Songs like Mama Used To Say by Junior
Based on a tempo of (+/- 10%) and a similar genre
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France Joli
Gonna Get Over You
110 bpm • F min • 04:11 • -9.34db
50% Popularity • 78% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
50% Popularity • 78% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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The Manhattan Transfer
Spice Of Life - Remastered
110 bpm • F Maj • 03:42 • -10db
39% Popularity • 76% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
39% Popularity • 76% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 81% Positiveness
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Junior
Mama Used To Say - American Remix
110 bpm • F# min • 03:35 • -10.05db
37% Popularity • 73% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
37% Popularity • 73% Danceability • 60% Energy • 4% Liveness
0% Instrumentalness • 83% Positiveness
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Cudi Mula
Man Down
110 bpm • G# Maj • 02:28 • -8.51db
1% Popularity • 93% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
1% Popularity • 93% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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George Benson
Give Me the Night
110 bpm • C# Maj • 03:42 • -15.67db
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
67% Popularity • 85% Danceability • 47% Energy • 13% Liveness
2% Instrumentalness • 86% Positiveness
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Imagination
Flashback
110 bpm • D Maj • 04:35 • -17.31db
45% Popularity • 70% Danceability • 43% Energy • 5% Liveness
1% Instrumentalness • 68% Positiveness
45% Popularity • 70% Danceability • 43% Energy • 5% Liveness
1% Instrumentalness • 68% Positiveness
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Phil Fearon
I Can Prove It
110 bpm • G min • 03:59 • -10.25db
36% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 70% Danceability • 72% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Jermaine Jackson
Let's Get Serious - Single Version
110 bpm • A# min • 03:29 • -5.84db
33% Popularity • 76% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
33% Popularity • 76% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Junior
Mama Used To Say - American Instrumental...
110 bpm • A Maj • 04:36 • -13.77db
10% Popularity • 80% Danceability • 40% Energy • 5% Liveness
76% Instrumentalness • 84% Positiveness
10% Popularity • 80% Danceability • 40% Energy • 5% Liveness
76% Instrumentalness • 84% Positiveness
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Bobby Brown
My Prerogative
110 bpm • A Maj • 04:51 • -10.48db
62% Popularity • 76% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
62% Popularity • 76% Danceability • 62% Energy • 25% Liveness
0% Instrumentalness • 70% Positiveness
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Ashford & Simpson
Outta The World
110 bpm • C min • 05:49 • -12.65db
13% Popularity • 77% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 77% Danceability • 53% Energy • 68% Liveness
0% Instrumentalness • 76% Positiveness
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Inner Life
I'm Caught up (In a One Night Love Affai...
110 bpm • B min • 07:26 • -6.14db
38% Popularity • 83% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
38% Popularity • 83% Danceability • 80% Energy • 7% Liveness
2% Instrumentalness • 92% Positiveness
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Teena Marie
I Need Your Lovin'
110 bpm • C Maj • 07:32 • -6.14db
46% Popularity • 67% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
46% Popularity • 67% Danceability • 90% Energy • 7% Liveness
1% Instrumentalness • 76% Positiveness
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Instant Funk
I Got My Mind Made Up (You Can Get It Gi...
110 bpm • F Maj • 05:17 • -10.62db
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
40% Popularity • 71% Danceability • 80% Energy • 13% Liveness
2% Instrumentalness • 82% Positiveness
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Junior
Mama Used To Say
110 bpm • C# min • 06:41 • -12.5db
43% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 77% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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The S.O.S Band
The Finest
110 bpm • F# Maj • 06:06 • -11.99db
43% Popularity • 87% Danceability • 60% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
43% Popularity • 87% Danceability • 60% Energy • 6% Liveness
4% Instrumentalness • 83% Positiveness
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Daryl Hall & John Oates
I Can't Go for That (No Can Do) - Extend...
110 bpm • A# Maj • 06:04 • -7db
35% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 86% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 82% Positiveness
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The System
You Are in My System - Extended Vocal
110 bpm • G# min • 07:43 • -11db
23% Popularity • 88% Danceability • 46% Energy • 27% Liveness
8% Instrumentalness • 80% Positiveness
23% Popularity • 88% Danceability • 46% Energy • 27% Liveness
8% Instrumentalness • 80% Positiveness
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Cameo
Candy - 7" Version
110 bpm • G Maj • 04:23 • -5.42db
35% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 73% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jermaine Jackson
Let's Get Serious
110 bpm • A# min • 07:57 • -10.17db
27% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
27% Popularity • 74% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Junior
In Words
110 bpm • E min • 03:45 • -10.38db
2% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
2% Popularity • 63% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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The B. B. & Q. Band
Dreamer
109 bpm • D# min • 05:47 • -7db
32% Popularity • 87% Danceability • 68% Energy • 4% Liveness
3% Instrumentalness • 98% Positiveness
32% Popularity • 87% Danceability • 68% Energy • 4% Liveness
3% Instrumentalness • 98% Positiveness
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Thelma Houston
Saturday Night, Sunday Morning
111 bpm • A# Maj • 03:55 • -7db
38% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
38% Popularity • 75% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 88% Positiveness
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Daryl Hall & John Oates
I Can't Go for That (No Can Do)
111 bpm • C min • 05:07 • -9.51db
68% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 89% Danceability • 44% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Cameo
Candy
111 bpm • B min • 05:39 • -12.65db
61% Popularity • 70% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
61% Popularity • 70% Danceability • 71% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Champaign
Off and On Love
111 bpm • G min • 04:10 • -10.51db
16% Popularity • 84% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
16% Popularity • 84% Danceability • 35% Energy • 3% Liveness
0% Instrumentalness • 74% Positiveness
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Junior
Mama Used To Say - British Party Mix
109 bpm • F# min • 04:59 • -10.66db
10% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
10% Popularity • 70% Danceability • 61% Energy • 18% Liveness
0% Instrumentalness • 89% Positiveness
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CHIC
Good Times
111 bpm • D Maj • 08:15 • -7.32db
65% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
65% Popularity • 87% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 89% Positiveness
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France Joli
Gonna Get Over You - 12" Mix
111 bpm • F min • 07:21 • -10.43db
33% Popularity • 80% Danceability • 53% Energy • 4% Liveness
1% Instrumentalness • 90% Positiveness
33% Popularity • 80% Danceability • 53% Energy • 4% Liveness
1% Instrumentalness • 90% Positiveness
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Slave
Watching You
111 bpm • G Maj • 04:42 • -12.46db
47% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
47% Popularity • 80% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Cameo
Single Life
111 bpm • G Maj • 04:26 • -8.41db
44% Popularity • 76% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
44% Popularity • 76% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Gladys Knight & The Pips
Taste of Bitter Love
109 bpm • G min • 04:38 • -6db
40% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
40% Popularity • 75% Danceability • 83% Energy • 6% Liveness
1% Instrumentalness • 68% Positiveness
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The Jackson 5
Dancing Machine
109 bpm • F# Maj • 02:41 • -7.72db
55% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
55% Popularity • 78% Danceability • 79% Energy • 69% Liveness
0% Instrumentalness • 84% Positiveness
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Ashford & Simpson
Street Corner
111 bpm • C Maj • 04:38 • -13.99db
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 52% Energy • 3% Liveness
0% Instrumentalness • 91% Positiveness
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Jody Watley
Looking For A New Love - Radio Edit
109 bpm • E min • 04:02 • -7.43db
42% Popularity • 90% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 90% Danceability • 60% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Oran Juice Jones
The Rain
109 bpm • C min • 05:09 • -15.84db
49% Popularity • 73% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
49% Popularity • 73% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 84% Positiveness
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Cameo
Single Life
111 bpm • G Maj • 06:33 • -14.45db
27% Popularity • 77% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
27% Popularity • 77% Danceability • 58% Energy • 22% Liveness
1% Instrumentalness • 88% Positiveness
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Gladys Knight & The Pips
Save the Overtime (For Me)
109 bpm • A Maj • 04:41 • -11db
32% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
32% Popularity • 85% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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The System
You Are in My System
109 bpm • A# min • 05:57 • -13.51db
39% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
39% Popularity • 84% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 84% Positiveness
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Brick
Dazz - Single Version
109 bpm • E Maj • 03:22 • -7.93db
52% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
52% Popularity • 72% Danceability • 78% Energy • 4% Liveness
0% Instrumentalness • 84% Positiveness
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Jody Watley
Looking For A New Love
109 bpm • D Maj • 05:07 • -13.18db
38% Popularity • 94% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
38% Popularity • 94% Danceability • 43% Energy • 22% Liveness
0% Instrumentalness • 92% Positiveness
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Morris Day
Fishnet
111 bpm • B Maj • 06:06 • -14db
28% Popularity • 74% Danceability • 73% Energy • 67% Liveness
3% Instrumentalness • 71% Positiveness
28% Popularity • 74% Danceability • 73% Energy • 67% Liveness
3% Instrumentalness • 71% Positiveness
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Taja Sevelle
Love Is Contagious
111 bpm • C Maj • 04:37 • -9db
36% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 72% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Jocelyn Brown
I Wish You Would
111 bpm • A min • 05:29 • -6.54db
27% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 74% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 81% Positiveness
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Ashford & Simpson
Street Opera, Pt. 3: Street Corner
111 bpm • C Maj • 04:21 • -8db
19% Popularity • 74% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
19% Popularity • 74% Danceability • 72% Energy • 56% Liveness
0% Instrumentalness • 84% Positiveness
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The Manhattans
Crazy
111 bpm • G# min • 04:55 • -12db
34% Popularity • 85% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
34% Popularity • 85% Danceability • 49% Energy • 34% Liveness
0% Instrumentalness • 90% Positiveness
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Jody Watley
Real Love
109 bpm • G Maj • 04:21 • -8.34db
40% Popularity • 70% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 70% Danceability • 73% Energy • 3% Liveness
0% Instrumentalness • 70% Positiveness
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Alexander O'Neal
What's Missing
111 bpm • B min • 05:43 • -8db
38% Popularity • 76% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
38% Popularity • 76% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
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Cameo
She's Strange
109 bpm • C# Maj • 07:11 • -11.75db
39% Popularity • 82% Danceability • 59% Energy • 6% Liveness
4% Instrumentalness • 88% Positiveness
39% Popularity • 82% Danceability • 59% Energy • 6% Liveness
4% Instrumentalness • 88% Positiveness
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Delegation
In the Night
111 bpm • E min • 04:36 • -14db
37% Popularity • 71% Danceability • 63% Energy • 17% Liveness
11% Instrumentalness • 97% Positiveness
37% Popularity • 71% Danceability • 63% Energy • 17% Liveness
11% Instrumentalness • 97% Positiveness
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Vesta Williams
Once Bitten Twice Shy
111 bpm • C min • 05:59 • -13.78db
26% Popularity • 69% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 69% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 79% Positiveness
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Total Contrast
Takes a Little Time
111 bpm • A# min • 05:49 • -13.62db
23% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
23% Popularity • 77% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Roberta Flack
Back Together Again
111 bpm • C# min • 09:48 • -11.85db
26% Popularity • 75% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
26% Popularity • 75% Danceability • 76% Energy • 4% Liveness
1% Instrumentalness • 93% Positiveness
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The Temptations
Running
111 bpm • B Maj • 03:29 • -12.67db
11% Popularity • 78% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
11% Popularity • 78% Danceability • 64% Energy • 7% Liveness
2% Instrumentalness • 86% Positiveness
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Slave
Just a Touch of Love
109 bpm • C Maj • 06:32 • -15db
44% Popularity • 74% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
44% Popularity • 74% Danceability • 47% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Cameo
She's Strange - Original 12" Mix
109 bpm • C# Maj • 06:55 • -10.13db
23% Popularity • 87% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
23% Popularity • 87% Danceability • 77% Energy • 17% Liveness
0% Instrumentalness • 89% Positiveness
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Sharon Redd
Can You Handle It
109 bpm • A# min • 06:26 • -11db
40% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
40% Popularity • 73% Danceability • 83% Energy • 5% Liveness
2% Instrumentalness • 96% Positiveness
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Tom Browne
Funkin' for Jamaica
111 bpm • G# Maj • 04:42 • -6.7db
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
50% Popularity • 82% Danceability • 85% Energy • 3% Liveness
1% Instrumentalness • 69% Positiveness
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Roberta Flack
Back Together Again
111 bpm • C# min • 04:50 • -5.48db
45% Popularity • 78% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 78% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 91% Positiveness
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Jermaine Jackson
Tell Me I'm Not Dreaming (Too Good to Be...
109 bpm • A# min • 04:27 • -9.07db
39% Popularity • 80% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
39% Popularity • 80% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Slave
Feel My Love
111 bpm • F# Maj • 04:30 • -11db
32% Popularity • 68% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
32% Popularity • 68% Danceability • 65% Energy • 31% Liveness
0% Instrumentalness • 82% Positiveness
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Alexander O'Neal
What's Missing - Remix
111 bpm • B min • 08:26 • -8db
17% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
17% Popularity • 76% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Herb Alpert
Diamonds
111 bpm • E Maj • 04:53 • -11db
38% Popularity • 88% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
38% Popularity • 88% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Thelma Houston
You Used To Hold Me So Tight
111 bpm • B min • 05:46 • -8db
28% Popularity • 75% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
28% Popularity • 75% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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CHIC
My Feet Keep Dancing
111 bpm • D min • 06:38 • -16db
27% Popularity • 84% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
27% Popularity • 84% Danceability • 57% Energy • 19% Liveness
0% Instrumentalness • 94% Positiveness
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Rene & Angela
I'll Be Good - 12" Mix
109 bpm • C min • 07:26 • -11.17db
36% Popularity • 80% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 80% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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Vesta Williams
Don't Blow A Good Thing
111 bpm • B Maj • 04:35 • -13db
22% Popularity • 68% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
22% Popularity • 68% Danceability • 77% Energy • 4% Liveness
0% Instrumentalness • 87% Positiveness
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Donna Summer
(If It) Hurts Just a Little
112 bpm • D min • 03:53 • -8db
32% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 80% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 80% Positiveness
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Peter Brown
Dance with Me
109 bpm • A# Maj • 05:19 • -14.8db
38% Popularity • 91% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
38% Popularity • 91% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 90% Positiveness
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Thelma Houston
You Used To Hold Me So Tight - Original ...
112 bpm • B min • 05:33 • -13db
27% Popularity • 75% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
27% Popularity • 75% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Alicia Myers
I Want To Thank You
112 bpm • B min • 03:49 • -12.57db
52% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
52% Popularity • 78% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Rene & Angela
I'll Be Good
108 bpm • A# Maj • 05:21 • -9.78db
54% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 82% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Alexander O'Neal
Fake - Extended Remix
112 bpm • F# min • 05:18 • -10.32db
29% Popularity • 74% Danceability • 76% Energy • 12% Liveness
24% Instrumentalness • 71% Positiveness
29% Popularity • 74% Danceability • 76% Energy • 12% Liveness
24% Instrumentalness • 71% Positiveness
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Odyssey
Inside Out - 12" Version
112 bpm • G Maj • 06:19 • -9.7db
31% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
31% Popularity • 72% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Cameo
Back And Forth - 7" Version
112 bpm • F# min • 03:51 • -6.16db
37% Popularity • 89% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
37% Popularity • 89% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Deodato
Are You for Real
108 bpm • C Maj • 05:09 • -12.57db
19% Popularity • 72% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
19% Popularity • 72% Danceability • 52% Energy • 31% Liveness
0% Instrumentalness • 65% Positiveness
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Alicia Myers
You Get The Best From Me (Say, Say, Say)
112 bpm • B Maj • 07:58 • -3db
30% Popularity • 88% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
30% Popularity • 88% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Barbara Mason
Another Man
112 bpm • C Maj • 06:54 • -11db
37% Popularity • 84% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
37% Popularity • 84% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 86% Positiveness
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Total Contrast
What You Gonna Do About It
108 bpm • A# min • 05:47 • -15.78db
12% Popularity • 75% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
12% Popularity • 75% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 93% Positiveness
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Rene & Angela
Save Your Love (For # 1)
112 bpm • A# min • 04:20 • -10db
18% Popularity • 87% Danceability • 76% Energy • 15% Liveness
6% Instrumentalness • 60% Positiveness
18% Popularity • 87% Danceability • 76% Energy • 15% Liveness
6% Instrumentalness • 60% Positiveness
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Odyssey
Inside Out
112 bpm • G Maj • 05:14 • -10db
35% Popularity • 74% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
35% Popularity • 74% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 87% Positiveness
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The Sugarhill Gang
The Lover in You (4sm Mix)
108 bpm • G min • 06:51 • -10.11db
14% Popularity • 75% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 75% Danceability • 78% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Vicky D
This Beat Is Mine - Original Mix
112 bpm • F min • 05:58 • -4.95db
33% Popularity • 73% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
33% Popularity • 73% Danceability • 91% Energy • 27% Liveness
0% Instrumentalness • 71% Positiveness
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The O'Jays
Darlin' Darlin' Baby (Sweet, Tender, Lov...
108 bpm • D Maj • 04:16 • -6.91db
50% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 67% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Guy
Groove Me
108 bpm • C# Maj • 04:33 • -13.93db
49% Popularity • 80% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 80% Danceability • 62% Energy • 50% Liveness
0% Instrumentalness • 78% Positiveness
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Rick James
You Turn Me On
112 bpm • G Maj • 04:44 • -6.54db
27% Popularity • 76% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 76% Danceability • 77% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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Cameo
Back And Forth
112 bpm • F# min • 06:32 • -13db
40% Popularity • 91% Danceability • 42% Energy • 5% Liveness
1% Instrumentalness • 94% Positiveness
40% Popularity • 91% Danceability • 42% Energy • 5% Liveness
1% Instrumentalness • 94% Positiveness
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Imagination
Changes
112 bpm • D min • 05:49 • -12db
34% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
34% Popularity • 78% Danceability • 57% Energy • 5% Liveness
1% Instrumentalness • 81% Positiveness
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Aurra
Are You Single?
108 bpm • G Maj • 06:33 • -8.54db
32% Popularity • 80% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
32% Popularity • 80% Danceability • 84% Energy • 16% Liveness
3% Instrumentalness • 90% Positiveness
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Diana Ross
Upside Down
108 bpm • F min • 04:05 • -8.56db
71% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
71% Popularity • 87% Danceability • 86% Energy • 4% Liveness
3% Instrumentalness • 88% Positiveness
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Skyy
High
112 bpm • C Maj • 04:53 • -16.04db
34% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 73% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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David Grant
Watching You, Watching Me
112 bpm • C Maj • 03:34 • -13.2db
26% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 80% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Central Line
Walking Into Sunshine - Edit
112 bpm • C Maj • 03:48 • -11.45db
32% Popularity • 89% Danceability • 39% Energy • 4% Liveness
17% Instrumentalness • 86% Positiveness
32% Popularity • 89% Danceability • 39% Energy • 4% Liveness
17% Instrumentalness • 86% Positiveness
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Jeffrey Osborne
Plane Love
112 bpm • C min • 04:04 • -11.35db
23% Popularity • 76% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
23% Popularity • 76% Danceability • 61% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Gwen Guthrie
Ain't Nothin' Goin' On But The Rent
108 bpm • A# min • 03:34 • -9.56db
33% Popularity • 77% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
33% Popularity • 77% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 95% Positiveness
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Odyssey
Inside Out - Single Mix
113 bpm • G Maj • 03:53 • -10db
36% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 59% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Stevie Wonder
Do I Do
113 bpm • B Maj • 05:03 • -11.3db
59% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 72% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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André Cymone
The Dance Electric
113 bpm • B Maj • 05:45 • -7.36db
22% Popularity • 73% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
22% Popularity • 73% Danceability • 90% Energy • 17% Liveness
0% Instrumentalness • 54% Positiveness
