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Mama Let Him Play
Songs like
Mama Let Him Play
by
Doucette
Based on a tempo of (+/- 10%) and a similar genre
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Heart
Even It Up
136 bpm • A Maj • 05:09 • -11.26db
37% Popularity • 70% Danceability • 75% Energy • 6% Liveness
35% Instrumentalness • 96% Positiveness
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Stampeders
Carry Me
136 bpm • A Maj • 02:58 • -7.38db
36% Popularity • 54% Danceability • 79% Energy • 23% Liveness
0% Instrumentalness • 75% Positiveness
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Harlequin
It's All Over Now
136 bpm • C# min • 04:03 • -5.46db
12% Popularity • 52% Danceability • 94% Energy • 2% Liveness
0% Instrumentalness • 78% Positiveness
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The Pursuit Of Happiness
I'm An Adult Now
136 bpm • A Maj • 04:29 • -11db
39% Popularity • 58% Danceability • 67% Energy • 8% Liveness
30% Instrumentalness • 81% Positiveness
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Doucette
Mama Let Him Play
136 bpm • D Maj • 04:24 • -17db
44% Popularity • 46% Danceability • 51% Energy • 57% Liveness
1% Instrumentalness • 79% Positiveness
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Queen City Kids
Black Box (Remastered)
136 bpm • A Maj • 03:53 • -6.77db
11% Popularity • 58% Danceability • 84% Energy • 19% Liveness
1% Instrumentalness • 75% Positiveness
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Prism
Take Me To The Kaptin
136 bpm • E min • 03:59 • -9.25db
30% Popularity • 55% Danceability • 77% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Rough Trade
All Touch
137 bpm • B min • 03:32 • -16.18db
29% Popularity • 76% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Boston
Rock & Roll Band
137 bpm • E Maj • 03:00 • -7.2db
38% Popularity • 52% Danceability • 81% Energy • 38% Liveness
0% Instrumentalness • 79% Positiveness
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Fludd
Cousin Mary
137 bpm • A Maj • 02:43 • -6.12db
9% Popularity • 40% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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George Thorogood & The Destroyers
One Bourbon, One Scotch, One Beer
137 bpm • A Maj • 08:26 • -14.52db
60% Popularity • 55% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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The Firm
Satisfaction Guaranteed
137 bpm • C Maj • 04:10 • -14db
37% Popularity • 48% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 60% Positiveness
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Colin James
Five Long Years
137 bpm • B Maj • 04:38 • -9.51db
38% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Head East
Never Been Any Reason
135 bpm • G Maj • 05:10 • -12.48db
52% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Boston
Rock & Roll Band
137 bpm • E Maj • 03:00 • -6.15db
59% Popularity • 49% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 66% Positiveness
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Fludd
Cousin Mary
137 bpm • A Maj • 02:41 • -11db
34% Popularity • 43% Danceability • 58% Energy • 29% Liveness
0% Instrumentalness • 66% Positiveness
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Stampeders
Devil You
137 bpm • F Maj • 02:57 • -8.42db
27% Popularity • 54% Danceability • 81% Energy • 17% Liveness
1% Instrumentalness • 94% Positiveness
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Doucette
Cat Walk (Bonus)
135 bpm • A Maj • 03:35 • -17.41db
4% Popularity • 48% Danceability • 55% Energy • 27% Liveness
72% Instrumentalness • 82% Positiveness
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Missouri
Movin On
137 bpm • C# min • 04:44 • -10.58db
28% Popularity • 45% Danceability • 79% Energy • 8% Liveness
38% Instrumentalness • 38% Positiveness
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Harlequin
Survive
135 bpm • E Maj • 03:46 • -2.88db
15% Popularity • 56% Danceability • 96% Energy • 46% Liveness
0% Instrumentalness • 76% Positiveness
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Boston
Party
138 bpm • D Maj • 04:06 • -11.28db
44% Popularity • 50% Danceability • 69% Energy • 11% Liveness
1% Instrumentalness • 53% Positiveness
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The Northern Pikes
She Ain't Pretty
134 bpm • E min • 02:43 • -8.52db
46% Popularity • 62% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Night Ranger
When You Close Your Eyes
138 bpm • C Maj • 04:16 • -14db
49% Popularity • 47% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Doug and the Slugs
It's Got to be Monday
134 bpm • C Maj • 03:12 • -7.53db
18% Popularity • 55% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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54-40
One Day in Your Life
134 bpm • A Maj • 04:15 • -12db
37% Popularity • 66% Danceability • 55% Energy • 8% Liveness
8% Instrumentalness • 52% Positiveness
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Poco
Legend
138 bpm • G# Maj • 04:18 • -13.3db
26% Popularity • 48% Danceability • 68% Energy • 11% Liveness
9% Instrumentalness • 62% Positiveness
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Doucette
Before I Die
133 bpm • F# Maj • 04:21 • -15.97db
3% Popularity • 48% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 82% Positiveness
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The Northern Pikes
She Ain't Pretty - Radio Edit
134 bpm • E min • 02:42 • -7db
25% Popularity • 63% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Triumph
Somebody's out There
133 bpm • D Maj • 03:59 • -6db
36% Popularity • 44% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Foreigner
Dirty White Boy
139 bpm • C Maj • 03:38 • -8.91db
51% Popularity • 62% Danceability • 77% Energy • 58% Liveness
0% Instrumentalness • 67% Positiveness
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Stampeders
Wild Eyes
139 bpm • B min • 03:51 • -9.4db
12% Popularity • 29% Danceability • 74% Energy • 47% Liveness
24% Instrumentalness • 43% Positiveness
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Colin James
Keep On Loving Me Baby
139 bpm • E Maj • 03:40 • -14.38db
33% Popularity • 53% Danceability • 69% Energy • 45% Liveness
0% Instrumentalness • 62% Positiveness
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Ray Lyell
Another Man's Gun
139 bpm • F# Maj • 05:06 • -6.58db
15% Popularity • 60% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Headpins
Celebration
133 bpm • A min • 04:12 • -7.56db
19% Popularity • 62% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Gowan
(You're A) Strange Animal
133 bpm • F# min • 04:42 • -14db
43% Popularity • 60% Danceability • 53% Energy • 19% Liveness
1% Instrumentalness • 58% Positiveness
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Honeymoon Suite
Wave Babies
133 bpm • E Maj • 04:22 • -12.64db
33% Popularity • 60% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 77% Positiveness
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Chilliwack
Fly At Night (In The Morning We Land)
139 bpm • G Maj • 04:53 • -16db
46% Popularity • 34% Danceability • 57% Energy • 12% Liveness
28% Instrumentalness • 50% Positiveness
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Harlequin
Take This Heart
132 bpm • C min • 03:49 • -11.77db
15% Popularity • 54% Danceability • 78% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Head East
Love Me Tonight
132 bpm • E Maj • 04:27 • -11db
32% Popularity • 63% Danceability • 74% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Boston
Feelin' Satisfied
132 bpm • E Maj • 04:11 • -10.63db
49% Popularity • 50% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 83% Positiveness
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David Wilcox
Layin' Pipe
132 bpm • F# Maj • 04:17 • -11.57db
37% Popularity • 65% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Squier
Everybody Wants You
132 bpm • G Maj • 03:46 • -5db
48% Popularity • 53% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 94% Positiveness
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The Guess Who
Rain Dance - Remastered
140 bpm • D Maj • 02:45 • -11.83db
26% Popularity • 45% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Bob Seger
Katmandu
140 bpm • A Maj • 06:07 • -3.87db
44% Popularity • 62% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 94% Positiveness
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Sass Jordan
Where There's a Will
132 bpm • D Maj • 03:40 • -6.03db
12% Popularity • 64% Danceability • 71% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Headpins
Don't Ya Ever Leave Me
132 bpm • G Maj • 05:33 • -6.87db
18% Popularity • 62% Danceability • 89% Energy • 3% Liveness
0% Instrumentalness • 86% Positiveness
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Great White
Once Bitten Twice Shy
132 bpm • C Maj • 05:22 • -14.03db
59% Popularity • 72% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Squier
Everybody Wants You - Remastered 1995
132 bpm • G Maj • 03:47 • -9.69db
34% Popularity • 53% Danceability • 89% Energy • 8% Liveness
0% Instrumentalness • 95% Positiveness
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Glenn Frey
Partytown
141 bpm • E Maj • 02:57 • -7.78db
35% Popularity • 71% Danceability • 70% Energy • 9% Liveness
1% Instrumentalness • 97% Positiveness
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Honeymoon Suite
Love Changes Everything
132 bpm • D min • 04:22 • -7db
38% Popularity • 64% Danceability • 76% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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The Gregg Allman Band
I'm No Angel
141 bpm • E Maj • 03:42 • -12.16db
50% Popularity • 62% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 86% Positiveness
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Heart
Heartless
131 bpm • B min • 05:01 • -5db
40% Popularity • 61% Danceability • 83% Energy • 9% Liveness
2% Instrumentalness • 85% Positiveness
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Great White
Rock Me
141 bpm • F# min • 07:19 • -14.01db
50% Popularity • 56% Danceability • 42% Energy • 11% Liveness
8% Instrumentalness • 13% Positiveness
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Headpins
Don't It Make Ya Feel
131 bpm • A Maj • 04:09 • -7db
40% Popularity • 72% Danceability • 66% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Steve Miller Band
Swingtown
131 bpm • A# Maj • 03:29 • -11.89db
53% Popularity • 67% Danceability • 67% Energy • 28% Liveness
1% Instrumentalness • 71% Positiveness
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Prism
You Walked Away Again
131 bpm • E Maj • 03:40 • -8.73db
21% Popularity • 61% Danceability • 68% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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The Cars
Let's Go
131 bpm • D Maj • 03:33 • -9db
57% Popularity • 65% Danceability • 83% Energy • 8% Liveness
4% Instrumentalness • 92% Positiveness
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Aldo Nova
Fantasy
131 bpm • C Maj • 05:03 • -7db
51% Popularity • 52% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 37% Positiveness
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GODDO
Sweet Thing
131 bpm • D Maj • 03:44 • -4.75db
14% Popularity • 43% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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The Kings
Don't Let Me Know
131 bpm • D Maj • 03:59 • -3.38db
12% Popularity • 55% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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Steve Miller Band
Swingtown
131 bpm • A# Maj • 03:56 • -15.77db
37% Popularity • 70% Danceability • 52% Energy • 36% Liveness
3% Instrumentalness • 79% Positiveness
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Bob Seger
Mary Lou
131 bpm • A Maj • 02:58 • -5.69db
36% Popularity • 57% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Jackson Browne
Boulevard
141 bpm • A Maj • 03:20 • -7.06db
43% Popularity • 54% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Billy Squier
She Goes Down
130 bpm • G Maj • 04:07 • -9.26db
25% Popularity • 57% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 90% Positiveness
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Doucette
Down The Road
130 bpm • C Maj • 03:34 • -15.23db
12% Popularity • 36% Danceability • 71% Energy • 44% Liveness
0% Instrumentalness • 84% Positiveness
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Headpins
Turn It Loud
142 bpm • E min • 03:58 • -6.09db
28% Popularity • 39% Danceability • 93% Energy • 19% Liveness
3% Instrumentalness • 46% Positiveness
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Ted Nugent
Hey Baby
130 bpm • A Maj • 04:01 • -6db
44% Popularity • 64% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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The Babys
Midnight Rendezvous
130 bpm • A Maj • 03:36 • -7db
43% Popularity • 64% Danceability • 79% Energy • 25% Liveness
0% Instrumentalness • 85% Positiveness
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Queen City Kids
Down Again (Live)
130 bpm • E Maj • 03:43 • -6.2db
9% Popularity • 45% Danceability • 88% Energy • 67% Liveness
0% Instrumentalness • 61% Positiveness
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Harlequin
Sweet Things in Life
142 bpm • E min • 04:20 • -4.86db
24% Popularity • 49% Danceability • 92% Energy • 11% Liveness
9% Instrumentalness • 66% Positiveness
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Doucette
Run Buddy Run
130 bpm • A Maj • 03:59 • -12.29db
9% Popularity • 54% Danceability • 60% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Head East
Since You Been Gone
130 bpm • G Maj • 03:01 • -4.95db
33% Popularity • 73% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Prism
Mirror Man
130 bpm • C Maj • 05:34 • -7.28db
15% Popularity • 55% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Foreigner
Double Vision
130 bpm • A min • 03:44 • -7.64db
57% Popularity • 68% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 77% Positiveness
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The Tragically Hip
Locked In The Trunk Of A Car
129 bpm • A Maj • 04:42 • -10.74db
44% Popularity • 53% Danceability • 74% Energy • 27% Liveness
14% Instrumentalness • 51% Positiveness
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Kim Mitchell
Lager And Ale
129 bpm • D Maj • 04:05 • -13db
34% Popularity • 49% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 32% Positiveness
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Streetheart
Under My Thumb
129 bpm • A Maj • 06:37 • -12.47db
38% Popularity • 63% Danceability • 68% Energy • 10% Liveness
14% Instrumentalness • 96% Positiveness
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Head East
City Of Gold
143 bpm • E min • 03:41 • -11.95db
25% Popularity • 43% Danceability • 56% Energy • 13% Liveness
5% Instrumentalness • 49% Positiveness
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Prism
Cover Girl
129 bpm • E Maj • 02:54 • -7.9db
16% Popularity • 45% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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Blue Rodeo
Trust Yourself
129 bpm • D Maj • 03:34 • -5.75db
36% Popularity • 68% Danceability • 82% Energy • 7% Liveness
0% Instrumentalness • 55% Positiveness
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The Tragically Hip
Little Bones
143 bpm • E Maj • 04:45 • -8db
51% Popularity • 54% Danceability • 90% Energy • 23% Liveness
0% Instrumentalness • 49% Positiveness
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Stampeders
Johnny Lightning
144 bpm • B min • 02:30 • -7.42db
17% Popularity • 50% Danceability • 90% Energy • 9% Liveness
2% Instrumentalness • 74% Positiveness
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Haywire
Bad Bad Boy
144 bpm • A Maj • 03:41 • -5.9db
32% Popularity • 52% Danceability • 88% Energy • 7% Liveness
11% Instrumentalness • 64% Positiveness
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Head East
Get Up & Enjoy Yourself
129 bpm • A Maj • 04:44 • -5.22db
19% Popularity • 52% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 79% Positiveness
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Doucette
Further On Up The Road
144 bpm • G Maj • 07:00 • -16.64db
3% Popularity • 43% Danceability • 50% Energy • 77% Liveness
6% Instrumentalness • 56% Positiveness
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Prism
Nickels And Dimes
129 bpm • C Maj • 04:08 • -10.83db
10% Popularity • 57% Danceability • 69% Energy • 31% Liveness
52% Instrumentalness • 82% Positiveness
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Toronto
All I Need
128 bpm • A Maj • 03:12 • -6.57db
17% Popularity • 60% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Huey Lewis & The News
Walking On A Thin Line
128 bpm • D Maj • 05:10 • -8.61db
49% Popularity • 67% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Foreigner
Long, Long Way from Home
128 bpm • G Maj • 02:52 • -7.21db
51% Popularity • 62% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 52% Positiveness
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Head East
Jefftown Creek
144 bpm • G Maj • 06:41 • -13db
24% Popularity • 43% Danceability • 57% Energy • 9% Liveness
73% Instrumentalness • 62% Positiveness
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Harlequin
You are the Light
128 bpm • C# min • 03:41 • -4.05db
17% Popularity • 61% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Headpins
Just One More Time
128 bpm • D Maj • 04:42 • -8db
31% Popularity • 51% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 70% Positiveness
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Toronto
Silver Screen
144 bpm • E Maj • 04:04 • -7.95db
12% Popularity • 66% Danceability • 62% Energy • 24% Liveness
0% Instrumentalness • 91% Positiveness
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The Box
Carry On
128 bpm • E Maj • 03:21 • -5.69db
29% Popularity • 56% Danceability • 86% Energy • 24% Liveness
2% Instrumentalness • 74% Positiveness
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Tom Petty and the Heartbreakers
Listen to Her Heart
128 bpm • A Maj • 03:04 • -4db
51% Popularity • 48% Danceability • 91% Energy • 4% Liveness
60% Instrumentalness • 36% Positiveness
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Platinum Blonde
Doesn't Really Matter - Remastered
145 bpm • C# min • 04:05 • -2.93db
42% Popularity • 66% Danceability • 85% Energy • 76% Liveness
0% Instrumentalness • 72% Positiveness
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Prism
Armageddon
128 bpm • E Maj • 07:47 • -7.06db
32% Popularity • 31% Danceability • 73% Energy • 19% Liveness
1% Instrumentalness • 26% Positiveness
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Headpins
You're Still The One
128 bpm • A min • 04:23 • -4.66db
18% Popularity • 57% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Toronto
Your Daddy Don't Know
128 bpm • F Maj • 03:17 • -5.31db
40% Popularity • 58% Danceability • 69% Energy • 57% Liveness
0% Instrumentalness • 86% Positiveness
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The Guess Who
Star Baby - 2003 Remastered
145 bpm • E Maj • 02:40 • -12db
38% Popularity • 46% Danceability • 85% Energy • 75% Liveness
0% Instrumentalness • 98% Positiveness
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Mama Let Him Play