Songs like Maria Stuarda: "Figlia impura di Bolena" by Leyla Gencer
Based on a tempo of (+/- 10%) and a similar genre
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Gaetano Donizetti
Lucia di Lammermoor, A. 46, Act II, Scen...
73 bpm • A# Maj • 04:06 • -23.09db
0% Popularity • 16% Danceability • 7% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 7% Energy • 14% Liveness
4% Instrumentalness • 4% Positiveness
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Antonín Dvořák
Ciganské melodie, Op. 55, B. 104 - Arr....
73 bpm • C# Maj • 03:05 • -19.56db
17% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
17% Popularity • 18% Danceability • 13% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Largo ...
73 bpm • C Maj • 04:55 • -14.36db
17% Popularity • 38% Danceability • 35% Energy • 8% Liveness
31% Instrumentalness • 38% Positiveness
17% Popularity • 38% Danceability • 35% Energy • 8% Liveness
31% Instrumentalness • 38% Positiveness
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Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
73 bpm • C# Maj • 06:15 • -20db
17% Popularity • 14% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
17% Popularity • 14% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Johann Strauss II
Strauss, Johann II: Die Fledermaus, Act ...
73 bpm • G Maj • 03:45 • -9.3db
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
29% Popularity • 38% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Cesare Siepi
Il lacerato spirito (Simon Boccanegra)
73 bpm • B min • 04:25 • -16.57db
8% Popularity • 18% Danceability • 15% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
8% Popularity • 18% Danceability • 15% Energy • 13% Liveness
17% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act I: Come Paride ve...
73 bpm • F Maj • 03:08 • -18db
9% Popularity • 31% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
9% Popularity • 31% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Renata Scotto
La Traviata - Act. Iii - Addio Del Passa...
72 bpm • A min • 03:13 • -20db
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
32% Popularity • 32% Danceability • 7% Energy • 32% Liveness
87% Instrumentalness • 8% Positiveness
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Gioachino Rossini
Stabat Mater: 3. Quis est homo qui non f...
72 bpm • E Maj • 07:21 • -22.28db
16% Popularity • 19% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Renata Tebaldi
E' Strano... Follie... Sempre Libera - l...
74 bpm • C Maj • 08:53 • -16db
14% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 26% Danceability • 19% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
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Carlo Bergonzi
Addio fiorito asil
74 bpm • C# Maj • 01:56 • -20.5db
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
35% Popularity • 24% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Emmerich Kálmán
"Heia, heia, in den Bergen ist mein Heim...
72 bpm • C min • 03:25 • -14db
18% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
18% Popularity • 34% Danceability • 39% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Gaetano Donizetti
Donizetti: Anna Bolena, Act 2: "Al dolce...
73 bpm • F Maj • 04:34 • -24.77db
8% Popularity • 28% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
8% Popularity • 28% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
Norma / Act 2 Scene 1: "Mira, O Norma" (...
74 bpm • F Maj • 04:32 • -19.79db
11% Popularity • 30% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 30% Danceability • 16% Energy • 38% Liveness
0% Instrumentalness • 4% Positiveness
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Gioachino Rossini
La Cenerentola / Act 2: "Nacqui all'affa...
72 bpm • E Maj • 07:32 • -18.08db
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
17% Popularity • 25% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
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Dame Joan Sutherland
Waltz Song: Je veux vivre
72 bpm • G Maj • 03:26 • -18.28db
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
30% Popularity • 39% Danceability • 11% Energy • 12% Liveness
9% Instrumentalness • 22% Positiveness
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Richard Wagner
Wagner: Tristano ed Isotta, Act 3: Morte...
74 bpm • B Maj • 07:43 • -12db
6% Popularity • 14% Danceability • 31% Energy • 23% Liveness
25% Instrumentalness • 4% Positiveness
6% Popularity • 14% Danceability • 31% Energy • 23% Liveness
25% Instrumentalness • 4% Positiveness
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Francesco Paolo Tosti
L'ultima canzone
72 bpm • D Maj • 04:15 • -16.59db
33% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
33% Popularity • 24% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Don Pasquale, Act I Terza Scena: Due par...
73 bpm • F Maj • 01:21 • -18db
12% Popularity • 42% Danceability • 17% Energy • 45% Liveness
0% Instrumentalness • 30% Positiveness
12% Popularity • 42% Danceability • 17% Energy • 45% Liveness
0% Instrumentalness • 30% Positiveness
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Felice Romani
Capuleti E I Montecchi, Act I: Se Romeo ...
74 bpm • G Maj • 07:00 • -21.74db
7% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
7% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 4% Positiveness
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Vincenzo Bellini
La sonnambula, Act II: Ah! Non credea mi...
75 bpm • F Maj • 04:47 • -24db
7% Popularity • 20% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 20% Danceability • 5% Energy • 14% Liveness
2% Instrumentalness • 4% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Gli aranci olezza...
75 bpm • A Maj • 07:24 • -22db
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
26% Popularity • 11% Danceability • 11% Energy • 34% Liveness
67% Instrumentalness • 12% Positiveness
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Richard Strauss
Strauss, R: Der Rosenkavalier, Op. 59, A...
71 bpm • C# Maj • 01:54 • -24.59db
14% Popularity • 23% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
14% Popularity • 23% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Mario del Monaco
Lucia di Lammermoor Tu che a dio spiegas...
75 bpm • C# Maj • 02:12 • -13db
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
19% Popularity • 32% Danceability • 18% Energy • 15% Liveness
1% Instrumentalness • 18% Positiveness
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Gaetano Donizetti
Donizetti: Lucia di Lammermoor, Act 1: "...
74 bpm • F Maj • 04:05 • -16.12db
16% Popularity • 22% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
16% Popularity • 22% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Richard Wagner
Tannhäuser - Paris Version / Act 3: "Be...
71 bpm • D# Maj • 05:33 • -20db
11% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
11% Popularity • 7% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
75 bpm • E min • 03:43 • -9.74db
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
35% Popularity • 16% Danceability • 31% Energy • 33% Liveness
26% Instrumentalness • 20% Positiveness
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Wolfgang Amadeus Mozart
Don Giovanni, K.527, Act I Scene 14: Dal...
75 bpm • G Maj • 04:20 • -13.16db
10% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
10% Popularity • 25% Danceability • 20% Energy • 13% Liveness
0% Instrumentalness • 7% Positiveness
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Umberto Giordano
Andrea Chénier / Act III: "La mamma mor...
76 bpm • D Maj • 04:58 • -17.91db
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
27% Popularity • 21% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31, Act I: Seguidilla. Près ...
76 bpm • D Maj • 04:29 • -24.22db
16% Popularity • 41% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 41% Danceability • 2% Energy • 18% Liveness
0% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: Regnava nel ...
74 bpm • A min • 08:34 • -17.52db
8% Popularity • 25% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
8% Popularity • 25% Danceability • 18% Energy • 10% Liveness
3% Instrumentalness • 8% Positiveness
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Léo Delibes
Delibes: Lakmé, Act 2: "Où va la jeune...
70 bpm • E min • 06:30 • -22db
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 12% Energy • 11% Liveness
9% Instrumentalness • 6% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Samson et Dalila, Op. 47, ...
77 bpm • C# Maj • 05:20 • -19.91db
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
23% Popularity • 16% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Vincenzo Bellini
I puritani / Act 1: "A te, o cara"
76 bpm • D Maj • 06:56 • -17db
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 13% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Largo ...
69 bpm • G Maj • 05:00 • -17db
17% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
17% Popularity • 36% Danceability • 23% Energy • 10% Liveness
17% Instrumentalness • 41% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 4: "Belle nu...
77 bpm • D Maj • 02:14 • -23.75db
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
23% Popularity • 24% Danceability • 10% Energy • 33% Liveness
0% Instrumentalness • 11% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act II: Che fia? �...
74 bpm • B Maj • 01:18 • -13.69db
1% Popularity • 32% Danceability • 37% Energy • 19% Liveness
77% Instrumentalness • 47% Positiveness
1% Popularity • 32% Danceability • 37% Energy • 19% Liveness
77% Instrumentalness • 47% Positiveness
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Francesco Cilea
L´Arlesiana: È la solita storia
77 bpm • A min • 04:20 • -17db
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
7% Popularity • 14% Danceability • 12% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 1: "Ah, j...
77 bpm • C Maj • 03:52 • -12.17db
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Christoph Willibald Gluck
Orfeo ed Euridice, Wq. 30 / Act III: "Ch...
77 bpm • C Maj • 03:55 • -17.2db
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
24% Popularity • 23% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 15% Positiveness
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Gioachino Rossini
Les soirées musicales: La danza (Già l...
69 bpm • F Maj • 03:12 • -14db
17% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
17% Popularity • 44% Danceability • 44% Energy • 11% Liveness
55% Instrumentalness • 39% Positiveness
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Leoš Janáček
Jenufa / Act 2: Co chvila ... co chvila
77 bpm • B Maj • 03:47 • -15db
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 21% Danceability • 19% Energy • 64% Liveness
0% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: Ah, verranno...
72 bpm • A# Maj • 04:20 • -12.75db
8% Popularity • 29% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
8% Popularity • 29% Danceability • 27% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Johann Strauss II
Die Fledermaus / Act 2: Nr.10 Csárdás:...
69 bpm • D Maj • 04:36 • -19.1db
9% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
9% Popularity • 25% Danceability • 10% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
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Pyotr Ilyich Tchaikovsky
Eugene Onegin, Op. 24, TH. 5 / Act II: (...
78 bpm • E min • 10:11 • -19.71db
14% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 13% Energy • 11% Liveness
3% Instrumentalness • 4% Positiveness
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Charles Gounod
Roméo et Juliette, Act I: Ah! Je veux v...
78 bpm • G Maj • 03:35 • -15.09db
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
28% Popularity • 31% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Sergei Rachmaninoff
Rachmaninoff: Rachmaninov: 12 Songs, Op....
78 bpm • A Maj • 02:27 • -21db
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
31% Popularity • 11% Danceability • 10% Energy • 8% Liveness
19% Instrumentalness • 4% Positiveness
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Georges Bizet
Les Pecheurs des Perles / Act 1: "Au fon...
78 bpm • D# Maj • 05:25 • -16.03db
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 25% Energy • 9% Liveness
9% Instrumentalness • 7% Positiveness
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Gaetano Donizetti
Poliuto (1997 Digital Remaster), ATTO PR...
74 bpm • C# Maj • 03:50 • -18.33db
0% Popularity • 39% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 39% Danceability • 20% Energy • 22% Liveness
0% Instrumentalness • 20% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia / Act 1: "Una vo...
78 bpm • B Maj • 05:35 • -21.94db
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 37% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 13% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Beato voi, compar...
68 bpm • G Maj • 06:57 • -15db
24% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
24% Popularity • 25% Danceability • 22% Energy • 37% Liveness
0% Instrumentalness • 6% Positiveness
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Jules Massenet
Werther / Act 3: "Pourquoi me réveiller...
79 bpm • F# min • 03:17 • -15.56db
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
29% Popularity • 13% Danceability • 14% Energy • 20% Liveness
14% Instrumentalness • 8% Positiveness
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Vincenzo Bellini
Ma rendi pur contento
79 bpm • G# Maj • 02:23 • -21.97db
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 28% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Georges Bizet
Carmen, WD 31, Act I: Dans l'air nous su...
78 bpm • E Maj • 02:23 • -20.9db
17% Popularity • 30% Danceability • 10% Energy • 70% Liveness
92% Instrumentalness • 17% Positiveness
17% Popularity • 30% Danceability • 10% Energy • 70% Liveness
92% Instrumentalness • 17% Positiveness
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Gaetano Donizetti
Poliuto (1997 Digital Remaster), ATTO SE...
68 bpm • D min • 01:38 • -16.86db
0% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 35% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Gioachino Rossini
William Tell / Act 4: "Ah.. non mi lasci...
78 bpm • C min • 09:43 • -13db
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 26% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 7% Positiveness
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Pietro Mascagni
Cavalleria rusticana: "Inneggiamo, il Si...
68 bpm • G Maj • 05:01 • -14.27db
17% Popularity • 22% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
17% Popularity • 22% Danceability • 30% Energy • 28% Liveness
0% Instrumentalness • 4% Positiveness
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Dame Joan Sutherland
La traviata, Act 1: "Libiamo, ne' lieti ...
79 bpm • A# Maj • 03:15 • -19db
32% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
32% Popularity • 32% Danceability • 15% Energy • 73% Liveness
0% Instrumentalness • 28% Positiveness
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Charles Gounod
Roméo et Juliette, CG 9 / Act 2: "L'amo...
79 bpm • G min • 01:00 • -18.56db
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
34% Popularity • 32% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Jules Massenet
Werther: Pourquoi me réveiller
67 bpm • F# min • 02:58 • -21db
11% Popularity • 11% Danceability • 6% Energy • 18% Liveness
43% Instrumentalness • 4% Positiveness
11% Popularity • 11% Danceability • 6% Energy • 18% Liveness
43% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
Lucia di Lammermoor, A. 46, Act III, Sce...
72 bpm • D# Maj • 09:37 • -25.9db
0% Popularity • 21% Danceability • 4% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
0% Popularity • 21% Danceability • 4% Energy • 16% Liveness
50% Instrumentalness • 4% Positiveness
► Preview
Vincenzo Bellini
I Puritani / Act II: Qui la voce sua soa...
79 bpm • D# Maj • 03:58 • -27.09db
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
24% Popularity • 22% Danceability • 5% Energy • 22% Liveness
83% Instrumentalness • 4% Positiveness
► Preview
Wolfgang Amadeus Mozart
Don Giovanni, ossia Il dissoluto punito,...
80 bpm • D Maj • 05:52 • -21db
24% Popularity • 26% Danceability • 18% Energy • 37% Liveness
1% Instrumentalness • 28% Positiveness
24% Popularity • 26% Danceability • 18% Energy • 37% Liveness
1% Instrumentalness • 28% Positiveness
► Preview
Gioachino Rossini
Rossini: Il barbiere di Siviglia, Act 1:...
67 bpm • G Maj • 04:43 • -19db
21% Popularity • 36% Danceability • 22% Energy • 13% Liveness
23% Instrumentalness • 60% Positiveness
21% Popularity • 36% Danceability • 22% Energy • 13% Liveness
23% Instrumentalness • 60% Positiveness
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Richard Wagner
Tannhäuser, WWV 70 - Paris version / Ac...
80 bpm • D# Maj • 04:56 • -17.52db
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
26% Popularity • 10% Danceability • 14% Energy • 14% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Jules Massenet
Werther / Act 3: Massenet: Werther: Va !...
80 bpm • D min • 02:35 • -23.26db
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 3% Energy • 9% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gaetano Donizetti
L'elisir d'amore / Act 2: "Prendi; per m...
67 bpm • A# Maj • 11:16 • -16.01db
14% Popularity • 27% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
14% Popularity • 27% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Norma / Act 1: Casta Diva
67 bpm • F Maj • 05:57 • -24db
35% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
35% Popularity • 24% Danceability • 6% Energy • 11% Liveness
6% Instrumentalness • 4% Positiveness
► Preview
Léo Delibes
Lakmé / Act I: Viens, Mallika, ... Dôm...
80 bpm • B Maj • 06:43 • -20.36db
34% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
34% Popularity • 24% Danceability • 14% Energy • 89% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gioachino Rossini
Il barbiere di Siviglia: Largo al factot...
66 bpm • C Maj • 04:55 • -17.1db
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
29% Popularity • 39% Danceability • 31% Energy • 15% Liveness
20% Instrumentalness • 44% Positiveness
► Preview
Renata Tebaldi
Si, Mi Chiamano Mimì - la Boheme Atto I
80 bpm • D Maj • 04:56 • -14.01db
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 15% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Charles Gounod
Gounod: Roméo et Juliette, Act 1: "Non,...
80 bpm • F Maj • 03:48 • -21db
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
10% Popularity • 30% Danceability • 11% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Gaetano Donizetti
Don Pasquale / Act I: Bella siccome un a...
74 bpm • C# Maj • 03:04 • -20.85db
16% Popularity • 30% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
16% Popularity • 30% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Alfredo Catalani
La Wally, Act I: Ebben?... Ne andrò lon...
81 bpm • E min • 04:38 • -22db
9% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
9% Popularity • 21% Danceability • 10% Energy • 21% Liveness
0% Instrumentalness • 4% Positiveness
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Georges Bizet
Carmen, WD 31 / Act 2: "La fleur que tu ...
80 bpm • C# Maj • 04:20 • -16db
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 18% Energy • 9% Liveness
70% Instrumentalness • 4% Positiveness
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Richard Wagner
Wagner: Tristan und Isolde, Act 3: "Mild...
81 bpm • B Maj • 06:58 • -15db
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
12% Popularity • 11% Danceability • 25% Energy • 33% Liveness
1% Instrumentalness • 4% Positiveness
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Ernesto de Curtis
Non ti scordar di me (Arr. for Soprano, ...
81 bpm • A Maj • 03:39 • -14.02db
30% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 19% Energy • 38% Liveness
0% Instrumentalness • 7% Positiveness
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Charles Gounod
Roméo et Juliette, Acte II: "L'amour......
80 bpm • F Maj • 06:10 • -18.27db
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
14% Popularity • 14% Danceability • 11% Energy • 9% Liveness
59% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
Mary Stuart, A. 43, In. 52, Act III Scen...
81 bpm • C# Maj • 05:17 • -23db
1% Popularity • 26% Danceability • 13% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
1% Popularity • 26% Danceability • 13% Energy • 65% Liveness
0% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
81 bpm • D Maj • 04:23 • -24.77db
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
32% Popularity • 24% Danceability • 9% Energy • 33% Liveness
6% Instrumentalness • 6% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K. 588 / Act I: "Soave ...
81 bpm • E Maj • 02:51 • -27db
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
28% Popularity • 10% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
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Francesco Paolo Tosti
'A vucchella
81 bpm • F Maj • 03:08 • -21.22db
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
30% Popularity • 14% Danceability • 11% Energy • 7% Liveness
1% Instrumentalness • 8% Positiveness
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Richard Strauss
Strauss, R: 8 Gedichte aus Letzte Blätt...
81 bpm • C Maj • 01:55 • -16.04db
19% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
19% Popularity • 36% Danceability • 17% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Umberto Giordano
Andrea Chénier / Act 1: Questo azzurra ...
81 bpm • F# min • 04:43 • -15db
10% Popularity • 27% Danceability • 27% Energy • 16% Liveness
33% Instrumentalness • 15% Positiveness
10% Popularity • 27% Danceability • 27% Energy • 16% Liveness
33% Instrumentalness • 15% Positiveness
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Gaetano Donizetti
Lucia di Lammermoor, Act I: La pietade i...
72 bpm • G Maj • 03:09 • -12.64db
8% Popularity • 37% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
8% Popularity • 37% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Gioachino Rossini
Le Comte Ory / Act 1: "Moi, je réclame
82 bpm • G Maj • 02:38 • -13.39db
7% Popularity • 52% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 52% Danceability • 58% Energy • 47% Liveness
0% Instrumentalness • 50% Positiveness
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Wolfgang Amadeus Mozart
Così fan tutte, K.588 / Act 1: "Soave s...
81 bpm • E Maj • 02:38 • -17db
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
15% Popularity • 17% Danceability • 30% Energy • 21% Liveness
0% Instrumentalness • 7% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 2: "Deh! Non volerli...
82 bpm • A min • 04:44 • -13.7db
12% Popularity • 23% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
12% Popularity • 23% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 5% Positiveness
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Jules Massenet
Manon / Act 2: "En fermant les yeux"
82 bpm • D Maj • 02:46 • -22.42db
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
13% Popularity • 12% Danceability • 6% Energy • 20% Liveness
0% Instrumentalness • 8% Positiveness
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Francesco Cilea
Adriana Lecouvreur / Act I: "Ecco: respi...
82 bpm • G# Maj • 03:42 • -18.62db
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
32% Popularity • 21% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Gaetano Donizetti
L'elisir d'amore / Act 1: "Benedette que...
75 bpm • E Maj • 05:04 • -16.2db
20% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
20% Popularity • 28% Danceability • 14% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 1:...
82 bpm • G# Maj • 05:48 • -17.5db
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
16% Popularity • 33% Danceability • 11% Energy • 9% Liveness
23% Instrumentalness • 14% Positiveness
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Gioachino Rossini
La Cenerentola / Act 2: "Sì, ritrovarla...
65 bpm • G Maj • 05:56 • -15.35db
19% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
19% Popularity • 37% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Vincenzo Bellini
Bellini: Norma, Act 1: "Casta diva" (Nor...
83 bpm • F Maj • 07:18 • -14.77db
15% Popularity • 16% Danceability • 15% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
15% Popularity • 16% Danceability • 15% Energy • 11% Liveness
12% Instrumentalness • 7% Positiveness
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Georges Bizet
Bizet: Carmen, Act 1: Séguedille. "Prè...
83 bpm • D Maj • 04:36 • -19.43db
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 31% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ernesto de Curtis
Torna a Surriento (Arr. Chiaramello)
83 bpm • E Maj • 04:22 • -16.47db
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
37% Popularity • 24% Danceability • 19% Energy • 18% Liveness
4% Instrumentalness • 14% Positiveness
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Gaetano Donizetti
Donizetti: Poliuto, Act 1 Scene 4: "Di q...
71 bpm • F Maj • 03:06 • -13db
2% Popularity • 22% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 22% Danceability • 36% Energy • 69% Liveness
0% Instrumentalness • 5% Positiveness
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Jacques Offenbach
Les Contes d'Hoffmann / Act 2: "Belle nu...
82 bpm • D Maj • 04:09 • -27.01db
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
39% Popularity • 20% Danceability • 11% Energy • 37% Liveness
15% Instrumentalness • 6% Positiveness
