Songs like Mary's Boy Child by Harry Belafonte
Based on a tempo of (+/- 10%) and a similar genre
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Tony Bennett
Christmasland
90 bpm • C Maj • 02:23 • -11.49db
26% Popularity • 23% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 21% Positiveness
26% Popularity • 23% Danceability • 31% Energy • 16% Liveness
13% Instrumentalness • 21% Positiveness
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Brenda Lee
Blue Christmas
90 bpm • C Maj • 02:44 • -11.06db
15% Popularity • 46% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
15% Popularity • 46% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 25% Positiveness
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Burl Ives
Rudolph The Red-Nosed Reindeer - Finale
90 bpm • C Maj • 01:22 • -13.16db
37% Popularity • 65% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
37% Popularity • 65% Danceability • 29% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Harry Belafonte
Mary's Boy Child
90 bpm • A# Maj • 04:22 • -17.86db
23% Popularity • 31% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 31% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Nat King Cole
O Tannenbaum
90 bpm • D# Maj • 03:00 • -14.18db
32% Popularity • 25% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
32% Popularity • 25% Danceability • 23% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Johnny Mathis
Silent Night, Holy Night
90 bpm • A# Maj • 03:49 • -12.94db
27% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 21% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Stevie Wonder
One Little Christmas Tree
91 bpm • A# Maj • 02:47 • -13.45db
29% Popularity • 35% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 35% Danceability • 35% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
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Glen Campbell
Old Toy Trains
91 bpm • E Maj • 02:20 • -15.73db
16% Popularity • 46% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 46% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Tony Bennett
Snowfall
91 bpm • C Maj • 02:47 • -13.95db
22% Popularity • 14% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
22% Popularity • 14% Danceability • 34% Energy • 11% Liveness
13% Instrumentalness • 12% Positiveness
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Harry Belafonte
Mary's Boy Child
90 bpm • A# Maj • 02:57 • -12.29db
29% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 36% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Ella Fitzgerald
The First Noel - Remastered/2006
89 bpm • G# Maj • 01:49 • -14.87db
28% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
28% Popularity • 41% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Pat Boone
Silver Bells
91 bpm • G# Maj • 02:18 • -17.19db
16% Popularity • 27% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
16% Popularity • 27% Danceability • 12% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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Frank Sinatra
Christmas Dreaming
91 bpm • A# Maj • 02:58 • -17.01db
26% Popularity • 18% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
26% Popularity • 18% Danceability • 12% Energy • 32% Liveness
0% Instrumentalness • 14% Positiveness
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Bing Crosby
Silent Night
91 bpm • G# Maj • 02:36 • -14.96db
35% Popularity • 18% Danceability • 14% Energy • 12% Liveness
42% Instrumentalness • 21% Positiveness
35% Popularity • 18% Danceability • 14% Energy • 12% Liveness
42% Instrumentalness • 21% Positiveness
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Johnny Mathis
O Holy Night
89 bpm • C Maj • 04:34 • -9.34db
20% Popularity • 13% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 13% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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Harry Belafonte
Zombie Jamboree
91 bpm • G Maj • 03:40 • -9.24db
4% Popularity • 67% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 67% Danceability • 64% Energy • 20% Liveness
0% Instrumentalness • 72% Positiveness
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Jim Reeves
White Christmas
92 bpm • G Maj • 03:12 • -12.93db
14% Popularity • 39% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
14% Popularity • 39% Danceability • 23% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
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Elvis Presley
The First Noel
88 bpm • D Maj • 02:13 • -12.89db
16% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
16% Popularity • 38% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Glen Campbell
Blue Christmas
92 bpm • A# Maj • 02:31 • -19.06db
10% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
10% Popularity • 50% Danceability • 12% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Boney M.
Christmas Medley
92 bpm • D Maj • 07:51 • -10.34db
19% Popularity • 36% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
19% Popularity • 36% Danceability • 32% Energy • 58% Liveness
0% Instrumentalness • 27% Positiveness
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Johnny Mathis
I'll Be Home for Christmas
88 bpm • C# Maj • 04:04 • -12.16db
18% Popularity • 14% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 14% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 14% Positiveness
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Harry Belafonte
Oh Freedom
92 bpm • D# Maj • 03:20 • -10.96db
15% Popularity • 39% Danceability • 54% Energy • 78% Liveness
0% Instrumentalness • 31% Positiveness
15% Popularity • 39% Danceability • 54% Energy • 78% Liveness
0% Instrumentalness • 31% Positiveness
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The Ronettes
Sleigh Ride
92 bpm • D Maj • 03:01 • -7.01db
48% Popularity • 53% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
48% Popularity • 53% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 85% Positiveness
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Nat King Cole
The First Noel
88 bpm • A# Maj • 01:57 • -13.12db
32% Popularity • 30% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 30% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Rosemary Clooney
White Christmas
88 bpm • G# Maj • 03:28 • -12.95db
11% Popularity • 18% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 18% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Jim Reeves
Senor Santa Claus
93 bpm • C Maj • 02:21 • -10.87db
21% Popularity • 40% Danceability • 49% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
21% Popularity • 40% Danceability • 49% Energy • 52% Liveness
0% Instrumentalness • 96% Positiveness
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Dickie Valentine
Christmas Alphabet
87 bpm • C Maj • 02:06 • -14.56db
21% Popularity • 65% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 65% Danceability • 11% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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Harry Belafonte
Cordelia Brown
91 bpm • F Maj • 02:56 • -12.98db
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
9% Popularity • 68% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ella Fitzgerald
White Christmas
93 bpm • G# Maj • 03:01 • -15.85db
21% Popularity • 43% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 43% Danceability • 21% Energy • 32% Liveness
0% Instrumentalness • 33% Positiveness
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Elvis Presley
White Christmas
93 bpm • D Maj • 02:23 • -18.64db
12% Popularity • 51% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 51% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Burl Ives
It Came Upon A Midnight Clear
93 bpm • A Maj • 02:07 • -12.27db
18% Popularity • 37% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 37% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Bing Crosby
White Christmas
93 bpm • A Maj • 03:06 • -18.2db
41% Popularity • 24% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 17% Positiveness
41% Popularity • 24% Danceability • 14% Energy • 13% Liveness
6% Instrumentalness • 17% Positiveness
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Danny Kaye
White Christmas
93 bpm • G Maj • 03:19 • -7.26db
21% Popularity • 25% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 25% Danceability • 33% Energy • 21% Liveness
0% Instrumentalness • 19% Positiveness
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Harry Belafonte
Scarlet Ribbons (For Her Hair)
89 bpm • A Maj • 03:14 • -22.54db
25% Popularity • 39% Danceability • 4% Energy • 11% Liveness
26% Instrumentalness • 15% Positiveness
25% Popularity • 39% Danceability • 4% Energy • 11% Liveness
26% Instrumentalness • 15% Positiveness
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Nat King Cole
Silent Night
86 bpm • G# Maj • 02:11 • -17db
33% Popularity • 22% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
33% Popularity • 22% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Perry Como
Here We Come a-Caroling / We Wish You a ...
94 bpm • G# Maj • 01:34 • -16.88db
37% Popularity • 57% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 57% Danceability • 17% Energy • 25% Liveness
0% Instrumentalness • 71% Positiveness
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Burl Ives
A Holly Jolly Christmas
94 bpm • C Maj • 01:22 • -11.57db
37% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Frank Sinatra
Adeste Fideles - Remastered 1999
86 bpm • G Maj • 02:31 • -13.92db
29% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 26% Danceability • 14% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Ella Fitzgerald
The Secret Of Christmas
86 bpm • C Maj • 02:45 • -12db
26% Popularity • 22% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
26% Popularity • 22% Danceability • 16% Energy • 28% Liveness
0% Instrumentalness • 9% Positiveness
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Harry Belafonte
Tol' My Captain
89 bpm • F min • 02:48 • -10.57db
4% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 46% Danceability • 11% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Ray Conniff
Medley: Let It Snow! Let It Snow! Let It...
86 bpm • G Maj • 05:15 • -11.11db
6% Popularity • 25% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
6% Popularity • 25% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 62% Positiveness
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Elvis Presley
White Christmas
94 bpm • D Maj • 02:43 • -20.29db
31% Popularity • 49% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
31% Popularity • 49% Danceability • 7% Energy • 28% Liveness
0% Instrumentalness • 34% Positiveness
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Pat Boone
Here Comes Santa Claus
86 bpm • C Maj • 01:49 • -14db
16% Popularity • 70% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
16% Popularity • 70% Danceability • 28% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Frank Sinatra
Hark! The Herald Angels Sing - Remastere...
86 bpm • F Maj • 02:21 • -13.12db
40% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
40% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Perry Como
Caroling, Caroling / The First Noel / Ha...
86 bpm • F Maj • 04:50 • -17.29db
30% Popularity • 14% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
30% Popularity • 14% Danceability • 13% Energy • 21% Liveness
0% Instrumentalness • 11% Positiveness
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Harry Belafonte
Silent Night
91 bpm • C Maj • 03:36 • -22.53db
11% Popularity • 30% Danceability • 5% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
11% Popularity • 30% Danceability • 5% Energy • 12% Liveness
8% Instrumentalness • 17% Positiveness
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Nat King Cole
A Cradle In Bethlehem
86 bpm • A# Maj • 03:24 • -15.27db
24% Popularity • 21% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
24% Popularity • 21% Danceability • 26% Energy • 35% Liveness
0% Instrumentalness • 13% Positiveness
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Dean Martin
Silent Night
86 bpm • G Maj • 02:45 • -15.82db
30% Popularity • 23% Danceability • 23% Energy • 10% Liveness
36% Instrumentalness • 15% Positiveness
30% Popularity • 23% Danceability • 23% Energy • 10% Liveness
36% Instrumentalness • 15% Positiveness
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Pat Boone
The First Noel
86 bpm • A# Maj • 02:57 • -13.04db
8% Popularity • 20% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
8% Popularity • 20% Danceability • 18% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Elvis Presley
Santa Bring My Baby Back (To Me)
94 bpm • C Maj • 01:53 • -13.5db
40% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 62% Danceability • 40% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Burl Ives
Overture And A Holly Jolly Christmas
94 bpm • C min • 02:28 • -15.28db
27% Popularity • 37% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
27% Popularity • 37% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 30% Positiveness
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Harry Belafonte
Hava Nageela
88 bpm • A Maj • 03:15 • -11.53db
19% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
19% Popularity • 40% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Frank Sinatra
The Christmas Waltz
94 bpm • F min • 03:10 • -15.26db
11% Popularity • 26% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 26% Danceability • 22% Energy • 27% Liveness
0% Instrumentalness • 17% Positiveness
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Brenda Lee
Silver Bells
95 bpm • F Maj • 02:07 • -9.88db
19% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
19% Popularity • 48% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Doris Day
Let It Snow! Let It Snow! Let It Snow!
86 bpm • A# Maj • 03:12 • -18.17db
10% Popularity • 23% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
10% Popularity • 23% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 12% Positiveness
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Elvis Presley
Blue Christmas
95 bpm • E Maj • 02:09 • -16.66db
55% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
55% Popularity • 46% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 58% Positiveness
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King Curtis
The Christmas Song
95 bpm • G# Maj • 03:05 • -14.66db
32% Popularity • 34% Danceability • 23% Energy • 18% Liveness
49% Instrumentalness • 32% Positiveness
32% Popularity • 34% Danceability • 23% Energy • 18% Liveness
49% Instrumentalness • 32% Positiveness
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Harry Belafonte
Mary's Boy Child - with The Royal Philha...
92 bpm • A# Maj • 04:26 • -9.91db
8% Popularity • 26% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
8% Popularity • 26% Danceability • 32% Energy • 11% Liveness
1% Instrumentalness • 33% Positiveness
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Al Martino
We Wish You A Merry Christmas/Silver Bel...
95 bpm • G# Maj • 03:13 • -14.53db
9% Popularity • 28% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
9% Popularity • 28% Danceability • 20% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Nat King Cole
God Rest Ye Merry, Gentlemen
95 bpm • B min • 01:28 • -11.75db
40% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
40% Popularity • 52% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jim Reeves
Jingle Bells
95 bpm • C Maj • 01:48 • -8.82db
34% Popularity • 60% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 60% Danceability • 45% Energy • 36% Liveness
0% Instrumentalness • 84% Positiveness
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Elvis Presley
Santa Claus Is Back In Town
95 bpm • D# Maj • 02:22 • -11.01db
41% Popularity • 42% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
41% Popularity • 42% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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Bob Dylan
Here Comes Santa Claus
95 bpm • C Maj • 02:35 • -6.78db
22% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 71% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 84% Positiveness
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Harry Belafonte
My Lord What a Mornin'
88 bpm • C# min • 04:25 • -18.55db
10% Popularity • 17% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
10% Popularity • 17% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 5% Positiveness
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Carpenters
Silent Night
85 bpm • E Maj • 03:21 • -17.01db
41% Popularity • 17% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 17% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 13% Positiveness
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Louis Armstrong
White Christmas
85 bpm • C Maj • 02:38 • -17.59db
18% Popularity • 33% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Rod Stewart
Baby, It's Cold Outside
85 bpm • B min • 03:51 • -6.97db
31% Popularity • 55% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
31% Popularity • 55% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 41% Positiveness
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Andy Williams
Silver Bells
95 bpm • A# Maj • 03:08 • -11.52db
30% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 35% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Mahalia Jackson
Silent Night, Holy Night
95 bpm • D# Maj • 05:02 • -20.88db
22% Popularity • 20% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 20% Danceability • 2% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Harry Belafonte
Goin' Down Jordan
92 bpm • C Maj • 05:36 • -5.93db
8% Popularity • 68% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 68% Danceability • 92% Energy • 20% Liveness
0% Instrumentalness • 93% Positiveness
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Carpenters
Do You Hear What I Hear
95 bpm • C Maj • 02:53 • -10.21db
20% Popularity • 37% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
20% Popularity • 37% Danceability • 38% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
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Frank Sinatra
An Old Fashioned Christmas
85 bpm • C# Maj • 03:46 • -16.2db
22% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
22% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Bing Crosby
I'll Be Home For Christmas - Single Vers...
85 bpm • G Maj • 02:57 • -15.17db
41% Popularity • 24% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 24% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 18% Positiveness
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Mirusia
O Holy Night (Minuit Chrétien)
96 bpm • G Maj • 03:50 • -10.08db
14% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
14% Popularity • 36% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Doris Day
Silver Bells
96 bpm • F Maj • 03:05 • -9.92db
18% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
18% Popularity • 40% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Harry Belafonte
Dolly Dawn
92 bpm • A# Maj • 03:15 • -13.21db
28% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
28% Popularity • 63% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Eartha Kitt
Santa Baby
84 bpm • G# Maj • 03:26 • -12db
45% Popularity • 70% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
45% Popularity • 70% Danceability • 14% Energy • 18% Liveness
0% Instrumentalness • 49% Positiveness
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Frank Sinatra
The First Noel - Remastered 1999
85 bpm • C Maj • 02:41 • -15.97db
36% Popularity • 18% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 18% Danceability • 15% Energy • 16% Liveness
0% Instrumentalness • 16% Positiveness
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Bing Crosby
Have Yourself A Merry Little Christmas -...
96 bpm • F Maj • 02:48 • -15.26db
21% Popularity • 34% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 34% Danceability • 10% Energy • 37% Liveness
0% Instrumentalness • 29% Positiveness
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Johnny Mathis
It Came Upon the Midnight Clear
84 bpm • A# Maj • 03:08 • -12.68db
21% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
21% Popularity • 30% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Jim Reeves
Blue Christmas
96 bpm • C Maj • 03:10 • -15.99db
16% Popularity • 41% Danceability • 16% Energy • 20% Liveness
46% Instrumentalness • 29% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 20% Liveness
46% Instrumentalness • 29% Positiveness
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Harry Belafonte
Oh, Freedom
93 bpm • G# Maj • 03:19 • -14.71db
6% Popularity • 38% Danceability • 43% Energy • 74% Liveness
0% Instrumentalness • 30% Positiveness
6% Popularity • 38% Danceability • 43% Energy • 74% Liveness
0% Instrumentalness • 30% Positiveness
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Art Garfunkel
O Come All Ye Faithful
84 bpm • G Maj • 02:05 • -15db
29% Popularity • 19% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 19% Danceability • 16% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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Frank Sinatra
Adeste Fideles (O Come All Ye Faithful)
84 bpm • F Maj • 02:37 • -13.67db
22% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
22% Popularity • 21% Danceability • 15% Energy • 18% Liveness
0% Instrumentalness • 13% Positiveness
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Jack Jones
Do You Hear What I Hear?
97 bpm • D# Maj • 02:59 • -12.16db
13% Popularity • 30% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
13% Popularity • 30% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 31% Positiveness
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Gene Autry
Here Comes Santa Claus (Right Down Santa...
97 bpm • C# Maj • 02:30 • -12db
50% Popularity • 83% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
50% Popularity • 83% Danceability • 37% Energy • 28% Liveness
0% Instrumentalness • 98% Positiveness
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Carpenters
(There's No Place Like) Home For The Hol...
84 bpm • E Maj • 02:35 • -14.8db
33% Popularity • 29% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
33% Popularity • 29% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Harry Belafonte
Scarlet Ribbons
87 bpm • A Maj • 02:45 • -17.55db
7% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
7% Popularity • 28% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Johnny Mathis
What Child Is This?
84 bpm • F min • 03:57 • -11.46db
28% Popularity • 22% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
28% Popularity • 22% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Andy Williams
Do You Hear What I Hear?
97 bpm • C Maj • 02:51 • -12.09db
30% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
30% Popularity • 49% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Kate Smith
It's Beginning To Look Like Christmas
97 bpm • D Maj • 01:58 • -11.5db
17% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 67% Danceability • 24% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Perry Como
O Holy Night - 1968 Version
84 bpm • C Maj • 03:40 • -13.24db
30% Popularity • 15% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
30% Popularity • 15% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Carpenters
I'll Be Home For Christmas
84 bpm • C# min • 03:49 • -18.34db
23% Popularity • 25% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
23% Popularity • 25% Danceability • 16% Energy • 16% Liveness
0% Instrumentalness • 8% Positiveness
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Harry Belafonte
Try to Remember
97 bpm • F# Maj • 03:23 • -18.78db
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
22% Popularity • 49% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Connie Francis
Baby's First Christmas
97 bpm • F# Maj • 02:25 • -12.8db
18% Popularity • 40% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
18% Popularity • 40% Danceability • 19% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Dean Martin
Silver Bells
97 bpm • G# Maj • 02:22 • -14db
46% Popularity • 29% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
46% Popularity • 29% Danceability • 26% Energy • 31% Liveness
0% Instrumentalness • 61% Positiveness
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Patti Page
Santa Claus Is Coming To Town
83 bpm • F# Maj • 02:40 • -7.9db
14% Popularity • 47% Danceability • 56% Energy • 74% Liveness
0% Instrumentalness • 87% Positiveness
14% Popularity • 47% Danceability • 56% Energy • 74% Liveness
0% Instrumentalness • 87% Positiveness
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The Andrews Sisters
Sleigh Ride
97 bpm • A# Maj • 03:05 • -9.24db
8% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
8% Popularity • 84% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 93% Positiveness
