instrumentalness • 21% Positiveness
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Randy Newman
The Prologue 1915-1923
70 bpm • C Maj • 05:22 • -24.82db
21% Popularity • 10% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
21% Popularity • 10% Danceability • 4% Energy • 7% Liveness
92% Instrumentalness • 5% Positiveness
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Michael Kamen
Charley Rides Off
78 bpm • G Maj • 03:03 • -20.56db
8% Popularity • 15% Danceability • 12% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
8% Popularity • 15% Danceability • 12% Energy • 16% Liveness
82% Instrumentalness • 4% Positiveness
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Carlo Savina
Love Theme Of Ben-Hur
78 bpm • F Maj • 02:51 • -21.83db
9% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
9% Popularity • 14% Danceability • 8% Energy • 13% Liveness
71% Instrumentalness • 4% Positiveness
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Elmer Bernstein
I Am That I Am
77 bpm • C Maj • 03:12 • -16.5db
13% Popularity • 14% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
13% Popularity • 14% Danceability • 19% Energy • 7% Liveness
90% Instrumentalness • 4% Positiveness
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The Royal Philharmonic Orchestra/Nic Raine
Cavatina
78 bpm • E Maj • 03:36 • -23.14db
27% Popularity • 37% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
27% Popularity • 37% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 14% Positiveness
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Cliff Eidelman
Star Trek VI Suite - Star Trek VI/Soundt...
70 bpm • C Maj • 06:17 • -17.24db
18% Popularity • 11% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
18% Popularity • 11% Danceability • 28% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Randy Newman
A Nice Ride
70 bpm • F Maj • 03:16 • -15.71db
14% Popularity • 15% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 12% Liveness
78% Instrumentalness • 4% Positiveness
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Mantovani
Theme from " The Big Country " - Digital...
70 bpm • G Maj • 02:55 • -9.18db
16% Popularity • 16% Danceability • 44% Energy • 68% Liveness
96% Instrumentalness • 36% Positiveness
16% Popularity • 16% Danceability • 44% Energy • 68% Liveness
96% Instrumentalness • 36% Positiveness
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Burt Bacharach
The Old Fun City (N.Y. Sequence)
79 bpm • D# Maj • 04:04 • -16.04db
21% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
21% Popularity • 42% Danceability • 29% Energy • 12% Liveness
46% Instrumentalness • 70% Positiveness
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Elmer Bernstein
Quest
77 bpm • E Maj • 01:00 • -21.91db
12% Popularity • 39% Danceability • 13% Energy • 22% Liveness
26% Instrumentalness • 66% Positiveness
12% Popularity • 39% Danceability • 13% Energy • 22% Liveness
26% Instrumentalness • 66% Positiveness
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Joseph Sample
One Day I'll Fly Away
78 bpm • C# min • 03:15 • -15.82db
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 16% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Luis Bacalov
Il prezzo del potere
79 bpm • C Maj • 03:34 • -21db
10% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
10% Popularity • 16% Danceability • 17% Energy • 8% Liveness
32% Instrumentalness • 9% Positiveness
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Randy Newman
The Old Farm 1939
79 bpm • D# Maj • 01:10 • -28.35db
17% Popularity • 24% Danceability • 3% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
17% Popularity • 24% Danceability • 3% Energy • 17% Liveness
88% Instrumentalness • 7% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
The Carousel Waltz
70 bpm • D Maj • 07:12 • -14.45db
8% Popularity • 21% Danceability • 29% Energy • 6% Liveness
55% Instrumentalness • 32% Positiveness
8% Popularity • 21% Danceability • 29% Energy • 6% Liveness
55% Instrumentalness • 32% Positiveness
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Stephen Warbeck
Pelagia's Song
79 bpm • C Maj • 04:04 • -16.38db
39% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
39% Popularity • 14% Danceability • 22% Energy • 32% Liveness
89% Instrumentalness • 6% Positiveness
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Elmer Bernstein
Finale
71 bpm • A# Maj • 03:18 • -19.41db
3% Popularity • 20% Danceability • 6% Energy • 17% Liveness
37% Instrumentalness • 8% Positiveness
3% Popularity • 20% Danceability • 6% Energy • 17% Liveness
37% Instrumentalness • 8% Positiveness
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Joel McNeely
Saloon Brawl
69 bpm • A Maj • 01:50 • -9.43db
10% Popularity • 42% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
10% Popularity • 42% Danceability • 54% Energy • 11% Liveness
88% Instrumentalness • 31% Positiveness
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Michael Giacchino
Star Trek Main Theme
79 bpm • A# Maj • 03:25 • -9.54db
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
50% Popularity • 23% Danceability • 52% Energy • 48% Liveness
95% Instrumentalness • 15% Positiveness
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Carter Burwell
A Great Adventure
79 bpm • F Maj • 00:55 • -15.75db
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
24% Popularity • 21% Danceability • 11% Energy • 11% Liveness
91% Instrumentalness • 12% Positiveness
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Basil Poledouris
Across The Board/End Credits
79 bpm • F min • 07:33 • -17db
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 4% Positiveness
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Michael Kamen
Robin Hood Prince of Thieves
69 bpm • F Maj • 10:17 • -20db
32% Popularity • 13% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 13% Danceability • 6% Energy • 6% Liveness
91% Instrumentalness • 4% Positiveness
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Elmer Bernstein
Main Title
78 bpm • A Maj • 03:21 • -18db
25% Popularity • 15% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
25% Popularity • 15% Danceability • 4% Energy • 10% Liveness
79% Instrumentalness • 5% Positiveness
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The Meridian Studio Ensemble
Star Trek- The Original Series - Main Ti...
69 bpm • A# Maj • 01:02 • -12.21db
15% Popularity • 14% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
15% Popularity • 14% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 4% Positiveness
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Martin Böttcher
Banditen-Thema
79 bpm • C min • 02:43 • -12.15db
6% Popularity • 19% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 25% Positiveness
6% Popularity • 19% Danceability • 35% Energy • 13% Liveness
91% Instrumentalness • 25% Positiveness
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Carter Burwell
Canyon Awake
69 bpm • G Maj • 01:54 • -16.64db
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
24% Popularity • 27% Danceability • 15% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Mario Nascimbene
Funeral / Exit
69 bpm • F Maj • 03:55 • -18db
11% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
11% Popularity • 23% Danceability • 19% Energy • 8% Liveness
97% Instrumentalness • 11% Positiveness
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Michael Kamen
Band Of Brothers Suite Two - Instrumenta...
80 bpm • D# Maj • 09:13 • -14.67db
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 25% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Dave Grusin
Plumbing
80 bpm • D min • 01:25 • -14db
36% Popularity • 68% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
36% Popularity • 68% Danceability • 27% Energy • 15% Liveness
94% Instrumentalness • 37% Positiveness
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Elmer Bernstein
Go, Proclaim Liberty!
79 bpm • A min • 03:16 • -14.4db
11% Popularity • 11% Danceability • 23% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
11% Popularity • 11% Danceability • 23% Energy • 19% Liveness
92% Instrumentalness • 8% Positiveness
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Mark Isham
In Half-Light of the Canyon
80 bpm • F Maj • 02:47 • -15db
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
29% Popularity • 24% Danceability • 18% Energy • 9% Liveness
87% Instrumentalness • 5% Positiveness
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Dario Marianelli
Mrs. Darcy
68 bpm • C Maj • 03:56 • -20.43db
30% Popularity • 18% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
30% Popularity • 18% Danceability • 10% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Jerome Moross
The Big Country
68 bpm • G Maj • 03:05 • -13.2db
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
1% Popularity • 13% Danceability • 29% Energy • 33% Liveness
94% Instrumentalness • 27% Positiveness
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Lennie Niehaus
Will Rides In
80 bpm • C Maj • 01:05 • -19.94db
31% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
31% Popularity • 17% Danceability • 13% Energy • 12% Liveness
97% Instrumentalness • 6% Positiveness
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Dave Grusin
Fratelli Chase
80 bpm • D min • 02:47 • -13db
36% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
36% Popularity • 74% Danceability • 44% Energy • 12% Liveness
34% Instrumentalness • 48% Positiveness
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DLG Orchestra
Close Encounters Of The Third Kind
80 bpm • B Maj • 04:58 • -13.77db
19% Popularity • 17% Danceability • 19% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
19% Popularity • 17% Danceability • 19% Energy • 22% Liveness
86% Instrumentalness • 3% Positiveness
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William Walton
Battle of Britain Suite: I. Spitfire Mus...
81 bpm • F Maj • 06:00 • -15.16db
11% Popularity • 21% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
11% Popularity • 21% Danceability • 43% Energy • 16% Liveness
84% Instrumentalness • 8% Positiveness
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The Starlite Orchestra & Singers
The Patriot (Main Theme)
81 bpm • C Maj • 06:35 • -13.17db
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
20% Popularity • 13% Danceability • 28% Energy • 17% Liveness
60% Instrumentalness • 10% Positiveness
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Elmer Bernstein
Overture - The 10 Commandments
68 bpm • D# Maj • 02:09 • -12.2db
8% Popularity • 26% Danceability • 53% Energy • 45% Liveness
91% Instrumentalness • 57% Positiveness
8% Popularity • 26% Danceability • 53% Energy • 45% Liveness
91% Instrumentalness • 57% Positiveness
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The Warner Bros. Studio Orchestra
Medley: At La Belle Aurore
81 bpm • G min • 04:43 • -10.98db
5% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
5% Popularity • 15% Danceability • 33% Energy • 34% Liveness
94% Instrumentalness • 5% Positiveness
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Lennie Niehaus
Claudia's Theme - Version Eight
81 bpm • F Maj • 05:41 • -25db
39% Popularity • 33% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
39% Popularity • 33% Danceability • 2% Energy • 8% Liveness
90% Instrumentalness • 22% Positiveness
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Randy Newman
The End Title
81 bpm • A# Maj • 03:24 • -19.78db
22% Popularity • 8% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
22% Popularity • 8% Danceability • 11% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Michael Kamen
Gunfight
68 bpm • A# min • 03:35 • -12.27db
8% Popularity • 22% Danceability • 25% Energy • 55% Liveness
84% Instrumentalness • 12% Positiveness
8% Popularity • 22% Danceability • 25% Energy • 55% Liveness
84% Instrumentalness • 12% Positiveness
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Dennis McCarthy
Star Trek: Generations: Overture
81 bpm • C min • 03:51 • -14.83db
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
25% Popularity • 10% Danceability • 28% Energy • 6% Liveness
91% Instrumentalness • 9% Positiveness
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Elmer Bernstein
Remember Mama
81 bpm • D Maj • 01:08 • -35.45db
18% Popularity • 8% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
18% Popularity • 8% Danceability • 1% Energy • 10% Liveness
82% Instrumentalness • 8% Positiveness
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Nino Rota
Main Title/The Immigrant
67 bpm • G Maj • 03:25 • -12.56db
34% Popularity • 15% Danceability • 25% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
34% Popularity • 15% Danceability • 25% Energy • 6% Liveness
83% Instrumentalness • 4% Positiveness
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Cedar Lane Soundtrack Orchestra
Theme From To Kill A Mockingbird
81 bpm • A Maj • 03:20 • -13db
10% Popularity • 29% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
10% Popularity • 29% Danceability • 9% Energy • 12% Liveness
90% Instrumentalness • 6% Positiveness
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John Ottman
Suite from X2
82 bpm • A# Maj • 07:11 • -16db
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
30% Popularity • 8% Danceability • 19% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Michael Kamen
Buck In Hospital - Instrumental
67 bpm • A min • 01:59 • -15db
18% Popularity • 17% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
18% Popularity • 17% Danceability • 15% Energy • 14% Liveness
80% Instrumentalness • 4% Positiveness
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Patrick Doyle
Piano Suite (Secondhand Lions)
82 bpm • D Maj • 01:26 • -17.97db
10% Popularity • 15% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
10% Popularity • 15% Danceability • 11% Energy • 8% Liveness
86% Instrumentalness • 7% Positiveness
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Elmer Bernstein
Footsteps In The Dark
82 bpm • A Maj • 02:07 • -21.07db
17% Popularity • 22% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 3% Energy • 9% Liveness
79% Instrumentalness • 4% Positiveness
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Mark Isham
A River Runs Through It
82 bpm • G Maj • 02:23 • -16db
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
36% Popularity • 18% Danceability • 13% Energy • 19% Liveness
27% Instrumentalness • 12% Positiveness
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Nino Rota
Waterloo: Andante eroico - Tempo di Valz...
67 bpm • C Maj • 03:19 • -19db
15% Popularity • 17% Danceability • 15% Energy • 32% Liveness
79% Instrumentalness • 13% Positiveness
15% Popularity • 17% Danceability • 15% Energy • 32% Liveness
79% Instrumentalness • 13% Positiveness
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Richard M. Sherman
Mr. Banks Is Discharged - Instrumental
82 bpm • F# Maj • 04:44 • -26.86db
10% Popularity • 15% Danceability • 2% Energy • 19% Liveness
47% Instrumentalness • 4% Positiveness
10% Popularity • 15% Danceability • 2% Energy • 19% Liveness
47% Instrumentalness • 4% Positiveness
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Jerome Moross
The Major Alone
83 bpm • F Maj • 01:53 • -9db
9% Popularity • 35% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
9% Popularity • 35% Danceability • 40% Energy • 13% Liveness
82% Instrumentalness • 36% Positiveness
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Gary Grant
End Title: An Affair To Remember
83 bpm • G# Maj • 03:53 • -20db
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
17% Popularity • 18% Danceability • 22% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Elmer Bernstein
Love And Ambition
83 bpm • E min • 04:01 • -16.74db
11% Popularity • 11% Danceability • 23% Energy • 37% Liveness
66% Instrumentalness • 6% Positiveness
11% Popularity • 11% Danceability • 23% Energy • 37% Liveness
66% Instrumentalness • 6% Positiveness
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Dennis McCarthy
Star Trek: Deep Space Nine - Main Title
66 bpm • C Maj • 01:55 • -15.67db
33% Popularity • 18% Danceability • 18% Energy • 26% Liveness
77% Instrumentalness • 4% Positiveness
33% Popularity • 18% Danceability • 18% Energy • 26% Liveness
77% Instrumentalness • 4% Positiveness
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Los Angeles Philharmonic
"Let's Go Home" End Title
66 bpm • E Maj • 01:09 • -14.63db
13% Popularity • 17% Danceability • 20% Energy • 19% Liveness
44% Instrumentalness • 6% Positiveness
13% Popularity • 17% Danceability • 20% Energy • 19% Liveness
44% Instrumentalness • 6% Positiveness
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Jaqueline Schwab
Battle Cry of Freedom
84 bpm • G Maj • 01:39 • -22.52db
29% Popularity • 52% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
29% Popularity • 52% Danceability • 5% Energy • 12% Liveness
91% Instrumentalness • 22% Positiveness
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Stephen Warbeck
Pelagia's Song
84 bpm • C Maj • 03:55 • -17.7db
23% Popularity • 8% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
23% Popularity • 8% Danceability • 17% Energy • 12% Liveness
82% Instrumentalness • 9% Positiveness
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Cliff Eidelman
Act 1 - Spain: The Great Sea
84 bpm • B min • 01:38 • -17db
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
17% Popularity • 21% Danceability • 33% Energy • 15% Liveness
84% Instrumentalness • 4% Positiveness
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Elmer Bernstein
And Then There Were Two
84 bpm • C# Maj • 01:45 • -22db
10% Popularity • 22% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
10% Popularity • 22% Danceability • 10% Energy • 13% Liveness
88% Instrumentalness • 13% Positiveness
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Orchestra de Verona
For A Few Dollars More - Music Clock (la...
84 bpm • D min • 03:04 • -12db
27% Popularity • 16% Danceability • 34% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
27% Popularity • 16% Danceability • 34% Energy • 17% Liveness
90% Instrumentalness • 5% Positiveness
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Carter Burwell
Goodbye Canyon
85 bpm • C Maj • 01:28 • -14.63db
21% Popularity • 16% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
21% Popularity • 16% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 7% Positiveness
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Rob Lane
The Declaration Of Independence
84 bpm • D min • 06:05 • -17.56db
16% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
16% Popularity • 11% Danceability • 16% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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Lucie Svehlová
The Barn - Love Theme
65 bpm • D min • 05:06 • -14db
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
13% Popularity • 6% Danceability • 28% Energy • 13% Liveness
62% Instrumentalness • 4% Positiveness
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DLG Orchestra
Superman
85 bpm • C Maj • 04:34 • -10db
18% Popularity • 21% Danceability • 51% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
18% Popularity • 21% Danceability • 51% Energy • 19% Liveness
86% Instrumentalness • 16% Positiveness
