Songs like Make It Easy on Yourself (arr. R. Balcombe for vocals and orchestra) by Burt Bacharach

177 bpm • D Maj • 02:45 • -16.53db

41% Popularity • 24% Danceability • 21% Energy • 15% Liveness
2% Instrumentalness • 31% Positiveness

177 bpm • C Maj • 03:02 • -14.71db

20% Popularity • 8% Danceability • 28% Energy • 10% Liveness
58% Instrumentalness • 5% Positiveness

177 bpm • D# Maj • 04:17 • -13.58db

41% Popularity • 42% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness

177 bpm • F Maj • 02:44 • -13db

52% Popularity • 22% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness

176 bpm • F# Maj • 03:45 • -6.26db

16% Popularity • 23% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness

176 bpm • D min • 03:36 • -33.39db

45% Popularity • 28% Danceability • 0% Energy • 7% Liveness
0% Instrumentalness • 10% Positiveness

180 bpm • C min • 05:56 • -19.66db

11% Popularity • 45% Danceability • 8% Energy • 13% Liveness
10% Instrumentalness • 26% Positiveness

181 bpm • E Maj • 03:06 • -16db

47% Popularity • 40% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness

181 bpm • C# Maj • 04:20 • -15.79db

37% Popularity • 29% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness

175 bpm • G Maj • 04:40 • -17db

34% Popularity • 38% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness

175 bpm • D# Maj • 03:23 • -9.05db

40% Popularity • 23% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness

182 bpm • G Maj • 02:38 • -13.62db

10% Popularity • 42% Danceability • 29% Energy • 10% Liveness
6% Instrumentalness • 41% Positiveness

175 bpm • A min • 03:49 • -17.39db

40% Popularity • 62% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness

174 bpm • F min • 03:37 • -13.47db

47% Popularity • 57% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness

174 bpm • D Maj • 02:32 • -9.16db

24% Popularity • 63% Danceability • 47% Energy • 29% Liveness
28% Instrumentalness • 69% Positiveness

174 bpm • D# Maj • 04:00 • -16.94db

47% Popularity • 17% Danceability • 5% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness

173 bpm • D Maj • 03:03 • -11.56db

24% Popularity • 9% Danceability • 40% Energy • 15% Liveness
54% Instrumentalness • 26% Positiveness

184 bpm • D# Maj • 02:25 • -9.49db

14% Popularity • 30% Danceability • 43% Energy • 30% Liveness
86% Instrumentalness • 60% Positiveness

173 bpm • F min • 02:29 • -18db

52% Popularity • 41% Danceability • 16% Energy • 16% Liveness
1% Instrumentalness • 52% Positiveness

172 bpm • G Maj • 03:21 • -14.31db

15% Popularity • 58% Danceability • 30% Energy • 15% Liveness
64% Instrumentalness • 56% Positiveness

171 bpm • A Maj • 01:59 • -8.23db

45% Popularity • 13% Danceability • 38% Energy • 9% Liveness
38% Instrumentalness • 29% Positiveness

185 bpm • D Maj • 03:58 • -16.03db

33% Popularity • 23% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness

171 bpm • D# Maj • 06:12 • -15.42db

18% Popularity • 46% Danceability • 28% Energy • 11% Liveness
83% Instrumentalness • 47% Positiveness

171 bpm • D# Maj • 03:30 • -12.26db

40% Popularity • 9% Danceability • 21% Energy • 19% Liveness
90% Instrumentalness • 13% Positiveness

171 bpm • A# Maj • 03:19 • -16.96db

17% Popularity • 38% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness

170 bpm • A# Maj • 07:30 • -16db

42% Popularity • 25% Danceability • 34% Energy • 14% Liveness
48% Instrumentalness • 37% Positiveness

186 bpm • B Maj • 03:51 • -8.43db

28% Popularity • 42% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 27% Positiveness

170 bpm • A# Maj • 03:01 • -7db

14% Popularity • 17% Danceability • 53% Energy • 38% Liveness
97% Instrumentalness • 37% Positiveness

169 bpm • E Maj • 04:41 • -15.61db

39% Popularity • 27% Danceability • 34% Energy • 34% Liveness
3% Instrumentalness • 43% Positiveness

168 bpm • C# Maj • 01:39 • -16.49db

20% Popularity • 22% Danceability • 13% Energy • 19% Liveness
61% Instrumentalness • 26% Positiveness

168 bpm • F Maj • 03:31 • -10.05db

19% Popularity • 39% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness

166 bpm • D# Maj • 02:48 • -15db

14% Popularity • 26% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness

166 bpm • D min • 03:48 • -8.58db

17% Popularity • 32% Danceability • 50% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness

166 bpm • F Maj • 02:29 • -13.89db

30% Popularity • 58% Danceability • 44% Energy • 13% Liveness
79% Instrumentalness • 44% Positiveness

166 bpm • A Maj • 03:48 • -15.48db

13% Popularity • 27% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness

163 bpm • G# Maj • 03:48 • -6.68db

32% Popularity • 45% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness

195 bpm • G min • 03:44 • -8.94db

17% Popularity • 16% Danceability • 68% Energy • 30% Liveness
17% Instrumentalness • 49% Positiveness

196 bpm • B min • 04:25 • -10.7db

43% Popularity • 24% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness

160 bpm • C Maj • 05:36 • -20.4db

11% Popularity • 24% Danceability • 8% Energy • 10% Liveness
21% Instrumentalness • 11% Positiveness

162 bpm • F# Maj • 03:30 • -10db

32% Popularity • 35% Danceability • 44% Energy • 11% Liveness
20% Instrumentalness • 43% Positiveness

160 bpm • C min • 02:29 • -8.96db

24% Popularity • 38% Danceability • 46% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness

160 bpm • F# min • 02:18 • -12.6db

30% Popularity • 22% Danceability • 42% Energy • 10% Liveness
94% Instrumentalness • 40% Positiveness

159 bpm • F Maj • 03:21 • -9.49db

26% Popularity • 28% Danceability • 58% Energy • 15% Liveness
90% Instrumentalness • 24% Positiveness

157 bpm • C Maj • 02:59 • -8db

50% Popularity • 66% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness

157 bpm • C Maj • 03:03 • -11.66db

45% Popularity • 62% Danceability • 39% Energy • 9% Liveness
78% Instrumentalness • 36% Positiveness

156 bpm • G Maj • 03:19 • -16db

17% Popularity • 47% Danceability • 31% Energy • 29% Liveness
86% Instrumentalness • 54% Positiveness

155 bpm • C Maj • 03:10 • -24db

40% Popularity • 60% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness

204 bpm • D Maj • 02:11 • -10.51db

12% Popularity • 21% Danceability • 35% Energy • 12% Liveness
23% Instrumentalness • 43% Positiveness

154 bpm • C Maj • 02:10 • -12.26db

35% Popularity • 29% Danceability • 47% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness

153 bpm • A# min • 05:00 • -16db

43% Popularity • 47% Danceability • 37% Energy • 9% Liveness
61% Instrumentalness • 63% Positiveness

154 bpm • F min • 02:50 • -16.84db

10% Popularity • 20% Danceability • 32% Energy • 37% Liveness
74% Instrumentalness • 27% Positiveness

153 bpm • G# Maj • 02:25 • -9.13db

49% Popularity • 52% Danceability • 52% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness

153 bpm • A# Maj • 04:18 • -13db

27% Popularity • 27% Danceability • 45% Energy • 13% Liveness
75% Instrumentalness • 40% Positiveness

153 bpm • A# Maj • 03:47 • -10db

20% Popularity • 24% Danceability • 55% Energy • 35% Liveness
29% Instrumentalness • 34% Positiveness

216 bpm • F min • 02:50 • -14.35db

32% Popularity • 38% Danceability • 31% Energy • 22% Liveness
78% Instrumentalness • 19% Positiveness

152 bpm • C Maj • 03:29 • -7.11db

37% Popularity • 37% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness

152 bpm • F min • 02:25 • -8.74db

62% Popularity • 50% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness