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Marvelous
Songs like
Marvelous
by
Wallows
Based on a tempo of (+/- 10%) and a similar genre
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almost monday
come on come on
124 bpm • F# min • 02:47 • -2.73db
43% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 94% Positiveness
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Kid Bloom
Hold In, Hold On
124 bpm • C Maj • 02:39 • -3.83db
45% Popularity • 77% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 75% Positiveness
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Wallows
Marvelous (Cole’s Remix)
124 bpm • A Maj • 02:52 • -5.93db
32% Popularity • 82% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 96% Positiveness
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Peach Pit
Black Licorice
124 bpm • A Maj • 03:39 • -9.13db
52% Popularity • 69% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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The Backseat Lovers
Davy Crochet
124 bpm • C Maj • 02:56 • -10.78db
57% Popularity • 74% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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The Hails
Exonerate
124 bpm • D Maj • 03:09 • -5.39db
28% Popularity • 79% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Arlie
crashing down
124 bpm • A# Maj • 02:19 • -3.04db
32% Popularity • 58% Danceability • 89% Energy • 32% Liveness
0% Instrumentalness • 83% Positiveness
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Sarah and the Sundays
High Tide - Demo
124 bpm • D# Maj • 01:29 • -6.12db
36% Popularity • 66% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Wallows
Marvelous
124 bpm • A Maj • 02:22 • -3.27db
56% Popularity • 64% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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half•alive
Beige
124 bpm • D Maj • 02:52 • -9.64db
44% Popularity • 62% Danceability • 46% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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HARBOUR
Bahamas
125 bpm • E Maj • 03:47 • -4.22db
43% Popularity • 65% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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Matilda Mann
Borderline Insane
125 bpm • F Maj • 02:19 • -4.41db
42% Popularity • 59% Danceability • 76% Energy • 43% Liveness
2% Instrumentalness • 76% Positiveness
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second thoughts
parachute
125 bpm • A# Maj • 03:05 • -7db
45% Popularity • 67% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 96% Positiveness
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The Polar Boys
Obvious
125 bpm • G Maj • 03:08 • -5.47db
33% Popularity • 68% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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Wallows
Permanent Price
124 bpm • B Maj • 03:06 • -4.54db
43% Popularity • 43% Danceability • 90% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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BETWEEN FRIENDS
orange juice
125 bpm • E Maj • 02:43 • -7.17db
51% Popularity • 76% Danceability • 53% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Sarah and the Sundays
Moving On
125 bpm • A Maj • 02:39 • -5.81db
54% Popularity • 73% Danceability • 70% Energy • 34% Liveness
0% Instrumentalness • 79% Positiveness
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Dominic Fike
Ant Pile
125 bpm • C Maj • 02:06 • -4.4db
60% Popularity • 80% Danceability • 73% Energy • 44% Liveness
0% Instrumentalness • 92% Positiveness
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Jelani Aryeh
Stella Brown
125 bpm • D Maj • 03:06 • -7.55db
58% Popularity • 73% Danceability • 48% Energy • 29% Liveness
7% Instrumentalness • 55% Positiveness
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Declan McKenna
Make Me Your Queen
125 bpm • D Maj • 03:41 • -6.42db
57% Popularity • 49% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Wallows
Guitar Romantic Search Adventure
123 bpm • G Maj • 04:03 • -5.79db
54% Popularity • 49% Danceability • 46% Energy • 26% Liveness
0% Instrumentalness • 33% Positiveness
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Greer
Connect the Dots
125 bpm • D Maj • 03:07 • -7.47db
41% Popularity • 51% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Christian Leave
10 Steps
123 bpm • G Maj • 03:29 • -6.53db
40% Popularity • 25% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 66% Positiveness
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Sarah and the Sundays
Don't Make Me Cry Anymore
126 bpm • A# Maj • 02:39 • -6.93db
31% Popularity • 67% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Jelani Aryeh
From These Heights
125 bpm • E Maj • 03:26 • -4.11db
45% Popularity • 76% Danceability • 90% Energy • 64% Liveness
0% Instrumentalness • 77% Positiveness
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Inhaler
Who's Your Money On? (Plastic House)
126 bpm • F min • 06:22 • -7.15db
45% Popularity • 32% Danceability • 65% Energy • 7% Liveness
17% Instrumentalness • 17% Positiveness
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boy pablo
Dance, Baby!
122 bpm • A Maj • 03:18 • -8.52db
64% Popularity • 60% Danceability • 60% Energy • 31% Liveness
0% Instrumentalness • 86% Positiveness
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COIN
Killing Me
122 bpm • C# Maj • 02:45 • -6.62db
50% Popularity • 67% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 32% Positiveness
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The Backseat Lovers
Pictures
126 bpm • F Maj • 03:16 • -12db
51% Popularity • 66% Danceability • 47% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Surf Curse
Sugar
121 bpm • F# Maj • 02:42 • -5db
38% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Peter McPoland
Slow Down
127 bpm • G Maj • 03:22 • -3.35db
43% Popularity • 35% Danceability • 63% Energy • 84% Liveness
0% Instrumentalness • 33% Positiveness
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Arlie
poppin
121 bpm • G Maj • 03:49 • -5db
27% Popularity • 78% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Flamingos in the Tree
Take Me by the Hand
127 bpm • D Maj • 03:26 • -11.79db
52% Popularity • 58% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Declan McKenna
Brazil
121 bpm • E Maj • 04:12 • -5.21db
82% Popularity • 69% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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COIN
Take The Stairs
127 bpm • C Maj • 02:22 • -4.64db
43% Popularity • 64% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 56% Positiveness
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dad sports
out 4 a breather
127 bpm • F Maj • 03:21 • -7.14db
44% Popularity • 68% Danceability • 53% Energy • 14% Liveness
1% Instrumentalness • 69% Positiveness
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JAWNY
true
121 bpm • G# Maj • 03:11 • -4.94db
42% Popularity • 72% Danceability • 66% Energy • 47% Liveness
0% Instrumentalness • 64% Positiveness
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The Hails
Stay
127 bpm • A Maj • 02:39 • -4.09db
55% Popularity • 66% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Wallows
Quarterback
121 bpm • B Maj • 03:00 • -3.88db
58% Popularity • 69% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Vista Kicks
I Can't Think of Anybody but U
121 bpm • F# Maj • 05:17 • -9db
38% Popularity • 58% Danceability • 51% Energy • 6% Liveness
29% Instrumentalness • 27% Positiveness
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THE DRIVER ERA
Back To You
128 bpm • D# min • 02:02 • -5db
46% Popularity • 66% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 64% Positiveness
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boy pablo
wtf
128 bpm • F# Maj • 01:12 • -10.74db
66% Popularity • 71% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 95% Positiveness
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JAWNY
wide eyed
127 bpm • A Maj • 03:34 • -4.33db
42% Popularity • 68% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 92% Positiveness
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Vacation Manor
A Toast and a Spirit
128 bpm • A Maj • 03:29 • -5db
54% Popularity • 61% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 47% Positiveness
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Wallows
Dig What You Dug
121 bpm • G# Maj • 02:57 • -4.28db
45% Popularity • 62% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 63% Positiveness
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Arlie
big fat mouth
128 bpm • D Maj • 03:38 • -5.15db
51% Popularity • 60% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 86% Positiveness
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THE DRIVER ERA
Afterglow
128 bpm • F# Maj • 03:11 • -7.35db
57% Popularity • 70% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Declan McKenna
The Key to Life on Earth
128 bpm • D# Maj • 04:06 • -2.09db
52% Popularity • 52% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Bad Suns
Baby Blue Shades
120 bpm • G Maj • 03:40 • -7db
49% Popularity • 71% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Del Water Gap
Laid Down My Arms
128 bpm • G# Maj • 04:29 • -5db
42% Popularity • 56% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Rebounder
Change Shapes
120 bpm • A# Maj • 03:29 • -2.77db
35% Popularity • 76% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 89% Positiveness
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The Academic
Acting My Age
120 bpm • A Maj • 03:42 • -3.95db
49% Popularity • 66% Danceability • 77% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Wallows
Are You Bored Yet?
120 bpm • G# min • 02:58 • -6.44db
82% Popularity • 68% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 64% Positiveness
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Declan McKenna
Sagittarius A*
120 bpm • G Maj • 03:57 • -2.54db
37% Popularity • 60% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Grady
The Idea of You
120 bpm • C Maj • 02:56 • -5.83db
42% Popularity • 66% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Alfie Templeman
Film Scene Daydream
120 bpm • F# min • 04:08 • -5db
45% Popularity • 72% Danceability • 66% Energy • 20% Liveness
3% Instrumentalness • 47% Positiveness
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Beach Weather
Pineapple Sunrise
120 bpm • E min • 02:56 • -5.59db
48% Popularity • 69% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 92% Positiveness
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Carter Vail
I WANT YOU
120 bpm • D Maj • 02:43 • -6.39db
41% Popularity • 76% Danceability • 67% Energy • 38% Liveness
0% Instrumentalness • 96% Positiveness
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young friend
WHEN WE WERE KIDS
120 bpm • E Maj • 03:18 • -6.44db
45% Popularity • 80% Danceability • 81% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Vacation Manor
Can't Run Forever
120 bpm • A Maj • 03:49 • -6db
48% Popularity • 69% Danceability • 76% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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The Moss
Willie's Song
128 bpm • E min • 04:31 • -7.1db
50% Popularity • 75% Danceability • 47% Energy • 17% Liveness
0% Instrumentalness • 56% Positiveness
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COIN
Take A Picture
120 bpm • D Maj • 02:57 • -5.49db
40% Popularity • 78% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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Beach Weather
Goddess
120 bpm • A min • 04:32 • -4db
37% Popularity • 69% Danceability • 76% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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The Happy Fits
She Wants Me (To Be Loved)
120 bpm • A Maj • 03:19 • -5.18db
59% Popularity • 78% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Wallows
1980s Horror Film
119 bpm • D Maj • 03:44 • -12.07db
48% Popularity • 48% Danceability • 24% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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young friend
CRASH COURSE
129 bpm • G Maj • 03:37 • -6.97db
27% Popularity • 61% Danceability • 72% Energy • 78% Liveness
0% Instrumentalness • 59% Positiveness
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The Academic
Not Your Summer
129 bpm • E Maj • 03:44 • -3.85db
42% Popularity • 67% Danceability • 78% Energy • 21% Liveness
0% Instrumentalness • 64% Positiveness
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COIN
Sagittarius Superstar
120 bpm • F Maj • 02:53 • -8.63db
54% Popularity • 55% Danceability • 65% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Vansire
A Long Drive Back
119 bpm • C# min • 03:09 • -8.97db
47% Popularity • 70% Danceability • 63% Energy • 16% Liveness
4% Instrumentalness • 58% Positiveness
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Mothé
Somewhere in Your Dreams
129 bpm • C Maj • 03:46 • -4.63db
19% Popularity • 61% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 50% Positiveness
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The Happy Fits
Best Tears
130 bpm • D Maj • 02:38 • -4db
52% Popularity • 42% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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The Rare Occasions
Origami
130 bpm • B Maj • 02:54 • -6.46db
61% Popularity • 48% Danceability • 80% Energy • 24% Liveness
1% Instrumentalness • 63% Positiveness
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The Academic
Don't Take It Personally
119 bpm • A Maj • 03:39 • -6.34db
36% Popularity • 50% Danceability • 73% Energy • 13% Liveness
1% Instrumentalness • 44% Positiveness
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chloe moriondo
Dizzy
130 bpm • C# Maj • 02:38 • -5.24db
48% Popularity • 71% Danceability • 74% Energy • 4% Liveness
0% Instrumentalness • 76% Positiveness
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Aidan Bissett
Out Of My League
130 bpm • G Maj • 03:01 • -5.45db
51% Popularity • 54% Danceability • 74% Energy • 28% Liveness
0% Instrumentalness • 46% Positiveness
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Djo
Tentpole Shangrila
130 bpm • B min • 03:36 • -9db
54% Popularity • 61% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Last Dinosaurs
14 Occasions
130 bpm • F# Maj • 03:37 • -4.64db
31% Popularity • 56% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 61% Positiveness
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Ashes To Amber
Outskirts Of Infinity
130 bpm • E Maj • 03:07 • -7db
54% Popularity • 74% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Happy Fits
So Alright, Cool, Whatever
130 bpm • C Maj • 03:11 • -5.42db
57% Popularity • 68% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 76% Positiveness
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The Academic
What’s Wrong With Me
130 bpm • E Maj • 03:22 • -5.48db
37% Popularity • 57% Danceability • 79% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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Aidan Bissett
I Can't Be Your Friend
130 bpm • A Maj • 02:51 • -5.56db
39% Popularity • 73% Danceability • 68% Energy • 8% Liveness
3% Instrumentalness • 81% Positiveness
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DUDE, MY DUDE
Eleanor's Detour
130 bpm • B min • 03:38 • -5.18db
30% Popularity • 47% Danceability • 68% Energy • 25% Liveness
4% Instrumentalness • 34% Positiveness
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benches
Monodrama
130 bpm • E Maj • 02:48 • -4db
48% Popularity • 42% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Joe P
All Day I Dream About
130 bpm • B Maj • 03:20 • -7.71db
44% Popularity • 58% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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The Backseat Lovers
Elevator Days
118 bpm • B Maj • 04:26 • -12.29db
50% Popularity • 67% Danceability • 38% Energy • 16% Liveness
1% Instrumentalness • 37% Positiveness
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Sure Sure
This Time
130 bpm • D# Maj • 02:13 • -5db
48% Popularity • 84% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Wallows
Underneath the Streetlights in the Winte...
130 bpm • C# Maj • 01:10 • -4.98db
42% Popularity • 37% Danceability • 66% Energy • 68% Liveness
88% Instrumentalness • 66% Positiveness
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The Moss
Blink
118 bpm • G Maj • 04:25 • -6.66db
46% Popularity • 56% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Kid Bloom
I Kissed a Girl, And She Kissed Me
118 bpm • A# Maj • 02:35 • -12db
58% Popularity • 76% Danceability • 48% Energy • 18% Liveness
6% Instrumentalness • 57% Positiveness
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Ricky Montgomery
Settle Down
118 bpm • D# Maj • 02:58 • -3.66db
47% Popularity • 63% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Artemas
I'm Trynna Tell U That I Love U
118 bpm • A# Maj • 02:39 • -2.47db
46% Popularity • 82% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 96% Positiveness
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Rebounder
Premium Fantasy
118 bpm • C min • 03:02 • -4.54db
30% Popularity • 63% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 89% Positiveness
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WHALES•TALK
Ottawa Rockstar
118 bpm • C Maj • 02:16 • -3db
53% Popularity • 57% Danceability • 84% Energy • 14% Liveness
28% Instrumentalness • 37% Positiveness
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Jeff Draco
Dreamgirl
131 bpm • C Maj • 02:56 • -8.54db
28% Popularity • 77% Danceability • 63% Energy • 22% Liveness
0% Instrumentalness • 83% Positiveness
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Ritt Momney
Sometime
117 bpm • G Maj • 02:19 • -3.77db
31% Popularity • 71% Danceability • 88% Energy • 10% Liveness
50% Instrumentalness • 94% Positiveness
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Jelani Aryeh
Marigold
131 bpm • E Maj • 04:03 • -8db
43% Popularity • 78% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Wallows
At the End of the Day
117 bpm • A Maj • 03:53 • -5db
50% Popularity • 56% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 57% Positiveness
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The Rare Occasions
Backwards
117 bpm • C Maj • 02:56 • -5.16db
51% Popularity • 54% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Luke Hemmings
Saigon
117 bpm • D min • 03:41 • -5.47db
54% Popularity • 60% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Dominic Fike
Why
117 bpm • F# Maj • 02:19 • -2.68db
70% Popularity • 68% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Marvelous