Songs like Marlboro Man by D-A-D
Based on a tempo of (+/- 10%) and a similar genre
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Magnum
Need A Lot Of Love
79 bpm • C min • 04:47 • -14db
37% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
37% Popularity • 60% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Hellfueled
Midnight Lady
80 bpm • C# min • 04:24 • -3.39db
10% Popularity • 23% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
10% Popularity • 23% Danceability • 96% Energy • 32% Liveness
0% Instrumentalness • 18% Positiveness
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Don Patrol
Call Me
80 bpm • G Maj • 04:10 • -6.96db
8% Popularity • 53% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
8% Popularity • 53% Danceability • 85% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Return
The Loner
78 bpm • B min • 04:27 • -8.53db
21% Popularity • 45% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 45% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jesper Binzer
Dream Big
80 bpm • E Maj • 04:02 • -7.93db
14% Popularity • 43% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
14% Popularity • 43% Danceability • 71% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Krokus
Tokyo Nights
77 bpm • G# min • 05:51 • -14db
30% Popularity • 44% Danceability • 44% Energy • 10% Liveness
7% Instrumentalness • 83% Positiveness
30% Popularity • 44% Danceability • 44% Energy • 10% Liveness
7% Instrumentalness • 83% Positiveness
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Volbeat
Guitar Gangsters & Cadillac Blood
77 bpm • C min • 03:08 • -2.83db
62% Popularity • 29% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
62% Popularity • 29% Danceability • 97% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dizzy Mizz Lizzy
In The Blood
82 bpm • C Maj • 05:44 • -5.85db
29% Popularity • 40% Danceability • 90% Energy • 12% Liveness
12% Instrumentalness • 18% Positiveness
29% Popularity • 40% Danceability • 90% Energy • 12% Liveness
12% Instrumentalness • 18% Positiveness
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Jorn
Out to Every Nation (Re-Recorded)
82 bpm • F# min • 04:36 • -5db
27% Popularity • 23% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 23% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 35% Positiveness
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Return
Bye, Bye Johnny
80 bpm • E min • 04:04 • -6db
26% Popularity • 51% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 51% Danceability • 84% Energy • 4% Liveness
0% Instrumentalness • 33% Positiveness
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Shotgun Revolution
God's Damned Poetry
82 bpm • C# Maj • 04:23 • -6.79db
12% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 54% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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The Sandmen
Hardlines
75 bpm • D Maj • 04:11 • -7.51db
9% Popularity • 50% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 50% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Thåström
Alla vill till himlen
84 bpm • D min • 04:24 • -11db
36% Popularity • 54% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 64% Positiveness
36% Popularity • 54% Danceability • 61% Energy • 56% Liveness
0% Instrumentalness • 64% Positiveness
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The Big Casino
Mistreated
74 bpm • E min • 07:04 • -4.69db
14% Popularity • 38% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
14% Popularity • 38% Danceability • 73% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Judas Priest
United
85 bpm • F# min • 03:35 • -7db
46% Popularity • 63% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 63% Danceability • 64% Energy • 29% Liveness
0% Instrumentalness • 72% Positiveness
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Return
To The Top
84 bpm • E Maj • 04:13 • -11.09db
35% Popularity • 51% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 51% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Petri
Here I Am
73 bpm • F# min • 03:27 • -6db
21% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
21% Popularity • 52% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Electric Boys
Dying To Be Loved
72 bpm • E Maj • 04:18 • -6.64db
13% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 38% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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TNT
Harley-Davidson
88 bpm • B Maj • 04:05 • -8.66db
27% Popularity • 34% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 34% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 61% Positiveness
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Bigbang
To the Mountains
90 bpm • C Maj • 04:27 • -6db
36% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 46% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Billy Idol
John Wayne
90 bpm • D Maj • 04:15 • -4.79db
38% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
38% Popularity • 51% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Return
The Day After
87 bpm • E min • 04:31 • -8.77db
22% Popularity • 42% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
22% Popularity • 42% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 20% Positiveness
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Wig Wam
Breaking All the Rules
90 bpm • B min • 04:13 • -4.64db
9% Popularity • 48% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 48% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 31% Positiveness
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Electric Boys
Groovus Maximus
88 bpm • A Maj • 03:43 • -5.29db
12% Popularity • 39% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
12% Popularity • 39% Danceability • 92% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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H.E.A.T
Beg Beg Beg
91 bpm • A Maj • 03:03 • -2.7db
30% Popularity • 54% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 54% Danceability • 97% Energy • 23% Liveness
0% Instrumentalness • 52% Positiveness
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Axel Rudi Pell
Forever Young
69 bpm • B Maj • 04:10 • -8.97db
30% Popularity • 32% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
30% Popularity • 32% Danceability • 64% Energy • 38% Liveness
0% Instrumentalness • 46% Positiveness
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Billy Idol
John Wayne - UK Single Edit
90 bpm • D Maj • 03:57 • -4.96db
24% Popularity • 51% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 51% Danceability • 78% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Just D och Clawfinger
Vill ha allt
91 bpm • F Maj • 03:01 • -6db
8% Popularity • 55% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
8% Popularity • 55% Danceability • 95% Energy • 66% Liveness
0% Instrumentalness • 68% Positiveness
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Return
Life Must Go On
87 bpm • E min • 05:09 • -9.89db
17% Popularity • 59% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
17% Popularity • 59% Danceability • 63% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Trance Dance
You're Gonna Get It
91 bpm • D Maj • 03:49 • -12db
34% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
34% Popularity • 61% Danceability • 72% Energy • 20% Liveness
0% Instrumentalness • 53% Positiveness
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Skambankt
Slukk Meg (For Eg Brenner)
91 bpm • C# min • 02:37 • -4.19db
26% Popularity • 32% Danceability • 89% Energy • 14% Liveness
82% Instrumentalness • 63% Positiveness
26% Popularity • 32% Danceability • 89% Energy • 14% Liveness
82% Instrumentalness • 63% Positiveness
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The Sandmen
Don't Let Me Down
91 bpm • E Maj • 03:21 • -9db
31% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 56% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Ulf Nilsson
It´s Time To Rock´n´Roll
92 bpm • E Maj • 03:59 • -6.5db
18% Popularity • 60% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 60% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Nazareth
See Me
92 bpm • E min • 04:53 • -3.74db
6% Popularity • 64% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
6% Popularity • 64% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 66% Positiveness
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Turbonegro
City Of Satan
92 bpm • A min • 05:44 • -1.43db
36% Popularity • 45% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 45% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 56% Positiveness
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Volbeat
Making Believe - Bonus Track
93 bpm • A# Maj • 03:29 • -2.66db
43% Popularity • 24% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
43% Popularity • 24% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Morten Abel
Hard to Stay Awake
93 bpm • E Maj • 04:01 • -6.52db
32% Popularity • 18% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
32% Popularity • 18% Danceability • 76% Energy • 13% Liveness
0% Instrumentalness • 66% Positiveness
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D-A-D
What's the Matter? - 2009 - Remaster
93 bpm • C Maj • 04:57 • -3.95db
23% Popularity • 40% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 40% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Thundermother
Dog from Hell
94 bpm • F Maj • 03:37 • -4db
42% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
42% Popularity • 51% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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The Sandmen
Wouldn't Mind at All
94 bpm • G Maj • 03:25 • -3db
16% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
16% Popularity • 46% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Nullskattesnylterne
Fortar Hardar Høgar
94 bpm • F# min • 03:06 • -4.08db
10% Popularity • 48% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 48% Danceability • 95% Energy • 22% Liveness
0% Instrumentalness • 93% Positiveness
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Volbeat
Maybellene I Hofteholder
94 bpm • C Maj • 03:20 • -2.8db
59% Popularity • 25% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 25% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Kashmir
The Story Of Jamie Fame Flame
95 bpm • B min • 03:23 • -10db
26% Popularity • 55% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
26% Popularity • 55% Danceability • 59% Energy • 24% Liveness
0% Instrumentalness • 70% Positiveness
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Hanne Boel
(I Wanna) Make Love to You
95 bpm • D min • 04:13 • -6db
40% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
40% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Clawfinger
Nigger
95 bpm • D Maj • 03:47 • -3.08db
40% Popularity • 57% Danceability • 99% Energy • 23% Liveness
3% Instrumentalness • 61% Positiveness
40% Popularity • 57% Danceability • 99% Energy • 23% Liveness
3% Instrumentalness • 61% Positiveness
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Sons Of Angels
Cowgirl
95 bpm • E Maj • 04:13 • -11.78db
16% Popularity • 67% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 67% Danceability • 77% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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D-A-D
Rim of Hell - 2009 - Remaster
96 bpm • A min • 04:31 • -4.73db
28% Popularity • 51% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 51% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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W.A.S.P.
Promised Land - Chuck Berry Cover
95 bpm • A# min • 03:14 • -3.25db
29% Popularity • 42% Danceability • 99% Energy • 17% Liveness
5% Instrumentalness • 28% Positiveness
29% Popularity • 42% Danceability • 99% Energy • 17% Liveness
5% Instrumentalness • 28% Positiveness
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Wig Wam
Dare Davil Heat
97 bpm • A Maj • 04:06 • -3.96db
29% Popularity • 46% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 46% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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De Lyckliga Kompisarna
Ishockeyfrisyr
97 bpm • E min • 01:47 • -6.23db
34% Popularity • 33% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
34% Popularity • 33% Danceability • 94% Energy • 50% Liveness
0% Instrumentalness • 85% Positiveness
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Mike Tramp
Mr. Death
99 bpm • B Maj • 03:46 • -6.03db
16% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
16% Popularity • 48% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Dregen
Flat Tyre On A Muddy Road
99 bpm • E Maj • 04:06 • -4.86db
27% Popularity • 63% Danceability • 73% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 63% Danceability • 73% Energy • 62% Liveness
0% Instrumentalness • 64% Positiveness
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D-A-D
ZCMI - 2009 - Remaster
98 bpm • D Maj • 02:47 • -3.99db
22% Popularity • 43% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
22% Popularity • 43% Danceability • 88% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Backstreet Girls
Awright Awright Awright
97 bpm • C Maj • 02:58 • -11.25db
27% Popularity • 44% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 44% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 61% Positiveness
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John Norum
We Will Be Strong
99 bpm • B Maj • 04:12 • -8.31db
32% Popularity • 51% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 51% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Dizzy Mizz Lizzy
Made To Believe
100 bpm • G# Maj • 04:47 • -6db
27% Popularity • 43% Danceability • 90% Energy • 16% Liveness
4% Instrumentalness • 66% Positiveness
27% Popularity • 43% Danceability • 90% Energy • 16% Liveness
4% Instrumentalness • 66% Positiveness
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The Creeps
Get a Little Lovin
103 bpm • E Maj • 03:38 • -10.97db
12% Popularity • 58% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
12% Popularity • 58% Danceability • 77% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Crashdïet
Beautiful Pain
100 bpm • D# min • 04:42 • -3db
22% Popularity • 49% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
22% Popularity • 49% Danceability • 82% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Stefan Andersson
Knock on Wood
104 bpm • A min • 02:54 • -6.55db
10% Popularity • 71% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 71% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 92% Positiveness
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Backstreet Girls
Hizbollah Rock'n'rollah
99 bpm • E Maj • 03:14 • -3.06db
25% Popularity • 32% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
25% Popularity • 32% Danceability • 92% Energy • 21% Liveness
0% Instrumentalness • 41% Positiveness
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D-A-D
I Won't Cut My Hair
105 bpm • E min • 05:55 • -12.07db
27% Popularity • 44% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
27% Popularity • 44% Danceability • 76% Energy • 36% Liveness
0% Instrumentalness • 72% Positiveness
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Europe
Rock the Night
105 bpm • E min • 04:07 • -5.78db
61% Popularity • 57% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
61% Popularity • 57% Danceability • 93% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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Evenrude
This Town Ain't Big Enough for the Both ...
106 bpm • G min • 04:37 • -13.84db
32% Popularity • 54% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
32% Popularity • 54% Danceability • 51% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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The Sandmen
500%
106 bpm • D Maj • 05:10 • -9.31db
8% Popularity • 34% Danceability • 78% Energy • 63% Liveness
23% Instrumentalness • 39% Positiveness
8% Popularity • 34% Danceability • 78% Energy • 63% Liveness
23% Instrumentalness • 39% Positiveness
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Carpark North
32
106 bpm • F min • 04:10 • -5.2db
21% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
21% Popularity • 67% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Sort Sol
Ruby Don't Take Your Love to Town
106 bpm • G Maj • 03:04 • -14db
19% Popularity • 64% Danceability • 72% Energy • 7% Liveness
3% Instrumentalness • 62% Positiveness
19% Popularity • 64% Danceability • 72% Energy • 7% Liveness
3% Instrumentalness • 62% Positiveness
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Jokke med Tourettes
Verdiløse Menn
107 bpm • B min • 03:48 • -5.69db
32% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
32% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Skagarack
I'm Alone
107 bpm • A Maj • 03:53 • -6.45db
18% Popularity • 55% Danceability • 79% Energy • 14% Liveness
2% Instrumentalness • 72% Positiveness
18% Popularity • 55% Danceability • 79% Energy • 14% Liveness
2% Instrumentalness • 72% Positiveness
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Volbeat
Let It Burn
107 bpm • G Maj • 03:39 • -4.27db
52% Popularity • 51% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 51% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 48% Positiveness
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Dan Reed Network
Rainbow Child
107 bpm • B Maj • 04:50 • -2.9db
27% Popularity • 68% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 68% Danceability • 82% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Jorn
I Know There`s Something Going On - The ...
108 bpm • A Maj • 04:55 • -8.75db
32% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
32% Popularity • 51% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Swedish Erotica
We're Wild Young and Free
108 bpm • E Maj • 04:41 • -9.42db
23% Popularity • 55% Danceability • 60% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
23% Popularity • 55% Danceability • 60% Energy • 57% Liveness
0% Instrumentalness • 64% Positiveness
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The Sandmen
Western Blood
108 bpm • G Maj • 04:15 • -8.89db
13% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
13% Popularity • 61% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 50% Positiveness
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TNT
10,000 Lovers (In One)
108 bpm • C# Maj • 02:54 • -11db
39% Popularity • 45% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
39% Popularity • 45% Danceability • 80% Energy • 63% Liveness
0% Instrumentalness • 50% Positiveness
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Raga Rockers
Stakkars Lille Rike Pike
109 bpm • D Maj • 02:20 • -4.01db
13% Popularity • 49% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
13% Popularity • 49% Danceability • 88% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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The Quireboys
Hey You - Live
109 bpm • C Maj • 03:20 • -10db
27% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Treat
World Of Promises
109 bpm • E min • 03:59 • -5db
32% Popularity • 57% Danceability • 83% Energy • 66% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 57% Danceability • 83% Energy • 66% Liveness
0% Instrumentalness • 49% Positiveness
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Crashdïet
It's A Miracle
110 bpm • G Maj • 03:29 • -3.42db
30% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 55% Danceability • 85% Energy • 32% Liveness
0% Instrumentalness • 52% Positiveness
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Electric Guitars
Rock n' Roll Radio
110 bpm • D Maj • 05:03 • -3.77db
11% Popularity • 35% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 35% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Volbeat
The Human Instrument
111 bpm • D Maj • 04:29 • -4.52db
38% Popularity • 34% Danceability • 96% Energy • 21% Liveness
17% Instrumentalness • 43% Positiveness
38% Popularity • 34% Danceability • 96% Energy • 21% Liveness
17% Instrumentalness • 43% Positiveness
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Dizzy Mizz Lizzy
Something So Familiar
111 bpm • F Maj • 04:51 • -5.62db
26% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
26% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Europe
Cherokee
111 bpm • E min • 04:12 • -6.21db
49% Popularity • 58% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
49% Popularity • 58% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 67% Positiveness
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Dregen
Mojo's Gone
112 bpm • A# min • 04:41 • -6.58db
8% Popularity • 30% Danceability • 96% Energy • 66% Liveness
0% Instrumentalness • 6% Positiveness
8% Popularity • 30% Danceability • 96% Energy • 66% Liveness
0% Instrumentalness • 6% Positiveness
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David Urwitz
Lycklig
112 bpm • B min • 03:37 • -5db
30% Popularity • 60% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
30% Popularity • 60% Danceability • 79% Energy • 14% Liveness
1% Instrumentalness • 48% Positiveness
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Sort Sol
Daughter Of Sad - Remastered
112 bpm • A Maj • 03:14 • -6.67db
21% Popularity • 53% Danceability • 68% Energy • 29% Liveness
22% Instrumentalness • 54% Positiveness
21% Popularity • 53% Danceability • 68% Energy • 29% Liveness
22% Instrumentalness • 54% Positiveness
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Volbeat
Lonesome Rider
112 bpm • C min • 04:04 • -4.15db
54% Popularity • 60% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
54% Popularity • 60% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 60% Positiveness
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D-A-D
Between You and Me - 2009 - Remaster
112 bpm • G min • 03:21 • -3.5db
29% Popularity • 54% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 54% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 32% Positiveness
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The Sandmen
5 Minutes Past Loneliness
112 bpm • A min • 03:44 • -9.27db
32% Popularity • 52% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
32% Popularity • 52% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 34% Positiveness
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The Hooters
Don't Knock It 'Til You Try It
113 bpm • G Maj • 04:16 • -9db
29% Popularity • 74% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
29% Popularity • 74% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Return
Having Fun
113 bpm • E min • 03:29 • -7.51db
12% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
12% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Accept
Balls to the Wall - Acoustic
114 bpm • A Maj • 03:50 • -11.67db
8% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
8% Popularity • 66% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Volbeat
Radio Girl
113 bpm • C# Maj • 03:45 • -4db
51% Popularity • 50% Danceability • 99% Energy • 29% Liveness
1% Instrumentalness • 50% Positiveness
51% Popularity • 50% Danceability • 99% Energy • 29% Liveness
1% Instrumentalness • 50% Positiveness
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Bonafide
Kick Me Out
115 bpm • E min • 03:43 • -2.37db
9% Popularity • 48% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 48% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 52% Positiveness
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Backstreet Girls
Sick My Duck
115 bpm • G Maj • 01:54 • -7.89db
17% Popularity • 47% Danceability • 99% Energy • 57% Liveness
8% Instrumentalness • 29% Positiveness
17% Popularity • 47% Danceability • 99% Energy • 57% Liveness
8% Instrumentalness • 29% Positiveness
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This Perfect Day
It's A Shame
116 bpm • G# Maj • 03:46 • -4.48db
11% Popularity • 58% Danceability • 90% Energy • 37% Liveness
6% Instrumentalness • 83% Positiveness
11% Popularity • 58% Danceability • 90% Energy • 37% Liveness
6% Instrumentalness • 83% Positiveness
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Return
Russian Roulette
113 bpm • B min • 03:51 • -10.88db
11% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 55% Danceability • 73% Energy • 14% Liveness
0% Instrumentalness • 60% Positiveness
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Dan Reed Network
Tiger In A Dress
116 bpm • C# Maj • 05:26 • -3.1db
15% Popularity • 69% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 69% Danceability • 97% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Volbeat
The Garden's Tale
113 bpm • C Maj • 04:51 • -4db
51% Popularity • 37% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
51% Popularity • 37% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 36% Positiveness
