Songs like Marianne by Oscar Hammerstein II
Based on a tempo of (+/- 10%) and a similar genre
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Shirley Jones
Out Of My Dreams
84 bpm • D# Maj • 02:33 • -22.12db
25% Popularity • 16% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
25% Popularity • 16% Danceability • 10% Energy • 7% Liveness
0% Instrumentalness • 11% Positiveness
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Jerome Kern
G 35
84 bpm • G# Maj • 02:53 • -18.53db
0% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
0% Popularity • 34% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Judy Holliday
I Met A Girl
84 bpm • C# Maj • 02:33 • -15.37db
2% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
2% Popularity • 61% Danceability • 35% Energy • 62% Liveness
0% Instrumentalness • 67% Positiveness
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Natalie Cortez
What I Did for Love
83 bpm • G# Maj • 03:36 • -10.81db
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
41% Popularity • 25% Danceability • 15% Energy • 32% Liveness
0% Instrumentalness • 16% Positiveness
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David Burns
Everybody Ought to Have a Maid
83 bpm • F# min • 03:49 • -16.85db
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
7% Popularity • 73% Danceability • 23% Energy • 58% Liveness
0% Instrumentalness • 57% Positiveness
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Robert Preston
Marian The Librarian
83 bpm • C# Maj • 02:40 • -13.34db
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
31% Popularity • 52% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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"Les Misérables Original London Cast" Ensemble
Finale
83 bpm • G# Maj • 04:45 • -14db
34% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 24% Danceability • 12% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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Richard Rodgers
State Fair 1945: It Might As Well Be Spr...
85 bpm • D Maj • 03:05 • -15.03db
21% Popularity • 33% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 33% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 25% Positiveness
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Judy Holliday
It's A Perfect Relationship
83 bpm • G# Maj • 03:11 • -16db
8% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
8% Popularity • 60% Danceability • 20% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Mary Rodgers
Overture "Once Upon A Mattress"
85 bpm • G Maj • 04:02 • -13.27db
11% Popularity • 22% Danceability • 32% Energy • 20% Liveness
82% Instrumentalness • 34% Positiveness
11% Popularity • 22% Danceability • 32% Energy • 20% Liveness
82% Instrumentalness • 34% Positiveness
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Joseph Darion
The Impossible Dream (The Quest) - Man O...
85 bpm • A# Maj • 02:22 • -11db
25% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 34% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Oscar Hammerstein II
Hello Young Lovers
85 bpm • C Maj • 03:11 • -15.26db
11% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 34% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Original Broadway Cast of 'Pal Joey'
Bewitched
85 bpm • C# Maj • 03:50 • -10db
11% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
11% Popularity • 32% Danceability • 19% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Phillip Officer
A Kiss to Build a Dream On / Why Do I Lo...
85 bpm • G# Maj • 03:09 • -21.97db
0% Popularity • 45% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
0% Popularity • 45% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Lindsay Mendez
Mister Snow
85 bpm • G Maj • 05:02 • -10.69db
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 52% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Rebecca Luker
Come to My Garden / Lift Me Up
83 bpm • D# Maj • 02:51 • -19.81db
22% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
22% Popularity • 24% Danceability • 13% Energy • 23% Liveness
0% Instrumentalness • 9% Positiveness
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Sally Dexter
I'd Do Anything
83 bpm • D min • 02:43 • -15db
35% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
35% Popularity • 73% Danceability • 16% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Jerry Orbach
Finale: 42nd Street (Reprise) / Bows
86 bpm • D# min • 03:13 • -15db
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
17% Popularity • 29% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 16% Positiveness
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Georges Bizet
Whizzin' Away Along De Track - Carmen Jo...
86 bpm • F min • 04:22 • -14.98db
1% Popularity • 50% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
1% Popularity • 50% Danceability • 25% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Linda Ronstadt
Poor Wandering One
86 bpm • G# Maj • 03:58 • -15db
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
25% Popularity • 30% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Fiorello! - Original Broadway Cast
Politics And Poker
82 bpm • G Maj • 03:58 • -12db
12% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
12% Popularity • 71% Danceability • 28% Energy • 46% Liveness
0% Instrumentalness • 55% Positiveness
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Phillip Officer
It Might as Well Be Spring
82 bpm • G Maj • 02:22 • -19.98db
0% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
0% Popularity • 34% Danceability • 14% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Joe Darion
Dulcinea - Man Of La Mancha/1965 Origina...
86 bpm • C Maj • 02:48 • -14.91db
18% Popularity • 29% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
18% Popularity • 29% Danceability • 24% Energy • 35% Liveness
0% Instrumentalness • 38% Positiveness
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Charles Nelson Reilly
Put On Your Sunday Clothes
82 bpm • A Maj • 04:17 • -17.97db
15% Popularity • 43% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 43% Danceability • 24% Energy • 52% Liveness
0% Instrumentalness • 68% Positiveness
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Lt. Cable
My Girl Back Home
82 bpm • E Maj • 01:40 • -17db
26% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 40% Danceability • 14% Energy • 36% Liveness
0% Instrumentalness • 28% Positiveness
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Gwen Verdon
Two Lost Souls
82 bpm • G Maj • 02:18 • -12db
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
14% Popularity • 62% Danceability • 22% Energy • 48% Liveness
0% Instrumentalness • 29% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Main Title: The Carousel Waltz
86 bpm • D Maj • 01:50 • -10.26db
19% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
19% Popularity • 28% Danceability • 47% Energy • 14% Liveness
30% Instrumentalness • 65% Positiveness
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Oscar Hammerstein II
Oh, what a beautiful mornin' from Oklaho...
82 bpm • E min • 03:05 • -13.25db
14% Popularity • 30% Danceability • 37% Energy • 22% Liveness
6% Instrumentalness • 43% Positiveness
14% Popularity • 30% Danceability • 37% Energy • 22% Liveness
6% Instrumentalness • 43% Positiveness
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Cy Coleman
Sweet Charity: The Rhythm of Life
86 bpm • C Maj • 03:58 • -13.35db
27% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
27% Popularity • 73% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 81% Positiveness
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Walter Bobbie
Fugue for Tinhorns
82 bpm • G# Maj • 01:27 • -17.93db
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
33% Popularity • 79% Danceability • 25% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Broadway Cast Recording
So In Love (Reprise)
82 bpm • G Maj • 03:32 • -12.21db
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
12% Popularity • 20% Danceability • 23% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
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Johann Strauss II
One Day When We Were Young - 2003 Remast...
87 bpm • C# Maj • 02:55 • -14.47db
5% Popularity • 21% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
5% Popularity • 21% Danceability • 24% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
You'll Never Walk Alone (Finale)
86 bpm • C Maj • 02:02 • -13.84db
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 24% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Bill Shirley
On The Street Where You Live
81 bpm • C Maj • 02:56 • -17db
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
31% Popularity • 31% Danceability • 25% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Leanne Cope
The Man I Love
81 bpm • G# min • 01:59 • -17db
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 24% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 18% Positiveness
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Jerome Kern
Overture
81 bpm • G Maj • 06:12 • -10.46db
1% Popularity • 17% Danceability • 26% Energy • 31% Liveness
80% Instrumentalness • 20% Positiveness
1% Popularity • 17% Danceability • 26% Energy • 31% Liveness
80% Instrumentalness • 20% Positiveness
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Guys and Dolls Orchestra (1992)
Runyonland
81 bpm • G# Maj • 02:57 • -17db
26% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
26% Popularity • 34% Danceability • 24% Energy • 25% Liveness
68% Instrumentalness • 56% Positiveness
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Oscar Hammerstein II
Some Enchanted Evening (South Pacific)
81 bpm • A# Maj • 03:43 • -16db
17% Popularity • 20% Danceability • 32% Energy • 16% Liveness
60% Instrumentalness • 9% Positiveness
17% Popularity • 20% Danceability • 32% Energy • 16% Liveness
60% Instrumentalness • 9% Positiveness
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Broadway Cast Recording
Always True To You (In My Fashion)
87 bpm • D Maj • 05:14 • -9.61db
21% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 48% Danceability • 27% Energy • 36% Liveness
0% Instrumentalness • 43% Positiveness
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Rex Harrison
I'm Just An Ordinary Man - Voice
87 bpm • A# Maj • 04:42 • -15db
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
23% Popularity • 62% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 67% Positiveness
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Wanda Richert
42nd Street
87 bpm • C Maj • 07:24 • -15db
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
29% Popularity • 40% Danceability • 58% Energy • 6% Liveness
1% Instrumentalness • 22% Positiveness
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Barbara Ruick, Shirley Jones,The 20th Century-Fox Orchestra
Stonecutters Cut It On Stone
81 bpm • A# Maj • 02:20 • -14.66db
13% Popularity • 67% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 67% Danceability • 13% Energy • 46% Liveness
0% Instrumentalness • 56% Positiveness
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Sherman Edwards
1776: Yours, Yours, Yours
88 bpm • F# Maj • 02:12 • -16db
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
22% Popularity • 23% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Oscar Hammerstein II
Wanting You
87 bpm • D# Maj • 03:25 • -11.16db
0% Popularity • 26% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
0% Popularity • 26% Danceability • 38% Energy • 31% Liveness
0% Instrumentalness • 20% Positiveness
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Anna Maria Alberghetti
Love Makes the World Go 'Round - Remaste...
88 bpm • D Maj • 01:48 • -14.03db
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
15% Popularity • 35% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Marni Nixon
Hello Young Lovers
80 bpm • C Maj • 03:28 • -17db
10% Popularity • 26% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 26% Danceability • 11% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Original Broadway Cast Of 'Passion'
Loving You
81 bpm • C# Maj • 02:07 • -24.97db
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 32% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
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Original Broadway Cast "Boys From Syracuse"
Falling In Love With Love
80 bpm • C Maj • 03:11 • -11.59db
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 36% Danceability • 26% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Santino Fontana
"Do I Love You Because You're Beautiful?...
80 bpm • G Maj • 02:37 • -8.77db
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
33% Popularity • 31% Danceability • 22% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Oscar Hammerstein II
Soliloquy
88 bpm • G Maj • 07:28 • -10.4db
7% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 42% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Kenneth Nelson
Metaphor
80 bpm • G Maj • 04:13 • -11.47db
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
0% Popularity • 32% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Edith Adams
A Little Bit In Love
80 bpm • D# Maj • 02:47 • -13db
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
6% Popularity • 39% Danceability • 19% Energy • 30% Liveness
0% Instrumentalness • 32% Positiveness
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Dick Van Dyke
Put on a Happy Face
88 bpm • A Maj • 03:35 • -10.46db
26% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
26% Popularity • 32% Danceability • 44% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Brent Barrett
Love Can't Happen
80 bpm • C# Maj • 02:50 • -11.76db
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 30% Danceability • 38% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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Alfred Newman
Prelude and Overture
88 bpm • A# Maj • 03:11 • -13.37db
18% Popularity • 14% Danceability • 32% Energy • 35% Liveness
51% Instrumentalness • 33% Positiveness
18% Popularity • 14% Danceability • 32% Energy • 35% Liveness
51% Instrumentalness • 33% Positiveness
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Lt. Cable
Younger Than Springtime
88 bpm • G# Maj • 04:56 • -12db
27% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
27% Popularity • 15% Danceability • 36% Energy • 23% Liveness
0% Instrumentalness • 11% Positiveness
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Arthur Freed
You and I
88 bpm • D Maj • 02:33 • -22.37db
21% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 30% Danceability • 5% Energy • 7% Liveness
0% Instrumentalness • 15% Positiveness
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Charmian Carr
The Sound Of Music
88 bpm • F Maj • 02:13 • -22db
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
52% Popularity • 27% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Vivian Blaine (performer)
Adelaide's Lament
80 bpm • G min • 03:25 • -13.66db
10% Popularity • 60% Danceability • 28% Energy • 22% Liveness
31% Instrumentalness • 55% Positiveness
10% Popularity • 60% Danceability • 28% Energy • 22% Liveness
31% Instrumentalness • 55% Positiveness
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Richard Kiley
Stranger in Paradise
88 bpm • G# min • 04:07 • -11.84db
15% Popularity • 25% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
15% Popularity • 25% Danceability • 27% Energy • 7% Liveness
0% Instrumentalness • 13% Positiveness
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Richard Harris
How to Handle a Woman - King Arthur
80 bpm • D Maj • 04:15 • -17.41db
17% Popularity • 35% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
17% Popularity • 35% Danceability • 13% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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Jerome Kern
Can't Help Lovin' Dat Man
80 bpm • A# Maj • 04:21 • -12.25db
8% Popularity • 38% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
8% Popularity • 38% Danceability • 20% Energy • 41% Liveness
0% Instrumentalness • 31% Positiveness
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Burton Lane
How Are Things in Glocca Morra?
80 bpm • C# Maj • 02:58 • -15.44db
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 28% Danceability • 8% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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![Ballroom: Fifty Percent cover art]()
Billy Goldenberg
Ballroom: Fifty Percent
80 bpm • D# Maj • 03:40 • -11.67db
12% Popularity • 26% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
12% Popularity • 26% Danceability • 27% Energy • 48% Liveness
0% Instrumentalness • 23% Positiveness
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Jordan Donica
On the Street Where You Live
80 bpm • C Maj • 03:53 • -8db
25% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
25% Popularity • 35% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Georges Bizet
Finale "Carmen Jones" - Carmen Jones/194...
80 bpm • G Maj • 03:56 • -12.61db
0% Popularity • 34% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
0% Popularity • 34% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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John Kander
Nowadays
89 bpm • E min • 03:11 • -12db
7% Popularity • 40% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 40% Danceability • 36% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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Franz Lehár
Merry Widow Waltz
89 bpm • G Maj • 02:43 • -16.4db
0% Popularity • 22% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 22% Danceability • 21% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Oscar Hammerstein II
You'll Never Walk Alone
89 bpm • F Maj • 02:09 • -16.67db
15% Popularity • 28% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
15% Popularity • 28% Danceability • 24% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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Gordon Macrae
The Surrey with the Fringe on Top (Excer...
79 bpm • D Maj • 04:55 • -17db
22% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 45% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Richard Rodgers
March Of The Siamese Children
89 bpm • F Maj • 03:18 • -11.27db
9% Popularity • 56% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
9% Popularity • 56% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 24% Positiveness
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Roger Allam
Javert's Suicide: Soliloquy
79 bpm • F Maj • 03:39 • -10.31db
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
34% Popularity • 33% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Lesley Garrett
Schönberg, Claude-Michel: I Dreamed a D...
89 bpm • G# Maj • 04:33 • -12.87db
19% Popularity • 22% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
19% Popularity • 22% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Leona Gordon
We Kiss In A Shadow - Remastered 2001
89 bpm • E Maj • 02:37 • -17.35db
18% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
18% Popularity • 22% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Sigmund Romberg
Romance (The Desert Song)
90 bpm • G# Maj • 03:39 • -18.18db
0% Popularity • 36% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 36% Danceability • 10% Energy • 26% Liveness
0% Instrumentalness • 24% Positiveness
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Jule Styne
Gypsy: All I Need Is the Girl
90 bpm • F Maj • 04:31 • -14db
9% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 44% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Briana Carlson Goodman
Somewhere My Love
79 bpm • G# Maj • 02:23 • -12.67db
13% Popularity • 18% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
13% Popularity • 18% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Jean Simmons (performer), Marlon Brando (performer)
I'll Know
79 bpm • C Maj • 04:37 • -18.22db
9% Popularity • 35% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
9% Popularity • 35% Danceability • 13% Energy • 18% Liveness
1% Instrumentalness • 34% Positiveness
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Meredith Willson
Till There Was You
90 bpm • D# Maj • 02:45 • -13.23db
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 18% Danceability • 25% Energy • 31% Liveness
0% Instrumentalness • 19% Positiveness
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Gregory Bradley
Who Will Buy?
79 bpm • C min • 04:30 • -19.47db
29% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 27% Danceability • 8% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Georges Bizet
Dis Flower - Carmen Jones/1943 Original ...
79 bpm • C# Maj • 04:06 • -15.69db
0% Popularity • 19% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
0% Popularity • 19% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Vivian Blaine
Adelaide's Lament
90 bpm • F Maj • 03:19 • -20.04db
13% Popularity • 67% Danceability • 12% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 67% Danceability • 12% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
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Basil Tait
You'd Be So Nice To Come Home To
90 bpm • D min • 02:27 • -26.17db
1% Popularity • 22% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 11% Positiveness
1% Popularity • 22% Danceability • 5% Energy • 14% Liveness
76% Instrumentalness • 11% Positiveness
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Rebecca Caine
Love Montage: I Saw Him Once / In My Lif...
78 bpm • A# Maj • 05:17 • -11.39db
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
35% Popularity • 19% Danceability • 26% Energy • 35% Liveness
4% Instrumentalness • 10% Positiveness
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Jerome Kern
Why Do I Love You
78 bpm • E Maj • 02:49 • -10.11db
1% Popularity • 26% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
1% Popularity • 26% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 25% Positiveness
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Nellie Forbush
Finale
78 bpm • A# Maj • 02:58 • -10.97db
20% Popularity • 24% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 26% Positiveness
20% Popularity • 24% Danceability • 22% Energy • 14% Liveness
7% Instrumentalness • 26% Positiveness
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Georges Bizet
Dat's Love (Habanera) - Carmen Jones/194...
78 bpm • G Maj • 03:44 • -12.94db
2% Popularity • 43% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
2% Popularity • 43% Danceability • 29% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Joanna Riding
What's The Use Of Wond'rin'
90 bpm • C# Maj • 04:19 • -19.9db
8% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 24% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Basil Tait
It Could Happen To You
78 bpm • A Maj • 03:11 • -26.17db
0% Popularity • 26% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
0% Popularity • 26% Danceability • 6% Energy • 11% Liveness
2% Instrumentalness • 16% Positiveness
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South Pacific Ensemble (2008)
Bali Ha'i (Reprise)
90 bpm • C Maj • 01:07 • -19.84db
14% Popularity • 25% Danceability • 16% Energy • 17% Liveness
7% Instrumentalness • 4% Positiveness
14% Popularity • 25% Danceability • 16% Energy • 17% Liveness
7% Instrumentalness • 4% Positiveness
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Joshua Henry
If I Loved You
78 bpm • C# Maj • 09:07 • -14db
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
32% Popularity • 37% Danceability • 17% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Gertrude Lawrence
I Whistle A Happy Tune
90 bpm • G# Maj • 02:44 • -19.63db
5% Popularity • 75% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
5% Popularity • 75% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Robert Lindsay
Me And My Girl - Original Cast Recording...
91 bpm • A# Maj • 03:44 • -17.59db
20% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 38% Danceability • 19% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Joe Darion
I Really Like Him - Man Of La Mancha/196...
78 bpm • F Maj • 02:20 • -16.1db
13% Popularity • 59% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 59% Danceability • 14% Energy • 29% Liveness
0% Instrumentalness • 74% Positiveness
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Georges Bizet
De Cards Don't Lie - Carmen Jones/1943 O...
91 bpm • F min • 04:26 • -15.68db
0% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
0% Popularity • 38% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Zero Mostel
Prologue: Tradition
78 bpm • G Maj • 06:54 • -13.25db
9% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
9% Popularity • 53% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Martine McCutcheon
I Could Have Danced All Night
78 bpm • D Maj • 03:39 • -14.03db
9% Popularity • 36% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
9% Popularity • 36% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Ann-Margret
How Lovely to Be a Woman
78 bpm • B Maj • 02:39 • -8.23db
13% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 41% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
