Songs like Marilou reggae dub - Dub Style by Serge Gainsbourg
Based on a tempo of (+/- 10%) and a similar genre
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Serge Gainsbourg
Comic Strip
134 bpm • F Maj • 02:10 • -11db
43% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
43% Popularity • 79% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Camille
Que je t'aime
134 bpm • G min • 03:43 • -15db
54% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
54% Popularity • 67% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Jane Birkin
Raccrochez C'Est Une Horreur
134 bpm • C Maj • 03:13 • -9.47db
13% Popularity • 74% Danceability • 63% Energy • 6% Liveness
9% Instrumentalness • 72% Positiveness
13% Popularity • 74% Danceability • 63% Energy • 6% Liveness
9% Instrumentalness • 72% Positiveness
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Dick Annegarn
Bruxelles
134 bpm • E Maj • 02:28 • -11db
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
43% Popularity • 42% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Brigitte Bardot
Comic Strip - Version anglaise
134 bpm • F Maj • 02:12 • -11.97db
20% Popularity • 75% Danceability • 54% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
20% Popularity • 75% Danceability • 54% Energy • 82% Liveness
0% Instrumentalness • 60% Positiveness
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Boris Vian
Une bonne paire de claques
134 bpm • G Maj • 03:53 • -8.67db
17% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
17% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Serge Gainsbourg
Ce mortel ennui
134 bpm • C# Maj • 02:55 • -15.76db
21% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 61% Danceability • 22% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Patrick Coutin
J'aime regarder les filles
133 bpm • G Maj • 05:08 • -10.75db
35% Popularity • 71% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
35% Popularity • 71% Danceability • 60% Energy • 9% Liveness
1% Instrumentalness • 82% Positiveness
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Boby Lapointe
Framboise
135 bpm • D Maj • 02:40 • -8.56db
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 78% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Maxime Le Forestier
Éducation sentimentale
135 bpm • C Maj • 02:30 • -15db
46% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 53% Danceability • 20% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Gilbert Bécaud
Nathalie - Remasterisé en 2011
135 bpm • A min • 04:05 • -7.12db
54% Popularity • 42% Danceability • 63% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
54% Popularity • 42% Danceability • 63% Energy • 59% Liveness
0% Instrumentalness • 81% Positiveness
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Jeanne Moreau
Embrasse-moi
133 bpm • G Maj • 02:15 • -12db
29% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 57% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Étienne Daho
Mythomane - 2011 Remaster
133 bpm • C min • 02:32 • -10.39db
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 19% Positiveness
12% Popularity • 48% Danceability • 33% Energy • 10% Liveness
84% Instrumentalness • 19% Positiveness
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Richard Anthony
Nouvelle vague
135 bpm • D min • 02:35 • -10db
21% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
21% Popularity • 66% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Miossec
Non non non non (Je ne suis plus saoul)
133 bpm • G Maj • 02:26 • -8db
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
30% Popularity • 59% Danceability • 82% Energy • 36% Liveness
5% Instrumentalness • 62% Positiveness
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Patrick Coutin
J'aime regarder les filles - Version 45T
133 bpm • G Maj • 03:49 • -12.82db
40% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
40% Popularity • 68% Danceability • 56% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Enzo Enzo
Juste quelqu'un de bien
133 bpm • A Maj • 04:07 • -16db
51% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
51% Popularity • 70% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Jeanne Moreau
Rumba des îles - BOF India Song
133 bpm • C Maj • 03:03 • -17db
28% Popularity • 44% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
28% Popularity • 44% Danceability • 22% Energy • 21% Liveness
0% Instrumentalness • 73% Positiveness
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Les Rita Mitsouko
Le petit train
135 bpm • C Maj • 05:48 • -6db
33% Popularity • 70% Danceability • 79% Energy • 15% Liveness
3% Instrumentalness • 94% Positiveness
33% Popularity • 70% Danceability • 79% Energy • 15% Liveness
3% Instrumentalness • 94% Positiveness
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Brigitte Bardot
Je danse donc je suis
133 bpm • C# Maj • 01:54 • -11db
35% Popularity • 69% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
35% Popularity • 69% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 97% Positiveness
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Thomas Fersen
Le bal des oiseaux
133 bpm • G min • 04:53 • -14db
25% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
25% Popularity • 78% Danceability • 53% Energy • 15% Liveness
0% Instrumentalness • 77% Positiveness
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Serge Gainsbourg
Mambo miam miam
135 bpm • A min • 02:32 • -11db
27% Popularity • 84% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
27% Popularity • 84% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Michel Jonasz
Les vacances au bord de la mer
132 bpm • D# Maj • 02:51 • -13.92db
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
53% Popularity • 44% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Georges Moustaki
Les Mères juives
132 bpm • C min • 04:34 • -11.25db
11% Popularity • 45% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
11% Popularity • 45% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 27% Positiveness
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Dick Annegarn
Les Tchèques
137 bpm • A min • 02:44 • -12db
22% Popularity • 77% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 89% Positiveness
22% Popularity • 77% Danceability • 38% Energy • 12% Liveness
18% Instrumentalness • 89% Positiveness
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Brigitte Bardot
Sidonie
136 bpm • C Maj • 02:51 • -12.8db
37% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
37% Popularity • 48% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Thomas Fersen
Un parapluie pour deux
136 bpm • E Maj • 02:56 • -12.46db
35% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
35% Popularity • 68% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Serge Gainsbourg
Les femmes c'est du chinois
132 bpm • A min • 02:32 • -16.39db
21% Popularity • 56% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
21% Popularity • 56% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Andre Bourvil
La tendresse
137 bpm • E Maj • 03:09 • -14.73db
42% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
42% Popularity • 54% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Michel Jonasz
Super nana
137 bpm • C Maj • 03:22 • -14db
40% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 53% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Alain Souchon
La ballade de Jim
131 bpm • D# Maj • 04:25 • -12db
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
53% Popularity • 71% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Brigitte Bardot
Tu veux ou tu veux pas?
137 bpm • C Maj • 02:30 • -4db
33% Popularity • 57% Danceability • 75% Energy • 35% Liveness
29% Instrumentalness • 69% Positiveness
33% Popularity • 57% Danceability • 75% Energy • 35% Liveness
29% Instrumentalness • 69% Positiveness
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Feu! Chatterton
Fou à lier
130 bpm • C# Maj • 04:30 • -5.97db
38% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 65% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Thomas Fersen
Les papillons
136 bpm • G# Maj • 04:05 • -8.47db
24% Popularity • 80% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
24% Popularity • 80% Danceability • 58% Energy • 3% Liveness
0% Instrumentalness • 97% Positiveness
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Serge Gainsbourg
Aux armes et caetera
136 bpm • C Maj • 03:07 • -14.58db
43% Popularity • 93% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 94% Positiveness
43% Popularity • 93% Danceability • 39% Energy • 9% Liveness
1% Instrumentalness • 94% Positiveness
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Dominique A
Le twenty two bar
138 bpm • E min • 03:41 • -9.29db
34% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 58% Danceability • 59% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Daniel Darc
C'était mieux avant
130 bpm • A min • 04:13 • -11db
18% Popularity • 66% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
18% Popularity • 66% Danceability • 66% Energy • 8% Liveness
2% Instrumentalness • 56% Positiveness
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Pauline Croze
T'es beau
138 bpm • C# min • 02:43 • -10.19db
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 76% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Pierre Perret
Lily
130 bpm • C Maj • 03:00 • -10.49db
47% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
47% Popularity • 50% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas Fersen
Diane de Poitiers
136 bpm • G min • 03:06 • -9db
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
35% Popularity • 70% Danceability • 43% Energy • 39% Liveness
0% Instrumentalness • 92% Positiveness
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Serge Gainsbourg
La nuit d'Octobre
130 bpm • A# min • 03:04 • -10.82db
17% Popularity • 71% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
17% Popularity • 71% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 76% Positiveness
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Jeanne Cherhal
Canicule
130 bpm • C# min • 03:04 • -17.02db
27% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 66% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 54% Positiveness
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Véronique Sanson
Amoureuse - Remasterisé en 2008
130 bpm • C Maj • 03:41 • -6.06db
51% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 57% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Étienne Daho
En Surface
130 bpm • D Maj • 02:19 • -9.05db
35% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
35% Popularity • 74% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Les Rita Mitsouko
Don't Forget the Nite
138 bpm • D Maj • 02:44 • -9db
31% Popularity • 64% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
31% Popularity • 64% Danceability • 59% Energy • 5% Liveness
1% Instrumentalness • 78% Positiveness
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Thomas Fersen
Bijou
131 bpm • G Maj • 03:29 • -11.12db
31% Popularity • 89% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
31% Popularity • 89% Danceability • 52% Energy • 8% Liveness
2% Instrumentalness • 93% Positiveness
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Serge Gainsbourg
La javanaise
129 bpm • A Maj • 02:29 • -12.86db
54% Popularity • 43% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 43% Danceability • 46% Energy • 24% Liveness
0% Instrumentalness • 42% Positiveness
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Brigitte Bardot
Ciel de lit
130 bpm • G Maj • 01:43 • -11db
31% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
31% Popularity • 76% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Véronique Sanson
Comme je l'imagine
138 bpm • E min • 02:58 • -9.52db
34% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
34% Popularity • 64% Danceability • 68% Energy • 36% Liveness
0% Instrumentalness • 78% Positiveness
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Dick Annegarn
L'institutrice
139 bpm • E min • 02:23 • -14.32db
26% Popularity • 68% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
26% Popularity • 68% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 58% Positiveness
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France Gall
Samba Mambo - Remasterisé en 2004
139 bpm • E min • 02:37 • -4.96db
36% Popularity • 68% Danceability • 94% Energy • 7% Liveness
29% Instrumentalness • 97% Positiveness
36% Popularity • 68% Danceability • 94% Energy • 7% Liveness
29% Instrumentalness • 97% Positiveness
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Albin de la Simone
A midi on m'a dit
139 bpm • D Maj • 03:30 • -10db
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 64% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Mathieu Boogaerts
Sylvia
139 bpm • D# min • 03:28 • -14db
29% Popularity • 88% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
29% Popularity • 88% Danceability • 33% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Serge Gainsbourg
Quand tu t'y mets
129 bpm • C min • 01:49 • -12.64db
31% Popularity • 84% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
31% Popularity • 84% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Brigitte Bardot
Ne me laisse pas l'aimer
129 bpm • E Maj • 01:57 • -13db
47% Popularity • 66% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 66% Danceability • 49% Energy • 16% Liveness
0% Instrumentalness • 94% Positiveness
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Jacques Dutronc
Il est cinq heures, Paris s'éveille
140 bpm • A Maj • 02:55 • -10.17db
54% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
54% Popularity • 54% Danceability • 63% Energy • 16% Liveness
0% Instrumentalness • 75% Positiveness
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Les Rita Mitsouko
Les histoires d'a
128 bpm • A Maj • 04:00 • -4.63db
44% Popularity • 74% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
44% Popularity • 74% Danceability • 64% Energy • 41% Liveness
0% Instrumentalness • 72% Positiveness
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Nicoletta
Il est mort le soleil
140 bpm • E min • 03:14 • -8.12db
37% Popularity • 32% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
37% Popularity • 32% Danceability • 55% Energy • 38% Liveness
0% Instrumentalness • 29% Positiveness
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Laurent Voulzy
Cocktail chez mademoiselle
128 bpm • G min • 06:34 • -18.9db
32% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 82% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 84% Positiveness
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Serge Gainsbourg
Lola rastaquouère
129 bpm • F min • 03:41 • -15.62db
36% Popularity • 85% Danceability • 46% Energy • 11% Liveness
24% Instrumentalness • 86% Positiveness
36% Popularity • 85% Danceability • 46% Energy • 11% Liveness
24% Instrumentalness • 86% Positiveness
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Michel Berger
Le paradis blanc - Remasterisé en 2002
140 bpm • A# min • 06:36 • -11.32db
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
53% Popularity • 65% Danceability • 50% Energy • 36% Liveness
9% Instrumentalness • 56% Positiveness
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Véronique Sanson
Le Maudit
128 bpm • F# min • 04:17 • -6db
32% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 57% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Hubert-Félix Thiéfaine
Fièvre resurrectionnelle
140 bpm • A# min • 03:32 • -7db
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
34% Popularity • 59% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 60% Positiveness
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William Sheller
Comme je m'ennuie de toi
140 bpm • C Maj • 02:35 • -9db
26% Popularity • 37% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
26% Popularity • 37% Danceability • 35% Energy • 11% Liveness
3% Instrumentalness • 26% Positiveness
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Charlelie Couture
Jacobi marchait
128 bpm • G Maj • 03:38 • -11.48db
36% Popularity • 86% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
36% Popularity • 86% Danceability • 44% Energy • 13% Liveness
2% Instrumentalness • 73% Positiveness
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Bazbaz
Sur le bout de la langue
140 bpm • A# Maj • 03:38 • -7db
39% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 71% Danceability • 51% Energy • 36% Liveness
0% Instrumentalness • 55% Positiveness
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Gilbert Bécaud
Dimanche à Orly
128 bpm • C Maj • 03:25 • -12db
11% Popularity • 42% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
11% Popularity • 42% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 52% Positiveness
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Boris Vian
Ah! Si j'avais un franc cinquante
141 bpm • G# Maj • 01:03 • -15.35db
17% Popularity • 77% Danceability • 50% Energy • 25% Liveness
4% Instrumentalness • 98% Positiveness
17% Popularity • 77% Danceability • 50% Energy • 25% Liveness
4% Instrumentalness • 98% Positiveness
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Pierre Perret
Estelle
128 bpm • E min • 02:23 • -7.36db
38% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
38% Popularity • 77% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 97% Positiveness
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Dominique A
Le Courage des oiseaux
128 bpm • G Maj • 02:32 • -11db
31% Popularity • 72% Danceability • 41% Energy • 20% Liveness
50% Instrumentalness • 56% Positiveness
31% Popularity • 72% Danceability • 41% Energy • 20% Liveness
50% Instrumentalness • 56% Positiveness
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Françoise Hardy
Message personnel - Remasterisé en 2013
127 bpm • G min • 04:16 • -11.12db
51% Popularity • 37% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
51% Popularity • 37% Danceability • 41% Energy • 13% Liveness
7% Instrumentalness • 18% Positiveness
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Dalida
Itsi bitsi, petit bikini (Itsy Bitsy Tee...
127 bpm • G# Maj • 02:18 • -9.26db
30% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
30% Popularity • 73% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Jean Constantin
Le pacha
127 bpm • D Maj • 02:38 • -10db
29% Popularity • 84% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
29% Popularity • 84% Danceability • 71% Energy • 49% Liveness
0% Instrumentalness • 94% Positiveness
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France Gall
Chanson pour consoler - Remasterisé en ...
141 bpm • G Maj • 01:52 • -10db
27% Popularity • 72% Danceability • 38% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
27% Popularity • 72% Danceability • 38% Energy • 9% Liveness
12% Instrumentalness • 78% Positiveness
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Dick Annegarn
La transformation
141 bpm • E min • 03:39 • -13db
17% Popularity • 61% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
17% Popularity • 61% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Serge Gainsbourg
L'hôtel particulier
127 bpm • A Maj • 04:05 • -18.91db
35% Popularity • 67% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
35% Popularity • 67% Danceability • 24% Energy • 8% Liveness
1% Instrumentalness • 38% Positiveness
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Michel Polnareff
L'oiseau de nuit
141 bpm • D Maj • 02:49 • -6.45db
19% Popularity • 48% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 48% Danceability • 78% Energy • 15% Liveness
0% Instrumentalness • 50% Positiveness
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Véronique Sanson
Besoin de personne
141 bpm • D min • 02:47 • -4.76db
46% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 53% Danceability • 81% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Andre Bourvil
Les abeilles (de l’opérette « Ouah !...
127 bpm • G Maj • 03:20 • -9.36db
15% Popularity • 62% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
15% Popularity • 62% Danceability • 46% Energy • 41% Liveness
0% Instrumentalness • 86% Positiveness
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Les Rita Mitsouko
Marcia Baïla
127 bpm • G Maj • 05:35 • -5.95db
58% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
58% Popularity • 77% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Dick Annegarn
Volet fermé
141 bpm • C Maj • 01:50 • -12.53db
25% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 56% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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Serge Gainsbourg
Black Trombone
127 bpm • A min • 02:36 • -14.03db
45% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 67% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Michel Polnareff
Lettre à France
127 bpm • G min • 04:50 • -7.86db
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
52% Popularity • 27% Danceability • 44% Energy • 36% Liveness
13% Instrumentalness • 9% Positiveness
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François Béranger
Dis-moi oui
142 bpm • F Maj • 02:34 • -4.51db
15% Popularity • 78% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
15% Popularity • 78% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Étienne Daho
Tombé pour la France
127 bpm • A Maj • 04:16 • -11.93db
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
42% Popularity • 71% Danceability • 72% Energy • 7% Liveness
24% Instrumentalness • 94% Positiveness
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Charles Trenet
Y'a d'la joie
142 bpm • D# Maj • 02:33 • -7.77db
36% Popularity • 75% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 75% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Dick Annegarn
Jacques
127 bpm • D Maj • 03:03 • -11db
28% Popularity • 63% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 66% Positiveness
28% Popularity • 63% Danceability • 37% Energy • 12% Liveness
17% Instrumentalness • 66% Positiveness
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Maxime Le Forestier
San Francisco
126 bpm • C# Maj • 02:45 • -15.48db
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 59% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 45% Positiveness
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Thomas Fersen
Le chat botté
126 bpm • E min • 03:38 • -8.59db
41% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
41% Popularity • 69% Danceability • 44% Energy • 31% Liveness
0% Instrumentalness • 90% Positiveness
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Serge Gainsbourg
L'alcool
126 bpm • G Maj • 03:57 • -13.56db
18% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 62% Danceability • 42% Energy • 17% Liveness
0% Instrumentalness • 59% Positiveness
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Mathieu Boogaerts
Je sais
143 bpm • G# min • 02:48 • -14db
31% Popularity • 81% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
31% Popularity • 81% Danceability • 56% Energy • 12% Liveness
3% Instrumentalness • 48% Positiveness
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Charles Trenet
Route nationale 7
126 bpm • D Maj • 02:38 • -15db
32% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 59% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Gilbert Bécaud
Et maintenant
126 bpm • F Maj • 03:45 • -7db
52% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 38% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Dick Annegarn
Bébé élephant
143 bpm • D Maj • 02:36 • -12db
33% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
33% Popularity • 68% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Andre Bourvil
C'était bien (Le p'tit bal perdu)
144 bpm • C Maj • 03:19 • -18.73db
30% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 51% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Michel Jonasz
L'homme orange
125 bpm • D Maj • 02:32 • -13.25db
34% Popularity • 64% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
34% Popularity • 64% Danceability • 47% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Michel Polnareff
La poupée qui fait non
125 bpm • A Maj • 03:13 • -7.78db
50% Popularity • 51% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
50% Popularity • 51% Danceability • 58% Energy • 14% Liveness
1% Instrumentalness • 64% Positiveness
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Mathieu Boogaerts
Avant que je m'ennuie
144 bpm • E min • 03:32 • -14.2db
45% Popularity • 84% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 55% Positiveness
45% Popularity • 84% Danceability • 31% Energy • 10% Liveness
38% Instrumentalness • 55% Positiveness