Songs like Marry Me a Little by Rosalie Craig
Based on a tempo of (+/- 10%) and a similar genre
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Megan Hilty, Stephanie J. Block, Allison Janney and Ensemble
Shine Like The Sun
142 bpm • E Maj • 04:15 • -6.44db
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 60% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Audrey Brisson
Post Mortem - Original London Cast Recor...
142 bpm • E Maj • 02:19 • -11.32db
19% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
19% Popularity • 42% Danceability • 31% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Lynnette Perry
The Crime of the Century
142 bpm • D# Maj • 02:52 • -7.77db
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
24% Popularity • 54% Danceability • 52% Energy • 42% Liveness
0% Instrumentalness • 71% Positiveness
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Aaron Tveit
You Done Tamed Me
142 bpm • G Maj • 01:55 • -9.17db
22% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
22% Popularity • 56% Danceability • 29% Energy • 5% Liveness
0% Instrumentalness • 36% Positiveness
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Rosalie Craig
Marry Me a Little
142 bpm • D Maj • 04:55 • -14.08db
25% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
25% Popularity • 47% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Peter Bartlett
A Romantic Atmosphere
142 bpm • G Maj • 04:50 • -10.65db
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 51% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Jeanine Tesori
Flying Away (Finale)
141 bpm • A Maj • 03:34 • -10.9db
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 21% Energy • 14% Liveness
0% Instrumentalness • 15% Positiveness
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Mindi Dickstein
I'd Be Delighted
141 bpm • G# min • 01:56 • -8.49db
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 38% Energy • 64% Liveness
0% Instrumentalness • 67% Positiveness
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Jake Gyllenhaal
Finishing the Hat
141 bpm • F# Maj • 03:33 • -10.95db
28% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
28% Popularity • 41% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Aaron Tveit
Someone Else's Skin
141 bpm • F Maj • 04:14 • -7.32db
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 44% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Rosalie Craig
Company
144 bpm • D Maj • 05:08 • -11.65db
28% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 53% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Jerry Herman
With Anne on My Arm
143 bpm • A min • 04:18 • -11.63db
22% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 50% Danceability • 16% Energy • 21% Liveness
0% Instrumentalness • 28% Positiveness
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Gavin Creel
Any Moment
144 bpm • F min • 02:07 • -17.41db
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
31% Popularity • 50% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Hunter Foster
Look at the Sky
144 bpm • F# Maj • 03:14 • -8.94db
27% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 56% Danceability • 36% Energy • 38% Liveness
0% Instrumentalness • 50% Positiveness
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Lisa Brescia
Let Things Go
144 bpm • B Maj • 03:09 • -12.75db
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
23% Popularity • 57% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 61% Positiveness
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The Original Broadway Cast Of 'Curtains'
A Tough Act To Follow
144 bpm • G# Maj • 06:39 • -15.74db
18% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
18% Popularity • 49% Danceability • 16% Energy • 27% Liveness
0% Instrumentalness • 37% Positiveness
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Rose
Smile Girls - Bonus Track
140 bpm • C Maj • 02:49 • -5db
9% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
9% Popularity • 50% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Julia Murney
Lucky
140 bpm • A# Maj • 02:33 • -11.07db
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 42% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Matthew James Thomas
With You
140 bpm • B Maj • 05:39 • -8.87db
30% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
30% Popularity • 35% Danceability • 31% Energy • 6% Liveness
0% Instrumentalness • 39% Positiveness
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The 2018 London Orchestra of Company
Into Nightclub
140 bpm • C Maj • 01:38 • -17db
16% Popularity • 52% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
16% Popularity • 52% Danceability • 50% Energy • 10% Liveness
2% Instrumentalness • 4% Positiveness
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Sarah Jessica Parker
Shy
140 bpm • A# Maj • 04:20 • -11.44db
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 52% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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The Kiss Me Kate 2019 Broadway Company
Another Op'nin', Another Show
144 bpm • G Maj • 03:59 • -6.3db
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 43% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Annaleigh Ashford
Color and Light
140 bpm • G Maj • 08:34 • -13db
21% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
21% Popularity • 55% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lindsay Mendez
Old Friends -- Like It Was
140 bpm • G Maj • 03:30 • -15.32db
36% Popularity • 40% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 40% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Santino Fontana
Opening Number
140 bpm • D Maj • 05:56 • -9.88db
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 62% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Lea Michele
Sadie, Sadie
145 bpm • F min • 04:08 • -10db
25% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
25% Popularity • 44% Danceability • 42% Energy • 27% Liveness
0% Instrumentalness • 46% Positiveness
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The 2018 London Orchestra of Company
Exit Music
145 bpm • D Maj • 01:46 • -9.22db
16% Popularity • 44% Danceability • 43% Energy • 26% Liveness
47% Instrumentalness • 51% Positiveness
16% Popularity • 44% Danceability • 43% Energy • 26% Liveness
47% Instrumentalness • 51% Positiveness
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Gavin Creel
Agony
139 bpm • E Maj • 02:26 • -11db
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 41% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Jerry Herman
With You on My Arm
145 bpm • D min • 02:51 • -9.72db
18% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
18% Popularity • 56% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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A Chorus Line Ensemble (2006)
Montage, Part 4: Gimme the Ball
145 bpm • E Maj • 05:37 • -7.33db
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
28% Popularity • 55% Danceability • 59% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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Penny Fuller
Beautiful
139 bpm • D Maj • 03:46 • -14.7db
17% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
17% Popularity • 33% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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David Josefsberg
When You Say Vegas - Honeymoon In Vegas ...
145 bpm • A# Maj • 03:51 • -5.3db
13% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
13% Popularity • 48% Danceability • 67% Energy • 33% Liveness
0% Instrumentalness • 67% Positiveness
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Patina Miller
Finale
146 bpm • A# Maj • 07:30 • -8.86db
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
31% Popularity • 35% Danceability • 42% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Sara Bareilles
It Takes Two
139 bpm • A# Maj • 02:49 • -10.59db
37% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
37% Popularity • 48% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Gwen Verdon
We Both Reached for the Gun
138 bpm • B Maj • 03:57 • -18db
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
29% Popularity • 60% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Alan Zachary
The Things I Never Said
138 bpm • G# Maj • 03:23 • -8.21db
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
22% Popularity • 36% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Sherie Rene Scott
Lie to Me
146 bpm • G Maj • 02:52 • -9.4db
13% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
13% Popularity • 30% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Rosalie Craig
On the Inside
146 bpm • B min • 05:15 • -11.62db
5% Popularity • 25% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
5% Popularity • 25% Danceability • 19% Energy • 27% Liveness
0% Instrumentalness • 20% Positiveness
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Mary Elizabeth Mastrantonio
Aldonza
146 bpm • A# min • 03:20 • -8.86db
24% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 53% Danceability • 44% Energy • 33% Liveness
0% Instrumentalness • 83% Positiveness
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Isaac Powell
Some Girls
147 bpm • D# Maj • 03:11 • -16db
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
26% Popularity • 38% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Taylor Trensch
The Seven Deadly Virtues
137 bpm • C# Maj • 01:39 • -10.93db
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
18% Popularity • 74% Danceability • 43% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Michael McGrath
Perspective
148 bpm • D Maj • 02:44 • -9.42db
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
22% Popularity • 55% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Alan Zachary
The One
148 bpm • D Maj • 02:39 • -3.01db
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
26% Popularity • 71% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Ben Platt
How Can I Call This Home?
136 bpm • D Maj • 02:42 • -7.49db
34% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 51% Danceability • 37% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Kate Wetherhead
Don't Wanna Be Here
136 bpm • C Maj • 02:40 • -11.01db
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
30% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Jennifer Damiano
Hey #3 / Perfect for You - Reprise
136 bpm • E min • 02:23 • -13.98db
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 45% Danceability • 13% Energy • 17% Liveness
0% Instrumentalness • 14% Positiveness
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Lauren Ambrose
I Could Have Danced All Night
136 bpm • C Maj • 03:48 • -6.46db
23% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 36% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Mindi Dickstein
Our Finest Dreams
149 bpm • C# Maj • 03:38 • -8.01db
26% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
26% Popularity • 54% Danceability • 40% Energy • 37% Liveness
0% Instrumentalness • 67% Positiveness
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Ali Stroker
I Cain’t Say No
149 bpm • C Maj • 03:58 • -8.32db
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
30% Popularity • 56% Danceability • 37% Energy • 27% Liveness
0% Instrumentalness • 58% Positiveness
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Jeanine Tesori
Raincoat of Love
135 bpm • B min • 02:01 • -8.89db
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
28% Popularity • 57% Danceability • 57% Energy • 42% Liveness
0% Instrumentalness • 63% Positiveness
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Hunter Foster
Follow Your Heart
149 bpm • D# Maj • 04:47 • -17.16db
30% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
30% Popularity • 48% Danceability • 11% Energy • 16% Liveness
0% Instrumentalness • 24% Positiveness
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Nathan Lane
Betrayed
149 bpm • G# Maj • 04:52 • -11db
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
25% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 59% Positiveness
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The Wild Party Ensemble
By Now the Room Was Moving
149 bpm • F min • 01:17 • -7db
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
18% Popularity • 57% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Mindi Dickstein
Off to Massachusetts
136 bpm • A Maj • 01:40 • -10.32db
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
28% Popularity • 73% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Michael Potts
We Look to You
135 bpm • C Maj • 02:45 • -11.3db
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Sherie Rene Scott
A Summer in Ohio
135 bpm • A# Maj • 03:57 • -11db
28% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
28% Popularity • 57% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Santino Fontana
Unstoppable
149 bpm • G Maj • 04:00 • -9.15db
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 52% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Harry Haden-Paton
The Rain in Spain
150 bpm • F Maj • 02:58 • -6.18db
17% Popularity • 45% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
17% Popularity • 45% Danceability • 43% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Zachary Levi
Three Letters
134 bpm • A min • 02:56 • -11db
23% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
23% Popularity • 56% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ramin Karimloo
You're a Funny Girl / Beekman Call
150 bpm • D# Maj • 02:02 • -16.59db
18% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
18% Popularity • 36% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Rosalie Craig
Side by Side by Side
150 bpm • G Maj • 08:45 • -13.1db
23% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
23% Popularity • 52% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Hobson
You Can Do Better Than Him
134 bpm • A Maj • 03:11 • -12.44db
31% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
31% Popularity • 41% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Hunter Foster
The Space Between
134 bpm • G Maj • 02:27 • -9.99db
22% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
22% Popularity • 72% Danceability • 40% Energy • 28% Liveness
0% Instrumentalness • 76% Positiveness
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Rebecca Naomi Jones
Out Of My Dreams
134 bpm • C Maj • 03:23 • -11.39db
16% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
16% Popularity • 39% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Marin Mazzie
Atlantic City
134 bpm • C Maj • 05:35 • -11.55db
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 46% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Sarah Jessica Parker
Happily Ever After
134 bpm • F Maj • 04:10 • -15db
21% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
21% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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‘Into The Woods’ 2022 Broadway Cast
First Midnight
133 bpm • A# min • 01:11 • -7.32db
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
34% Popularity • 66% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 74% Positiveness
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Jeanine Tesori
Days and Days
133 bpm • C# Maj • 03:28 • -12.89db
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 47% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Soundtrack/Cast Album
Ya Never Know
152 bpm • A# Maj • 03:10 • -8.89db
35% Popularity • 68% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
35% Popularity • 68% Danceability • 40% Energy • 44% Liveness
0% Instrumentalness • 74% Positiveness
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Sherie Rene Scott
Island
152 bpm • A# min • 03:59 • -11.6db
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
14% Popularity • 63% Danceability • 30% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Shoshana Bean
Just One Step
133 bpm • F# Maj • 04:27 • -8db
25% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
25% Popularity • 53% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Original Cast of Billy Elliot
Expressing Yourself
152 bpm • D Maj • 05:13 • -9.67db
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
32% Popularity • 51% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 50% Positiveness
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Rosalie Craig
Probly Final
133 bpm • G# Maj • 03:02 • -11.37db
3% Popularity • 49% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
3% Popularity • 49% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Brent Carver
This Is Not Over Yet
132 bpm • A Maj • 02:49 • -10.07db
28% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
28% Popularity • 49% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 78% Positiveness
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Cole Thompson
Giants In The Sky
132 bpm • A# min • 02:23 • -10.78db
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
38% Popularity • 50% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 41% Positiveness
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Lisa Brescia
Gotta Get Out
153 bpm • C Maj • 03:27 • -10.71db
26% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
26% Popularity • 57% Danceability • 27% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Rose
Some People
132 bpm • C Maj • 03:12 • -5db
24% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
24% Popularity • 59% Danceability • 45% Energy • 22% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Karl
Day Two
132 bpm • D Maj • 04:26 • -8.2db
28% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 50% Danceability • 53% Energy • 23% Liveness
0% Instrumentalness • 42% Positiveness
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Jason Gotay
Go
153 bpm • D Maj • 06:19 • -6.58db
25% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 36% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Shoshana Bean
Maybe It Starts With Me
131 bpm • G# Maj • 02:50 • -6db
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 54% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Mindi Dickstein
Five Forever
131 bpm • E Maj • 02:38 • -8.05db
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
28% Popularity • 67% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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Josh Grisetti
Whatever
132 bpm • D Maj • 02:27 • -13.38db
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
8% Popularity • 36% Danceability • 14% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Nancy Opel
It's a Privilege to Pee
131 bpm • C min • 03:47 • -11db
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 64% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 62% Positiveness
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Tommy Hollis
Look What You've Done
131 bpm • F# min • 06:01 • -11.6db
16% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 57% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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Jonathan Bailey
Getting Married Today
131 bpm • F# Maj • 04:19 • -13db
29% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
29% Popularity • 57% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Zachary Levi
Good Morning, Good Day
131 bpm • B Maj • 03:07 • -8.93db
26% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
26% Popularity • 64% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Kate Baldwin
Elegance
155 bpm • G Maj • 02:30 • -8.78db
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
26% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 84% Positiveness
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Daniel Radcliffe
Franklin Shepard, Inc.
130 bpm • C# Maj • 05:21 • -11.76db
39% Popularity • 60% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
39% Popularity • 60% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 46% Positiveness
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Gavin Creel
Hello, Little Girl
130 bpm • A# min • 02:41 • -13db
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 51% Danceability • 26% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Whitney Bashor
Another Life
130 bpm • D Maj • 05:17 • -10db
26% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 36% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Rebecca Naomi Jones
Many A New Day
130 bpm • C Maj • 03:09 • -9.56db
24% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 65% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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Alice Ripley
How Could I Ever Forget?
156 bpm • F# Maj • 02:50 • -15db
28% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 30% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Charlotte D'Amboise
The Music and the Mirror
156 bpm • E Maj • 06:50 • -8.02db
28% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
28% Popularity • 42% Danceability • 47% Energy • 5% Liveness
0% Instrumentalness • 34% Positiveness
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Liz Callaway
Meadowlark (The Baker's Wife)
129 bpm • E Maj • 05:31 • -8.37db
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
25% Popularity • 30% Danceability • 56% Energy • 42% Liveness
0% Instrumentalness • 38% Positiveness
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Sara Bareilles
Moments In The Woods
129 bpm • D Maj • 03:03 • -12.2db
39% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 52% Danceability • 22% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Shoshana Bean
Stars and the Moon
156 bpm • D Maj • 04:45 • -9.02db
28% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
28% Popularity • 41% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Urinetown Musicians
I See a River
129 bpm • A Maj • 04:47 • -14.48db
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Harry Hadden-Paton
Why Can't the English?
129 bpm • C Maj • 02:52 • -10.62db
16% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
16% Popularity • 64% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 67% Positiveness
