Songs like Mary Jane's Last Dance by Tom Petty and the Heartbreakers
Based on a tempo of (+/- 10%) and a similar genre
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Tom Petty
Runnin' Down A Dream
170 bpm • A Maj • 04:21 • -6.37db
69% Popularity • 47% Danceability • 96% Energy • 62% Liveness
62% Instrumentalness • 72% Positiveness
69% Popularity • 47% Danceability • 96% Energy • 62% Liveness
62% Instrumentalness • 72% Positiveness
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Led Zeppelin
Rock and Roll - Remaster
170 bpm • A Maj • 03:40 • -7.29db
70% Popularity • 32% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
70% Popularity • 32% Danceability • 89% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Daryl Hall & John Oates
Rich Girl
170 bpm • F Maj • 02:22 • -6.64db
82% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
82% Popularity • 57% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Tom Petty and the Heartbreakers
Mary Jane's Last Dance
170 bpm • G min • 04:33 • -9.06db
72% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
72% Popularity • 46% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Jimi Hendrix
Hey Joe
169 bpm • A Maj • 03:30 • -5.7db
69% Popularity • 35% Danceability • 77% Energy • 2% Liveness
38% Instrumentalness • 53% Positiveness
69% Popularity • 35% Danceability • 77% Energy • 2% Liveness
38% Instrumentalness • 53% Positiveness
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The Doobie Brothers
Black Water
169 bpm • D Maj • 04:15 • -13db
62% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 53% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Hootie & The Blowfish
Hold My Hand
171 bpm • B Maj • 04:18 • -5.13db
61% Popularity • 22% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
61% Popularity • 22% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Stone Temple Pilots
Interstate Love Song - 2019 Remaster
171 bpm • A Maj • 03:14 • -7.33db
74% Popularity • 22% Danceability • 93% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
74% Popularity • 22% Danceability • 93% Energy • 13% Liveness
1% Instrumentalness • 49% Positiveness
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Lynyrd Skynyrd
Gimme Back My Bullets
169 bpm • C# Maj • 03:29 • -11db
61% Popularity • 43% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 43% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Neil Young
Heart of Gold
171 bpm • E min • 03:07 • -13.55db
67% Popularity • 54% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness
67% Popularity • 54% Danceability • 40% Energy • 11% Liveness
5% Instrumentalness • 83% Positiveness
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Tom Petty and the Heartbreakers
Mary Jane's Last Dance
168 bpm • D Maj • 04:31 • -7.15db
46% Popularity • 42% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 42% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Matchbox Twenty
Push
168 bpm • F# Maj • 03:58 • -7.9db
74% Popularity • 42% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
74% Popularity • 42% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Traveling Wilburys
End Of The Line
167 bpm • D Maj • 03:29 • -6.61db
69% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
69% Popularity • 58% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 93% Positiveness
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Daryl Hall & John Oates
You Make My Dreams (Come True)
167 bpm • F Maj • 03:10 • -12.15db
83% Popularity • 75% Danceability • 50% Energy • 5% Liveness
11% Instrumentalness • 90% Positiveness
83% Popularity • 75% Danceability • 50% Energy • 5% Liveness
11% Instrumentalness • 90% Positiveness
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Steve Miller Band
The Joker - Single Version
167 bpm • A# Maj • 03:37 • -7.6db
56% Popularity • 38% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
56% Popularity • 38% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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The Black Crowes
Twice As Hard
173 bpm • C Maj • 04:09 • -3.54db
59% Popularity • 38% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
59% Popularity • 38% Danceability • 85% Energy • 28% Liveness
0% Instrumentalness • 49% Positiveness
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Tom Petty and the Heartbreakers
Makin' Some Noise
168 bpm • C Maj • 03:25 • -8db
32% Popularity • 47% Danceability • 86% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
32% Popularity • 47% Danceability • 86% Energy • 65% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Idol
Rebel Yell
166 bpm • E min • 04:48 • -4.95db
76% Popularity • 53% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
76% Popularity • 53% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Traffic
Dear Mr. Fantasy
167 bpm • D Maj • 05:34 • -14.12db
57% Popularity • 24% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
57% Popularity • 24% Danceability • 62% Energy • 8% Liveness
1% Instrumentalness • 77% Positiveness
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Cracker
Low
174 bpm • G Maj • 04:36 • -6.96db
61% Popularity • 33% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
61% Popularity • 33% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Bad Company
Shooting Star - 2015 Remaster
166 bpm • A Maj • 06:17 • -9.36db
58% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
58% Popularity • 39% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Blues Traveler
Hook
166 bpm • A Maj • 04:49 • -6.36db
61% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
61% Popularity • 56% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Boston
Smokin'
175 bpm • D Maj • 04:21 • -7.34db
61% Popularity • 20% Danceability • 80% Energy • 19% Liveness
42% Instrumentalness • 52% Positiveness
61% Popularity • 20% Danceability • 80% Energy • 19% Liveness
42% Instrumentalness • 52% Positiveness
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Genesis
That's All - 2007 Remaster
175 bpm • E min • 04:24 • -8.78db
70% Popularity • 60% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 77% Positiveness
70% Popularity • 60% Danceability • 66% Energy • 10% Liveness
1% Instrumentalness • 77% Positiveness
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The Beatles
Come Together - Remastered 2009
165 bpm • A min • 04:19 • -11.91db
78% Popularity • 53% Danceability • 38% Energy • 9% Liveness
25% Instrumentalness • 19% Positiveness
78% Popularity • 53% Danceability • 38% Energy • 9% Liveness
25% Instrumentalness • 19% Positiveness
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Jimi Hendrix
Voodoo Child (Slight Return)
176 bpm • G# Maj • 05:13 • -6.66db
67% Popularity • 21% Danceability • 91% Energy • 5% Liveness
1% Instrumentalness • 45% Positiveness
67% Popularity • 21% Danceability • 91% Energy • 5% Liveness
1% Instrumentalness • 45% Positiveness
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The Marshall Tucker Band
Can't You See
164 bpm • G Maj • 06:05 • -5.49db
67% Popularity • 41% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 41% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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Fleetwood Mac
Never Going Back Again - 2004 Remaster
176 bpm • F# Maj • 02:14 • -12.83db
75% Popularity • 65% Danceability • 34% Energy • 8% Liveness
38% Instrumentalness • 95% Positiveness
75% Popularity • 65% Danceability • 34% Energy • 8% Liveness
38% Instrumentalness • 95% Positiveness
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Led Zeppelin
D'yer Mak'er - Remaster
164 bpm • A min • 04:22 • -8.56db
64% Popularity • 52% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
64% Popularity • 52% Danceability • 93% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Foreigner
Juke Box Hero
177 bpm • A Maj • 04:19 • -5.55db
69% Popularity • 36% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
69% Popularity • 36% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Don Henley
The Boys Of Summer
177 bpm • F# Maj • 04:48 • -13.74db
77% Popularity • 52% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 91% Positiveness
77% Popularity • 52% Danceability • 55% Energy • 18% Liveness
1% Instrumentalness • 91% Positiveness
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Pure Prairie League
Amie
177 bpm • A Maj • 04:19 • -15.27db
52% Popularity • 37% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 37% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Night Ranger
Sister Christian
177 bpm • F Maj • 05:02 • -16.24db
61% Popularity • 45% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
61% Popularity • 45% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 23% Positiveness
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Steve Earle
Copperhead Road
163 bpm • G Maj • 04:29 • -15.49db
67% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
67% Popularity • 37% Danceability • 59% Energy • 5% Liveness
0% Instrumentalness • 71% Positiveness
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Billy Joel
Piano Man
178 bpm • C Maj • 05:39 • -6.48db
78% Popularity • 33% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
78% Popularity • 33% Danceability • 55% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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ZZ Top
La Grange (2005 Remaster)
162 bpm • E min • 03:50 • -9.94db
76% Popularity • 51% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 61% Positiveness
76% Popularity • 51% Danceability • 64% Energy • 20% Liveness
3% Instrumentalness • 61% Positiveness
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Creedence Clearwater Revival
Bad Moon Rising
179 bpm • D Maj • 02:21 • -5.97db
83% Popularity • 51% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
83% Popularity • 51% Danceability • 77% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Allman Brothers Band
Ramblin' Man
179 bpm • C# Maj • 04:48 • -8.33db
63% Popularity • 30% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
63% Popularity • 30% Danceability • 82% Energy • 27% Liveness
0% Instrumentalness • 92% Positiveness
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Tom Petty and the Heartbreakers
Don't Come Around Here No More
161 bpm • A# Maj • 05:07 • -15.93db
56% Popularity • 50% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 92% Positiveness
56% Popularity • 50% Danceability • 54% Energy • 24% Liveness
1% Instrumentalness • 92% Positiveness
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Big Brother & The Holding Company
Piece of My Heart
161 bpm • E Maj • 04:13 • -7.95db
67% Popularity • 44% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
67% Popularity • 44% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 57% Positiveness
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The Black Crowes
Remedy
160 bpm • A# min • 05:22 • -3.8db
57% Popularity • 41% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
57% Popularity • 41% Danceability • 98% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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The Who
The Seeker - Original Single A-Side Mix
180 bpm • D Maj • 03:12 • -8.11db
61% Popularity • 31% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
61% Popularity • 31% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 70% Positiveness
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Lenny Kravitz
Fly Away
160 bpm • G Maj • 03:41 • -5.07db
74% Popularity • 59% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
74% Popularity • 59% Danceability • 87% Energy • 62% Liveness
0% Instrumentalness • 74% Positiveness
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The Romantics
What I Like About You
160 bpm • A Maj • 02:55 • -8.43db
66% Popularity • 51% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
66% Popularity • 51% Danceability • 94% Energy • 17% Liveness
0% Instrumentalness • 91% Positiveness
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Fleetwood Mac
Landslide
159 bpm • G min • 03:19 • -22.32db
79% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
79% Popularity • 41% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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The Tragically Hip
Wheat Kings
159 bpm • G Maj • 04:19 • -17.38db
54% Popularity • 54% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
54% Popularity • 54% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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The Black Crowes
She Talks To Angels
160 bpm • E Maj • 05:29 • -5.78db
66% Popularity • 58% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
66% Popularity • 58% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Grateful Dead
Touch of Grey - 2013 Remaster
160 bpm • B Maj • 05:50 • -11.34db
57% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
57% Popularity • 61% Danceability • 70% Energy • 14% Liveness
0% Instrumentalness • 85% Positiveness
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The Rolling Stones
Paint It, Black
159 bpm • C# Maj • 03:22 • -9.27db
84% Popularity • 46% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
84% Popularity • 46% Danceability • 80% Energy • 40% Liveness
0% Instrumentalness • 61% Positiveness
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CAKE
The Distance
184 bpm • B min • 02:59 • -8db
68% Popularity • 46% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
68% Popularity • 46% Danceability • 75% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Blue Öyster Cult
Godzilla
184 bpm • E Maj • 03:41 • -7.72db
59% Popularity • 37% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
59% Popularity • 37% Danceability • 87% Energy • 60% Liveness
0% Instrumentalness • 70% Positiveness
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Tom Petty and the Heartbreakers
Something In The Air
184 bpm • E min • 03:16 • -8.47db
45% Popularity • 28% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 28% Danceability • 69% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Rush
Working Man
157 bpm • A Maj • 07:09 • -11.04db
57% Popularity • 20% Danceability • 84% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
57% Popularity • 20% Danceability • 84% Energy • 13% Liveness
4% Instrumentalness • 66% Positiveness
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The Who
Who Are You
156 bpm • A Maj • 06:21 • -11.41db
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
66% Popularity • 65% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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John Mellencamp
Authority Song
156 bpm • D Maj • 03:49 • -4.99db
56% Popularity • 50% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 50% Danceability • 97% Energy • 40% Liveness
0% Instrumentalness • 97% Positiveness
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Gordon Lightfoot
The Wreck of the Edmund Fitzgerald
186 bpm • E Maj • 06:29 • -15.24db
61% Popularity • 31% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
61% Popularity • 31% Danceability • 38% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Kenny Wayne Shepherd
Blue on Black
155 bpm • G Maj • 05:33 • -7.34db
59% Popularity • 41% Danceability • 68% Energy • 21% Liveness
11% Instrumentalness • 56% Positiveness
59% Popularity • 41% Danceability • 68% Energy • 21% Liveness
11% Instrumentalness • 56% Positiveness
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Lynyrd Skynyrd
Call Me The Breeze
186 bpm • D Maj • 05:09 • -10.48db
64% Popularity • 27% Danceability • 64% Energy • 12% Liveness
8% Instrumentalness • 82% Positiveness
64% Popularity • 27% Danceability • 64% Energy • 12% Liveness
8% Instrumentalness • 82% Positiveness
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Tom Petty and the Heartbreakers
I Should Have Known It
155 bpm • C Maj • 03:35 • -4.15db
37% Popularity • 26% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
37% Popularity • 26% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 64% Positiveness
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Crosby, Stills & Nash
Suite: Judy Blue Eyes - 2005 Remaster
154 bpm • A Maj • 07:24 • -13.13db
58% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 46% Danceability • 36% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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The Marshall Tucker Band
Heard It in a Love Song
153 bpm • D Maj • 04:57 • -7.48db
56% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
56% Popularity • 56% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Gin Blossoms
Hey Jealousy
153 bpm • F# min • 03:56 • -8.41db
62% Popularity • 47% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
62% Popularity • 47% Danceability • 80% Energy • 30% Liveness
0% Instrumentalness • 50% Positiveness
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Yusuf / Cat Stevens
Wild World
153 bpm • C Maj • 03:20 • -8.51db
78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
78% Popularity • 48% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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The Rolling Stones
Can't You Hear Me Knocking - 2009 Mix
152 bpm • C Maj • 07:16 • -5.23db
63% Popularity • 55% Danceability • 76% Energy • 16% Liveness
4% Instrumentalness • 71% Positiveness
63% Popularity • 55% Danceability • 76% Energy • 16% Liveness
4% Instrumentalness • 71% Positiveness
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Tom Petty and the Heartbreakers
I Need to Know
154 bpm • E min • 02:24 • -4.72db
52% Popularity • 52% Danceability • 92% Energy • 20% Liveness
18% Instrumentalness • 75% Positiveness
52% Popularity • 52% Danceability • 92% Energy • 20% Liveness
18% Instrumentalness • 75% Positiveness
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Weezer
Say It Ain't So
152 bpm • D# Maj • 04:18 • -7.14db
77% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
77% Popularity • 63% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Blues Traveler
Run-Around
152 bpm • G Maj • 04:39 • -7.31db
64% Popularity • 63% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 63% Danceability • 87% Energy • 13% Liveness
0% Instrumentalness • 88% Positiveness
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Fleetwood Mac
The Chain - 2004 Remaster
152 bpm • A Maj • 04:30 • -8.81db
81% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
81% Popularity • 55% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 48% Positiveness
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The Kinks
Lola (2020 Stereo Remaster)
151 bpm • A Maj • 04:01 • -4.6db
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
69% Popularity • 46% Danceability • 89% Energy • 7% Liveness
48% Instrumentalness • 93% Positiveness
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The Police
Message In A Bottle
151 bpm • C# min • 04:50 • -7.04db
75% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
75% Popularity • 58% Danceability • 81% Energy • 22% Liveness
0% Instrumentalness • 87% Positiveness
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Tom Petty and the Heartbreakers
Spike
154 bpm • D Maj • 03:32 • -19.55db
29% Popularity • 69% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
29% Popularity • 69% Danceability • 38% Energy • 27% Liveness
0% Instrumentalness • 75% Positiveness
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Bob Seger
Hollywood Nights
150 bpm • A Maj • 05:02 • -5.2db
65% Popularity • 53% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
65% Popularity • 53% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Van Morrison
Brown Eyed Girl
151 bpm • G Maj • 03:03 • -10.96db
84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
84% Popularity • 49% Danceability • 58% Energy • 41% Liveness
0% Instrumentalness • 91% Positiveness
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Collective Soul
Shine
150 bpm • F# Maj • 05:06 • -8.8db
69% Popularity • 54% Danceability • 42% Energy • 15% Liveness
9% Instrumentalness • 36% Positiveness
69% Popularity • 54% Danceability • 42% Energy • 15% Liveness
9% Instrumentalness • 36% Positiveness
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Bon Jovi
Wanted Dead Or Alive
150 bpm • G Maj • 05:08 • -3.98db
74% Popularity • 25% Danceability • 80% Energy • 31% Liveness
1% Instrumentalness • 25% Positiveness
74% Popularity • 25% Danceability • 80% Energy • 31% Liveness
1% Instrumentalness • 25% Positiveness
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Jackson Browne
Doctor My Eyes - 1997 Remaster
150 bpm • F Maj • 03:19 • -8.75db
66% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
66% Popularity • 40% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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George Thorogood & The Destroyers
Bad To The Bone
149 bpm • C Maj • 04:52 • -11.78db
70% Popularity • 46% Danceability • 73% Energy • 38% Liveness
7% Instrumentalness • 96% Positiveness
70% Popularity • 46% Danceability • 73% Energy • 38% Liveness
7% Instrumentalness • 96% Positiveness
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Ted Nugent
Stranglehold
148 bpm • D Maj • 08:23 • -7.78db
62% Popularity • 48% Danceability • 71% Energy • 9% Liveness
17% Instrumentalness • 49% Positiveness
62% Popularity • 48% Danceability • 71% Energy • 9% Liveness
17% Instrumentalness • 49% Positiveness
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Blind Melon
No Rain
148 bpm • A Maj • 03:37 • -9.34db
76% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
76% Popularity • 39% Danceability • 48% Energy • 26% Liveness
0% Instrumentalness • 57% Positiveness
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Dire Straits
Sultans Of Swing
148 bpm • F Maj • 05:48 • -10.02db
80% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
80% Popularity • 73% Danceability • 79% Energy • 33% Liveness
4% Instrumentalness • 93% Positiveness
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Jim Croce
Bad, Bad Leroy Brown
148 bpm • G Maj • 02:59 • -10.74db
72% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
72% Popularity • 70% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 85% Positiveness
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Faces
Ooh La La
148 bpm • D Maj • 03:34 • -8.17db
68% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
68% Popularity • 60% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 80% Positiveness
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The Doors
Love Her Madly
147 bpm • E min • 03:18 • -7.39db
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
68% Popularity • 56% Danceability • 59% Energy • 4% Liveness
0% Instrumentalness • 97% Positiveness
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Chicago
25 or 6 to 4 - 2002 Remaster
147 bpm • E min • 04:49 • -7.06db
64% Popularity • 60% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
64% Popularity • 60% Danceability • 90% Energy • 8% Liveness
6% Instrumentalness • 72% Positiveness
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The Knack
My Sharona
147 bpm • C Maj • 04:55 • -9.56db
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
73% Popularity • 59% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Eagles
Hotel California - 2013 Remaster
147 bpm • D Maj • 06:31 • -9.48db
83% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
83% Popularity • 58% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Billy Idol
White Wedding - Pt. 1
147 bpm • A Maj • 04:12 • -5.41db
73% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
73% Popularity • 67% Danceability • 81% Energy • 34% Liveness
0% Instrumentalness • 73% Positiveness
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Lynyrd Skynyrd
Tuesday's Gone
146 bpm • A Maj • 07:30 • -8.64db
64% Popularity • 23% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
64% Popularity • 23% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Van Morrison
Wild Night
146 bpm • G Maj • 03:33 • -7.14db
62% Popularity • 57% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
62% Popularity • 57% Danceability • 71% Energy • 4% Liveness
0% Instrumentalness • 96% Positiveness
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Steppenwolf
Born To Be Wild
146 bpm • D Maj • 03:30 • -12.41db
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
74% Popularity • 44% Danceability • 71% Energy • 22% Liveness
54% Instrumentalness • 53% Positiveness
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Bob Seger
Rock And Roll Never Forgets
146 bpm • E Maj • 03:52 • -4.32db
57% Popularity • 52% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
57% Popularity • 52% Danceability • 90% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Eagles
Already Gone - 2013 Remaster
146 bpm • G Maj • 04:15 • -6db
60% Popularity • 46% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 46% Danceability • 81% Energy • 41% Liveness
0% Instrumentalness • 81% Positiveness
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Steve Miller Band
Jungle Love
146 bpm • G min • 03:07 • -12.33db
58% Popularity • 50% Danceability • 70% Energy • 75% Liveness
0% Instrumentalness • 83% Positiveness
58% Popularity • 50% Danceability • 70% Energy • 75% Liveness
0% Instrumentalness • 83% Positiveness
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The Doobie Brothers
China Grove
146 bpm • A Maj • 03:15 • -8.45db
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
65% Popularity • 62% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Old Crow Medicine Show
Wagon Wheel
146 bpm • A Maj • 03:52 • -8.21db
64% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
64% Popularity • 62% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Quiet Riot
Cum on Feel the Noize
145 bpm • B min • 04:50 • -5.44db
70% Popularity • 41% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 41% Danceability • 92% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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ZZ Top
Tush (2006 Remaster)
145 bpm • C Maj • 02:13 • -6.08db
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
71% Popularity • 51% Danceability • 91% Energy • 64% Liveness
3% Instrumentalness • 72% Positiveness
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Elton John
Tiny Dancer
145 bpm • C Maj • 06:17 • -11.1db
77% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
77% Popularity • 41% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
