Songs like Malmö at Dawn by Irya Gmeyner
Based on a tempo of (+/- 10%) and a similar genre
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Irya Gmeyner
Ask
130 bpm • C min • 02:06 • -17.73db
6% Popularity • 57% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
6% Popularity • 57% Danceability • 17% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Sandra Marteleur
Solskenvals
130 bpm • A Maj • 03:00 • -11.09db
16% Popularity • 39% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
16% Popularity • 39% Danceability • 29% Energy • 16% Liveness
1% Instrumentalness • 42% Positiveness
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Sofia Karlsson
Lucia
129 bpm • A# Maj • 04:12 • -14.45db
6% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 34% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 55% Positiveness
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Angus MacRae
Eternalism
131 bpm • A Maj • 05:09 • -17.81db
13% Popularity • 26% Danceability • 24% Energy • 9% Liveness
32% Instrumentalness • 10% Positiveness
13% Popularity • 26% Danceability • 24% Energy • 9% Liveness
32% Instrumentalness • 10% Positiveness
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Nina Ramsby
Fredrik Åkares Morgonpsalm
129 bpm • F min • 03:15 • -15.26db
12% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 55% Danceability • 8% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Gaute Storaas
Första Försöket
128 bpm • A min • 01:20 • -17.14db
11% Popularity • 32% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
11% Popularity • 32% Danceability • 24% Energy • 11% Liveness
94% Instrumentalness • 26% Positiveness
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Irya Gmeyner
Halfway
130 bpm • A min • 02:12 • -20.64db
2% Popularity • 61% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
2% Popularity • 61% Danceability • 8% Energy • 17% Liveness
93% Instrumentalness • 18% Positiveness
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Luca D'Alberto
Till The End
132 bpm • A min • 03:25 • -18.04db
9% Popularity • 29% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
9% Popularity • 29% Danceability • 6% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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JUNG
Önskeringsvägen
128 bpm • G# min • 02:14 • -17.94db
21% Popularity • 58% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
21% Popularity • 58% Danceability • 22% Energy • 8% Liveness
91% Instrumentalness • 8% Positiveness
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Sara Parkman
Öppna spjäll
132 bpm • G Maj • 03:44 • -9.98db
23% Popularity • 43% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
23% Popularity • 43% Danceability • 63% Energy • 13% Liveness
91% Instrumentalness • 23% Positiveness
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Lambert
Dorian
128 bpm • C# Maj • 03:05 • -21.72db
10% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 53% Positiveness
10% Popularity • 56% Danceability • 33% Energy • 11% Liveness
86% Instrumentalness • 53% Positiveness
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April Snow
A Change Of Heart
128 bpm • E min • 02:44 • -11.04db
35% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 68% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Irya Gmeyner
Malmö at Dawn
130 bpm • C# min • 02:08 • -21.67db
14% Popularity • 37% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
14% Popularity • 37% Danceability • 8% Energy • 11% Liveness
85% Instrumentalness • 8% Positiveness
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Mattias Bärjed
Stjärnberg
128 bpm • A min • 03:00 • -7.55db
21% Popularity • 30% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 19% Positiveness
21% Popularity • 30% Danceability • 67% Energy • 7% Liveness
84% Instrumentalness • 19% Positiveness
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Henrik Skram
Inger
128 bpm • A min • 02:33 • -18.88db
8% Popularity • 36% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
8% Popularity • 36% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 22% Positiveness
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Erlend Apneseth Trio
Tundra
132 bpm • D min • 04:06 • -19.02db
9% Popularity • 34% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
9% Popularity • 34% Danceability • 22% Energy • 12% Liveness
94% Instrumentalness • 18% Positiveness
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Kristin Amparo
Min Längtan
128 bpm • D Maj • 04:43 • -13.03db
18% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
18% Popularity • 34% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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April Snow
Missing You Bad
128 bpm • B Maj • 03:34 • -12.97db
20% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
20% Popularity • 66% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Nina Ramsby
Cool Water – På Den Gyldene Freden
128 bpm • C# Maj • 03:06 • -14.52db
12% Popularity • 54% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
12% Popularity • 54% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Irya Gmeyner
The Ambush
130 bpm • A# min • 01:19 • -16.72db
10% Popularity • 45% Danceability • 7% Energy • 11% Liveness
63% Instrumentalness • 12% Positiveness
10% Popularity • 45% Danceability • 7% Energy • 11% Liveness
63% Instrumentalness • 12% Positiveness
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Martin Hederos
Slottsskogen
133 bpm • C# Maj • 02:28 • -26db
24% Popularity • 40% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
24% Popularity • 40% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 16% Positiveness
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Mattias Bärjed
Händelser vid vatten 1
133 bpm • F# min • 02:48 • -9.48db
21% Popularity • 72% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
21% Popularity • 72% Danceability • 30% Energy • 11% Liveness
87% Instrumentalness • 37% Positiveness
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Michele Nobler
A Life in a Minute
133 bpm • F Maj • 02:43 • -15.88db
8% Popularity • 16% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
8% Popularity • 16% Danceability • 17% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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Luke Howard
Bear Story II - Piano Version
133 bpm • A# min • 02:59 • -25.51db
13% Popularity • 46% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
13% Popularity • 46% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 14% Positiveness
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1900
S:t Frances - Fältinspelad
133 bpm • F Maj • 03:55 • -14.62db
12% Popularity • 29% Danceability • 22% Energy • 39% Liveness
86% Instrumentalness • 19% Positiveness
12% Popularity • 29% Danceability • 22% Energy • 39% Liveness
86% Instrumentalness • 19% Positiveness
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Sophie Hutchings
Rain Of Feathers
134 bpm • D# min • 08:01 • -17.63db
8% Popularity • 40% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
8% Popularity • 40% Danceability • 18% Energy • 11% Liveness
91% Instrumentalness • 8% Positiveness
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Martin Hederos
Västertorp
133 bpm • G# Maj • 04:09 • -23.48db
5% Popularity • 34% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 22% Positiveness
5% Popularity • 34% Danceability • 4% Energy • 10% Liveness
83% Instrumentalness • 22% Positiveness
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Irya Gmeyner
Dancing in the Park - Music from the Ori...
126 bpm • C min • 03:54 • -10.82db
20% Popularity • 72% Danceability • 59% Energy • 27% Liveness
1% Instrumentalness • 71% Positiveness
20% Popularity • 72% Danceability • 59% Energy • 27% Liveness
1% Instrumentalness • 71% Positiveness
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Mattias Bärjed
Händelser vid vatten 2
133 bpm • A Maj • 03:43 • -9.1db
15% Popularity • 66% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
15% Popularity • 66% Danceability • 35% Energy • 12% Liveness
86% Instrumentalness • 20% Positiveness
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Racingpaperplanes
Witness
126 bpm • B min • 02:44 • -10.11db
0% Popularity • 61% Danceability • 39% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
0% Popularity • 61% Danceability • 39% Energy • 12% Liveness
11% Instrumentalness • 26% Positiveness
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Ian Person
My Baby’s Eye
126 bpm • F Maj • 02:36 • -7.94db
0% Popularity • 51% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
0% Popularity • 51% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Alice In Winter
Two Lives
135 bpm • D min • 03:36 • -13.78db
10% Popularity • 36% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
10% Popularity • 36% Danceability • 32% Energy • 9% Liveness
80% Instrumentalness • 11% Positiveness
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Martin Hederos
De andra alternativen
135 bpm • A# Maj • 01:46 • -22.62db
4% Popularity • 42% Danceability • 4% Energy • 20% Liveness
82% Instrumentalness • 18% Positiveness
4% Popularity • 42% Danceability • 4% Energy • 20% Liveness
82% Instrumentalness • 18% Positiveness
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Matti Bye
Jag vill ut
125 bpm • C Maj • 01:32 • -17.78db
10% Popularity • 49% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
10% Popularity • 49% Danceability • 20% Energy • 10% Liveness
89% Instrumentalness • 15% Positiveness
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Volker Bertelmann
Lost for Words
125 bpm • E Maj • 01:06 • -27db
9% Popularity • 17% Danceability • 3% Energy • 10% Liveness
99% Instrumentalness • 7% Positiveness
9% Popularity • 17% Danceability • 3% Energy • 10% Liveness
99% Instrumentalness • 7% Positiveness
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Mapei
On Repeat (Music From the TV Series Thin...
125 bpm • B min • 03:31 • -11.05db
14% Popularity • 73% Danceability • 69% Energy • 11% Liveness
9% Instrumentalness • 46% Positiveness
14% Popularity • 73% Danceability • 69% Energy • 11% Liveness
9% Instrumentalness • 46% Positiveness
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Christian Balvig
Tvivl
125 bpm • G# min • 01:10 • -16.18db
27% Popularity • 53% Danceability • 27% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
27% Popularity • 53% Danceability • 27% Energy • 11% Liveness
9% Instrumentalness • 4% Positiveness
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Johan Söderqvist
The King's Choice
125 bpm • C Maj • 03:55 • -20.93db
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
13% Popularity • 42% Danceability • 12% Energy • 8% Liveness
88% Instrumentalness • 4% Positiveness
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Stefan Lindström
Aniella ( Hymn to Anita & Stella )
136 bpm • C Maj • 03:34 • -14.07db
14% Popularity • 17% Danceability • 27% Energy • 16% Liveness
92% Instrumentalness • 18% Positiveness
14% Popularity • 17% Danceability • 27% Energy • 16% Liveness
92% Instrumentalness • 18% Positiveness
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April Snow
I Wanna Be The One
136 bpm • A# Maj • 02:54 • -9.29db
27% Popularity • 67% Danceability • 66% Energy • 10% Liveness
14% Instrumentalness • 50% Positiveness
27% Popularity • 67% Danceability • 66% Energy • 10% Liveness
14% Instrumentalness • 50% Positiveness
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JOY
En sekund
136 bpm • B min • 04:16 • -8.96db
24% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 57% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 14% Positiveness
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Mattias Bärjed
Maran rider
136 bpm • C Maj • 03:02 • -12.44db
7% Popularity • 58% Danceability • 43% Energy • 10% Liveness
73% Instrumentalness • 41% Positiveness
7% Popularity • 58% Danceability • 43% Energy • 10% Liveness
73% Instrumentalness • 41% Positiveness
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Matti Bye
One Last Deal
136 bpm • F# min • 02:53 • -21.97db
13% Popularity • 19% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
13% Popularity • 19% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 19% Positiveness
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Irya Gmeyner
Comedy Queen Theme Song
136 bpm • E Maj • 01:47 • -9.72db
2% Popularity • 60% Danceability • 76% Energy • 12% Liveness
79% Instrumentalness • 72% Positiveness
2% Popularity • 60% Danceability • 76% Energy • 12% Liveness
79% Instrumentalness • 72% Positiveness
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Johan Söderqvist
Kimmie's Theme
136 bpm • E Maj • 02:19 • -21.42db
17% Popularity • 15% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
17% Popularity • 15% Danceability • 20% Energy • 10% Liveness
79% Instrumentalness • 3% Positiveness
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1900
En gång ägde vi hela jorden - Fältins...
136 bpm • A min • 06:07 • -13.96db
11% Popularity • 29% Danceability • 15% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
11% Popularity • 29% Danceability • 15% Energy • 19% Liveness
90% Instrumentalness • 3% Positiveness
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Stefan Lindström
Rush of Euphoria
124 bpm • G# Maj • 04:33 • -12.58db
13% Popularity • 23% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
13% Popularity • 23% Danceability • 32% Energy • 9% Liveness
90% Instrumentalness • 8% Positiveness
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Christian Balvig
Afgørelsen
124 bpm • C# min • 03:28 • -19.16db
9% Popularity • 39% Danceability • 15% Energy • 9% Liveness
70% Instrumentalness • 5% Positiveness
9% Popularity • 39% Danceability • 15% Energy • 9% Liveness
70% Instrumentalness • 5% Positiveness
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Nina Ramsby
Två tungor
124 bpm • C Maj • 04:09 • -14db
18% Popularity • 43% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
18% Popularity • 43% Danceability • 5% Energy • 14% Liveness
4% Instrumentalness • 20% Positiveness
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April Snow
As Near As You Can Be
124 bpm • G# Maj • 03:01 • -9.4db
16% Popularity • 48% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 48% Danceability • 47% Energy • 40% Liveness
0% Instrumentalness • 26% Positiveness
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Martin Tingvall
Redemption - Celeste Instrumental Versio...
124 bpm • G min • 04:34 • -14.36db
19% Popularity • 54% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
19% Popularity • 54% Danceability • 18% Energy • 11% Liveness
93% Instrumentalness • 8% Positiveness
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Emil Jensen
Norra Kvarken
137 bpm • D# Maj • 04:55 • -13db
14% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 38% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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1900
Vi
124 bpm • A# Maj • 03:55 • -12.16db
23% Popularity • 68% Danceability • 17% Energy • 30% Liveness
96% Instrumentalness • 20% Positiveness
23% Popularity • 68% Danceability • 17% Energy • 30% Liveness
96% Instrumentalness • 20% Positiveness
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Moonica Mac
Moonica
137 bpm • A# min • 01:08 • -22.8db
32% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 36% Danceability • 1% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Ólafur Arnalds
Happiness Does Not Wait - 2021 Version
123 bpm • G# Maj • 03:16 • -16.3db
36% Popularity • 43% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
36% Popularity • 43% Danceability • 8% Energy • 13% Liveness
87% Instrumentalness • 28% Positiveness
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Sara Parkman
Ack bliv
137 bpm • D# Maj • 03:30 • -13.64db
24% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
24% Popularity • 21% Danceability • 7% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Stefan Nilsson
Fäboden - from Den Goda Viljan
138 bpm • F# min • 02:59 • -31.54db
17% Popularity • 65% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
17% Popularity • 65% Danceability • 0% Energy • 8% Liveness
71% Instrumentalness • 72% Positiveness
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Irya Gmeyner
Questions
123 bpm • A min • 04:06 • -24.07db
8% Popularity • 50% Danceability • 7% Energy • 16% Liveness
71% Instrumentalness • 5% Positiveness
8% Popularity • 50% Danceability • 7% Energy • 16% Liveness
71% Instrumentalness • 5% Positiveness
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JUNG
Marathon Man
123 bpm • C Maj • 01:26 • -15.84db
24% Popularity • 32% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
24% Popularity • 32% Danceability • 30% Energy • 8% Liveness
89% Instrumentalness • 18% Positiveness
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Cecilie Noer
Ouvre
122 bpm • A min • 02:17 • -17.01db
23% Popularity • 35% Danceability • 24% Energy • 31% Liveness
87% Instrumentalness • 10% Positiveness
23% Popularity • 35% Danceability • 24% Energy • 31% Liveness
87% Instrumentalness • 10% Positiveness
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April Snow
We Fucked It Up
122 bpm • G Maj • 03:19 • -7.4db
29% Popularity • 52% Danceability • 59% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
29% Popularity • 52% Danceability • 59% Energy • 14% Liveness
2% Instrumentalness • 19% Positiveness
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Teodor Wolgers
A Taste For The Invisible
122 bpm • G Maj • 05:51 • -13.75db
13% Popularity • 18% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
13% Popularity • 18% Danceability • 35% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Stefan Nilsson
Martin Beck - huvudtemat från Sjöwall ...
122 bpm • C Maj • 02:47 • -19.8db
16% Popularity • 24% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
16% Popularity • 24% Danceability • 4% Energy • 13% Liveness
94% Instrumentalness • 7% Positiveness
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Irya Gmeyner
Bright Satellite Whistle
122 bpm • D Maj • 01:32 • -17.96db
8% Popularity • 62% Danceability • 20% Energy • 16% Liveness
89% Instrumentalness • 26% Positiveness
8% Popularity • 62% Danceability • 20% Energy • 16% Liveness
89% Instrumentalness • 26% Positiveness
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Second Light
Cold Water
122 bpm • G min • 02:50 • -21.03db
11% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 17% Energy • 9% Liveness
93% Instrumentalness • 4% Positiveness
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Hannes Treiber
Calm and Mellow
139 bpm • F Maj • 02:55 • -15.32db
22% Popularity • 29% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
22% Popularity • 29% Danceability • 12% Energy • 10% Liveness
81% Instrumentalness • 16% Positiveness
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Björn Olsson
pianomelodi i e-moll
139 bpm • E min • 01:22 • -17.51db
21% Popularity • 35% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
21% Popularity • 35% Danceability • 7% Energy • 7% Liveness
95% Instrumentalness • 16% Positiveness
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Tom Ashbrook
Solitude III
121 bpm • D Maj • 04:18 • -22.79db
17% Popularity • 22% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
17% Popularity • 22% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 5% Positiveness
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Patrik Berg Almkvisth
Solskur
121 bpm • F Maj • 04:50 • -26.67db
15% Popularity • 33% Danceability • 7% Energy • 5% Liveness
92% Instrumentalness • 12% Positiveness
15% Popularity • 33% Danceability • 7% Energy • 5% Liveness
92% Instrumentalness • 12% Positiveness
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Irya Gmeyner
Urban City Fragments
121 bpm • G min • 02:38 • -11.44db
9% Popularity • 60% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
9% Popularity • 60% Danceability • 42% Energy • 10% Liveness
89% Instrumentalness • 25% Positiveness
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Lars Jakob Rudjord
Pharos
121 bpm • G min • 03:05 • -15.91db
13% Popularity • 32% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
13% Popularity • 32% Danceability • 24% Energy • 8% Liveness
92% Instrumentalness • 20% Positiveness
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Benny Anderssons Orkester
Sång från andra våningen
140 bpm • A min • 03:46 • -28db
29% Popularity • 46% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 33% Positiveness
29% Popularity • 46% Danceability • 1% Energy • 9% Liveness
74% Instrumentalness • 33% Positiveness
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Ed Harcourt
King Raman
120 bpm • E Maj • 03:04 • -11.99db
10% Popularity • 35% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
10% Popularity • 35% Danceability • 30% Energy • 11% Liveness
82% Instrumentalness • 9% Positiveness
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Erik Satie
Reflections on Nocturne No. 1
120 bpm • A Maj • 04:12 • -23.64db
1% Popularity • 41% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
1% Popularity • 41% Danceability • 12% Energy • 13% Liveness
91% Instrumentalness • 12% Positiveness
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Jannike Stenlund
Visa Till Lycksele
120 bpm • C Maj • 04:24 • -7.73db
15% Popularity • 18% Danceability • 47% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
15% Popularity • 18% Danceability • 47% Energy • 11% Liveness
10% Instrumentalness • 3% Positiveness
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Irya Gmeyner
High Winds
140 bpm • F Maj • 02:30 • -12.71db
4% Popularity • 60% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
4% Popularity • 60% Danceability • 47% Energy • 12% Liveness
89% Instrumentalness • 4% Positiveness
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Hanne Hukkelberg
Aprilgitar
120 bpm • A min • 02:39 • -9.74db
20% Popularity • 60% Danceability • 59% Energy • 13% Liveness
89% Instrumentalness • 35% Positiveness
20% Popularity • 60% Danceability • 59% Energy • 13% Liveness
89% Instrumentalness • 35% Positiveness
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Natalia Tsupryk
Lonely Girls
120 bpm • D# min • 02:49 • -16.1db
10% Popularity • 42% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
10% Popularity • 42% Danceability • 15% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Geir Sundstøl
Leben
120 bpm • D min • 03:43 • -17.11db
10% Popularity • 28% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
10% Popularity • 28% Danceability • 26% Energy • 9% Liveness
86% Instrumentalness • 4% Positiveness
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Kate Havnevik
Yu
120 bpm • C min • 02:55 • -16.44db
20% Popularity • 50% Danceability • 22% Energy • 33% Liveness
94% Instrumentalness • 9% Positiveness
20% Popularity • 50% Danceability • 22% Energy • 33% Liveness
94% Instrumentalness • 9% Positiveness
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Novian LeVan
Reveal
120 bpm • G min • 02:24 • -13.67db
14% Popularity • 44% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
14% Popularity • 44% Danceability • 23% Energy • 11% Liveness
93% Instrumentalness • 4% Positiveness
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Irya Gmeyner
Reminiscence
120 bpm • F min • 01:20 • -20.6db
1% Popularity • 76% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
1% Popularity • 76% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 37% Positiveness
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Isak Danielson
Long Live This Love - Instrumental
120 bpm • F# min • 04:08 • -26.31db
8% Popularity • 66% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
8% Popularity • 66% Danceability • 10% Energy • 11% Liveness
89% Instrumentalness • 17% Positiveness
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Folke Nikanor
Saliga äro de renhjärtade
120 bpm • A min • 05:40 • -9.04db
16% Popularity • 57% Danceability • 60% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
16% Popularity • 57% Danceability • 60% Energy • 9% Liveness
85% Instrumentalness • 19% Positiveness
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Anders Teglund
Rutiner (för två händer)
120 bpm • D min • 02:47 • -21.92db
2% Popularity • 46% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
2% Popularity • 46% Danceability • 16% Energy • 12% Liveness
93% Instrumentalness • 28% Positiveness
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Fay Wildhagen
Aksel
120 bpm • F# min • 02:38 • -14.39db
13% Popularity • 30% Danceability • 26% Energy • 27% Liveness
91% Instrumentalness • 8% Positiveness
13% Popularity • 30% Danceability • 26% Energy • 27% Liveness
91% Instrumentalness • 8% Positiveness
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Hugar
Órói
120 bpm • F min • 03:18 • -26db
28% Popularity • 18% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
28% Popularity • 18% Danceability • 12% Energy • 10% Liveness
90% Instrumentalness • 4% Positiveness
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Sara Parkman
Segel
120 bpm • A Maj • 03:18 • -15.75db
23% Popularity • 22% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
23% Popularity • 22% Danceability • 14% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Andreas Söderström
Resumé
120 bpm • D min • 02:16 • -9.09db
7% Popularity • 69% Danceability • 44% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
7% Popularity • 69% Danceability • 44% Energy • 8% Liveness
91% Instrumentalness • 25% Positiveness
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Rob Lewis
Wings
142 bpm • C Maj • 03:51 • -13.13db
12% Popularity • 26% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
12% Popularity • 26% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Niclas Frisk
Vinjett
120 bpm • G# min • 01:40 • -14.84db
15% Popularity • 51% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
15% Popularity • 51% Danceability • 52% Energy • 11% Liveness
82% Instrumentalness • 14% Positiveness
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Pieter de Graaf
Event Horizon
142 bpm • A min • 04:00 • -16.4db
20% Popularity • 60% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
20% Popularity • 60% Danceability • 39% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
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April Snow
A Falling Star
119 bpm • G# Maj • 03:15 • -13.86db
8% Popularity • 76% Danceability • 29% Energy • 30% Liveness
49% Instrumentalness • 26% Positiveness
8% Popularity • 76% Danceability • 29% Energy • 30% Liveness
49% Instrumentalness • 26% Positiveness
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Nina Ramsby
Hjärta av guld
119 bpm • A Maj • 03:34 • -16.29db
16% Popularity • 49% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 49% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Moa Lignell
Piano på svenska
119 bpm • C Maj • 03:42 • -18.97db
20% Popularity • 45% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
20% Popularity • 45% Danceability • 9% Energy • 9% Liveness
90% Instrumentalness • 15% Positiveness
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Moonica Mac
Vittran
118 bpm • D Maj • 04:34 • -10.57db
26% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
26% Popularity • 59% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Richard J. Birkin
Blooming
119 bpm • A# Maj • 04:11 • -12.43db
11% Popularity • 17% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
11% Popularity • 17% Danceability • 24% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Dominique Charpentier
La valse oubliée (Improvisation)
118 bpm • F# min • 03:21 • -21.81db
15% Popularity • 46% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
15% Popularity • 46% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
