Songs like Martynov: "Come in!", Movement I by Vladimir Martynov
Based on a tempo of (+/- 10%) and a similar genre
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Terry Riley
G Song (arr. Keisuke Nakagoshi for piano...
93 bpm • G min • 09:30 • -24db
16% Popularity • 26% Danceability • 13% Energy • 19% Liveness
89% Instrumentalness • 16% Positiveness
16% Popularity • 26% Danceability • 13% Energy • 19% Liveness
89% Instrumentalness • 16% Positiveness
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Missy Mazzoli
Impromptu (Thomas's piece)
93 bpm • A# Maj • 02:27 • -17.86db
18% Popularity • 16% Danceability • 25% Energy • 35% Liveness
46% Instrumentalness • 10% Positiveness
18% Popularity • 16% Danceability • 25% Energy • 35% Liveness
46% Instrumentalness • 10% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement I
93 bpm • A Maj • 03:32 • -28db
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
12% Popularity • 14% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
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Ottorino Respighi
Suite No. 3, P. 172: III. Siciliana: And...
93 bpm • C min • 03:58 • -23.41db
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
39% Popularity • 15% Danceability • 4% Energy • 5% Liveness
87% Instrumentalness • 13% Positiveness
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Felix Mendelssohn
Mendelssohn: Song Without Words in D Maj...
93 bpm • D Maj • 05:30 • -24.91db
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
26% Popularity • 18% Danceability • 4% Energy • 13% Liveness
91% Instrumentalness • 4% Positiveness
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Oliver Davis
Arco: II. Second Movement
93 bpm • A min • 03:07 • -19.26db
8% Popularity • 11% Danceability • 15% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
8% Popularity • 11% Danceability • 15% Energy • 9% Liveness
83% Instrumentalness • 4% Positiveness
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Henry Eccles
Double Bass Sonata: III. Adagio
92 bpm • A min • 01:48 • -35db
17% Popularity • 11% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
17% Popularity • 11% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Henri Casadesus
Cello Concerto in C Minor (spuriously at...
92 bpm • G# Maj • 07:07 • -27.28db
12% Popularity • 15% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
12% Popularity • 15% Danceability • 4% Energy • 7% Liveness
84% Instrumentalness • 4% Positiveness
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Manuel de Falla
Nana
94 bpm • A min • 02:32 • -23.61db
29% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
29% Popularity • 17% Danceability • 3% Energy • 8% Liveness
35% Instrumentalness • 10% Positiveness
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Johann Sebastian Bach
Partita for Violin Solo No. 2 in D minor...
92 bpm • D min • 04:22 • -22.54db
7% Popularity • 42% Danceability • 3% Energy • 8% Liveness
75% Instrumentalness • 73% Positiveness
7% Popularity • 42% Danceability • 3% Energy • 8% Liveness
75% Instrumentalness • 73% Positiveness
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Reynaldo Hahn
A Chloris (Arr. Milstein)
92 bpm • E Maj • 03:23 • -29db
16% Popularity • 19% Danceability • 3% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
16% Popularity • 19% Danceability • 3% Energy • 7% Liveness
40% Instrumentalness • 4% Positiveness
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Vladimir Martynov
Vladimir Martynov: Der Abschied
92 bpm • C Maj • 39:55 • -22.57db
7% Popularity • 12% Danceability • 4% Energy • 11% Liveness
43% Instrumentalness • 3% Positiveness
7% Popularity • 12% Danceability • 4% Energy • 11% Liveness
43% Instrumentalness • 3% Positiveness
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Ludwig van Beethoven
Violin Sonata No. 9 in A Major, Op. 47 "...
94 bpm • A Maj • 08:30 • -19.52db
6% Popularity • 45% Danceability • 13% Energy • 10% Liveness
61% Instrumentalness • 28% Positiveness
6% Popularity • 45% Danceability • 13% Energy • 10% Liveness
61% Instrumentalness • 28% Positiveness
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Sergei Prokofiev
5 Mélodies, Op. 35bis: I. Andante
92 bpm • A# min • 02:12 • -23.07db
7% Popularity • 19% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
7% Popularity • 19% Danceability • 3% Energy • 8% Liveness
2% Instrumentalness • 3% Positiveness
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Einojuhani Rautavaara
Deux Sérénades (Written for Hilary Hah...
92 bpm • A min • 07:50 • -25.19db
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 8% Energy • 11% Liveness
73% Instrumentalness • 4% Positiveness
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Robert Schumann
Schumann: Violin Sonata No. 2 in D Minor...
92 bpm • B Maj • 04:38 • -21.72db
6% Popularity • 39% Danceability • 7% Energy • 8% Liveness
6% Instrumentalness • 33% Positiveness
6% Popularity • 39% Danceability • 7% Energy • 8% Liveness
6% Instrumentalness • 33% Positiveness
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Marin Marais
4e livre de viole: Muzette
94 bpm • C# Maj • 02:19 • -31.87db
28% Popularity • 12% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 1% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Heitor Villa-Lobos
O Canto do Cisne Negro
94 bpm • A min • 03:14 • -20.52db
10% Popularity • 12% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 8% Liveness
85% Instrumentalness • 3% Positiveness
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György Ligeti
Cello Sonata: I. Dialogo
94 bpm • F Maj • 03:58 • -24db
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
24% Popularity • 14% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 13% Positiveness
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Vladimir Martynov
The Beatitudes
92 bpm • A# Maj • 05:15 • -32.19db
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
31% Popularity • 28% Danceability • 5% Energy • 8% Liveness
96% Instrumentalness • 9% Positiveness
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Jean Sibelius
The Swan of Tuonela, Op. 22 No. 2
91 bpm • A min • 09:56 • -31.73db
1% Popularity • 11% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
1% Popularity • 11% Danceability • 2% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
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Gabriel Fauré
Fauré: Élégie, Op. 24
91 bpm • G# Maj • 07:32 • -24.62db
36% Popularity • 15% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
36% Popularity • 15% Danceability • 3% Energy • 8% Liveness
89% Instrumentalness • 4% Positiveness
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Gidon Kremer
Milonga en re
91 bpm • D min • 04:25 • -24.3db
18% Popularity • 15% Danceability • 6% Energy • 12% Liveness
45% Instrumentalness • 6% Positiveness
18% Popularity • 15% Danceability • 6% Energy • 12% Liveness
45% Instrumentalness • 6% Positiveness
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Mieczysław Weinberg
Cello Concerto in C Minor, Op. 43: I. Ad...
91 bpm • A# Maj • 04:05 • -22db
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
12% Popularity • 18% Danceability • 7% Energy • 9% Liveness
93% Instrumentalness • 5% Positiveness
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Sergei Prokofiev
5 Mélodies, Op. 35bis: IV. Allegretto l...
91 bpm • F# min • 01:28 • -24.22db
5% Popularity • 42% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
5% Popularity • 42% Danceability • 10% Energy • 7% Liveness
1% Instrumentalness • 14% Positiveness
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Max Richter
Mercy
91 bpm • A# min • 05:31 • -23db
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
32% Popularity • 16% Danceability • 4% Energy • 9% Liveness
42% Instrumentalness • 3% Positiveness
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Jennifer Higdon
String poetic: II. Nocturne
91 bpm • C Maj • 04:46 • -24db
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
21% Popularity • 16% Danceability • 5% Energy • 9% Liveness
49% Instrumentalness • 5% Positiveness
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Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50, TH.117: V...
95 bpm • C# min • 03:18 • -35.79db
4% Popularity • 19% Danceability • 1% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
4% Popularity • 19% Danceability • 1% Energy • 17% Liveness
1% Instrumentalness • 4% Positiveness
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Sergei Rachmaninoff
Vocalise, Op. 34, No. 14
91 bpm • C# min • 06:39 • -21.45db
21% Popularity • 14% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
21% Popularity • 14% Danceability • 9% Energy • 10% Liveness
94% Instrumentalness • 5% Positiveness
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Heitor Villa-Lobos
Bachianas brasileiras No. 1: I. Introduc...
91 bpm • G min • 07:12 • -27.67db
25% Popularity • 27% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
25% Popularity • 27% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 10% Positiveness
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Henryk Górecki
Male requiem dla pewnej polki (Little Re...
95 bpm • A min • 10:26 • -23db
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
12% Popularity • 20% Danceability • 0% Energy • 9% Liveness
35% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Phantasy Quintet: III. Alla Sarabanda: L...
95 bpm • F min • 02:50 • -37db
27% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
27% Popularity • 13% Danceability • 1% Energy • 10% Liveness
19% Instrumentalness • 4% Positiveness
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Mieczysław Weinberg
Kujawiak
95 bpm • A min • 03:17 • -25.09db
39% Popularity • 31% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 13% Positiveness
39% Popularity • 31% Danceability • 7% Energy • 12% Liveness
5% Instrumentalness • 13% Positiveness
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Gabriel Fauré
Au bord de l'eau, Op. 8, No. 1
95 bpm • F min • 02:13 • -21.22db
12% Popularity • 21% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
12% Popularity • 21% Danceability • 8% Energy • 9% Liveness
84% Instrumentalness • 6% Positiveness
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AntonÃn Dvořák
Dvořák: From the Bohemian Forest, Op. ...
95 bpm • C# Maj • 06:46 • -20db
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
28% Popularity • 12% Danceability • 14% Energy • 12% Liveness
87% Instrumentalness • 4% Positiveness
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Frédéric Chopin
12 Etudes, Op. 25: No. 7 in C Sharp Mino...
91 bpm • D min • 05:28 • -30.06db
6% Popularity • 14% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
6% Popularity • 14% Danceability • 2% Energy • 11% Liveness
61% Instrumentalness • 6% Positiveness
► Preview
Dmitri Shostakovich
Piano Trio No. 2 in E Minor, Op. 67: I. ...
90 bpm • E min • 07:59 • -25.27db
5% Popularity • 28% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 10% Positiveness
5% Popularity • 28% Danceability • 3% Energy • 9% Liveness
13% Instrumentalness • 10% Positiveness
► Preview
Marin Marais
Le Badinage - 4ème livre de Pièces de ...
96 bpm • F min • 06:59 • -26.93db
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
27% Popularity • 28% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Mieczysław Weinberg
Aria, Op. 9
90 bpm • A# Maj • 03:46 • -22.1db
13% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
13% Popularity • 21% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 3% Positiveness
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Vladimir Martynov
Martynov: "Come in!", Movement III
90 bpm • A Maj • 05:05 • -22.76db
6% Popularity • 14% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 6% Positiveness
6% Popularity • 14% Danceability • 7% Energy • 10% Liveness
21% Instrumentalness • 6% Positiveness
► Preview
Franz Schubert
Octet In F, D.803: 3. Allegro vivace
96 bpm • C Maj • 05:53 • -20.11db
6% Popularity • 41% Danceability • 4% Energy • 20% Liveness
15% Instrumentalness • 34% Positiveness
6% Popularity • 41% Danceability • 4% Energy • 20% Liveness
15% Instrumentalness • 34% Positiveness
► Preview
Felix Mendelssohn
Concerto in D Minor for Violin, Piano an...
90 bpm • A Maj • 09:10 • -27.83db
10% Popularity • 18% Danceability • 3% Energy • 7% Liveness
21% Instrumentalness • 7% Positiveness
10% Popularity • 18% Danceability • 3% Energy • 7% Liveness
21% Instrumentalness • 7% Positiveness
► Preview
Béla Bartók
Heavenly Romanticism
96 bpm • F Maj • 01:02 • -38db
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
49% Popularity • 22% Danceability • 0% Energy • 32% Liveness
99% Instrumentalness • 4% Positiveness
► Preview
Sergei Rachmaninoff
Cello Sonata in G Minor, Op. 19: III. An...
90 bpm • D# Maj • 06:32 • -27db
22% Popularity • 18% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
22% Popularity • 18% Danceability • 2% Energy • 6% Liveness
86% Instrumentalness • 4% Positiveness
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Balanescu Quartet
Wedding Bells
90 bpm • A Maj • 01:19 • -16.48db
11% Popularity • 42% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 30% Positiveness
11% Popularity • 42% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 30% Positiveness
► Preview
Gidon Kremer
Cafe 1930
90 bpm • E min • 07:51 • -24.05db
13% Popularity • 23% Danceability • 4% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
13% Popularity • 23% Danceability • 4% Energy • 20% Liveness
4% Instrumentalness • 6% Positiveness
► Preview
Giovanni Sollima
Violoncelles, Vibrez!
90 bpm • D Maj • 11:11 • -21.06db
6% Popularity • 22% Danceability • 20% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
6% Popularity • 22% Danceability • 20% Energy • 9% Liveness
57% Instrumentalness • 6% Positiveness
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Vladimir Martynov
Vladimir Martynov: The Beatitudes
90 bpm • A# Maj • 05:26 • -20.1db
38% Popularity • 10% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 5% Positiveness
38% Popularity • 10% Danceability • 11% Energy • 14% Liveness
79% Instrumentalness • 5% Positiveness
► Preview
Alexander Glazunov
Glazunov: Chant du ménestrel, Op. 71
90 bpm • D Maj • 03:53 • -22.68db
14% Popularity • 17% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 10% Positiveness
14% Popularity • 17% Danceability • 7% Energy • 10% Liveness
63% Instrumentalness • 10% Positiveness
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Amy Beach
Romance, Op. 23 (Violin and Piano)
96 bpm • A Maj • 05:50 • -26db
5% Popularity • 20% Danceability • 4% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
5% Popularity • 20% Danceability • 4% Energy • 17% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Sergei Prokofiev
5 Mélodies, Op. 35bis: III. Animato, ma...
90 bpm • B Maj • 03:28 • -20.15db
5% Popularity • 24% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
5% Popularity • 24% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 3% Positiveness
► Preview
Ralph Vaughan Williams
Phantasy Quintet: I. Prelude: Lento ma n...
90 bpm • G min • 04:06 • -30.02db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
19% Instrumentalness • 3% Positiveness
► Preview
Dobrinka Tabakova
Concerto For Violoncello And Strings: I....
89 bpm • E min • 07:19 • -15.29db
13% Popularity • 28% Danceability • 44% Energy • 17% Liveness
86% Instrumentalness • 42% Positiveness
13% Popularity • 28% Danceability • 44% Energy • 17% Liveness
86% Instrumentalness • 42% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Piano Trio in A Minor, Op. 50, TH.117: V...
89 bpm • G# Maj • 01:27 • -28.52db
4% Popularity • 32% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
4% Popularity • 32% Danceability • 7% Energy • 12% Liveness
93% Instrumentalness • 32% Positiveness
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Søren Nils Eichberg
Levitation
89 bpm • D min • 04:13 • -20.95db
8% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
8% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 7% Positiveness
► Preview
Anders Hillborg
Primal Blues
89 bpm • G min • 01:19 • -21.71db
12% Popularity • 44% Danceability • 13% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
12% Popularity • 44% Danceability • 13% Energy • 7% Liveness
41% Instrumentalness • 25% Positiveness
► Preview
Manuel de Falla
Asturiana - I
89 bpm • F min • 02:51 • -36.31db
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
19% Popularity • 11% Danceability • 0% Energy • 6% Liveness
68% Instrumentalness • 6% Positiveness
► Preview
Bryce Dessner
Little Blue Something
89 bpm • D# Maj • 07:56 • -14db
13% Popularity • 26% Danceability • 15% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
13% Popularity • 26% Danceability • 15% Energy • 9% Liveness
75% Instrumentalness • 7% Positiveness
► Preview
John Tavener
Song For Athene
97 bpm • A# Maj • 06:47 • -22.16db
16% Popularity • 12% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 12% Danceability • 2% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Franz Schubert
Octet In F, D.803: 2. Adagio
98 bpm • A# Maj • 11:00 • -29db
14% Popularity • 13% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
14% Popularity • 13% Danceability • 2% Energy • 9% Liveness
5% Instrumentalness • 4% Positiveness
► Preview
Ezio Bosso
Violin Concerto No. 1 "EsoConcerto": III...
98 bpm • D# Maj • 07:24 • -18.16db
13% Popularity • 23% Danceability • 28% Energy • 32% Liveness
78% Instrumentalness • 7% Positiveness
13% Popularity • 23% Danceability • 28% Energy • 32% Liveness
78% Instrumentalness • 7% Positiveness
► Preview
Philip Glass
Glass: Company for String Orchestra, Mov...
98 bpm • F Maj • 02:35 • -28.98db
10% Popularity • 21% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
10% Popularity • 21% Danceability • 2% Energy • 11% Liveness
82% Instrumentalness • 4% Positiveness
► Preview
Felix Mendelssohn
Concerto in D Minor for Violin, Piano an...
88 bpm • D min • 08:58 • -19db
15% Popularity • 37% Danceability • 19% Energy • 8% Liveness
49% Instrumentalness • 32% Positiveness
15% Popularity • 37% Danceability • 19% Energy • 8% Liveness
49% Instrumentalness • 32% Positiveness
► Preview
Johannes Brahms
Piano Quartet No. 1 in G Minor, Op. 25: ...
88 bpm • G Maj • 08:10 • -19.18db
10% Popularity • 40% Danceability • 15% Energy • 13% Liveness
79% Instrumentalness • 23% Positiveness
10% Popularity • 40% Danceability • 15% Energy • 13% Liveness
79% Instrumentalness • 23% Positiveness
► Preview
Alexander Scriabin
Symphony No. 1 in E Major, Op. 26: I. Le...
88 bpm • E Maj • 07:47 • -31.02db
0% Popularity • 10% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
0% Popularity • 10% Danceability • 2% Energy • 10% Liveness
47% Instrumentalness • 3% Positiveness
► Preview
Wolfgang Amadeus Mozart
Violin Concerto No. 3 in G Major, K. 216...
88 bpm • D Maj • 07:58 • -28.23db
28% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 15% Positiveness
28% Popularity • 18% Danceability • 4% Energy • 9% Liveness
4% Instrumentalness • 15% Positiveness
► Preview
Raminta Šerkšnyte
This Too Shall Pass
88 bpm • A min • 08:18 • -21.67db
14% Popularity • 15% Danceability • 10% Energy • 19% Liveness
58% Instrumentalness • 4% Positiveness
14% Popularity • 15% Danceability • 10% Energy • 19% Liveness
58% Instrumentalness • 4% Positiveness
► Preview
Philip Glass
Violin Concerto No. 2 - The American Fou...
88 bpm • F Maj • 11:13 • -25db
10% Popularity • 11% Danceability • 5% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
10% Popularity • 11% Danceability • 5% Energy • 11% Liveness
65% Instrumentalness • 4% Positiveness
► Preview
Paul Hindemith
Trauermusik
99 bpm • E min • 09:03 • -25db
11% Popularity • 18% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 9% Liveness
73% Instrumentalness • 3% Positiveness
► Preview
Stephen Stubbs
Refrain 3
88 bpm • A min • 01:50 • -39.48db
24% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
24% Popularity • 43% Danceability • 0% Energy • 9% Liveness
96% Instrumentalness • 22% Positiveness
► Preview
Camille Saint-Saëns
Samson et Dalila, Op. 47, R. 288 / Act I...
87 bpm • G Maj • 06:39 • -20.24db
11% Popularity • 18% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 4% Positiveness
► Preview
Max Richter
Mercy - Live
99 bpm • A# min • 05:22 • -17.05db
25% Popularity • 17% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
25% Popularity • 17% Danceability • 13% Energy • 10% Liveness
52% Instrumentalness • 4% Positiveness
► Preview
John Ireland
Mother and Child: No. 3. Hope (arr. J. L...
99 bpm • E min • 01:31 • -29db
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
25% Popularity • 21% Danceability • 3% Energy • 8% Liveness
95% Instrumentalness • 12% Positiveness
► Preview
Philip Glass
Violin Concerto No. 2 - The American Fou...
98 bpm • D min • 01:38 • -35.3db
13% Popularity • 24% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
13% Popularity • 24% Danceability • 0% Energy • 7% Liveness
3% Instrumentalness • 15% Positiveness
► Preview
Shigeru Umebayashi
Yumeji's Theme
99 bpm • C min • 03:25 • -26.86db
32% Popularity • 24% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
32% Popularity • 24% Danceability • 3% Energy • 8% Liveness
9% Instrumentalness • 14% Positiveness
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Osvaldo Golijov
Tenebrae: 2.
87 bpm • C Maj • 06:46 • -27db
11% Popularity • 17% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 5% Energy • 13% Liveness
80% Instrumentalness • 4% Positiveness
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John Zorn
Kol Nidre
87 bpm • E Maj • 05:52 • -25db
18% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
18% Popularity • 9% Danceability • 3% Energy • 19% Liveness
19% Instrumentalness • 3% Positiveness
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Giovanni Girolamo Kapsberger
Toccata arpeggiata
87 bpm • D min • 02:55 • -23.62db
15% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
15% Popularity • 21% Danceability • 24% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
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Gidon Kremer
Piazzolla / Arr. Desyatnikov: MarÃa de ...
99 bpm • A min • 08:17 • -22.48db
6% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
6% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux: Volières
87 bpm • F Maj • 01:15 • -30.47db
10% Popularity • 36% Danceability • 9% Energy • 64% Liveness
69% Instrumentalness • 71% Positiveness
10% Popularity • 36% Danceability • 9% Energy • 64% Liveness
69% Instrumentalness • 71% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:07 • -23.36db
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
32% Popularity • 10% Danceability • 4% Energy • 10% Liveness
51% Instrumentalness • 7% Positiveness
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Enrique Granados
El Mirar de la Maja
99 bpm • D# Maj • 02:59 • -27.6db
9% Popularity • 29% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
9% Popularity • 29% Danceability • 3% Energy • 12% Liveness
86% Instrumentalness • 45% Positiveness
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Ludwig van Beethoven
String Quartet No. 13 in B-Flat Major, O...
87 bpm • D# Maj • 07:49 • -31db
5% Popularity • 16% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
5% Popularity • 16% Danceability • 2% Energy • 10% Liveness
73% Instrumentalness • 4% Positiveness
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Christopher Palmer
From Jewish Life (arr. C. Palmer): I. Pr...
87 bpm • F min • 05:24 • -26db
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
18% Popularity • 16% Danceability • 3% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Balanescu Quartet
Busy Servants
100 bpm • A min • 02:54 • -13.91db
11% Popularity • 35% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 11% Positiveness
11% Popularity • 35% Danceability • 23% Energy • 18% Liveness
89% Instrumentalness • 11% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Carnival of the Animals: X...
87 bpm • G Maj • 03:30 • -27.52db
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
9% Popularity • 18% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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AntonÃn Dvořák
String Quartet No. 12 in F Major, Op. 96...
87 bpm • D min • 07:23 • -19.14db
13% Popularity • 14% Danceability • 12% Energy • 12% Liveness
70% Instrumentalness • 7% Positiveness
13% Popularity • 14% Danceability • 12% Energy • 12% Liveness
70% Instrumentalness • 7% Positiveness
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Nigel Kennedy
Dedications: Fallen Forest (For Isaac St...
87 bpm • D Maj • 07:26 • -17db
12% Popularity • 14% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
12% Popularity • 14% Danceability • 14% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Oliver Davis
Fiddlelicks: II. Second Movement
100 bpm • G min • 03:00 • -17.75db
7% Popularity • 89% Danceability • 19% Energy • 8% Liveness
39% Instrumentalness • 96% Positiveness
7% Popularity • 89% Danceability • 19% Energy • 8% Liveness
39% Instrumentalness • 96% Positiveness
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Olivier Messiaen
Quartet for the End of Time
86 bpm • E Maj • 09:29 • -24db
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
8% Popularity • 17% Danceability • 5% Energy • 7% Liveness
93% Instrumentalness • 3% Positiveness
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Balanescu Quartet
Charades
100 bpm • C Maj • 01:36 • -19.22db
33% Popularity • 58% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
33% Popularity • 58% Danceability • 19% Energy • 9% Liveness
72% Instrumentalness • 18% Positiveness
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Dobrinka Tabakova
Insight
86 bpm • D min • 09:35 • -15.44db
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
11% Popularity • 17% Danceability • 12% Energy • 10% Liveness
65% Instrumentalness • 4% Positiveness
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Philip Glass
Concerto for Violin and Orchestra: II. =...
86 bpm • C min • 08:46 • -32.66db
17% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
17% Popularity • 9% Danceability • 3% Energy • 11% Liveness
22% Instrumentalness • 4% Positiveness
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Nigel Kennedy
Dedications: Melody in the Wind (For St�...
86 bpm • C Maj • 05:09 • -14.5db
8% Popularity • 18% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
8% Popularity • 18% Danceability • 27% Energy • 9% Liveness
86% Instrumentalness • 14% Positiveness
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Felix Mendelssohn
Violin Concerto in D Minor, Op. posth., ...
86 bpm • D min • 03:47 • -19.73db
6% Popularity • 51% Danceability • 16% Energy • 11% Liveness
51% Instrumentalness • 48% Positiveness
6% Popularity • 51% Danceability • 16% Energy • 11% Liveness
51% Instrumentalness • 48% Positiveness
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Robert Schumann
Fantasiestücke, Op. 88: I. Romanze (Nic...
100 bpm • A min • 02:30 • -26.82db
7% Popularity • 26% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 6% Positiveness
7% Popularity • 26% Danceability • 3% Energy • 8% Liveness
76% Instrumentalness • 6% Positiveness
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Igor Stravinsky
L'Histoire du soldat - Concert Suite / P...
86 bpm • G Maj • 06:28 • -22.14db
0% Popularity • 48% Danceability • 19% Energy • 73% Liveness
25% Instrumentalness • 60% Positiveness
0% Popularity • 48% Danceability • 19% Energy • 73% Liveness
25% Instrumentalness • 60% Positiveness
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Claudio Santoro
Ponteio
100 bpm • A min • 06:04 • -25db
9% Popularity • 28% Danceability • 8% Energy • 15% Liveness
87% Instrumentalness • 8% Positiveness
9% Popularity • 28% Danceability • 8% Energy • 15% Liveness
87% Instrumentalness • 8% Positiveness
